OjaiU is live – sign up today!

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The Ojai Music Festival is pleased to share that OjaiU, a free three-week online course centered on the 2013 Festival, will be launching Wednesday, May 15. These courses are designed to help audiences “listen smarter” and enable them to gain deeper insight into music. Far from being simply “program notes,” OjaiU is built around the ideas that animate the thinking behind a Festival like Ojai, featuring observations by performers, critics and experts.

Watch a video preview of OjaiU below and sign up for classes here >>

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The OjaiU courses are led by Douglas McLennan, editor and founder of ArtsJournal.com and feature guest instructors including Festival Artistic Director Thomas W. Morris and 2013 Music Director Mark Morris. Other instructors are composer John Luther Adams, pianist Jeremy Denk, dean of the Juilliard School Ara Guzelimian, music and dance critic John Rockwell, filmmaker Eva Soltes, and Los Angeles Times classical music critic Mark Swed.

View descriptions of the three OjaiU courses

  • Ideas and the Power of Music: Great art says something about the culture around it. Just how that happens is easy to see in visual art or theatre or dance. But music is largely an abstract art form. So how does music engage ideas? Does music have important things to say about our contemporary culture?
  • Music in its Place: Music is an evocative art. A few bars can set you in the Old West, a busy city or a faraway country. Music can also express identity. But how? Certainly by quoting cultural references we all know. But the relationships between composers, their music, and the places they want to evoke can be much more complicated. The music of composers such as John Cage, Lou Harrison, Charles Ives and John Luther Adams not only works to evoke place and identity, but also to interact and adapt to the places, context and circumstances in which the music is being performed and heard.
  • Dance and Music, a Love Story (It’s a little more complicated than that): For many, it’s tough to imagine dance without music; the two are inextricably linked. So does dance come out of music? And if so, is dance a subordinate art? Or is it MORE subtle than that—a collaboration, a partnership or dialogue? We’ll explore the relationship.

Classes begin May 15 and take place each Wednesday leading up to the 2013 Ojai Music Festival. OjaiU is free and open to the public.

Visit the OjaiU website >>
Click here to sign up for OjaiU >>

Choose your own Festival Experience: Buy Series Tickets

There are many benefits to purchasing series ticket packages:

  • The same best seats for all concerts – and the ability to make special seating requests
  • Substantial savings over single ticket prices
  • One-stop shopping: the convenience of getting concerts, talks, and late night tickets at the same time
  • Advance program notes and an invitation to the Festival Preview event in the spring
  • AND, best of all, you get the satisfaction of being a part of the complete celebration during the entire four days

Purchase your tickets online here >>

Mark Morris Branches Out: Read the Recent Symphony Article

Taking risks and gettng outside of your comfort zone are qualities that are reflected in many of our past Festival music directors – from soprano Dawn Upshaw, composer/conductor George Benjamin, ensemble eighth blackbird to choreographer Mark Morris, who leads the upcoming 67th Festival in June 2013. Symphony Magazine recently interviewed Mark Morris on another venture he has successfully embarked on – conducting. Click here for article >>

Learn more about 2013 Music Director Mark Morris

 

MARK MORRIS was born on August 29, 1956, in Seattle, Washington, where he studied with Verla Flowers and Perry Brunson. In the early years of his career, he performed with the Koleda Balkan Dance Ensemble, and later the dance companies of Lar Lubovitch, Hannah Kahn, Laura Dean, and Eliot Feld. He formed the Mark Morris Dance Group in 1980, and has since created more than 130 works for the company. From 1988-1991, he was Director of Dance at the Théâtre Royal de la Monnaie in Brussels, the national opera house of Belgium. Among the works created during his time there were three evening-length dances: L’Allegro, il Penseroso ed il Moderato; Dido and Aeneas; and The Hard Nut. In 1990, he founded the White Oak Dance Project with Mikhail Baryshnikov.

 

Morris is also a ballet choreographer and has created eight works for the San Francisco Ballet since 1994 and received commissions from many others. His work is also in the repertory of the Pacific Northwest Ballet, Boston Ballet, Dutch National Ballet, New Zealand Ballet, Houston Ballet, English National Ballet, and The Royal Ballet. Morris, named music director of the 2013 Ojai Music Festival, is noted for his musicality and has been described as “undeviating in his devotion to music.” He has conducted performances for the Mark Morris Dance Group since 2006. He has worked extensively in opera, directing and choreographing productions for the Metropolitan Opera, New York City Opera, Gotham Chamber Opera, English National Opera, and The Royal Opera, Covent Garden.

 

In 1991, he was named a Fellow of the MacArthur Foundation. He has received eleven honorary doctorates to date. In 2006, Morris received the New York City Department of Cultural Affairs Mayor’s Award for Arts & Culture and a WQXR Gramophone Special Recognition Award “for being an American ambassador for classical music at home and abroad.” He is the subject of a biography, Mark Morris, by Joan Acocella (Farrar, Straus & Giroux) and Marlowe & Company published a volume of photographs and critical essays entitled Mark Morris’ L’Allegro, il Penseroso ed il Moderato: A Celebration. Morris is a member of the American Academy of Arts and Sciences and the American Philosophical Society. In recent years, he has received the Samuel H. Scripps/American Dance Festival Award for Lifetime Achievement (2007), the Leonard Bernstein Lifetime Achievement Award for the Elevation of Music in Society (2010), and the Benjamin Franklin Laureate Prize for Creativity (2012).

Visit the Mark Morris Dance Group

Visit our multimedia page and watch recent videos of Mark Morris

For information on series tickets to the 2013 Festival, call our box office at 805.646.2053 or purchase online here >>