Cultivated by Friends Historians, Jacqueline Francis and Patricia Foster
Author: Maddy Doss
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2026 Tasting Notes
Explore a tidbit of detail on each concert! These tasting notes are deeper than piece listings and a fraction of program notes, all written by Thomas May.
Opening Concert
Libbey Bowl
THU 06.11.26We establish the tone for the whole festival by resetting your sense of time – starting with a surprise inspired by the ever-present birds around Libbey Bowl. Music by Esa-Pekka Salonen is on the menu, including a brand-new duo for violin and cello alongside his mercurial Homunculus — a natural match for the innovative Attacca Quartet. Then, Conor Hanick traces two sides of John Adams, from the early turning point China Gates to a piano piece heard here in its world premiere. This first Ojai evening culminates in a 20th-century landmark: Quartet for the End of Time envisions a suspension of time altogether, where birdsong becomes an emblem of transcendence: the desire “for light, for stars, for rainbows, and for jubilant songs.”
Ojai Dawns
Zalk Theater
FRI 06.12.26Written at the height of the Vietnam War, Black Angels channels what composer George Crumb called the “dark currents” of the time into a charged, ritualized, amplified sound world that helped redefine what a string quartet could be. Taken up by groups like the Kronos Quartet and carried forward this morning by the Attacca Quartet, that legacy continues in David Lang’s daisy, written for Attacca as a response to Black Angels that imagines two futures at once — one overwhelmed, one held open.
Morning Concert
Libbey Bowl
FRI 06.12.26Unfamiliar combinations set the morning in motion at Libbey Bowl: a distant cello shadowing another in Esa-Pekka Salonen’s tribute to composer friend Oliver Knussen; a bright, high-register trio that twists the idea of a music box; an amplified harpsichord set against a battery of percussion, each producing sounds that refuse to blend but instead create fascinating sonic “knots.”
Ojai Afternoon: LA Dance Project
Greenberg Center
FRI 06.12.26, SAT 06.13.26Sequenza is Luciano Berio’s long-running series of solo works, each written for a different instrument and performer. In this interpretation, these solos push players to the edge of what their instruments — and bodies — can sustain, from flute and viola to cello and accordion, and are at the same time set in dialogue with the artistry of choreographers and dancers from LA Dance Project.
Evening Concert
Libbey Bowl
FRI 06.12.26A few notes, a fragment of melody, a remembered story — music has myriad ways of transfiguring what’s given: the letters naming LA’s Colburn School; material from a film score recast as a clarinet concerto, its movements unfolding in a new kind of cinematic motion; or a passionately charged encounter between lovers, drawn from a fin-de-siècle poem and transformed by Arnold Schoenberg into a radiant early masterpiece.
Morning Concert
Libbey Bowl
SAT 06.13.26The flute sustains a solo voice in Debussy’s Syrinx, while Kaija Saariaho compresses a solo cello’s gestures into brief, self-contained fragments that flicker in and out, like the erratic flight of butterflies. Piano miniatures spanning more than a decade of Esa-Pekka Salonen’s career are heard for the first time as a complete set, and John Adams takes us on an unforgettable trip for piano and violin, from a relaxed drive down a familiar road to a giddy, propulsive ride that never lets up.
Evening Concert
Libbey Bowl
SAT 06.13.26Images from the natural world abound in the variety of contemporary music this evening at Libbey Bowl, from the teeming, marine life of Anthozoa to the shifting, seismic formations of Related Rocks and the near-still, fragile equilibrium of Ró. Meanwhile, Esa-Pekka Salonen and John Adams respond to the legacy of Arnold Schoenberg and early Modernism from sharply different angles: unpredictable, manic, at times even unhinged.
Morning Concert
Libbey Bowl
SUN 06.14.26The Attacca Quartet leads this program, moving from their own vividly eclectic playlist — including reimagined tracks from Radiohead — to the world premiere of John Adams’s Iron Jig, a newly forged dance in which the quartet locks into a single, tightly wound mechanism — rhythms colliding, patterns shifting, and motion driving forward until the music seems almost to spin itself apart. Also performing are clarinetist Anthony McGill and pianist Conor Hanick in music by Olivier Messiaen, Jessie Montgomery, and Niccolò Castiglioni, where time stretches toward stillness and sound is held in delicate suspension.
Ojai Afternoon: Percussion
Greenberg Center
SUN 06.14.26For a percussionist like Jonathan Hepfer, sound can come from almost anything — and even begin to speak. Nothing is Real reroutes fragments of a classic Beatles song through a teapot, and speech and percussion merge into a kind of surrogate voice in Toucher. Bone Alphabet pushes the performer to extreme feats of stamina, while Morton Feldman’s King of Denmark reduces sound to the faintest touches, each one appearing and vanishing almost without trace.
Finale Concert
Libbey Bowl
SUN 06.14.26The concert begins with a memory that segues into a tribute to architect Frank Gehry and his enduring vision at Walt Disney Concert Hall. Leila Josefowicz takes on György Ligeti’s Violin Concerto, threading her way through a constantly reconfiguring labyrinth of shifting tunings. The rest of the program turns to Stravinsky — a touchstone for Esa-Pekka Salonen — and to one of his most sparkling scores, Pulcinella, a work that marked his move toward a neoclassical style. Presented complete with a trio of singers, it closes out the 2026 Festival with stylized wit and theatrical flair.
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Between the Downbeats
QUICK LINKS:
Find our curated recs for those looking for more between concerts! Check out a few of our friends and partners, as well as our staff members’ favorite places.
Friends and Partners
Beato Chocolates Tasting/Talk Experience
Gather friends for a delightful and delectable journey
Beato Chocolates is a tribute to the audacious spirit and historic relevance of Beatrice “Beato” Wood, the “Mama of Dada.” Inspired by her avant-garde legacy, our woman-owned, artist-focused brand handcrafts Fair Trade Certified chocolate bars using the finest ingredients. Each bar is a fusion of art and flavor, featuring Wood’s original artwork and witty expressions.
Using Beato chocolates (including six different Beato Bars and one sculptural chocolate) as touchpoints, we will take participants on a journey of the Dada art movement and Wood’s life story while they sample each bar. (Minimum of 4 people, $30/person)
Ojai Studio Artists Open Tour
Enter into the spaces of local visual creatives
The June Second Saturday (June 13 from 10am to 5pm) will open 10 studios across the East End and Upper Ojai, among the wide vistas, citrus orchards, and stunning mountain views of these neighborhoods.
The June 13 event, like all Second Saturdays, is entirely free – and you can find participating artists and samples of each artist’s work below, to help plan your “choose-your-own adventure” tour.
GARA Skincare Fragrance Experience
Make your own natural fragrance
GARA invites you to embark on an aromatic journey where the wisdom of the garden converges with the art of perfume-making. Immerse yourself in the enticing world of essential oils and discover their impact on the body, mind, and spirit. As we explore the basics of aromatherapy and the art of crafting a personalized scent, you’ll get to create your own bespoke fragrance with our curated selection of high-quality natural extracts and essential oils.
Staff Picks
Maddy’s Thursday Afternoon/Evening
Patron Services and Development Coordinator, Intern Alum 2021
“My ideal Thursday at the Festival would start with attending the Ojai Talks, then heading downtown to find a good parking spot between Fox and Signal Streets. I’d wander around the Ojai Community Farmer’s Market, probably buying some fresh-cut flowers and Bonito Coffee beans for the week.
I’d then meet friends for dinner at Izakaya Full Moon, an intimate spot serving Japanese favorites and an ever-rotating list of specials. The Corn Kagi-age, Agedashi Tofu, and the Chef’s Choice Nigiri are my favorite menu items. Dinner would be followed by a walk to Libbey Park, setting up a spot on the Lawn with cozy blankets and a glass of wine, and enjoying the first concert of the Ojai Music Festival.”
Anna’s Saturday Morning
Director of Philanthropy
“My perfect Saturday starts with Morning Meditation at the Ojai Meadows Preserve—there’s something peaceful and grounding about beginning the day surrounded by nature and music. Afterward, I’d head into town, find parking, and grab a coffee from the Mental Frosting coffee station in Libbey Park. After the morning concert, I’d take a scenic drive to Upper Ojai for lunch at The Summit Drive-In. My go-to is the Western BBQ bacon burger, and you have to try one of their famous milkshakes. I’d take lunch to go and drive up to Avatar Point at Meher Mount for one of the most breathtaking views in Ojai. Then, it’s time to head back into downtown Ojai for more Festival events!”
Liz’s Saturday Afternoon/Evening
Patron Services Manager, Intern Alum 2019
“For me, the best way to experience the Ojai Music Festival is by embracing the town’s natural beauty, eclectic shops, and local flavors—preferably by bike.
My day begins by browsing my favorite vintage and thrift shops on foot. Stops include Gratitude Vintage and Help of Ojai, where I dig for treasures, especially vinyl records. Just in time for the 3:30 PM Beyond the Bowl concert, I pedal over to Ojai Valley School, taking in the fresh air and rolling hills along the way.
For dinner, my go-to is Zadiee’s at Soule Park Golf Course, located at the eastern end of the bike path. If the weather’s warm, I always request a patio seat for the stunning views. My usual order? An iced tea and either the Buffalo Chicken Sandwich or the Baja Tacos. As the sun sets, I meander back along the bike path toward Libbey Park, where I unwind in the Green Room in the Park, hoping to catch a surprise musical pop-up before the 8PM Libbey Bowl concert.
It’s a perfect Ojai day—one filled with music, nature, and the town’s unique charm.”
Fiona’s Sunday Afternoon
Producer and Artistic Administrator.
“I’d start my day by attending the Morning Meditation. From there, I’d head up to Shelf Road for an easy hike with a great view of Ojai that isn’t too far out of town.
Then it’s back into downtown to spend some time shopping at the upstairs portion of Bungalow, a local shop featuring handmade goods and gifts. The upstairs room has amazingly high-quality clothing items.
Then, I’d end the morning with a 30-minute chair massage at the Relaxing Station before the Festival’s final concert.”
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Volunteers: Heart and Soul of the Festival
Since the Ojai Music Festival’s founding in 1947, volunteers have ensured the enduring success of the organization, from our renowned four-day Festival and our acclaimed BRAVO music education program.
Volunteer opportunities range from ushering, administrative office work, concessions to housing Festival artists and production team. The Festival is fortunate to have a large community of volunteers.
Besides receiving benefits to volunteer that include lawn tickets, a festival commemorative t-shirt and invitations to events, volunteers get to enjoy the camaraderie of working together and meeting interesting music enthusiasts like Jodine Hammerand!
JODINE HAMMERAND: A Return to Ojai and the Music Festival!
What brought you to Ojai?
My family was living in Los Angeles when my parents took my siblings and I to Ojai for the week of Spring Break. We all fell in love with Ojai and our family moved here in 1972.L-R: Wendy Gray and Jodine Hammerand at the Festival’s volunteer event in March, 2024 When did you start your involvement in the Music Festival?
I started at Nordhoff High School as a freshman. It was probably my junior year when I started volunteering for the Ojai Music Festival as an usher. I will never forget watching a run-through with the LA Philharmonic that was being conducted by Michael Tilson Thomas!When did you make your way back to Ojai?
After retiring from Alaska Airlines, I ultimately chose to move back to Ojai right at the height of the pandemic. I was interested in volunteering again and finally was able to usher for the 2022 Ojai Music Festival, then again in 2023. It felt like a happy reunion!What is a recent fond memory of the Festival?
I am a lover of all music genres, especially the Blues. I really enjoyed Rhiannon Giddens being the music director in 2023 with her banjo playing. She also introduced the pipa and the kora, two great instruments rooted deep in history. ‘The roots of the present are deep in the past’ my high school history teacher used to always say! I attended the performance of Ghost Opera and enjoyed listening to the pipa with all the instruments. I ushered at the performance of Omar’s Journey and heard the kora played by Seckou Keita. I arrived before the concert as ushers do to prepare the Libbey Bowl. I was walking down the center aisle of seats when I saw Seckou practicing on stage. When he was finished, he looked my way, and I gave him a thumbs up indicating how beautiful he played. He smiled his big smile and that made me very happy, and I will never forget it.I look forward to volunteering for the Ojai Music Festival. It is a joy every year, no matter the style of music. In addition, I enjoy every year when the staff and volunteers gather together before the Festival, to listen to Ara Guzelimian with his knowledge of the musicians. He is an asset as artistic and executive director.
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Upcoming Events
2026 Hike & Hear Soirée Parisienne Salon Series Event 2025 Fall Mixer 2026 Ojai Music Festival
Thursday, June 11 to Sunday, June 14
Libbey Bowl and Various Locations throughout OjaiEsa-Pekka Salonen, the 2026 Music Director of the Ojai Music Festival, will lead programs highlighting his strong ties to Los Angeles. He will perform with members of the LA Phil New Music Group and lead the Colburn Orchestra, marking the ensemble’s Ojai Festival debut. Various artists and ensembles slated for the 2026 Festival also include the LA Dance Project, Attacca Quartet, clarinetist Anthony McGill, violinist Leila Josefowicz, pianist Conor Hanick, and many more.
Celebrating Eight Decades!
During the Festival, Sunday, June 14
Libbey ParkJoin us in the park for a sweet treat right after the Sunday Morning Concert. We will gather to celebrate the Festival’s 80th Birthday!
2026 Holiday Home Tour & Market
Save the Date: November 14-15, 2026
Throughout the Ojai ValleyThe Ojai Holiday Home Tour & Market (HHTM) is the Friends’ greatest annual fundraiser, which benefits the Ojai Music Festival and its BRAVO Education and Community Programs. HHTM is a beloved seasonal celebration that blends festive charm with local creativity. Tour four beautifully decorated Ojai homes, each offering a unique take on holiday style, then head to Libbey Park for the open-air Holiday Market—featuring handmade goods, artisan gifts, and treats from local makers, just in time for the holidays.
More details to come…
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Past Newsletters
Click on any of the links below to view our newsletter in your browser. To receive these in your inbox, sign up as a member here! If you are a member but are not receiving these, please contact friends@ojaifestival.org.
- May. 2026
- March, 2026
- October 2025
- September 2025
- August 2025
- April 2025
- February, 2025
- December, 2024
- October, 2024
- July, 2024
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Teddy Abrams – Bio
Grammy Award-winning conductor-composer Teddy Abrams is set to embark on his twelfth season as Music Director of the Louisville Orchestra (LO), where he has been the galvanizing force behind the ensemble’s extraordinary artistic renewal and innovative social impact. He was chosen as Musical America’s 2022 Conductor of the Year, and his work has been profiled by CBS Sunday Morning, PBS NewsHour, NPR, The New Yorker, The Wall Street Journal, and The New York Times, which hails him as a “maestro of the people” who “has embedded himself in his community, breaking the mold of modern conductors.”
Beyond Louisville, Abrams has conducted the Boston, Chicago, San Francisco, Cincinnati, Houston, Indianapolis, Milwaukee, Vancouver, and Phoenix Symphonies; the Saint Paul Chamber Orchestra; the Buffalo and Los Angeles Philharmonics; Carnegie Hall’s NYO2; and the Minnesota, Florida, and Sarasota Orchestras, all in North America, as well as the Helsinki and Luxembourg Philharmonics and the Royal Scottish National Orchestra in Europe. He returns to the Minnesota Orchestra and makes debuts with the Atlanta Symphony, Nashville Symphony, Ottawa’s National Arts Centre Orchestra, and London’s BBC Symphony Orchestra in the 2025-26 season.
As Musical America observes, “Abrams has put Louisville firmly on the musical map.” Among his manifold achievements in Kentucky are the Louisville Orchestra Creators Corps, a trailblazing initiative that provides a fully funded residency for three composers who receive local housing, a salary, health benefits, and dedicated workspaces, and the In Harmony Tour, a multi-season, grand-scale community-building project funded by the Commonwealth of Kentucky. Taking the orchestra to all corners of the state for concerts and special community events, this statewide tour has featured performances with Grammy winners Michael Cleveland & Flamekeeper, violinist Tessa Lark, and mandolin virtuoso Chris Thile. Highlights of the coming season include the world premiere of Lisa Bielawa’s Violin Concerto, a new LO commission; an all-Hungarian program showcasing Yuja Wangin Ligeti’s Concerto for Piano and Orchestra; a gala concert featuring Itzhak Perlman; new music from the Creators Corps’ fourth season; the continuation of the In Harmony Tour; and performances of Mahler’s epic Ninth Symphony.
Abrams is a prolific and award-winning composer, whose music embraces influences from across the stylistic spectrum. He has written numerous works for the Louisville Orchestra, including Mammoth, premiered with Yo-Yo Ma and Davóne Tines at Kentucky’s Mammoth Cave National Park; Unified Field, a ballet presented with the Louisville Ballet; a fanfare for the then-Prince Charles, to commemorate the future king’s visit to Louisville; and a piano concerto for Yuja Wang, which they recorded for The American Project, the Deutsche Grammophon album that won the pianist and himself a Grammy Award. Other recordings of Abrams’s music include his own interpretation of Preludes, his piano collection inspired by Bartók’s Mikrokosmos, which was released by New Amsterdam Records in 2025. Abrams is currently working on an orchestral representation of Kentucky’s history and culture as part of his Emerson Collective Fellowship, which recognizes his contributions to building local community through music. Intended for performance by the LO, the new work draws on the community sessions he holds across the state, for music-making, storytelling, and sharing local history with fellow Kentuckians. He is also at work on ALI, a new Broadway musical about boxing legend and activist Muhammad Ali. Abrams first began exploring Ali’s life and legacy in 2016, and the LO premiered his rap opera, The Greatest: Muhammad Ali, the following year. The all-star cast featured Rhiannon Giddens, Jubilant Sykes, and activist-musician Jecorey “1200” Arthur, now one of Louisville’s Metro councilmen, with whom Abrams went on to found the Louisville Orchestra Rap School.
The rap opera is just one of the adventurous collaborations Abrams has initiated with prominent Louisville locals. He and the LO recently joined Jack Harlow for back-to-back performances of the Billboard Music Award-winning rapper’s greatest hits. With Jim James, the vocalist and guitarist for My Morning Jacket, Abrams composed the song cycle The Order of Nature, which they premiered with the LO, reprised with the National Symphony Orchestra at Washington D.C.’s Kennedy Center, and recorded for Decca Gold. Similarly, with singer-songwriter Storm Large, Abrams and the LO recorded All In, a celebration of American music by Cole Porter, Aaron Copland, and Abrams and Large themselves, also for release on Decca Gold.
In a new, season-long role as the Aspen Institute Arts Program’s 2025-26 Harman/Eisner Artist-in-Residence, Abrams will offer his artistic vision to policy programs, events, leadership activities, and more in Aspen, New York, Washington D.C., and elsewhere. In summer 2023, he concluded his decade-long tenure as Music Director and Conductor of Oregon’s Britt Festival Orchestra. As well as helming its annual three-week festival of concerts, he led the orchestra on tour in the Pacific Northwest with new works including Pulitzer Prize-winner Caroline Shaw’s experiential Brush, written for their summer 2021 performances on the Jacksonville Woodlands Trail system; and Michael Gordon’s Natural History. Their world premiere performance of Gordon’s work, presented in partnership with the National Park Service at the edge of Crater Lake National Park, was the subject of the PBS documentary Symphony for Nature. Abrams previously served as Assistant Conductor of the Detroit Symphony (2012–14), as Resident Conductor of Hungary’s MAV Symphony Orchestra (2011–12), and as Conducting Fellow and Assistant Conductor of Miami’s New World Symphony (2008–11).
Visit Teddy Abrams’ Website
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Teddy Abrams Named Artistic and Executive Director
TEDDY ABRAMS NAMED ARTISTIC AND EXECUTIVE DIRECTOR OF THE OJAI MUSIC FESTIVAL EFFECTIVE SEPTEMBER 1, 2026
ARA GUZELIMIAN CONTINUES AS ARTISTIC AND EXECUTIVE DIRECTOR THROUGH THE 2026 FESTIVAL WITH MUSIC DIRECTOR ESA-PEKKA SALONEN
(Ojai, CA – September 10, 2025) – Ojai Music Festival Board Chairman Jerry Eberhardt announced today the appointment of conductor/composer/pianist Teddy Abrams as Ojai’s next Artistic and Executive Director effective September 1, 2026, with his first Festival being the 81st Festival in June 2027. He will join the ranks of such distinguished predecessors as Ara Guzelimian, who concludes his tenure with the 2026 Festival, Thomas W. Morris, Ernest Fleischmann, and Lawrence Morton. Mr. Abrams’ collaboration with the Ojai Music Festival will be concurrent with his post as Music Director of the Louisville Orchestra.
“Teddy Abrams is one of today’s most striking ambassadors for the impact the arts can have on building community. His artistic sensibilities, collegial spirit, and boundless energy position him as the ideal leader for the Ojai Music Festival as it enters its eighth decade,” said Mr. Eberhardt. “My Board colleagues and I have complete confidence that Teddy will build on the Festival’s momentum and will continue to meet the expectations of our celebrated, supremely adventurous audiences and to provide the platform for our growing family of the world’s most inventive artists to experiment and grow. With the resounding success of Teddy’s work to increase access and build community through music, we know he will help advance the Festival’s commitment to reach across generations and to engage with the very heart of the Ojai community and throughout the region. As we anticipate the 80th anniversary of this glorious Festival, we feel boundless gratitude for Ara Guzelimian’s generous, steady leadership, and we welcome Teddy as we look toward the future.”
Teddy Abrams said, “The Ojai Music Festival is one of the brightest lights in the music world today. The Festival has always seemed like a magical and mythical beacon for me – this was where my mentor, Michael Tilson Thomas conducted in his early career (in addition to his own mentor, Ingolf Dahl); it is where Copland and Stravinsky shared their work, and it is the place that has brought to life the dreams of many of the greatest musicians of the past 80 years. The Ojai Music Festival represents creativity, adventure, and daring, all of which are the hardwired values of the Festival and its exceptionally loyal audiences; these are my deepest values too.”
“It is an overwhelming honor to join the Ojai family as Artistic and Executive Director. I believe the Festival has consistently offered the world a glimpse into the future of music, and the Festival’s programming provides music lovers an opportunity to experience what is possible when creative inspiration is met with an affirmation. So much of this is due to the brilliance of Ojai’s many extraordinary leaders, including this most recent period of growth and success with Ara at the helm. I can’t wait to continue Ojai’s legacy of dreaming big, challenging the music world to think differently, and presenting art that brings the world to Ojai and Ojai to the world,” continued Mr. Abrams.
Ara Guzelimian commented, “This was a deeply considered decision by Ojai’s wonderful Board, led by a most experienced and knowledgeable succession committee. I greatly admire what Teddy has achieved at the Louisville Orchestra and look forward to seeing and to hearing all that he will bring to this new role. I will do all I can to assure a seamless transition and wish Teddy and this singular Festival every success in the years to come.”
Now in his twelfth season as Music Director of the Louisville Orchestra, Teddy Abrams has been the galvanizing force behind the ensemble’s extraordinary artistic renewal and innovative social impact. Among his manifold achievements with the Orchestra are the Creators Corps, a trailblazing initiative that provides a fully funded residency for three composers who receive local housing, a salary, health benefits, and dedicated workspaces, the In Harmony tour, a multi-season, grand-scale community-building project funded by the Commonwealth of Kentucky that takes the Louisville Orchestra to urban and rural areas across the state, and recordings including a Grammy-Award winning album for Deutsche Grammophon featuring his own piano concerto written for Yuja Wang, one of nine works he has written for the orchestra. He was chosen as Musical America’s 2022 Conductor of the Year, and his work has been profiled by CBS Sunday Morning, PBS NewsHour, NPR, The New Yorker, The Wall Street Journal, and The New York Times,which hails him as a “maestro of the people” who “has embedded himself in his community, breaking the mold of modern conductors.”
Mr. Abrams is a passionate advocate for the music of today, having commissioned and/or premiered works by over 40 composers including, Caroline Shaw, Gabriel Kahane, Mason Bates, Christopher Cerrone, Andrew Norman, Angélica Negrón, Timo Andres, Julia Wolfe, Valerie Coleman, Michael Gordon, Lera Auerbach, Chris Thile, Tyshawn Sorey, and Joel Thompson. A cornerstone of his work in Kentucky is the Louisville Orchestra’s Creators Corps, which has welcomed 11 composers into the program thus far, resulting in more than 30 new works by composers Alex Berko, Lisa Bielawa, TJ Cole, Baldwin Giang, Anthony R. Green, Brittany Green, Oswald Huỳnh, Chelsea Komschlies, Kiru Okoye, Tanner Porter, and Tyler Taylor. Recognized for his commitment to making music accessible and to deepening community connections, he currently serves as the Aspen Institute Arts Program’s Harman/Eisner Artist in Residence, a platform which invites Mr. Abrams to lend his perspective in addressing major social and civic issues.
In May 2025, Mr. Guzelimian announced his intention to step away from Ojai, which allowed for an extensive national search for his successor. Prior to this most recent six-year collaboration with the Festival (2020 – 2026), with Music Directors John Adams, AMOC (American Modern Opera Company), Rhiannon Giddens, Mitsuko Uchida, Claire Chase, and Esa-Pekka Salonen, he was Ojai’s Artistic Director from 1992 to 1997, working closely with Music Directors Pierre Boulez, John Adams, Kent Nagano, Michael Tilson Thomas, and Emanuel Ax. All told, Mr. Guzelimian will have shaped Ojai’s artistic direction for 12 years when he concludes his tenure from the Festival following the 80th Festival in June 2026.
The Ojai Music Festival and Ara Guzelimian will share details for the upcoming 2026 Festival (June 11-14, 2026) with Music Director Esa-Pekka Salonen in the fall of 2025.
Teddy Abrams
The winner of a Grammy Award and Musical America’s 2022 Conductor of the Year, Teddy Abrams has been the galvanizing force behind the Louisville Orchestra’s extraordinary artistic renewal and innovative social impact since his appointment as Music Director in September 2014. His Kentucky achievements include acclaimed programs such as the Louisville Orchestra Creators Corps and the In Harmony Tour, and adventurous collaborations with artists including Jim James, Jack Harlow, Storm Large, and Jecorey “1200” Arthur, with whom Mr. Abrams founded the Louisville Orchestra Rap School. He collaborates regularly in Louisville and elsewhere with the leading artists of our time including Yo-Yo Ma, Yuja Wang, and Chris Thile.Mr. Abrams’ guest conducting activities take him across the country, with regular appearances with the Boston, Chicago, San Francisco, Cincinnati, National, Houston, Indianapolis, Milwaukee Symphonies, the Buffalo and Los Angeles Philharmonics; the Minnesota Orchestra; and at the Ravinia and Aspen Music Festivals. He was Music Director and Conductor of the Britt Festival Orchestra from 2013 to 2023. In Europe, he has conducted the Helsinki and Luxembourg Philharmonics and the Royal Scottish National Orchestra. He makes debuts with the Atlanta Symphony, Nashville Symphony, Ottawa’s National Arts Centre Orchestra, and London’s BBC Symphony Orchestra in the 2025-26 season.
Teddy Abrams is an award-winning composer, whose recent compositions for the Louisville Orchestra include a piano concerto for Yuja Wang, which they recorded for Deutsche Grammophon’s The American Project, winning the pianist and himself a Grammy Award; Mammoth, premiered with Yo-Yo Ma and Davóne Tines at Kentucky’s Mammoth Cave National Park; and his rap opera, The Greatest: Muhammad Ali. His recording of his piano collection Preludes was released on New Amsterdam Records in 2025. He is now at work on a Broadway musical, ALI, and an orchestral history of the state of Kentucky. For additional bio information, visit OjaiFestival.org/Teddy-Abrams-Bio.
Ojai Music Festival
The Ojai Music Festival represents an ideal of adventurous, open-minded, and openhearted programming in the most beautiful and welcoming settings, with audiences and artists to match its aspirations. Now in its 80th year, the Festival remains a creative laboratory for thought-provoking musical experiences, bringing together innovative artists and curious audiences in an intimate, idyllic outdoor setting. Each Festival’s narrative is guided by a different Music Director, whose distinctive perspectives shape programming — ensuring energized festivals year after year.Throughout each year, the Ojai Music Festival contributes to Southern California’s cultural landscape with in-person and online programming as well as robust educational offerings that serve thousands of public-school students and seniors. The organization’s apex is the world-renowned Festival, which takes place over four days in Ojai, a breathtaking valley 75 miles from Los Angeles, which is a perennial platform for the fresh and unexpected. During the immersive experience, a mingling of the most curious take part in concerts, symposia, free community events, and social gatherings. The intimate Festival weekend, considered a highlight of the international summer music season, welcomes up to 5,000 patrons and reaches exponentially more audiences worldwide through streaming and broadcasts of concerts and discussions throughout the year.
Since its founding in 1947, the Ojai Music Festival has presented expansive programming in unusual ways with an eclectic mix of new and rarely performed music, as well as refreshing juxtapositions of musical styles. Through its signature structure of the Artistic Director appointing a different Music Director each year, Ojai has presented a “who’s who” of music including Mitsuko Uchida, Rhiannon Giddens, AMOC (American Modern Opera Company), Vijay Iyer, Patricia Kopatchinskaja, and Barbara Hannigan in recent years; throughout its history, featured artists have included Aaron Copland, Igor Stravinsky, Michael Tilson Thomas, Kent Nagano, Pierre Boulez, John Adams, Esa-Pekka Salonen, Robert Spano, Pierre-Laurent Aimard, David Robertson, Eighth Blackbird, George Benjamin, Dawn Upshaw, Leif Ove Andsnes, Mark Morris, Jeremy Denk, Steven Schick, Matthias Pintscher, and Peter Sellars.
80th Festival: June 11 – 14, 2026
Composer/Conductor Esa-Pekka Salonen returns to the Ojai Music Festival to serve as Music Director for the 80th Festival, June 11 to 14, 2026. Joining him as featured artists will be clarinetist Anthony McGill, Attacca Quartet, the Colburn Orchestra, and LA Phil New Music Group. Esa-Pekka Salonen is one of the most inventive, adventurous thinkers of 21st-century musical life. The unique format of the Ojai Music Festival will give him an unusually free creative hand as both composer and conductor.For Festival series passes to the 2026 Festival, visit OjaiFestival.org or call 805 646 2053.
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Press contacts:
Ojai Music Festival: Gina Gutierrez, ggutierrez@ojaifestival.org (805) 646-2094
National/International: Nikki Scandalios, nikki@scandaliospr.com (704) 340-4094Photo by Lauren Desberg
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Intern Alumni
Testimonials
“As an intern for the Ojai Music Festival, you become a messenger for the organization’s purpose: to dare the audience to be innovative listeners of new music. The office staff and other interns become your mentors and family for the duration of your internship experience. Working with like-minded people creates the perfect atmosphere for discussion and pushes you to be your best creative self.”
Emily Persinko, San Diego State University, Ojai Alum 2016-2018“I had an incredible experience as an intern and got a first-hand look at
Jonathan Bergeron, University of California Santa Barbara, Production Fellow 2021
what life as a stage manager and concert producer is like, and knew exactly
what I wanted to do as a career! Shortly after the internship, using the skills
I gained and my experience working with high-level artists, I secured several
professional stage managing and artist liaison gigs in Santa Barbara. After
graduating, I secured a position at Pacific Symphony in Irvine, CA, working as
a production manager in their Youth Ensembles program. I am also grateful to
have returned to Ojai every year since as a permanent member of the production
team! The skills I picked up from my time at Ojai have been a huge influence on
my professional career and I am forever grateful for that opportunity!”“If you want to grow your interpersonal skills, understand the music industry, and
Genna Eberhard, Westmont College, Intern Alum 2024 & 2025
learn more about contemporary music, this is a really great experience.”“Traveling from the other side of the country, I had no idea what to expect when I arrived in Ojai. My expectations were far exceeded as I was welcomed by the kindest and most embracing community, one that puts music and the arts at the very center of their lives. In just two short weeks, I made friendships that I know will last a lifetime, all while growing my skills in ways that will stay with me as I begin my career. Beyond the festival, Ojai taught me so much about connection, community, and myself, and I look forward to the day I can come back.“
Christian Galoppe, Kennesaw State University, Intern Alum, 2025“It is exciting to see modern music and a large audience interested in new things.
Quinn Rosenberg, Tufts University, Intern Alum 2024 & 2025
I enjoyed hearing such versatile musicians. Nice balance of density of events. I learned so much!”“The Ojai Music Festival was an amazing experience. I met great people, listened to fabulous music, and learned about the ins and outs of putting on a music festival. Having a team of interns to hang out with throughout the days was a bonus highlight of my experience. All of the people working with OMF were kindhearted and nice. This experience was extremely rewarding. I learned a lot while I interned at the Ojai Music Festival and can’t wait for next year!!”
Lizzy Tepaske, University of California Santa Barbara, Ojai Alum 2021Colleges Attended
- Baylor University
- Berklee College of Music
- Boston College
- Boston Conservatory at Berklee
- California Institute of the Arts (CalArts)
- California Lutheran University
- California State University, Long Beach
- California State University, San Diego
- Columbia University
- Georgia State University
- University of Indiana, Bloomington
- Manhattan School of Music
- Oberlin College
- Occidental College
- Peabody Institute at Johns Hopkins
- Point Park University
- Rice University
- Sarah Lawrence College
- Thomas Aquinas College
- Tufts University
- University of California, Berkeley
- University of California, Los Angeles
- University of California, Santa Barbara
- University of Kansas
- University of Puget Sound
- University of Redlands
- Westmont College
- Wheaton College
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Patron Portal FAQs
In the Fall of 2023, we rolled out a new feature for our subscribers: Patron Portal. Like many other organizations, Patron Portal gives you the ability to log into your own account with Ojai Music Festival and see a detailed history of your ticket orders, donations, membership statuses, and more, such as:
- Keep us up-to-date with changes to your information more easily
- Receive special access to presale and occational discounts for ticketed events
- Festival Family Donors receive special opportunities and ticket access according to giving level
- View your seating assignment simply by logging into your portal
If you have been a subscriber since 2018 and have consented to receive email communications from the Ojai Festival, you should have received an invite to your email address on file. The email would contain instructions for setting up your account. If you don’t see the invite in your inbox, please search your spam folder. You can always contact our box office for questions.
If you forgot your password, click the “forgot password” option on the Portal login screen. Choosing this option will send you a password reset email. If you’re still having trouble, please contact the box office to reset your password.
Tickets and donations must be linked to a single person’s first and last name, not your household name. If you are part of a household with another person, that ticket or donation information might be linked to that person’s contact. If you have any questions about your ticket history or donations, please contact the box office.
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2026 Virtual Ojai Talks
Our favorite pre-Festival tradition returns with our Virtual Ojai Talks. At Virtual Talks, we get an inside look at the creative process with Festival composers, artists, innovators, and musical thinkers. Virtual Talks are free and open to the musically curious!
PAST TALKS
Violinist Leila Josefowicz
WED March 18 @ 5:30PM PT on Zoom
Leila Josefowicz, who makes her OMF debut this June, is celebrated for her passionate advocacy for contemporary music for the violin. Over the years, she has worked closely with many of today’s most compelling composers, including Esa-Pekka Salonen, John Adams, Oliver Knussens, helping to bring new works to audiences worldwide.
Join Artistic and Executive Director Ara Guzelimian and Leila for a conversation about what draws her to new music and the collaborative process behind it.
Composer/conductor John Adams
WED December 10 @ 5:30PM PT on Zoom
In celebration of the Ojai Festival’s Eight Decades of Discovery, Creativity, and Community, we welcome back John Adams as our special guest for our Virtual Ojai Talks. With Ara, John will share some of his favorite Festival memories as both composer and conductor, as we look forward to hearing his music at the 2026 Festival led by their good friend Esa-Pekka Salonen.
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Creative Lab: Meera Kahe
March 7, 2026 | 5PM | Krotona Institute
Ojai Music Festival presents Tesserae Baroque‘s program Meera Kahe. The concert features a new work by Reena Esmail, setting the Hindi texts of 16th-century saint-poet Mirabai. The ensemble—baroque violin, flute, cello, harpsichord—joins Hindustani vocalist Saili Oak and tabla player Rohit Panchakshari.
The program also features French Baroque selections by Elisabeth Jacquet de la Guerre and François Couperin, plus a solo Hindustani vocal set by Saili Oak with tabla accompaniment.
We invite ticket holders to arrive at 3:30PM for garden tours of the Krotona Institute Garden, over 100 acres of natural beauty, and light refreshments.
Described as ‘mighty yet nimble’ (San Diego Story), Tesserae Baroque is quickly emerging as one of the most exciting and versatile period instrument ensembles in the US, receiving invitations to perform across the US. Past highlights include Tesserae’s performance of Handel and Rameau under the direction of Christophe Rousset, performances of Palestrina with Folger Consort and Stile Antico at the National Cathedral, a performance of the Monteverdi Vespers under the direction of Stephen Stubbs, and a 27-person performance of works by Giovanni Gabrieli, featuring Bruce Dickey. Most recently, Tesserae joined forces with Colburn Baroque to perform music by Hasse, Zelenka and Pisendel under the direction of Rachael Podger.
Tesserae has performed for San Francisco Early Music Society, Arizona Early Music Festival, and the Corona del Mar Baroque Festival. Tesserae is the resident ensemble for Cal Poly Bach Week.
Visit the Tesserae website.
Saili Oak, Hindustani soprano
Rohit Panchakshari, tabla
Vijay Gupta, baroque violin
Christopher Matthews, baroque flute
Eva Lymenstull, baroque cello
Ian Pritchard, harpsichord
Reena Esmail’s music weaves together the traditions of Hindustani and Western classical music, drawing musicians from many perspectives into shared creative spaces.
Esmail divides her attention evenly between orchestral, chamber and choral work. She has written commissions for ensembles including the Los Angeles Master Chorale, Seattle Symphony, Philadelphia Orchestra and San Francisco Symphony and her music has featured on multiple Grammy-nominated albums, including The Singing Guitar by Conspirare, BRUITS by Imani Winds, and Healing Modes by Brooklyn Rider. Many of her choral works are published by Oxford University Press, and her piece TaReKiTa has sold over 100,000 copies worldwide.
Read more on Reena Esmail’s website.
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2026 Artists + Composers
ESA-PEKKA SALONEN, MUSIC DIRECTOR AND CONDUCTOR
Esa-Pekka Salonen is renowned as both a composer and conductor. He was recently named Creative Director of the Los Angeles Philharmonic, effective 2026–27, and Creativity and Innovation Chair of the Philharmonie de Paris and Principal Conductor of the Orchestre de Paris, effective 2027–28. He is the Conductor Laureate of the Philharmonia Orchestra, Los Angeles Philharmonic, and the Swedish Radio Symphony Orchestra, and formerly served as Music Director of the San Francisco Symphony. He is a faculty member at Los Angeles’s Colburn School, where he founded and directs the Negaunee Conducting Program. Salonen co-founded, and until 2018 served as the Artistic Director of, the annual Baltic Sea Festival.
Groups and Ensembles
The Grammy Award-winning Attacca Quartet is recognized as one of today’s most versatile and forward-thinking ensembles. From classical masterworks to contemporary collaborations, they redefine what a string quartet can be.
[Read more on Attacca Quartet’s Website]Now in its 22nd season, the Colburn Orchestra is the flagship ensemble of the Colburn Conservatory of Music. Under the direction of Music Director Yehuda Gilad, the Colburn Orchestra performs across Southern California. Dedicated to serving the greater Los Angeles community, the Colburn Orchestra performs for schools in neighboring communities every year, giving five concerts in a one-week period to school children of all ages.
[Read more on Colburn’s Website]L.A. Dance Project is a non-profit dance company under the Artistic Direction of Benjamin Millepied. Founded in 2012, they opened the doors to their studio and performance space in Los Angeles’ downtown arts district in 2017. Their mission is to explore the boundaries of movement, creativity, and expression.
[Read more on the L.A. Dance Project Website]The idea for a new music ensemble dedicated to introducing Los Angeles audiences to rising composers was a dream of Ernest Fleischmann’s. Since the first concert in 1981, the LA Phil New Music Group has performed works by some of the sharpest minds in composition.
[Read more on LA Phil’s Website]Artists and Composers
Jay Campbell is a cellist actively exploring a wide range of creative music. He has been recognized for approaching both old and new music with the same curiosity and commitment, and his performances have been called “electrifying” by The New York Times and “gentle, poignant, and deeply moving” by the Washington Post.
[Read more on Jay Campbell’s Website]Praised as “an artist who leads with musical intelligence and technical assurance,” (La scena musicale), Canadian soprano Bridget Esler is currently a young artist at the Opéra de Montréal’s Atelier lyrique. Bridget has performed across Canada, Europe, the United Kingdom, and the United States with ensembles including the London Symphony Orchestra, the Orchestre symphonique de Montréal and the Tanglewood Music Center Orchestra.
[Read more on Bridget Esler’s Website]Praised for his “silken tenor” (Opera News), Eric Finbarr Carey enters the 2025/2026 fall season with a slate of debuts and return engagements. He makes his French debut in a new production of Händel’s Der Messias with Opéra de Limoges, sings Testo in Monteverdi’s Il Combattimento di Tancredi e Clorinda with Catapult Opera, and appears as soloist in Britten’s Les Illuminations with the Handel Society of Dartmouth.
[Read more on Eric Finbarr Carey’s Website]Puerto Rican baritone Abdiel Gonzalez has been praised for his “rich, lush baritone” and for having a “superb voice, which commanded the stage.” He has been a concert soloist under the batons of Gustavo Dudamel, Esa-Pekka Salonen, and Grant Gershon, to name a few. He has traveled the world singing, including Taiwan, where he performed the role of Gaston in Disney’s Beauty and the Beast.
[Read more on The LA Master Chorale Website]Pianist Conor Hanick is regarded as one of his generation’s most inquisitive interpreters of music new and old whose “technical refinement, color, crispness and wondrous variety of articulation benefit works by any master,” (The New York Times).
[Read more on Conor Hanick’s Website]Jonathan Hepfer is a percussionist, conductor, and concert curator. He began playing classical music at age seventeen after discovering the work of John Cage while studying at SUNY Buffalo. Subsequently, Jonathan attended Oberlin Conservatory, UC San Diego and the Musikhochschule Freiburg (on a DAAD fellowship) where he studied with Michael Rosen, Steven Schick and Bernhard Wulff.
[Read more on Jonathan Hepfer’s Website]Leila Josefowicz’s passionate advocacy of contemporary music for the violin is reflected in her diverse programs and enthusiasm for performing new works. A favorite of living composers, Josefowicz has premiered many concertos, including those by Colin Matthews, Luca Francesconi, John Adams, and Esa-Pekka Salonen, all written especially for her.
[Read more on Leila Josefowicz’s Website]Described as a “modern renaissance man,” (Over the Mountain Journal) Grammy® nominated pianist Aron Kallay’s playing has been called “exquisite…every sound sounded considered, alive, worthy of our wonder” (LA Times). “Perhaps Los Angeles’ most versatile keyboardist,” (LaOpus) Aron has been praised as possessing “that special blend of intellect, emotion, and overt physicality that makes even the thorniest scores simply leap from the page into the listeners laps.” (KPFK)
[Read more on Aron Kallay’s Website]New Zealand-born violinist Geneva Lewis has forged a reputation as a musician of consummate artistry whose performances speak from and to the heart. Lauded for “remarkable mastery of her instrument” (CVNC) and hailed as “clearly one to watch” (Musical America).
[Read more on Geneva Lewis’ Website]Rose Lombardo was appointed Principal Flute of the San Diego Symphony in 2011 at the age of 23. At the time, she was in her second year of graduate studies with Jim Walker at the Colburn School Conservatory of Music in Los Angeles and graduated with a Professional Studies Certificate. Previously, Ms. Lombardo earned a Bachelor of Music degree from The Juilliard School where she studied with Jeffrey Khaner.
[Read more on the San Diego Symphony Website]Clarinetist Anthony McGill, praised for his “trademark brilliance, penetrating sound and rich character” (The New York Times), is one of classical music’s most recognizable and multifaceted figures. He serves as Principal Clarinet of the New York Philharmonic—the first African-American principal in the orchestra’s history—and enjoys a dynamic solo and chamber music career.
[Read more on Anthony McGill’s Website]Praised for her ‘infectious energy’ and elegant phrasing, Aleksandra Melaniuk is a conductor particularly drawn to repertoire shaped by folk influences and marked by strong dramatic character and vivid orchestral colour. She currently serves as a Salonen Conducting Fellow in the Negaunee Conducting Program at the Colburn School and the San Francisco Symphony.
[Read more Aleksandra Melaniuk’s Website]Todd Moellenberg is a pianist and artist based in Los Angeles. He specializes in both classical and contemporary repertoire, and has been featured in performances with Piano Spheres, Monday Evening Concerts, Wild Up, Hear Now, Brightwork, Los Angeles Philharmonic, People Inside Electronics, PARTCH Ensemble, The Industry, and actress Laverne Cox. He has worked closely with composers Chaya Czernowin, Roger Reynolds, Yiheng Yvonne Wu, Rand Steiger, Bunita Marcus, Thomas Meadowcroft and Xavier Beteta, with recordings released on Deutsche Grammophon, Sideband, and Petrichor.
[Read more on the M.E.C. Website]Grammy-nominated pianist John Novacek regularly tours the Americas, Europe, and Asia as both soloist and chamber musician. The current season includes concerto performances with the Mexico City Philharmonic, Austin Symphony Orchestra, Springfield (MA) Symphony Orchestra, National Academy Orchestra of Canada, Traverse (MI) Symphony Orchestra, Vista Philharmonic (Groton, MA), Anderson (IN) Symphony Orchestra, Wisconsin Chamber Orchestra, and the orchestras of Colorado College Summer Music Festival, Festival Mozaic and the Mendocino Music Festival.
[Read more on the LA Phil Website]Acclaimed for her “staggering virtuosity,” Hanzhi Wang is the only accordionist to ever win a place on the roster of Young Concert Artists in its 60-year history. An ambassador for her instrument, Hanzhi has been praised for her captivating stage presence and performances that display passion and finesse.
[Read more on Hanzhi Wang’s Website]German-Turkish musician Mert Yalniz is recognized as one of the most compelling artistic voices of his generation. Active as a conductor, pianist, and composer, he unites technical brilliance with artistic depth and an interdisciplinary perspective. With this versatility, he is increasingly establishing himself on the international classical music stage.
[Read more on Mert Yalniz’s Website]Composers in Residence
Composer, conductor, and creative thinker – John Adams occupies a unique position in the world of American music. His works, both operatic and symphonic, stand out among contemporary classical compositions for their depth of expression, brilliance of sound, and the profoundly humanist nature of their themes. Over the past 45 years, Adams’s music has played a decisive role in turning the tide of contemporary musical aesthetics away from academic modernism and toward a more expansive, expressive language, entirely characteristic of his New World surroundings.
[Read more on John Adams’ Website]Gabriella Smith is a composer whose work invites listeners to find joy in climate action. Her music comes from a love of play, exploring new instrumental sounds, and creating musical arcs that transport audiences into sonic landscapes inspired by the natural world. An “outright sensation” (LA Times), her music “exudes inventiveness with a welcoming personality, rousing energy and torrents of joy” (NY Times).
[Read more on Gabriella Smith’s Website] -
Gallery: BRAVO Music & Arts Camp 2025
Enjoy this gallery from both weeks of the 2025 BRAVO Art & Music Camp, just one of the many BRAVO Education & Community Programs that serve children and adults throughout the Ojai Valley.
Photos by Rosanne Forgette
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From Ara: A Remembrance and Looking Back
Jamie Bennett at last year’s 2024 Festival. Photo credit: Timothy Teague Dear Ojai Festival friends,
We began the summer with the sad news of the passing of Jamie Bennett, a key figure in the Festival’s recent history as both a Board member and, for five years, our President and CEO. Jamie was a treasured friend to many in our extended Festival community in both Los Angeles and Ojai, bringing the same immediacy and warmth to all, whether they were of long-standing history or recent acquaintance.
Jamie brought a wealth of professional expertise from his many years in media and non-profit management, working for organizations such as the Southern California Institute of Architecture (SCI-Arc), Disney, and CBS where his time included a term as General Manager of KCBS-TV. Jamie came to the Festival first as a Board member and then took a staff leadership role as President and CEO from 2015 until 2020, helping to navigate the complicated early days of the pandemic and that year’s online Festival. Happily, for all of us, he returned to the Board after his work as CEO and remained deeply engaged in all dimensions of the Festival’s progress. He remained active until his last days, making calls, and sending helpful notes to the end.
I first met Jamie at the beginning of my return as Artistic and Executive Director in 2020. He was extremely helpful in providing grounding and much information to get me started. He was also an extraordinary ambassador to the Festival with his natural knack for putting people together. I have numerous rewarding recent friendships that began with Jamie saying, “You should meet this person, I think you would like them.” He was right in each case. His devotion to community in both his home cities of Los Angeles and Ojai led to his generous involvement in many worthy civic organizations and causes. We will miss him.
Claire Chase and Pan participants at the opening night concert. Photo Credit: Timothy Teague 2025 Savoring the Festival
I have been traveling extensively for both professional and personal reasons in the weeks following the Festival, which has given me the time, distance, and perspective to reflect on our wonderful time together in June. There are so many memories and experiences that remain in such sharp focus. We can relive the Libbey Bowl concerts by way of our treasure-trove archive of livestreams on demand:
Patrons walking in the Ojai Meadows Preserve. Photo Credit: Timothy Teague 2025 One of my favorite newer Festival traditions is that of our free Morning Meditations, which this year took place in the atmospheric Chaparral Auditorium as well as most memorably at the Ojai Meadows Preserve in an extremely happy and fruitful collaboration with the Ojai Valley Land Conservancy. My OVLC colleagues and I watched with delight as several hundred people streamed into the grove of trees with mountain panoramas as backdrop.
Joshua Rubin playing with composer Tania León listening behind him. Photo Credit: Timothy Teague 2025 The morning began with Susie Ibarra’s Sunbird, originally a multi-tracked solo flute piece for Claire Chase, here specially arranged for the occasion for four players – Claire, Joshua Rubin, Michael Matsuno, and M.A. Tiesenga.
Although the complex logistics prevent livestreams of these early morning concerts, we can find some of the works on recordings by the same artists. Here is the original flute version of Sunbird for us to savor:
Sunbird By Susie Ibarra on Apple Music:
The next day, the Sunday morning meditation at Chaparral ended in a mesmerizing way with Anna Thorvaldsdottir’s Sola, played by violist Leilehua Lanzilotti. Happily, Leilehua’s studio recording of the work allows all of us to hear it.
Sola By Anna Thorvaldsdottir on Apple Music:
We will continue to revisit some special moments of this past June throughout the summer even as we focus work on planning the 2026 Festival with Esa-Pekka Salonen, which will be our 80th Anniversary. Because of the June timing of the Festival, our fiscal year ends on August 31. Like so many of our colleagues in arts organizations, we are facing significant financial challenges with reductions or even elimination of arts funding in our ever-changing national landscape. We hugely thank our devoted supporters and ask those have not yet done so to consider making a gift prior to August 31 to help us close out what has been a most rewarding year artistically. We need all of you!
With much gratitude and good wishes,
Ara Guzelimian
Artistic and Executive Director -
2025 Ojai Holiday Home Tour & Market
The Ojai Holiday Home Tour & Market (HHTM) is a beloved seasonal celebration that blends festive charm with local creativity. Tour four beautifully decorated Ojai homes, each offering a unique take on holiday style, then head to Libbey Park for the open-air Holiday Market—featuring handmade goods, artisan gifts, and treats from local makers, just in time for the holidays. Going on its 30th year, the HHTM serves as the Ojai Festival Women’s Committee‘s greatest annual fundraiser, which benefits the Ojai Music Festival and its BRAVO Education and Community Programs.
Home Tour
Running concurrently with the Market, the Home Tour invites guests to visit four stunning homes that showcase the beauty of the Ojai Valley with a unique approach to celebrating the Holidays.
Hours
10AM – 4PMLocation
Exact locations, directions, and shuttle information (if applicable) will be shared with ticket buyers prior to the tour.Tickets
Advance tickets are $45, and go on sale in the fall of 2025. Tours are for ages 12 and up.Holiday Market
This open-air event features a curated selection of local artisans, makers, and small businesses offering handmade goods, specialty foods, gifts, and more. Get your gift shopping done early!
Hours
10AM – 4:30PMLocation
Find the Market at Libbey Park in the heart of downtown Ojai. Free street parking and free public parking lots can be found throughout town.Tickets
There are no tickets or reservations required for the Holiday Market! All ages are welcome.Support the Holiday Home Tour & Market
The Ojai Festival Women’s Committee (OFWC) invites you to keep the Holiday Home Tour & Market a part of your annual holiday tradition by becoming a sponsor or a volunteer.As one of the largest financial supporters of the Ojai Music Festival and its BRAVO Education and Community Programs, the OFWC is proud of its essential role in our community’s future through this annual staple.
Sign up as a Vendor!
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Ojai Holiday Marketplace Vendor Information
Presented by the Ojai Music Festival Women’s Committee
November 15 & 16, 2025 | Libbey Park, Downtown OjaiAbout the Event:
Join us for a festive weekend of art, music, and community at the annual Ojai Holiday Market! Held in Libbey Park, this open-air event features a curated selection of local artisans, makers, and small businesses offering handmade goods, specialty foods, gifts, and more — just in time for the holiday season.
The Holiday Market is the companion event to the Ojai Holiday Home Tour. Running concurrently with the Market, the Home Tour invites guests to visit four stunning homes that showcase the beauty of the Ojai Valley with a unique approach to celebrating the Holidays.
Whether you’re a returning vendor or new to our market, we’d love to have you be part of this festive weekend that brings together shoppers and supports a great cause!
Shoppers at the 2023 Holiday Marketplace Vendor Details:
- Dates: Saturday & Sunday, November 15–16, 2025
- Location: Libbey Park, Ojai, CA
- Hours: 10:00am – 5:00pm daily
- Booth Fees: Range from $275–$450 for the full two-day event
Why Participate?
Proceeds from the Market support the Ojai Music Festival’s BRAVO education and community programs, which provide free music education to students across the Ojai Valley, as well as other free programs that serve our broader community throughout the year.Sign up now:
Returning Vendors
Access your personalized registration portal to update your info and reserve your spot.
First-Time Vendors
Are you interested in joining this year’s Market? We’d love to learn more about you!
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Bahar Royaee, composer
Born and raised in Iran, Bahar Royaee is a music educator and a composer/ sound designer who works within the field of concert music and various media arts. The Boston Arts Review praised Royaee’s “haunting sound design” in her work with live theatre. Royaee’s work has been performed at prominent events such as the Time:Spans 2020 Festival and the 2020 Fromm Foundation Composer Conference, 2022 Tehran Electroacoustic Music Festival, and has won awards such as the Pnea Award, the Roger Session Memorial Composition Award, and the Korourian electroacoustic music award. She has worked with Claire Chase, Suzzane Farrin, International Contemporary Ensemble, Loadbang, Composer Conference Ensemble, Contemporary Insights of Leipzig, Ensemble der gelbe Klang, Guerrilla Opera, Longleash, Mazumal, Kimia Hesabi, Splice Ensemble, to name a few. She is currently pursuing a Ph.D. in music composition from City University of New York.
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Eduardo Aguilar, composer
Eduardo Aguilar (or Eduardo Ángel Aguilar Vásquez) is a music composer whose work explores process, concepts, ideas, imaginations, perceptions, representations, thoughts, designs, and realities. Aguilar work tends to the investigation and exploration of specific ordinary phenomena by abstracting its elements, specifically by configuring a compositional synthesis between what could belong to the realm of visual and/ or sound, to understand them indistinctly in a more fundamental but equally detailed way in terms of energy. Honors and awards include: Talea Ensemble, recording (USA, 2024); Banff Center, Independent binational project (Canada, 2019/2022); JACK Studio, resident (USA, 2019); Geophysics Institute UNAM and National Seismological Service SSN –“Tectonic” and “Volcanic”– Seismicity Awards (Mexico, 2019); Impronta NEW Special Ensemble Prize (Germany, 2019); SORBONNE UNIVERSITÉ – UNAM, collaborative project on new approaches to pedagogy, technology and creation (France-Mex 2018-2019); Arditti Quartet FIMNME workshop composer selected (Mexico, 2018); Prize of Research and Artistic Creation of the Science and Art University Museum MUCA-UNAM (Mexico, 2017); Toluca Philharmonic Orchestra Composition Contest Winner Prize (Mexico, 2016); 15 Best of SBALZ International Brass Composition Competition (Spain, 2015); among others.
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Vicente Atria, composer
Vicente Atria is a Chilean composer and drummer. His music riffs on a wide range of idioms, from microtonal renaissance dances to Korean sanjo, creating playful, vibrant sonic worlds. A Deutscher Jazzpreis recipient, Atria’s work has been commissioned or performed by the Sun Ra Arkestra, Ensemble Musikfabrik, JACK Quartet, Wet Ink Ensemble, Ensemble Proton Bern, Yarn/Wire, and International Contemporary Ensemble. He has been featured in venues and festivals including Moers Festival (Germany), Skanu Mezs (Latvia), MATA Festival (NY), Wigmore Hall (UK), The Shed, Roulette Intermedium, The Jazz Gallery, and The Stone (all NY). He is a recipient of a 2025 Fondation des Treilles Musical Composition Prize, a 2024 Busoni Komponistpreis (nominated), a Wet Ink Ensemble AIR residence (2023), a MacDowell Fellowship (2023), an ASCAP Herb Alpert Young Jazz Composer Award (2022), an ACF Create award (2021), The Shed Open Call commission (2019), Chilean Ministry of Culture Fondo de la Música grants (2022 and 2020), and an ASCAP Morton Gould Young Composer Award (2016 finalist). He holds a DMA in Composition from Columbia University.
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Mattie Barbier, trombone
Mattie Barbier is an LA-based musician and sonic researcher focused on experimental intonation, latent acoustic environments, and the physicality of their instrument. Their playing has been described by the LA Times as “intense, brilliant, virtuosic growling,” by The Wire as “exploring the nooks of instrumental tone far beyond the reach of most mortals,” and by The New Yorker as a “diabolically inventive trombonist-composer.”
Barbier collaborates with artists such as Weston Olencki, Ellen Arkbro, Clara Iannotta, Sarah Davachi, Michelle Lou, Wolfgang von Schweinitz, Jacob Kirkegaard, and Katherine Young. They have premiered works by George Lewis, Catherine Lamb, Liza Lim, Lester St. Louis, Kevin Drumm, Kaori Suzuki, Raven Chacon, Nate Wooley, and even British pop icon Scott Walker. As a soloist, they’ve performed with the Helsinki Philharmonic, SWR Symphonieorchester, and Wild Up.
A member of RAGE Thormbones, Wild Up, echoi, Diapason, and an active soloist and improviser on low brass and bagpipes, Barbier teaches at CalArts. They have created and presented work for the Museum of Jurassic Technology, Getty Center and Villa, Monday Evening Concerts, Roulette, San Francisco Exploratorium, Indexical, RedCat, Mahler Chamber Orchestra, and others, including a collaboration with holographer Tristan Duke. Festival appearances include Borealis (NO), Darmstadt and Donaueschinger (DE), Musica Nova Helsinki (FI), Maerzmusik (DE), Ojai Music Festival, and more.
Barbier has held guest residencies at institutions including Harvard, Princeton, Stanford, Columbia, NYU, UCSD, and University of Chicago. Their recordings appear on labels such as Sofa Music, Dinzu Artifacts, Carrier, Populist, Mode, Hat Hut, New Focus, Kairos, and Domino.








































