Category: 2023 Festival Composers

  • Shawn Conley, bass

    Shawn Conley, bass

    Hawaiian-born bassist and composer Shawn Conley grew up loving all types of music. This love developed into a career that straddles many genres. He has been playing with the Silkroad Ensemble for six years and is a member of the Brooklyn-based chamber orchestra The Knights. Recent projects include Silkroad’s Grammy-winning album Sing Me Home, an upcoming release of the Brahms and Beethoven violin concertos with Gil Shaham and The Knights, the world premiere tour of Osvaldo Golijov’s Falling Out of Time (commissioned by Silkroad), as well as an international tour of the new performance-art piece The Head & the Load created by South African visual artist William Kentridge.

    Conley can also be heard on The Knights album Azul, featuring Silkroad founder Yo-Yo Ma. As a studio musician, he has performed on multiple soundtracks including True GritMoonrise KingdomExtremely Loud and Incredibly CloseThe Vietnam War documentary by Ken Burns and Lynn Novick, and the Amazon series The Marvelous Mrs. Maisel. Conley studied at Rice University with Paul Ellison and in Paris, France, with Francois Rabbath.

  • Mario Gotoh, violin, viola

    Mario Gotoh, violin, viola

    Born in Japan, Mario Gotoh (五藤 舞央) is recognized as a Grammy Award winner, sought for distinguished roles as an innovative and creative violinist, violist, passionate educator, and composer with a remarkably unique style of expression in all genres, performing worldwide. An avid interdisciplinary collaborator, Dr. Gotoh performs worldwide as a member of the Silkroad Ensemble (founded by Yo-Yo Ma), and is also a member of The Knights, a collective based in NYC. Dr. Gotoh has performed at the Park Avenue Armory, Holland Festival, Tate Modern, and Ruhr Festival as an original featured actor in William Kentridge’s large-scale production, The Head & The Load, about Africans in the First World War. Dr. Gotoh frequently performs as soloist, concertmaster, and principal of numerous ensembles. She regularly premieres and records new works; and also records and performs with numerous renowned artists and on soundtracks, including: Succession, Moonlight, Stevie Wonder, Brian Wilson, Roger Waters, Sting, Doja Cat, Ed Sheeran – performing live on The Grammys, SNL, MTV VMAs, Colbert, Letterman, The White House, Madison Square Garden, Barclays Center, Elbphilharmonie, Musikverein Vienna, Newport Folk Festival, Tanglewood, Ravinia, Aspen, Banff, to name a few. She was the original violinist-violist in Hamilton: An American Musical on Broadway, Original Cast Recording, and Movie. Dr. Gotoh holds dual-degree Doctorates in both Violin and Viola Performance. She is currently on faculty at Longy School of Music of Bard College, teaches workshops through Silkroad Connect and Kennedy Center’s Turnaround Arts, and has taught workshops and classes in Taiwan, China, Canada and colleges and institutions across the US. Dr. Gotoh is inspired by her community activism, language, literature, cooking, writing, visual arts, film, swimming, and exploring cultures everywhere.

    Visit Mario Gotoh’s Website

  • Francesco Turrisi, multi-instrumentalist

    Francesco Turrisi, multi-instrumentalist

    Grammy-winning multi-instrumentalist Francesco Turrisi has been described as a “musical alchemist” and a “musical polyglot” by the press. He left his native Italy to study jazz piano and early music at the Royal Conservatory of The Hague, where he obtained bachelor’s and master’s degrees.

    He moved to Ireland in 2004, where he’s currently based and where he is active as a freelance musician. He is equally at home playing with jazz veterans Dave Liebman and Bill Frisell as he is with Irish traditional sean-nós singer Roisin El Safty and with tarantella specialist Lucilla Galeazzi. Turrisi has toured with Bobby McFerrin, played baroque operas with ensemble L’Arpeggiata, toured with the Silkroad Ensemble, interpreted the music of Steve Reich with Bang on a Can All Stars, accompanied flamenco star Pepe El Habichuela and Greek singer Savina Yannatou.

    He has released five critically acclaimed albums as a leader and two as co-leader (Tarab, a cross boundary innovative ensemble that blends Irish and Mediterranean traditional music, and Zahr, a project that looks at connections between southern Italian traditional music and Arabic music).

    His latest piano solo album Northern Migrations was described as “delicate, wistful, and wholly engrossing” by the Irish Times. Since 2018 he collaborates with American Grammy- winning singer and multi-instrumentalist Rhiannon Giddens, on a duo project that seamlessly combines music from the Mediterranean with music from the African diaspora in the Americas. In 2019 Giddens and Turrisi released their critically acclaimed duo album There Is No Other. The album single “I’m On My Way” was nominated for a 2020 Grammy. Their 2021 second duo album They’re Calling Me Home was nominated for two Grammy awards and won as best folk album at the 2022 Grammy Awards.

    His long list of collaborations include Bobby McFerrin, Dave Liebman, Gianluigi Trovesi, Bill Frisell, Rhiannon Giddens, the Silkoad Ensemble, Nils Landgren, Wolfgang Muthspiel, Gavin Bryars, Gabriele Mirabassi, Rolando Villazon, Lisa Hannigan, Savina Yannatou, Maria Pia de Vito, Theodosii Spassov, The King’s Singers, Veronique Gens, Philippe Jaroussky, Pepe el Habichuela, and Lucilla Galeazzi.

    Visit Francesco Turrisi’s Website

  • Michael Abels, composer

    Michael Abels, composer

    Michael Abels is best-known for his scores for the Oscar-winning film Get Out, and for Jordan Peele’s Us, for which Abels won the World Soundtrack Award, the Jerry Goldsmith Award, a Critics Choice nomination, an Image Award nomination, and multiple critics awards. The hip-hop influenced score for US was short-listed for the Oscar, and was even named “Score of the Decade” by online publication The Wrap.

    As a concert composer, Abels has received grants from the National Endowment for the Arts, Meet The Composer, and the Sphinx Organization, among others. His orchestral works have been performed by the Chicago Symphony, the Cleveland Orchestra, the Atlanta Symphony, the Philadelphia Orchestra, and many more. As guest conductor of Get Out in Concert, Abels has led orchestras like the National Symphony and the San Francisco Symphony. Several of his orchestral works have been recorded by the Chicago Sinfonietta on the Cedille label, including Delights & Dances and Global Warming. Abels is co-founder of the Composers Diversity Collective, an advocacy group to increase visibility of composers of color in film, game and streaming media. Upcoming projects include the ballet for concert band Falling Sky for Butler University, At War with Ourselves for the Kronos Quartet, and the Hugh Jackman film Bad Education for HBO.

    Visit Michael Abels’ Website

  • Rhiannon Giddens, 2023 Music Director

    Rhiannon Giddens, 2023 Music Director

    The acclaimed musician Rhiannon Giddens uses her art to excavate the past and reveal bold truths about our present. A MacArthur “Genius Grant” recipient, Giddens co-founded the Grammy Award-winning Carolina Chocolate Drops. She most recently won a Grammy Award for Best Folk Album for They’re Calling Me Home, and was also nominated for Best American Roots Song for “Avalon” from They’re Calling Me Home, which she made with multi-instrumentalist Francesco Turrisi. Giddens is now a two-time winner and eight-time Grammy nominee for her work as a soloist and collaborator.

    They’re Calling Me Home was released by Nonesuch last April and has been widely celebrated by the NY Times, NPR Music, NPR, Rolling Stone, People, Associated Press and far beyond, with No Depression deeming it “a near perfect album…her finest work to date.” Recorded over six days in the early phase of the pandemic in a small studio outside of Dublin, Ireland – where both Giddens and Turrisi live – They’re Calling Me Home manages to effortlessly blend the music of their native and adoptive countries: America, Italy, and Ireland. The album speaks of the longing for the comfort of home as well as the metaphorical “call home” of death.

    Giddens’s lifelong mission is to lift people whose contributions to American musical history have previously been erased, and to work toward a more accurate understanding of the country’s musical origins. Pitchfork has said of her work, “few artists are so fearless and so ravenous in their exploration,” and Smithsonian Magazine calls her “an electrifying artist who brings alive the memories of forgotten predecessors, white and black.”

    Among her many diverse career highlights, Giddens has performed for the Obamas at the White House and received an inaugural Legacy of Americana Award from Nashville’s National Museum of African American History in partnership with the Americana Music Association. Her critical acclaim includes in-depth profiles by CBS Sunday Morning, the New York Times, the New Yorker, and NPR’s Fresh Air, among many others.

    Giddens was featured in Ken Burns’s Country Music series, which aired on PBS, where she spoke about the African American origins of country music. She is also a member of the band Our Native Daughters with three other black female banjo players, Leyla McCalla, Allison Russell, and Amythyst Kiah, and co-produced their debut album Songs of Our Native Daughters (2019), which tells stories of historic black womanhood and survival.

    Giddens is in the midst of a tremendous 2022. She recently announced the publication of her first book, Build a House (October 2022),  Lucy Negro Redux, the ballet Giddens wrote the music for, had its premiere at the Nashville Ballet (premiered in 2019 and toured in 2022), and the libretto and music for Giddens’ original opera, Omar, based on the autobiography of the enslaved man Omar Ibn Said, premiered at the Spoleto USA Festival in May. Giddens is also curating a four-concert Perspectives series as part of Carnegie Hall’s 2022–2023 season. Named Artistic Director of Silkroad Ensemble in 2020, Giddens is developing a number of new programs for that ensemble, including one inspired by the history of the American transcontinental railroad and the cultures and music of its builders.

    As an actor, Giddens had a featured role on the television series Nashville. for the Obamas at the White House and received an inaugural Legacy of Americana Award from Nashville’s National Museum of African American History in partnership with the Americana Music Association. Her critical acclaim includes in-depth profiles by CBS Sunday Morning, the New York Times, the New Yorker, and NPR’s Fresh Air, among many others.

    Giddens was featured in Ken Burns’s Country Music series, which aired on PBS, where she spoke about the African American origins of country music. She is also a member of the band Our Native Daughters with three other black female banjo players, Leyla McCalla, Allison Russell, and Amythyst Kiah, and co-produced their debut album Songs of Our Native Daughters (2019), which tells stories of historic black womanhood and survival.

    Giddens is in the midst of a tremendous 2022. She recently announced the publication of her first book, Build a House (October 2022),  Lucy Negro Redux, the ballet Giddens wrote the music for, had its premiere at the Nashville Ballet (premiered in 2019 and toured in 2022), and the libretto and music for Giddens’ original opera, Omar, based on the autobiography of the enslaved man Omar Ibn Said, premiered at the Spoleto USA Festival in May. Giddens is also curating a four-concert Perspectives series as part of Carnegie Hall’s 2022–2023 season. Named Artistic Director of Silkroad Ensemble in 2020, Giddens is developing a number of new programs for that ensemble, including one inspired by the history of the American transcontinental railroad and the cultures and music of its builders.

    As an actor, Giddens had a featured role on the television series Nashville.

    Visit Rhiannon Giddens’ Website

  • Gabriela Ortiz, composer

    Gabriela Ortiz, composer

    Latin Grammy-nominated Gabriela Ortiz is one of the foremost composers in Mexico today and one of the most vibrant musicians emerging on the international scene. Her musical language achieves an extraordinary and expressive synthesis of tradition and the avant-garde by combining high art, folk music and jazz in novel, frequently refined and always personal ways. Her compositions are credited for being both entertaining and immediate as well as profound and sophisticated; she achieves a balance between highly organized structure and improvisatory spontaneity.

    Gustavo Dudamel, the conductor of the Los Angeles Philharmonic, called her recent work Téenek “one of the most brilliant I have ever directed. Its color, its texture, the harmony and the rhythm that it contains are all something unique. Gabriela possesses a particular capacity to showcase our Latin identity.”

    She has written music for dance, theater and cinema, and has actively collaborated with poets, playwrights, and historians. Indeed, her creative process focuses on the connections between gender issues, social justice, environmental concerns and the burden of racism, as well as the phenomenon of multiculturality caused by globalization, technological development, and mass migrations. She has composed three operas, in all of which interdisciplinary collaboration has been a vital experience. Notably, these operas are framed by political contexts of great complexity, such as the drug war in Only the Truth, illegal migration between Mexico and the United States in Ana and her Shadow, and the violation of university autonomy during the student movement of 1968 in Firefly.

    Based in Mexico, Gabriela’s music has been commissioned and performed all over the world by prestigious ensembles, soloists and orchestras, such as: the Los Angeles Philharmonic Orchestra, Gustavo Dudamel and Esa Pekka Salonen, Zoltan Kocsis, Carlos Miguel Prieto, the Kroumata and Amadinda Percussion Ensembles, the Kronos Quartet, Dawn Upshaw, Sarah Leonard, the Cuarteto Latinoamericano, Pierre Amoyal, Southwest Chamber Music, the Tambuco Percussion Quartet, the Hungarian Philharmonic Orchestra, the Malmo Symphony Orchestra, the Orquestra Simón Bolivar, the Royal Scottish National Orchestra, the BBC Scottish Symphony Orchestra, and the Royal Liverpool Philharmonic Orchestra, among others. Recent premieres include: Yanga and Téenek, both pieces commissioned by the Los Angeles Philharmonic and Gustavo Dudamel, Luciérnaga (Firefly, her third opera) commissioned and produced by the Universidad Nacional Autónoma de México, Únicamente la Verdad (Only the Truth, her first opera) with Long Beach Opera and Opera de Bellas Artes in Mexico.

    Gabriela has been honored with the National Prize for Arts and Literature, the most prestigious award for writers and artists granted by the government of Mexico, and has been inducted into the Mexican Academy of the Arts. Other honors include: the Bellagio Center Residency Program, Civitella Ranieri Artistic Residency; a John Simon Guggenheim Memorial Foundation Fellowship; a Fulbright Fellowship; first prize in the Silvestre Revueltas National Chamber Music Competition; first prize in the Alicia Urreta Composition Competition; a Banff Center for the Arts Residency; the Inroads Commission (a program of Arts International with funds from the Ford Foundation); a grant from the Rockefeller Foundation; and the Mozart Medal Award.

    Born in Mexico City, her parents were musicians in the renowned folk music ensemble Los Folkloristas, founded in 1966 to preserve and record the traditional music of Mexico and Latin America. She trained with the eminent composer Mario Lavista at the Conservatorio Nacional de Música and Federico Ibarra at the Universidad Nacional Autónoma de México. In 1990 she was awarded the British Council Fellowship to study in London with Robert Saxton at The Guildhall School of Music and Drama. In 1992 she received a scholarship from the UNAM to complete her Ph.D. studies in electroacoustic music composition with Simon Emmerson at The City University in London.

    She currently teaches composition at the Universidad Nacional Autónoma de México in Mexico City and as a Visiting Professor at Indiana University. Her music is currently published by Schott, Ediciones Mexicanas de Música, Saxiana Presto, and Tre Fontane.

    Visit Gabriela Ortiz’ website