Antoine Tamestit was born in Paris and studied with Jean Sulem, Jesse Levine and Tabea Zimmermann. He was the recipient of several coveted prizes which lauched him at the highest level – First Prize at the Maurice Vieux Competition (Paris, 2000) and the William Primrose Competition (Chicago, 2001), First Prize at the Young Concert Artists (YCA) International Auditions which led to his New York, Boston and Washington recital debuts in 2003. In September 2004, he took First Prize at the 53rd ARD Munich International Music Competition.
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Blog
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Antoine Tamestit, Viola
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Lucy Shelton, soprano

Winner of two Walter W. Naumburg Awards—as chamber musician and solo recitalist—soprano Lucy Shelton continues to enjoy an international career bringing her dramatic vocalism and brilliant interpretive skills to repertoire of all periods. An esteemed exponent of 20th- and 21st-century repertory, she has premiered over 100 works.
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Christianne Stotijn, Mezzo Soprano
Mezzo soprano Christianne Stotijn was born in Delft, the Netherlands and received her first solo diploma for violin in 2000. She then Pursued intensive vocal studies with Udo Reinemann at the Amsterdam Conservatory graduating cum laude. S he furthered her studies with Jard van Nes, Noelle Barker and Dame Janet Baker.
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Steven Schick, percussion/director
Percussionist, conductor and author Steven Schick was born in Iowa and raised in a farming family. For the past thirty years he has championed contemporary percussion music as a performer and teacher, by commissioning and premiering more than one hundred new works for percussion. Schick is Distinguished Professor of Music at the University of California, San Diego and a Consulting Artist in Percussion at the Manhattan School of Music.
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Norwegian Chamber Orchestra
The Norwegian Chamber Orchestra was founded in 1977 under the leadership of Terje Tonnesen, who still works as the orchestra’s Music Director. For many years he worked in parallel with Iona Brown, who was Music and Artistic Director until 2001. Isabelle van Keulen will share the position as Music Director together with Tonnesen and with Leif Ove Andsnes as Principal Guest Director from the start of the 2009/10 season.
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Marc-Andre Hamelin, piano
Marc-André Hamelin’s unique blend of musicianship and virtuosity brings forth interpretations remarkable for their freedom, originality, and prodigious mastery of the piano’s resources. Long known for his bold exploration of unfamiliar pianistic terrain, Mr. Hamelin has increasingly turned his attention to the established masterworks of the piano literature, in performances and recordings of the piano sonatas of Haydn, major works by Mozart, Schumann, Brahms, Chopin and others.
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Martin Fröst, clarinet
Martin Fröst is internationally recognized as one of the most exciting wind players around today. Forthcoming concerts include debuts with the Minnesota Orchestra and Los Angeles Philharmonic with Osmo Vänskä (performing Kalevi Aho’s Concerto which was commissioned for him by the Borletti-Buitoni Trust), Cincinnati Symphony Orchestra under Paavo Järvi, NHK Symphony Orchestra under Sir Neville Marriner, and both the Netherlands Radio Philharmonic Orchestra and Radio Chamber Orchestra (at the Amsterdam Concertgebouw).
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2013 Ojai Music Festival Press Release
The Ojai Music Festival announces further details of the 67th Ojai Music Festival, with choreographer Mark Morris as Music Director.
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Wu Man, pipa
Recognized as the world’s premier pipa virtuoso and as a leading ambassador of Chinese music, US-based, Chinese-born musician Wu Man has carved out a career creating and fostering projects that give this ancient instrument a new role in today’s music world, not only introducing the instrument to new audiences, but commissioning and premiering over a hundred new works to grow the core repertoire. A Grammy Award-nominated artist, her adventurous musical spirit has also led to her becoming a respected expert on the history and preservation of Chinese musical traditions, reflected in her recorded and live performances and multi-cultural collaborations. (more…) -
Carl Ruggles
Writing only 84 minutes of music in the entirety of his career, Carl Ruggles’ eight published works nonetheless attest to his complete dedication to atonality and ultra-modernism. Ruggle’s prickly personality was paired with a meticulously deliberate compositional process – Michael Tilson Thomas recalled visiting the composer and hearing him play “every sonority, every chord . . . once, twice, 10, 20, 50, perhaps hundreds of times, as loud as he could, because as he said to me, ‘I thought that if I could still stand the sound . . . after a hundred times or so, it would sound pretty good a couple of hundred years from now!”
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Douglas Williams, bass-baritone
“The gifted young bass-baritone Douglas Williams” (Anthony Tommasini, The New York Times) combines a “formidable stage presence” (Seattle Times) with “a bass voice of splendid solidity” (Bernard Jacobson, Music Web International), making him one of the most appealing singing actors of the younger generation. He has collaborated with leading conductors including Helmut Rilling, Sir Neville Marriner, John Nelson, and Christoph Rousset in such prestigious venues as Lincoln Center, the Kennedy Center, Stuttgart’s Mozart-Saal, and the Frankfurt Alte Oper. (more…) -
Jamie Van Eyck, mezzo-soprano
With polished, elegant vocalism and committed dramatic portrayals on-stage, American mezzo-soprano Jamie Van Eyck appeals to audiences and critics alike as a compelling young artist in opera and concert. This season, she makes her New York City recital debut with pianist Jocelyn Dueck in a performance sponsored by The Casement Fund.
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Leif Ove Andsnes, 2012 Music Director
The New York Times has called Leif Ove Andsnes “a pianist of magisterial elegance, power and insight.” With his commanding technique and searching interpretations, the celebrated Norwegian pianist has won worldwide acclaim, prompting the Wall Street Journal to call him “one of the most gifted musicians of his generation.” He gives recitals and plays concertos each season in the world’s leading concert halls and with the foremost orchestras.
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Relive the 2012 Festival with Video and Photos
Relive the 66th Ojai Music Festival with Music Director Leif Ove Andsnes and friends from the comfort of your home!
VIEW Festival Photos >>
WATCH recordings of the concerts >>
LISTEN to pieces recorded at the Festival >>
READ reviews of the 2012 Festival >> -
Choose Your Ojai Lodging Options Now
Lodging options in Ojai can be limited and tend to fill up quickly. Discover lodging possibilities on our lodging page.
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Yulia Van Doren, soprano
Recently recognized by Opera Magazine as “A star-to-be” following her Lincoln Center debut, young Russian-American soprano Yulia Van Doren’s recent debut with the Toronto Symphony Orchestra was acclaimed as “This year’s big revelation… a ravishing lyric voice and an ease with vocal ornamentation that turned her into an enchanted songbird” (Toronto Star).
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Eva Soltes, filmmaker
Eva Soltes – Filmmaker/Performing Arts Producer has, over the course of her decades-long career, produced, directed and/or written nearly one thousand music, dance, theater and media works for national and international audiences. Soltes has also facilitated the creation of new work by gifted artists and documented historic figures who would otherwise have been under-recognized. (more…) -
Press Kit
Welcome to the Festival’s virtual press room. Please call a member of our press team to set up interviews or for more information.
Press team:
Gina Gutierrez, Director of Marketing and Communications
805 646 2094 ext. 104 | ggutierrez@ojaifestival.orgNikki Scandalios, National/International
704 340 4094 | nikki@scandaliospr.comLaura Cohen, Regional
310 867 3897 | lcmediapr@gmail.comOjai Music Festival Press Kit
Download complete Press Kit >>
Festival Bio
The Ojai Spirit, by Christopher Hailey
Festival Milestones
Roster of Music Directors
Quotes from the Artists
Excerpts from the Press -
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Click on a photo to view or download a high-res version using the links above.
Contact Gina Gutierrez or call 805 646 2094 ext. 104 for additional images. -
An Open Invitation to Explore: Highlights of Ojai 2013
AN OPEN INVITATION TO EXPLORE
by Christopher HaileyWalk right in, sit right down/Daddy, let your mind roll on. Not that we’ll be hearing Gus Cannon’s 1929 country blues classic at the 2013 Ojai Music Festival, but his lyrics are a perfect fit for what Mark Morris has in store for us. It’s an informal, open-ended invitation to explore some of the most mind-expanding music of the twentieth and twenty-first centuries. American voices mostly, mostly West Coast, and very in the box: Lou Harrison, his teacher Henry Cowell, his friend and colleague John Cage, their patron saint, Charles Ives, and a couple of latter-day disciples in Terry Riley and John Luther Adams. Names we know, music we don’t. These are composers who have all challenged conventional High/Low, East/West, Music/Noise dichotomies and embraced what Morris calls a more inclusive idea of “Culture”.
Accordingly we’ll hear unusual mixtures of styles and instruments as in Harrison’s Concerto for Piano and Gamelan, Cowell’s Atlantis for voices, percussion and strings, and John Luther Adams’ songbirdsongs for percussion, piccolos and celesta (performed by red fish blue fish, the MMDG Music Ensemble, and UC Berkeley Gamelan Sari Raras). In the same spirit, we’ll see the Mark Morris Dance Group performs to string quartets by Cowell (played by the legendary American String Quartet), hear little-known songs by Cage, Cowell, Harrison, and Ruggles, and experience Stravinsky’s The Rite of Spring in an arrangement by the amazing The Bad Plus jazz trio. Morris has even re-imagined the concert experience itself by separating shorter, discrete musical segments with generous intervals that encourage the audience to discuss and explore. And there will be lots to explore because Morris aims to make year’s Ojai Festival a “valley-wide” experience with scheduled and spontaneous events scattered about town – extra concerts, films, talks, social dancing, toy pianos, and possibly even a marching band down Ojai Avenue. People on the move, taking notice, getting involved: Everybody’s talkin’’bout a new way of walkin’. And listening – thanks to Lou, Henry, John, and Charles.
Download web version of the series ticket brochure >>
View Program Schedule > -

The Oakridge Inn
780 North Ventura Avenue
Phone: 805 649 4018
Website: Oakridgeinn.comIf you’re looking for another lodging alternative in the Ojai Valley during Festival weekend, The Oakridge Inn is just the place for you. The Oakridge Inn is located in Oak View, a small Ojai Valley community nestled among spreading oaks, surrounded by tree-covered mountains, beautiful parks, museums, historical sites, and recreational facilities.
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Mark Morris Branches Out: Read the Recent Symphony Article
Taking risks and gettng outside of your comfort zone are qualities that are reflected in many of our past Festival music directors – from soprano Dawn Upshaw, composer/conductor George Benjamin, ensemble eighth blackbird to choreographer Mark Morris, who leads the upcoming 67th Festival in June 2013. Symphony Magazine recently interviewed Mark Morris on another venture he has successfully embarked on – conducting. Click here for article >> -
Terry Riley
Terry Riley (1935 -) is often credited with the dual title of being the father of both the Minimalist movement and psychedelic rock. His career has had a profound influence on a range of musicians and composers, including Steve Reich, Philip Glass and John Adams, as well groups such as The Who, The Soft Machine and Tangerine Dream. His work today includes close collaboration with the Kronos Quartet. Riley’s pieces showcase both his his experiments in process music and his deep study of Indian classical forms, resulting in a trailblazing career that has spanned over half a century.
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Evan Ziporyn
Evan Ziporyn (b. 1959, Chicago) makes music at the crossroads between genres and cultures, east and west. He studied at Eastman, Yale & UC Berkeley with Joseph Schwantner, Martin Bresnick, & Gerard Grisey. He first traveled to Bali in 1981, studying with Madé Lebah, Colin McPhee’s 1930s musical informant. He returned on a Fulbright in 1987.


