 |
 




|
 |
 |

 The
first, entirely improvised NEXUS concert in 1971 marked the formation
of a group that would touch and entertain people of all levels of
musical learning, in all genres of percussion music. Bob Becker,
Bill Cahn, Robin Engelman, Russell Hartenberger and Garry Kvistad
are virtuosos alone, and bring elements of their knowledge and character
to a distinct and powerful whole. They stand out in the contemporary
music scene for the innovation and diversity of their programs,
their impressive history of collaborations and commissions, their
revival of 1920's novelty ragtime xylophone music, and their influential
improvisatory ideas. NEXUS' firm commitment to music education and
a steady output of quality CD recordings and compositions by its
members continues to enhance the role of percussion in the 21st
century.
NEXUS'
music, with its widespread appeal, has taken the group on tours
of Australia, New Zealand, Asia, Brazil, Scandinavia, Europe, and
regularly to the United States and Canada. NEXUS is proud to have
been the first Western percussion group to perform in the People's
Republic of China. They have also enjoyed participating at international
music festivals such as the Adelaide, Holland, Budapest Spring,
Singapore Arts, Tanglewood, Ravinia, and Blossom Music Festivals,
as well as the BBC Proms in London, Music Today and Music Joy festivals
in Tokyo, and many World Drum Festivals. NEXUS is the recipient
of the Banff Centre for the Arts National Award and the Toronto
Arts Award. NEXUS was inducted into the Percussive Arts Society
Hall of Fame in 1999, just before celebrating their 30th anniversary
season.
Especially
renowned for their improvisational skills, NEXUS was called upon
to create the chilling musical score for the Academy Award-winning
feature-length documentary "The Man Who Skied Down Everest".
Television and radio broadcasters such as the CBS TV, PBS, and CBC
have regularly featured this leading percussion ensemble. NEXUS'
list of high-profile collaborations includes the Kronos Quartet,
the Canadian Brass, and clarinetist Richard Stoltzman.
Toru Takemitsu,
a great friend to NEXUS, composed one of their signature pieces,
"From me flows what you call Time". This work, written
with each NEXUS member's personality in mind, was premiered for
Carnegie Hall's centennial celebration in 1990 with Seiji Ozawa
conducting the Boston Symphony Orchestra.
Compelled
to share their insatiable curiosity, knowledge, and passion for
their art, NEXUS has contributed greatly to musical education with
symphonic and solo programs for family audiences from "The
Story of Percussion in the Orchestra" to their concert, "An
African Celebration". Internationally, they have participated
in high school, college and university residencies giving masterclasses,
workshops and concerts. NEXUS members consistently write compositions
that become core repertoire for percussion ensembles.
In September
of 2005, the world premiere recording of Pulitzer Prize winning
composer Ellen Taaffe Zwilich's "Rituals" for NEXUS and
Chamber Orchestra was released, featuring NEXUS and the IRIS Orchestra
under the direction of Michael Stern. NEXUS' last solo CD, Juno-nominated
"Drumtalker" was released in 2004, and a new solo CD entitled
"Wings" will be released shortly. Their CD "out of
the blue" with Fritz Hauser was released in March 2007. Recent
events include concerts with the Kansas City Symphony, the Pacific
Symphony, and the Oklahoma Bandmasters Conference, as well as solo
concerts and an appearance with the St.Paul Chamber Orchestra at
the 2007 Ojai Festival in California. Appearances in Canada include
the Colours of Music and Cool Drummings Festivals as well as their
popular annual residency at the Toronto Summer Music Academy and
Festival. NEXUS has also performed at the Schleswig-Holstein Festival
in Europe, the Seoul Drum Festival in Korea and the Commonwealth
Games Cultural Festival in Melbourne Australia (September 2006),
and has just completed a National Film Board of Canada soundtrack
project. In September 2007, NEXUS will honor John Cage at Bard College's
Fisher Center in New York, giving the U.S. premiere of Dance Music
for Elfrid Ide (1940), which was rediscovered in 2005. (September
2007).
|
 |