The 75th Ojai Music Festival with Music Director John Adams June 10-13, 2021
2021 Artists include:
Samuel Carl Adams * Timo Andres * Attacca Quartet * Miranda Cuckson * Dylan Mattingly *
Víkingur Ólafsson * Gabriela Ortiz * Carlos Simon * Gabriella Smith
“As we respond to these immensely challenging times both globally and here in the US, now, more than ever, we are placing our faith in the next generation to show us the way forward. John Adams has been unwavering in his desire to focus the 75th Festival on some of today’s most vibrant and innovative composers and performers. We look forward to all that they represent – both for this treasure of a Festival and, more broadly, for our world. They give me great hope and it is an honor to launch a new era for Ojai alongside such remarkable artists and thinkers.” – Ara Guzelimian, Artistic & Executive Director
Music Director John Adams, who is both curator and conductor for this milestone Festival, focuses on composers of today whose music will be threaded throughout the Festival in June 2021. Featured composers include Samuel Carl Adams, Timo Andres, Dylan Mattingly, Gabriela Ortiz, Gabriella Smith, and Carlos Simon, many of whom will be in residence during the Festival.
Adams conducts two concerts that will include an eclectic mix of works by Steve Reich and Mozart, alongside premieres from Carlos Simon and Samuel Carl Adams.
John Adams shares: The Ojai Festival has always expressed a unique point of view — this combination of casual manner and extraordinary experiences that bring daring imagination and creativity. There is an openness where music is treated the way people treat contemporary art – it’s the main event and not on the side.
Making their Ojai debuts are violinist Miranda Cuckson (who will return with AMOC as the 2022 Music Director) performing Kaija Saariaho, Anthony Cheung, Bach, and Dai Fujikura; Icelandic pianist Víkingur Ólafsson in a solo recital of works by Philip Glass, Bach, John Adams, Debussy, and Rameau; and Grammy-Award winning Attacca Quartet in a concert of music by Caroline Shaw, Jessie Montgomery, Paul Wiancko, and Gabriella Smith.
Ojai welcomes the return of Timo Andres, an Ojai alum from the 2014 Festival, performing I Still Play, a series of ten works by such composers as Laurie Anderson, Louis Andriessen, Donnacha Dennehy, Nico Muhly, and Philip Glass. This Ojai recital will mark the first live public performance of the cycle, which was commissioned as a tribute to legendary Nonesuch Records President Bob Hurwitz.
The Festival will honor long-standing ties with the Los Angeles Philharmonic, with a concert by the LA Phil New Music Group featuring the world premiere of a co-commissioned work by Dylan Mattingly, as well as music by Gabriela Ortiz and John Adams.
To celebrate the Festival’s wide-reaching BRAVO education program, Ojai school children will perform alongside Festival artists in a free community concert. In addition, featured artists and composers will hold free workshops for Ojai public school children leading up to the Festival.
The 2021 Festival resident chamber orchestra will consist of freelance artists from Southern California and from around the US, many of whom populate the nation’s gifted new-music ensembles. Ojai is pleased to draw from this incredibly talented group of US-based independent musicians, especially at this time when so many in this community are experiencing significant professional disruption caused by the pandemic.
A Homecoming Celebration We can’t wait to welcome all of you back to Ojai for the 75th Festival next June! The Festival represents an ideal of adventurous, open-minded and open-hearted programming in the most beautiful and welcoming of settings, with audiences and artists to match its aspirations. The Festival, in so many ways, marks a homecoming for all of us. As John and Ara embrace their own returns to Ojai, our reunion with all of you at the upcoming Festival marks the beginning of new era for our beloved Festival.
Stay Tuned and Tune In We will continue to share updates of the 2021 Festival in the coming months, with additional artists and programs yet to be announced. In the meantime, join us for ongoing virtual content with our next Ojai Talks on Wednesday, October 28 featuring 2021 Festival Resident Composer Gabriela Ortiz, hosted by Festival Producer Fiona Digney.
Covid-19 Planning The 2021 Ojai Music Festival will work closely with public health officials to adhere to the highest standards of health and safety for our entire onsite family, including our patrons, artists, staff, and community partners. Details regarding related considerations and protocols will be announced in the coming months. Please do not hesitate to reach out to Gina Gutierrez if you have questions.
Welcome to the Festival’s continuing series of the virtual Ojai Talks, where we celebrate the intersection of music, ideas, and the creative process with Ojai Festival artists, innovators, and thinkers.
The Festival is honored to have 2021 Festival Resident Composer Gabriela Ortiz join Festival Producer Fiona Digney for our October session. Click on the tabs below to learn more about Gabriela.
Latin Grammy-nominated Gabriela Ortiz is one of the foremost composers in Mexico today and one of the most vibrant musicians emerging on the international scene. Her musical language achieves an extraordinary and expressive synthesis of tradition and the avant-garde by combining high art, folk music and jazz in novel, frequently refined and always personal ways. Her compositions are credited for being both entertaining and immediate as well as profound and sophisticated; she achieves a balance between highly organized structure and improvisatory spontaneity.
Gustavo Dudamel, the conductor of the Los Angeles Philharmonic, called her recent work Téenek “one of the most brilliant I have ever directed. Its color, its texture, the harmony and the rhythm that it contains are all something unique. Gabriela possesses a particular capacity to showcase our Latin identity.”
Ortiz has written music for dance, theater and cinema, and has actively collaborated with poets, playwrights, and historians. Indeed, her creative process focuses on the connections between gender issues, social justice, environmental concerns and the burden of racism, as well as the phenomenon of multiculturality caused by globalization, technological development, and mass migrations. She has composed three operas, in all of which interdisciplinary collaboration has been a vital experience. Notably, these operas are framed by political contexts of great complexity, such as the drug war in Only the Truth, illegal migration between Mexico and the United States in Anaand her Shadow, and the violation of university autonomy during the student movement of 1968 in Firefly.
Based in Mexico, Ortiz’s music has been commissioned and performed all over the world by prestigious ensembles, soloists and orchestras, such as: the Los Angeles Philharmonic Orchestra, Gustavo Dudamel and Esa Pekka Salonen, Zoltan Kocsis, Carlos Miguel Prieto, the Kroumata and Amadinda Percussion Ensembles, the Kronos Quartet, Dawn Upshaw, Sarah Leonard, the Cuarteto Latinoamericano, Pierre Amoyal, Southwest Chamber Music, the Tambuco Percussion Quartet, the Hungarian Philharmonic Orchestra, the Malmo Symphony Orchestra, the Orquestra Simón Bolivar, the Royal Scottish National Orchestra, the BBC Scottish Symphony Orchestra, and the Royal Liverpool Philharmonic Orchestra, among others. Recent premieres include: Yanga and Téenek, both pieces commissioned by the Los Angeles Philharmonic and Gustavo Dudamel, Luciérnaga (Firefly, her third opera) commissioned and produced by the Universidad Nacional Autónoma de México, Únicamente la Verdad (Only the Truth, her first opera) with Long Beach Opera and Opera de Bellas Artes in Mexico.
Ortiz has been honored with the National Prize for Arts and Literature, the most prestigious award for writers and artists granted by the government of Mexico, and has been inducted into the Mexican Academy of the Arts. Other honors include: the Bellagio Center Residency Program, Civitella Ranieri Artistic Residency; a John Simon Guggenheim Memorial Foundation Fellowship; a Fulbright Fellowship; first prize in the Silvestre Revueltas National Chamber Music Competition; first prize in the Alicia Urreta Composition Competition; a Banff Center for the Arts Residency; the Inroads Commission (a program of Arts International with funds from the Ford Foundation); a grant from the Rockefeller Foundation; and the Mozart Medal Award.
Born in Mexico City, her parents were musicians in the renowned folk music ensemble Los Folkloristas, founded in 1966 to preserve and record the traditional music of Mexico and Latin America. She trained with the eminent composer Mario Lavista at the Conservatorio Nacional de Música and Federico Ibarra at the Universidad Nacional Autónoma de México. In 1990 she was awarded the British Council Fellowship to study in London with Robert Saxton at The Guildhall School of Music and Drama. In 1992 she received a scholarship from the UNAM to complete her Ph.D. studies in electroacoustic music composition with Simon Emmerson at The City University in London.
Ortiz currently teaches composition at the Universidad Nacional Autónoma de México in Mexico City and as a Visiting Professor at Indiana University. Her music is currently published by Schott, Ediciones Mexicanas de Música, Saxiana Presto, and Tre Fontane.
Gabriela Ortiz’s Liquid Borders | Steven Schick, conductor with Red Fish Blue Fish
Gabriela Ortiz’s discussion on Yanga with the LA Philharmonic
Excerpts from Gabriela Ortiz’s opera Camelia le tejana
Estudios entre preludios: Preludio No. 1
Behind the Curtain: 5 Fun Facts
An enjoyable and always surprising time during our Festival is when audience members run into Festival artists in Libbey Park, at a coffee shop, or the Festival Lounge. Those cherished moments are a chance to see artists in a different light. Here, we try to replicate those intimate conversations with “Behind the Curtain.”
Gabriela Ortiz on five fun factoids:
What are your favorite homecooked meal(s)? Spanish Gazpacho, Mexican Ceviche, and Key Lime Pie
Your go-to composer or piece of music when you need to relax? Anything Debussy
What’s on your bookshelf or nightstand that you’d recommend reading? And maybe even something we can find at Bart’s Books! Lost Children Archive by Valeria Luiselli
When you were a student, how would your teachers describe you? Extroverted
If you could collaborate with any musician or composer who would that be? LA Philharmonic