Víkingur Ólafsson, piano

Pianist Víkingur Ólafsson’s remarkable originality and powerful musical conviction have seen him, in just a few years, take the music world by storm to become one of the most sought-after artists of today.

Ólafsson made an unforgettable impact with the release of his two albums, Philip Glass Piano Works and Johann Sebastian Bach on Deutsche Grammophon, for whom he is an exclusive recording artist. Praised for revealing new possibilities within the music, Johann Sebastian Bach – featuring diverse original compositions and transcriptions, including Ólafsson’s own – has appeared in multiple best albums of the year lists, was named one of the greatest ever Bach recordings in Gramophone, won the 2019 Opus Klassik Piano Recital Album of the Year award and won Album of the Year at the BBC Music Magazine Awards 2019. Ólafsson’s previous album, Philip Glass Piano Works was an equal success and saw him named “Iceland’s Glenn Gould” by the New York Times. Ólafsson was named the 2019 Gramophone magazine Artist of the Year and Limelight magazine’s International Artist of the Year 2019. Ólafsson’s anticipated next album Debussy Rameau launched in March 2020.

Ólafsson’s coming seasons are marked by a series of high-profile international artist residencies at some of the world’s top concert halls. This began in 2019-20 at Berlin Konzerthaus with fourteen performances over eleven different projects. This season will also see Ólafsson give the French première of John Adams’ Piano Concerto No.2 with Orchestre Philharmonique de Radio France (John Adams), as well as concerts with Konzerthausorchester Berlin (Christoph Eschenbach), Hallé (Klaus Mäkelä), Hong Kong Philharmonic (Jaap van Zweden), Bergen Philharmonic Orchestra (Ed Gardner), San Diego Symphony (Rafael Payare), and Iceland Symphony Orchestra (Daníel Bjarnason).

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Read Alex Ross of The New Yorker article >