MARK MORRIS was born on August 29, 1956, in Seattle, Washington, where he studied with Verla Flowers and Perry Brunson. In the early years of his career, he performed with the Koleda Balkan Dance Ensemble, and later the dance companies of Lar Lubovitch, Hannah Kahn, Laura Dean, and Eliot Feld. He formed the Mark Morris Dance Group in 1980, and has since created more than 130 works for the company. Continue reading
The MARK MORRIS DANCE GROUP was formed in 1980 and gave its first concert that year in New York City. The company’s touring schedule steadily expanded to include cities in the U.S. and around the world, and in 1986 it made its first national television program for the PBS series Dance in America. In 1988, MMDG was invited to become the national dance company of Belgium, and spent three years in residence at the Théâtre Royal de la Monnaie in Brussels. The company returned to the United States in 1991 as one of the world’s leading dance companies, performing across the U.S. and at major international festivals. Continue reading
The MMDG Music Ensemble, formed in 1996, performs with the Dance Group throughout the season at home and on tour and has become integral to the company’s creative life. The core group of accomplished musicians is supplemented by a large roster of regular guests, including cellist Yo-Yo Ma and pianist Emanuel Ax. While in Brooklyn, members of the ensemble participate in the Mark Morris Dance, Music and Literacy Project in the New York City public school system.
Internationally recognized as one of the world’s foremost quartets, the American String Quartet celebrated its 36th season in 2011–2012. Critics and colleagues hold the Quartet in high esteem and many of today’s leading artists and composers seek out the Quartet for collaborations. Continue reading
For the past ten years The Bad Plus Reid Anderson, Ethan Iverson and David King have broken down the walls of jazz convention and created an uncompromising body of work. Few jazz groups in recent memory have amassed such acclaim, and few have inspired such controversy. Continue reading
Colin Fowler hails from Kansas City, Kansas and began studying piano at the age of five. After attending Interlochen Arts Academy, he received his Bachelors and Masters degrees at The Julliard School, where he studied organ with Gerre Hancock and piano with Abbey Simon. He has played and directed music across the country, at venues including Carnegie Hall, Alice Tully Hall, Jazz at Lincoln Center, and The Library of Congress. Continue reading
Gamelan Sari Raras, founded and co-directed by Midiyanto and Ben Brinner, is an ensemble in the Department of Music at U.C. Berkeley. Widely recognized as one of the leading Javanese music ensembles outside Indonesia, Sari Raras has performed concerts, shadow plays, and performances of Javanese dance and music throughout Northern California over the past twenty-five years.
Joshua David (J.D.) Gersen, winner of the prestigious 2011 Aspen Conducting Prize, as well as the 2010 Robert J. Harth Conducting Prize from the Aspen Music Festival, made his conducting debut at age 11 with the Greater Bridgeport Youth Orchestra in Bridgeport, CT, and his professional conducting debut 5 years later, when he led the Greater Bridgeport Symphony in a performance of his own composition, A Symphonic Movement. Continue reading
Ethan Iverson is best known as one-third of The Bad Plus (TBP), a game-changing collective with Reid Anderson and David King. The New York Times has said that TBP is “…Better than anyone at melding the sensibilities of post-60′s jazz and indie rock.” TBP performs in venues as diverse as the Village Vanguard, Carnegie Hall, and Bonnaroo; collaborators include Joshua Redman, Bill Frisell, and the Mark Morris Dance Group. They have released ten CD’s of mostly original material. Continue reading
The New York Times calls red fish blue fish a “dynamic percussion ensemble from the University of California.” Founded fifteen years ago by Steven Schick, the San Diego-based ensemble performs, records, and premieres works from the last 85 years of western percussion’s rich history. Continue reading
Eva Soltes – Filmmaker/Performing Arts Producer has, over the course of her decades-long career, produced, directed and/or written nearly one thousand music, dance, theater and media works for national and international audiences. Soltes has also facilitated the creation of new work by gifted artists and documented historic figures who would otherwise have been under-recognized. Continue reading
Consistently singled out by critics for her “perfect baroque voice” (Seattle Times), Russian-American soprano Yulia Van Doren has established herself as a rising star of the new generation of Baroque specialists, acclaimed for performances on the opera stage and with symphony and period orchestras around the world. Continue reading
With polished, elegant vocalism and committed dramatic portrayals on-stage, American mezzo-soprano Jamie Van Eyck appeals to audiences and critics alike as a compelling young artist in opera and concert. This season, she makes her New York City recital debut with pianist Jocelyn Dueck in a performance sponsored by The Casement Fund. Continue reading
“The gifted young bass-baritone Douglas Williams” (Anthony Tommasini, The New York Times) combines a “formidable stage presence” (Seattle Times) with “a bass voice of splendid solidity” (Bernard Jacobson, Music Web International), making him one of the most appealing singing actors of the younger generation. He has collaborated with leading conductors including Helmut Rilling, Sir Neville Marriner, John Nelson, and Christoph Rousset in such prestigious venues as Lincoln Center, the Kennedy Center, Stuttgart’s Mozart-Saal, and the Frankfurt Alte Oper. Continue reading