by Tom Morris, Artistic Director

After last June’s Festival with Leif Ove Andsnes, and as plans were developing for 2013 with Mark Morris, and for 2014 with Jeremy Denk, I realized that Ojai is increasingly about being a laboratory for great artists to experiment – to reinvent themselves. It is not a place where artists come to trot out the programs they do elsewhere. In many ways, the very essence of Ojai stems powerfully from the fact that artists are part of the experiment themselves so audience and performers join at the hip in the mutual experience.
All the final touches are now in place for 2013 and we will have, indeed, a seamless and continuous party of music, dance and conversation. Get your rest ahead of time! With Mark Morris as our irrepressible guide, we have a festival that will look and feel different with more than 30 distinct events over 4 days:
• We start with 8 major concerts – more than in the past as we cut some previous 2-hour concerts into 2 1-hour concerts: 1 concert Thursday night, 2 Friday night, 1 Saturday morning, 1 Saturday evening, 1 Sunday morning, and 2 Sunday evening.
• We will have 2 Ojai Talks, each with 2 sessions, on Thursday and Friday.
• We will have 7 free extra events, subject only to getting an advance reservation: 3 film screenings at the Ojai Playhouse, 1 on Thursday and 2 on Saturday; 2 Ojai Late Night concerts in the Libbey Bowl on Friday and Saturday nights; Ojai Sunrise concerts on Saturday and Sunday mornings at Meditation Mount and at Two Tree Hill on the Besant Hill School in Upper Ojai
• We will have 7 community events – free and open to the public: 2 gamelan concerts in the Libbey Park Gazebo on Friday and Saturday; a 30-minute concert of music for toy piano to be performed on the Libbey Park playground Friday between the 2 evening concerts; public fitness classes led by dancers from the MMDG Friday, Saturday and Sunday mornings in the Libbey Park; a “Dance with the MMDG” Saturday afternoon at the Ojai Arts Center where members of the MMDG will teach you a movement of Lou Harrison’s Grand Duo which is being performed on Friday night
• We will have 3 special events for donors: Social Dancing with Mark Morris at the opening night party Thursday night at the Ojai Arts Center; Open-mic karaoke with Mark Morris and The Bad Plus at Agave Maria’s late Friday night; a special performance by American String quartet on Sunday afternoon at the Ojai Arts Center
• The Legacy Lunch Saturday afternoon at the Lavender Inn when Chris Hailey will interview several veteran members of the MMDG
• 6 Concert Insights with Christopher Hailey, 4 of which will be with Mark Morris
• A Reception for 2014 subscribers.
• And there just might be a few other surprises!!!
This will be a festival that truly reflects what Mark Morris stands for in all of his work. It will be infused with his infectious energy, his extraordinary artistry, his supreme ability to delight, and his playful sense of fun. As he has said:
“….thrilling, raucous, serene, contemplative, serendipitous, and surprising. As Lou Harrison put it: ‘music is a song & a dance.’”






905 Country Club Rd

302 W. Matilija St. | 805 646 3755
1302 E Ojai Ave


The 67th Festival will feature the work of Lou Harrison, John Luther Adams, Terry Riley, and much more.
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer, music theorist, writer, and artist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential American composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage’s romantic partner for most of their lives. 
Lou Harrison (1917 – 2003) was an American musical pioneer, composing works that incorporated Javanese gamelan and non-Western influences and explored the use of alternate tunings and new instruments. Spending much of his youth on the West Coast, he studied with
Michael Harrison, composer and pianist, has been called “an American Maverick” by Philip Glass. Through his expertise in “just intonation” tunings, Indian ragas and rhythmic cycles, he has created “a new harmonic world…of vibrant sound” (The New York Times). With a personal style that transcends the ages, his music is both forward looking and deeply rooted in different forms of traditional music.
For a percussionist and composer as energetic, inquisitive and versatile as Glenn Kotche, it’s his sense of balance—his ability to thrive in different and seemingly disparate worlds—that really makes him stand out as a musician. Since 2001, Kotche has been the rhythmic anchor in Wilco, one of the most beloved rock bands on the planet.
Passionate, prolific, and complicated, composer David Lang embodies the restless spirit of invention. Lang is at the same time deeply versed in the classical tradition and committed to music that resists categorization, constantly creating new forms. In the words of The New Yorker, “With his winning of the Pulitzer Prize for
From his early taped speech pieces It’s Gonna Rain (1965) and Come Out (1966) to his and video artist Beryl Korot’s digital video opera Three Tales (2002), Steve Reich’s path has embraced not only aspects of Western Classical music, but the structures, harmonies, and rhythms of non-Western and American vernacular music, particularly jazz. “There’s just a handful of living composers who can legitimately claim to have altered the direction of musical history and Steve Reich is one of them,” states The Guardian (London). 
Rand Steiger’s music has been commissioned and performed by many ensembles, including the American Composers Orchestra, Boston Musica Viva, Ensemble Intercontemporain, International Contemporary Ensemble, Lontano, Los Angeles Chamber Orchestra, NYNME, Prism Quartet, San Diego Symphony, San Francisco Contemporary Music Players, St. Paul Chamber Orchestra, Talea Ensemble, and the Los Angeles Philharmonic, where he served as Composer Fellow. Soloists he has composed for include Matthew Barley, Maya Beiser, Claire Chase, Daniel Druckman, Peter Evans, Alan Feinberg, George Lewis, Susan Narucki, Vicki Ray, and Steven Schick.
James Tenney (1934–2006) was born in Silver City, New Mexico, and grew up in Arizona and Colorado, where he received his early training as a pianist and composer. He attended the University of Denver, the Juilliard School of Music, Bennington College, and the University of Illinois. His teachers and mentors included Eduard Steuermann, Chou Wen-Chung, Lionel Nowak, Carl Ruggles, Lejaren Hiller, Kenneth Gaburo, Edgard Varèse, Harry Partch, and John Cage.