Praised for her “expressive and captivating performance” (GRAMMY.com), bassist Kathryn Schulmeister brings radiant energy to her creative musical practice ranging from classical to experimental. With a fearless curiosity for collaborative environments, Schulmeister’s enthusiasm for seeking opportunities to integrate improvisation, movement and theatre into her creative practice have led her to thrive as an active performer in festivals and venues around the world.
Schulmeister is a member of several contemporary music ensembles including the renowned Australian ELISION Ensemble, Fonema Consort (NYC), and the Echoi Ensemble (LA). She has performed as a guest artist with various adventurous international ensembles such as Klangforum Wien, Ensemble MusikFabrik, Delirium Musicum, Ensemble Dal Niente, and Ensemble Vertixe Sonora.
Equally passionate and experienced as an orchestral musician, Schulmeister served as a core member of the Hawaii Symphony Orchestra for three consecutive seasons from 2014-2017 and has performed with the Ojai Festival Orchestra, Phoenix Symphony, New West Symphony, California Chamber Orchestra, Lucerne Festival Alumni Orchestra, Pacific Lyric Opera, Maui Chamber Orchestra, and Hawaii Opera Theater.
Schulmeister received her Doctor of Musical Arts degree in Contemporary Music Performance from the University of California San Diego, Master of Music degree from McGill University, and Bachelor of Music degree from the New England Conservatory of Music.
In Fall 2023, Schulmeister joined the faculty of the University of the Pacific Conservatory of Music as Assistant Professor of Practice in String Bass.
Pianist Cory Smythe has worked closely with pioneering artists in new, improvisatory, and classical music, including multi-instrumentalist-composer Tyshawn Sorey, violinist Hilary Hahn, and transdisciplinary composers from Anthony Braxton to Zosha Di Castri. His own “perplexingly perfect” (The Wire) music “dissolves the lines between composition and improvisation with rigor” (Chicago Reader). Smythe has been featured at the Newport Jazz, Wien Modern, and Darmstadt festivals, as well as at Lincoln Center’s Mostly Mozart festival, where he premiered new work created in collaboration with composer-improvisors Peter Evans and Craig Taborn. He has received commissions from Present Music, the Banff Centre for the Arts, the Trondheim Jazz Orchestra, the Wiener Festwochen, and the International Contemporary Ensemble, of which he is a longtime member. Smythe’s recent critically acclaimed albums on the Pyroclastic label have been made with the support of The Shifting Foundation. He has received a Grammy award for his work with Ms. Hahn and a 2022 Herb Alpert Award in music.
Wesley Sumpter is one of the most in-demand percussionists in the United States. He has performed with some of the world’s leading orchestras including the Los Angeles Philharmonic, San Francisco, National, and Atlanta Symphonies, Mainly Mozart Festival Orchestra, the Cabrillo Festival, Lakes Area Music Festival and the BBC Philharmonic in Manchester, UK. He has played under renown conductors such as Gustavo Dudamel, Esa Pekka Salonen, Zubin Mehta and many more. During his time with the LA Phil, he has shared the stage with some of the biggest stars in music like: Christina Aguilera, H.E.R., Katy Perry, Herbie Hancock, Barry Manilow, Wynton Marsalis, John Williams, and Snarky Puppy. He has also performed in some of world’s most iconic venues like: Walt Disney Concert Hall, Philharmonie de Paris, Zankel Hall & Stern Auditorium of Carnegie Hall, and more.
Wesley Sumpter is one of the most in-demand percussionists in the United States. He has performed with some of the world’s leading orchestras including the Los Angeles Philharmonic, San Francisco, National, and Atlanta Symphonies, Mainly Mozart Festival Orchestra, the Cabrillo Festival, Lakes Area Music Festival and the BBC Philharmonic in Manchester, UK. He has played under renown conductors such as Gustavo Dudamel, Esa Pekka Salonen, Zubin Mehta and many more. During his time with the LA Phil, he has shared the stage with some of the biggest stars in music like: Christina Aguilera, H.E.R., Katy Perry, Herbie Hancock, Barry Manilow, Wynton Marsalis, John Williams, and Snarky Puppy. He has also performed in some of world’s most iconic venues like: Walt Disney Concert Hall, Philharmonie de Paris, Zankel Hall & Stern Auditorium of Carnegie Hall, and more.
Wesley Sumpter is one of the most in-demand percussionists in the United States. He has performed with some of the world’s leading orchestras including the Los Angeles Philharmonic, San Francisco, National, and Atlanta Symphonies, Mainly Mozart Festival Orchestra, the Cabrillo Festival, Lakes Area Music Festival and the BBC Philharmonic in Manchester, UK. He has played under renown conductors such as Gustavo Dudamel, Esa Pekka Salonen, Zubin Mehta and many more. During his time with the LA Phil, he has shared the stage with some of the biggest stars in music like: Christina Aguilera, H.E.R., Katy Perry, Herbie Hancock, Barry Manilow, Wynton Marsalis, John Williams, and Snarky Puppy. He has also performed in some of world’s most iconic venues like: Walt Disney Concert Hall, Philharmonie de Paris, Zankel Hall & Stern Auditorium of Carnegie Hall, and more.
Wesley Sumpter is one of the most in-demand percussionists in the United States. He has performed with some of the world’s leading orchestras including the Los Angeles Philharmonic, San Francisco, National, and Atlanta Symphonies, Mainly Mozart Festival Orchestra, the Cabrillo Festival, Lakes Area Music Festival and the BBC Philharmonic in Manchester, UK. He has played under renown conductors such as Gustavo Dudamel, Esa Pekka Salonen, Zubin Mehta and many more. During his time with the LA Phil, he has shared the stage with some of the biggest stars in music like: Christina Aguilera, H.E.R., Katy Perry, Herbie Hancock, Barry Manilow, Wynton Marsalis, John Williams, and Snarky Puppy. He has also performed in some of world’s most iconic venues like: Walt Disney Concert Hall, Philharmonie de Paris, Zankel Hall & Stern Auditorium of Carnegie Hall, and more.
Sumpter received his bachelor’s degree from the University of Georgia and started his master’s at the University of Southern California before beginning the inaugural Resident Fellows program with the Los Angeles Philharmonic. His teachers include Timothy Adams jr., Kimberly Toscano, James Babor, Joseph Pereira and Matthew Howard.
Born in Minneapolis, Minnesota, Craig Taborn has been performing piano and electronic music in the jazz, improvisational, and creative music scene for over 25 years. He has experience composing for and performing in a wide variety of situations including jazz, new music, electronic, rock, noise and avant-garde contexts.
Taborn has played and recorded with many luminaries in the fields of jazz, improvised, new music and electronic music including Roscoe Mitchell, Wadada Leo Smith, Lester Bowie, Dave Holland, Tim Berne, John Zorn, Evan Parker, Steve Coleman, David Torn, Chris Potter, William Parker, Vijay Iyer, Kris Davis, Nicole Mitchell, Susie Ibarra, Ikue Mori, Carl Craig, Dave Douglas, Meat Beat Manifesto, Dan Weiss, Chris Lightcap, Gerald Cleaver, and Rudresh Manhathappa.
Taborn is currently occupied creating and performing music for solo piano performance (Avenging Angel), piano trio (Craig Taborn Trio), an electronic project (Junk Magic), the Daylight Ghosts Quartet, a piano/drums/electronics duo with Dave King (Heroic Enthusiasts) and a new trio with Tomeka Reid and Ches Smith as well as piano duo collaborations with Vijay Iyer (The Transitory Poems), Kris Davis (Octopus) and Cory Smythe. He is also a member of the instrumental electronic art-pop group Golden Valley is Now and performs frequently on solo electronics. Taborn lives in Brooklyn.
M.A. Tiesenga is an interdisciplinary artist whose practice delves into the intricate interplay of procedure and enaction within collaborative performance contexts, deftly shaping these dynamics through various idioms. Inspired by an affinity for the outdoors, Tiesenga draws analogies between these concepts and the art of cartography, illuminating the parallels between a map and a musical score. This exploration opens doors to musically navigate, inhabit, and realize theoretical terrains.
As a composer, visual artist, sound artist, multi-instrumentalist, and improviser, Tiesenga merges these creative identities by embracing the potential of expanded notation systems as an inquisition into new sonic possibilities. Their lifelong passion for collage, maps, puzzles, and asemic languages fuels an enchantment with encoding and decoding musical territories, allowing lexical approaches to transform into palpable expressions. Within their artistic vision, Tiesenga seeks to convey inner worlds where protocols and rules converge with intuition and mystique.
Tiesenga approaches sound-making as a collaborative exchange – central to Tiesenga’s artistic inspiration is the creation of works that cultivate connection and reciprocity in contemporary music. Their understanding of the musical score as both an art object and a notated intention for performance/action facilitates the construction of modular, living landscapes that reflect the people and spaces present. Graphic scores, for Tiesenga, serve as intermediaries bridging Karreideas and actions, visual and aural experiences, and the externalization of internal processes. As an ardent experimentalist, they find inspiration and excitement in exploring improvisation and indeterminacy, elevating and weaving performers’ agency by inviting personal interpretation into the fabric of a composition. Informed by their own extensive performance practice, Tiesenga is committed to crafting works that engage both performers and audiences alike to see their environment a little differently.
Tiesenga’s compositional collaborations include work with the Civic Orchestra of Chicago, Wild Up, Théâtre Musical Tokyo, Long Beach Opera, Kunsthalle for Music, SPEAK Percussion, Dog Star Orchestra, Ensemble Supermusique, and ensembles at the Eastman School of Music, New England Conservatory, California Institute for the Arts, Yale University, and Darmstädter Ferienkurse.
M.A. Tiesenga holds an MFA in Composition – Experimental Sound Practices and an MFA in Experimental Animation with a Concentration in Integrated Media from California Institute of the Arts, where they studied with Michael Pisaro, Sara Roberts, Eyvind Kang, Alexander Stewart, Pia Borg, and Tom Leeser. Previously, Tiesenga earned a Bachelor of Music from the Eastman School of Music in saxophone performance under the guidance of Dr. Chien-Kwan Lin.
The artistry of internationally, renowned Sheng virtuoso Wu Wei reaches far beyond the traditional boundaries of his more than 3000-year-old Chinese instrument and brings it well into the 21st century.
The Sheng, a mouth organ, formed out of a bundle of bamboo reeds and cased in a metal bowl, sounds as the singing phoenix from a Chinese legend: silvery and fleeting as the wind.
Wu Wei’s radiant and transparent tone as well as the infinite possibilities offered by his instrument in terms of melody, harmony, rhythm, polyphony have led him to collaborating with many artists and ensembles in traditional, chamber or orchestral settings, improvising in solo concerts or with jazz big Bands, playing electronic music as well as taking part to minimal, baroque music performances.
Wu Wei’s desire to experiment with new sound and types of musical expression and his extraordinary capacity to create an individual world out of each performance are reflected in his collaborations with distinguished composers writing concertos for Sheng and orchestra especially for him: Huang Ruo (The color of yellow – 2007), Guus Janssen (Four Songs – 2008), Unsuk Chin (Su – 2009), Jukka Tiensuu (Teoton – 2015), Bernd Richard Deutsch (Phaenomena – 2019), Ondrej Adamek (Lost Prayer Book – 2019), Donghong Shin (Anecdote – 2019), Enjott Schneider (change – 2003 and several other concerti).
In the last decade, Wu Wei has performed with orchestras such as the Berlin Philharmonic under Kent Nagano, the Seoul Philharmonic under Myung Whun Chung, the Los Angeles Philharmonic under Gustavo Dudamel, BBC Symphony under Ilan Volkov, the Cabrillo Festival and Sao Paulo Symphony under Marin Alsop, the Royal Stockholm Philharmonic and the New York Philharmonic under Susanna Mälkki, the Netherlands Radio Philharmonic under Jaap van Zweden and Edo de Waart, Helsinki Philharmonic under Matthias Pintscher, ensembles such as the Holland Baroque, the Ensemble intercontemporain, the Atlas Ensemble and the NDR Big Band, and soloists like Guus Jansen (organ), Wang Li (Jew’s harp) or Pascal Contet (accordion).
He is regularly invited by international festivals such as the BBC Prom’s in London, Festival d’Automne à Paris, Donaueschinger Musiktage, Edinburgh International Festival, Suntory Hall Summer Festival Tokyo, Dresdner Musikfestspiele, Festival Achtbrücken Cologne, Grafenegg Festival, Lincoln Center Festival New York.
Upcoming events include Wu Wei’s debuts with the New York Philharmonic and Sao Paulo Symphony orchestra in 2019, the Chinese premiere in Beijing of Bernd Richard Deutsch’s Sheng concerto Phaenomena with the China NCPA Orchestra under Jia Lü, the world premiere of a new Sheng concerto by Enjott Schneider with the Taipei Chinese Orchestra and a tour to America and Canada with the Chinese NCPA Orchestra in 2020.
As a composer, Wu Wei has received commissions from the Fondation Royaumont, Musica Viva in Munich, the Hanse Culture Foundation, the Civitella Ranieri Foundation, the Cultural Foundation of the Free State of Saxony and several other institutions.
With Martin Stegner (viola) und Matthew McDonald (double bass), both members of the Berlin Philharmonic Orchestra, he founded the Wu Wei Trio which appears each season in the Chamber Music Hall of the Berlin Philharmonie. As a founder of the Berlin based Ensemble Asianart, he likes to share transcultural programs with instrumentalists from all around the world. He is an ideal partner for interdisciplinary projects involving literature, dance, theatre, architecture.
Wu Wei has recorded for Deutsche Gramophon, Sony Classical, Harmonia Mundi, Wergo, Pentatone and several of his CDs and DVDs have been distinguished by international Awards: International Classical Music Award 2015 and BBC Music Magazine Award 2015 for the Unsuk Chin concertos CD with Deutsche Gramophon, the German Critic Award in 2012 for the “AsianArt Ensemble” CD to note a few.
He also received the Best Sheng Soloist Award China in 2017, the Herald Angels Award 2011 at the International Festival Edinburgh, the Global Root German World Music Prize 2004 in Rudolstadt (Germany).
Wu Wei was born in 1970 in Gaoyou (China). He studied at the Shanghai Conservatory of Music and started his career in 1993 as a Sheng soloist in China where he performed among others with the Chinese Music Orchestra Shanghaï. In 1995, he was selected by the DAAD (German Academic Exchange Service) and FNS (Friedrich Naumann Foundation) to take part in a four-year scholarship which brought him to Berlin, where he is still currently living. Since 2013, Wu Wei has been a Professor teaching the Sheng at the Shanghaï Conservatory of Music.
