Jeremy Denk, 2014 Music Director
One of America’s most thought-provoking, multi-faceted, and compelling artists, pianist Jeremy Denk is the winner of a 2013 MacArthur Fellowship, the 2014 Avery Fisher Prize, and Musical America’s 2014 Instrumentalist of the Year award. He has appeared as soloist with the Los Angeles Philharmonic, the Philadelphia Orchestra, and the symphony orchestras of Boston, Chicago, San Francisco, and London, and regularly gives recitals in New York, Washington, Boston, Philadelphia, and throughout the United States.
Next season, he looks forward to launching a four-season tenure as an Artistic Partner of the Saint Paul Chamber Orchestra; making debuts with the Cleveland Orchestra under Susanna Mälkki and the New York Philharmonic led by Esa-Pekka Salonen; appearing as a soloist with the Los Angeles Philharmonic and San Francisco Symphony; and performing Bach concertos on tour with the Academy of St. Martin-in-the-Fields.
To coincide with the release of his second Nonesuch Records album, Bach: Goldberg Variations, Denk opened the 2013-14 season with performances of the “Goldbergs” in Boston, Chicago, and Washington; the album reached number one on Billboard’s Classical Chart and was featured in “Best of 2013” lists by the New Yorker and the New York Times. Other season highlights include renditions of Mozart’s Piano Concerto No. 25 with the San Francisco Symphony and Michael Tilson Thomas at Carnegie Hall, and with the symphony orchestras of Cincinnati and Baltimore, as well as with the Saint Paul Chamber Orchestra, which he will lead from the keyboard. This summer, Denk returns to the Tanglewood Festival to perform the Goldberg Variations, and plays Beethoven’s First Piano Concerto with the Philadelphia Orchestra. As Music Director of the 2014 Ojai Music Festival, he looks forward to performing and curating, and has written the libretto to a comic opera, The Classical Style: An Opera (of Sorts), by Pulitzer Prize-winning composer Steven Stucky. Inspired by Charles Rosen’s eponymous seminal text, the opera—a co-commission of the Ojai Music Festival, Carnegie Hall, Cal Performances, and the Aspen Music Festival—features the characters of Haydn, Mozart, and Beethoven.
Denk is known for his original and insightful writing on music, which Alex Ross praises for its “arresting sensitivity and wit.” The pianist’s writing has appeared in the New Yorker, the New Republic, The Guardian, and on the front page of the New York Times Book Review. One of his New Yorker contributions, “Every Good Boy Does Fine,” forms the basis of a memoir he is writing for future publication by Random House. Recounting his experiences of touring, performing, and practicing, his blog, Think Denk, was recently selected for inclusion in the Library of Congress web archives. For his work as a writer and pianist, Out magazine included Denk on its “Out 100” list celebrating the most compelling people of 2013.
In 2012, Denk made his Nonesuch debut with a pairing of masterpieces old and new: Beethoven’s final Piano Sonata No. 32, Op. 111, and György Ligeti’s Études. The album was named one of the best of 2012 by the New Yorker, NPR, and the Washington Post, and Denk’s account of the Beethoven sonata was selected by BBC Radio 3’s Building a Library as the best available version recorded on modern piano. Denk has a long-standing attachment to the music of American visionary Charles Ives, and his recording of Ives’s two piano sonatas featured in many “best of the year” lists. In March 2012, the pianist was invited by Michael Tilson Thomas to appear as soloist in the San Francisco Symphony’s American Mavericks festival, and he recorded Henry Cowell’s Piano Concerto with the orchestra. Having cultivated relationships with many living composers, he currently has several commissioning projects in progress.
Denk has toured frequently with violinist Joshua Bell, and their recently released Sony Classical album, French Impressions, won the 2012 Echo Klassik award. He also collaborates regularly with cellist Steven Isserlis, and has appeared at numerous festivals, including the Italian and American Spoleto Festivals, and the Santa Fe Chamber Music, Verbier, Ravinia, Tanglewood, Aspen Music, and Mostly Mozart Festivals.
Jeremy Denk has earned degrees from Oberlin College, Indiana University, and the Juilliard School. He lives in New York City, and his web site and blog are at jeremydenk.net.
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