Join Us for the Fall Mixer

Join us for the Annual Fall Mixer with your friends and meet our new members!

Special guest Karent Banfied, will be performing selections from her gutsy, funny, one-woman show, “Screw it, Let’s Do it.” 
Buffet Lunch will include: rosemary lemon chicken, quinoa tabbouleh salad, jasmine rice, brownie sundae, iced tea, lemonade, or coffee, no host bar.

$30 per person

 

 

 

Back to school with BRAVO

by Laura Walter, BRAVO education coordinator 

Passed by Congress in 2010, House Resolution 275 designates the week beginning with the second Sunday in September as National Arts in Education Week. During this week, the field of arts education joins together in communities across the country to tell the story of the impact of the transformative power of the arts in education. 


As we begin our school year and recognize how the arts have a significant impact on students, the Festival’s BRAVO education & community program commits to the joy of promoting arts education in our local schools and community. 

Music activates both sides of the brain and ties together the auditory system with memory, visual, and movement systems. Often times, children who have learning challenges can shine through music. They learn to interpret symbols, which translates to better reading and math skills.

The opportunity for them to express themselves leads to better self-esteem, and a stronger community. Making music together cultivates a sense of belonging, and leads to a more stable child and adult.

Research has shown that strong social skills are the best indicator of life-long success. Creating music together requires that we listen to each other. We must be regardful of another. And we lend a helping hand so that the whole ensemble excels.

Participating in our local school music programs helps students grow and learn about being part of something that is bigger than ourselves. Benjamin Zander, conductor of the Boston Philharmonic Orchestra and Boston Philharmonic Youth Orchestra remarks, “I have a definition of success. For me, it’s very simple. It’s not about wealth and fame and power. It’s about how many shining eyes I have around me…if the eyes are shining, you know you’re doing it. If the eyes are not shining, you get to ask a question. And this is the question: who am I being that my players’ eyes are not shining? We can do that with our children, too. Who am I being, that my children’s eyes are not shining? That’s a totally different world.” 

The Festival’s BRAVO program impacts 2,800 children and provides 1,075 free workshops yearly. Many thanks to the Ojai Festival Women’s Committee and the many local volunteers who support this integral program in the schools. 

What teachers are saying about the importance of music in the schools: 

“Education Through Music is valuable for many reasons. I enjoy going to the weekly class and participating with my students. With Ms. Laura’s instruction we are learning about music, song, dance, rhythm and at the same time listening, sharing, cooperating and having fun without “crossing the line” into silliness. A student in my class struggled with academics and behavior in the classroom, but he was a shining star in music class. I enjoyed watching him participate and be a leader to his peers as he was often one of Ms. Laura’s helpers in the activities. All the students are made to feel special and important. A big emphasis is placed on the instructor knowing each student’s name and using it throughout the class in different activities. The relationship the students have built with Ms. Laura over the years (some of the 3rd grade students have been working with her since kindergarten) is wonderful, and part of the reason they look forward to music class.” – Ms. Plott, 3rd, Meiners Oaks Elementary

 

“Because of Laura’s work teaching my students much needed social skills through play and music my class not only continued to grow as young human beings, but they learned acceptance, tolerance and kindness while being taught music. I believe that the Education Through Music program has been a vital support to all our students’ learning. By attending ETM each week the students in my class learned how to stay interested and engaged in an activity. The students learned how to be positive members of a group (the class). In addition, each week through play and music the students were encouraged and taught how to take risks and deal with the fear of standing up in front of their peers. Together with Laura, we worked to increase each child’s self-confidence in order to develop better communication, conflict resolution skills, and better listening skills amongst all the students which was evidenced by increased academic achievement and decreased social-emotional behavior problems.” – Ms. Mejia-Holdsworth, 2nd, Topa Topa Elementary

Learn more about National Arts in Education Week 

Become a Holiday Home Tour Docent

Serving as a Docent at one of our four homes is a FUN way to volunteer! As a docent, you have an opportunity to view a beautiful home, meet new people, and get to know members of the Ojai Festival Women’s Committee.

Each shift is a 3.5 hour commitment. You can sign up for 1 or more. We encourage you to sign up with a spouse or a friend! Please fill out the Docent Volunteer Form below by 9/30 and our Docent Chair will contact you to coordinate your schedule and assign you to one of the homes.

Support the Community 
As one of the largest financial supporters of the Ojai Music Festival, the Women’s Committee is proud of the essential role it plays in the Festival’s legacy in our community. Your participation helps provide support for BRAVO, the award-winning music education program for local school children and the world-renowned Ojai Music Festival.

 

Be a Holiday Home Sponsor

The Ojai Festival Women’s Committee invites you to become a sponsor of the Holiday Home Tour & Market Place!

Your generous tax-deductible donation helps to support for the Festival’s BRAVO program, which provides music education for more than half of the local public elementary students and supports the internationally renowned Ojai Music Festival celebrating its 73rd year, on June 6-9, 2019.

Sponsorship of the event includes the following benefits:

Chaparral $150: 2 tickets, name listing in invitation & HHTM program guide 
Matilija $250: 4 tickets, name listing in invitation & HHTM program guide 
Topa Topa $500: 8 tickets, name listing in invitation & HHTM program guide, recognition on sponsor boards at event 
Chief Peak $1,000: 10 tickets, name listing in invitation & HHTM program guide, recognition on sponsor boards at event 
Pink Moment $2,500:  20 tickets, name listing in invitation & HHTM program guide, recognition on sponsor boards at event

As one of the largest financial supporters of the Ojai Music Festival, the Women’s Committee is proud of the essential role it plays in the Festival’s legacy in our community.  Please fill out the donation form below.

Thank you for your support!

 

Walt Disney Hall Concert Trips

In 2005, Barbara Hirsch began organizing memorable trips for Ojai Festival Women’s Committee (OFWC) members and guests to explore cultural offerings in Los Angeles, especially the concerts at Walt Disney Concert Hall.

This year, OFWC will enjoy a series of concerts with the acclaimed Los Angeles Philharmonic, which is celebrating its 100th season. Redefining what an orchestra can be, the LA Phil is as vibrant as Los Angeles, one of the world’s most open and dynamic cities. Led by the extraordinary Gustavo Dudamel, this internationally renowned orchestra harnesses the transformative power of live music to build community, foster intellectual and artistic growth and nurture the creative spirit.

First Trip:

Click here to download the full program >

COST PER TRIP:

$225 for member, spouse or significant other
$275 non-members and guests. Become an OFWC member for $45 and enjoy the savings and more! Click here

Cost includes concert ticket, bus transportation with drinks and snacks, all gratuities, dinner, and donation to OFWC. Space is limited to 22 per trip. Tickets are transferrable and not refundable.

Series Package
Commit to the entire series by September 4 and your spot will be guaranteed for all 3 trips!

• A signed commitment form is required.
$300 per person payment is required. $225 of this payment will be applied towards the October 20 trip and the remainder will be applied towards the January 24 trip.
• Receive a complimentary spot for an upcoming OFWC local arts trip!

Individual Reservations
Reserve your spot 1 event at a time!
• Review the information on the next page , choose the concerts you want attend and send in your payment during the open reservation time period.

 

The Festival continues to thrive because of the enthusiastic support of its friends and patrons. Enjoy a few snapshots of a memorable Festival moment!

Images courtesy of Frank Gruber. 

Barbara Hannigan, 2019 Music Director

Nova Scotian musician Barbara Hannigan divides her time between singing on the world’s major stages and conducting leading orchestras. The Berlin Philharmonic, Münchner Philharmoniker, Gothenburg Symphony, Orchestra dell’Accademia Nazionale di Santa Cecilia, Mahler Chamber Orchestra, and the Toronto Symphony are among the orchestras with whom she holds close relationships. Barbara has worked with the most prominent conductors, including Simon Rattle, Kent Nagano, Esa-Pekka Salonen, Andris Nelsons, Yannick Nézet-Séguin, Kirill Petrenko, David Zinman, Vladimir Jurowski, Antonio Pappano, Alan Gilbert, and Reinbert de Leeuw. Her commitment to the music of our time has led to an extensive collaboration with composers including Boulez, Dutilleux, Ligeti, Stockhausen, Sciarrino, Barry, Dusapin, and Abrahamsen. 

Unforgettable operatic appearances include the title role in a “chameleonic and compelling” (Gramophone) Lulu in Krszysztof Warlikowski’s staging at La Monnaie, and more recently Lulu at Hamburg Staatsoper conducted by Kent Nagano and directed by Christoph Marthaler; the title role of Pelléas et Mélisande in Katie Mitchell’s staging at the 2016 Festival d’Aix-en-Province conducted by Esa-Pekka Salonen and in Krszysztof Warlikowski’s more recent production at the Ruhrtriennale in Germany; and a fearless interpretation of Marie as a flame in the darkness in Zimmermann’s Die Soldaten at the Bayerische Staatsoper—a hugely acclaimed presentation directed by Andreas Kriegenberg and conducted by Kirill Petrenko, for which she won the Faust Award in Germany. She made her Opéra national de Paris debut in 2015 with La Voix humaine again in a Warlikowski production and returned in April 2018 to reprise the role. She created the role of Ophelia in Brett Dean’s Hamlet at the Glyndebourne Festival in summer 2017 and created the role of Agnes in George Benjamin’s Written on Skin, a production which has garnered rave reviews worldwide, with most recent performances at New York’s Lincoln Center (2015) and London’s Royal Opera House (2017); and had the world premiere of  Benjamin’s new opera also at London’s Royal Opera House.

Recently appointed as Principal Guest Conductor of the Gothenburg Symphony in Sweden, Ms. Hannigan made her conducting debut in 2011 at the Chatelet in Paris, and her path since that time has been a constant creative development, having created special programs for the Toronto Symphony, Danish National and Swedish Radio symphony orchestras, Mahler Chamber Orchestra, L’Orchestre Philharmonique de Radio France, and Münchner Philharmoniker, as well as the orchestra of the Munich Staatsoper.

In 2017, Ms. Hannigan released her first album as both singer and conductor, with Holland’s LUDWIG orchestra as the orchestral force, on Alpha Classics, entitled Crazy Girl Crazy. The album features works by Berio, Berg, and a specially commissioned Gershwin arrangement by Bill Elliott, as well as a bonus dvd by Mathieu Amalric. The album has won both the Grammy and Juno awards for best classical vocal album.

Ms. Hannigan’s other recordings have garnered awards from Gramophone, Edison, Victoires de la Musique and the Royal Philharmonic Society. Other awards include Singer of the Year (Opernwelt, 2013), Musical Personality of the Year (Syndicat de la Presse Francaise, 2012), Ehrenpreise (Preis der Deutschen Schallplattenkritik 2018), and Rolf Schock Prize for Musical Arts (2018).

Recently appointed as a member to the Order of Canada (2016), Ms. Hannigan’s life as an artist has been the subject of several documentaries: Accentus Music’s acclaimed documentary I’m a creative animal, produced at Lucerne Festival 2014 where she was Artiste Etoile, Dutch television’s Canadees Podiumdier (NTR 2014), as well as three films by Mathieu Amalric: C’est presque au bout du monde, Lulu Variations, and Music is Music.

In 2017 Ms. Hannigan created Equilibrium, an international mentoring initiative for young professional musicians, and chose 21 participants from a total of 350 applicants from 39 countries to participate in Equilibrium’s first season (2018/19), which will have over 20 performances with four partner orchestras in works including Stravinsky’s The Rake’s Progress, Mozart’s Requiem, and Stravinsky’s Pulcinella.

Find out more at barbarahannigan.com

The Festival will look back in tribute to composers with deep historical relationships to Ojai – Igor Stravinsky, Aaron Copland, Arnold Schoenberg, and Olivier Messiaen – and will look forward to major voices of our time, including Gerard Grisey, Marc Anthony Turnage, and John Zorn.

Barbara as a conductor in semi-staged performance of Stravinsky’s Rake’s Progress (complete)
Barbara as a performer singing in Gerard Grisey’s Quatre Chants pour franchir le seuil conducted by Steven Schick, singing Arnold Schoenberg’s String Quartet No. 2 (quartet to be announced), and singing/conducting George Gershwin’s selections from Girl Crazy
Barbara as a mentor with seven young singers in residence from her recently announced mentoring initiative Equilibrium

****

As the Ojai Music Festival anticipates the 72nd Festival (June 7-10, 2018) with Music Director Patricia Kopatchinskaja, the Festival’s 2019 Music Director Barbara Hannigan and Artistic Director Thomas W. Morris share initial programming for the 73rd Festival, June 6-9, 2019. The 2019 Ojai Music Festival celebrates and explores the creative artistic force of Barbara Hannigan, as conductor, singer, and mentor.

“Barbara Hannigan is an inspiration for what a great artist should be. She is world renowned as a soprano, having sung at all the great opera houses and concert stages. She is a pioneer of the new, having championed the works of countless composers of our time including George Benjamin, Hans Abrahamsen, Gerald Barry, Unsuk Chin, Pierre Boulez, Gyorgy Ligeti, and Henri Dutilleux. She is a passionate conductor, known for her unique programming and interpretations. Through Equilibrium, her recently announced mentoring initiative for younger artists, she is committed to the next generation of musicians. Most importantly she is an entrepreneur, leading by example, unafraid of creating new paths, an advocate for issues of our time and space, and a supernova in the musical universe. Ojai will showcase all of those aspects of this remarkable artist next June, including the American debut of the incredible musicians’ collective from Amsterdam, Ludwig, with whom Barbara has a close relationship,” said Artistic Director Thomas W. Morris.

 

“I am buzzing with energy and excitement around the 2019 Ojai Music Festival. Together with Tom Morris, a longtime inspiration and friend, it has been a joy to imagine and explore beautiful collaborations and combinations of repertoire and musicians. As the 2019 Festival nears, these dreams are approaching reality! This Festival will be a synthesis of dark and light: chiaroscuro. The music we will present resonates deeply with me, and the dramatic storytelling is equally strong, as you’ll see and hear in Stravinsky’s The Rake’s Progress, and other vocal works by Schoenberg, Grisey, Turnage, and Vivier. I am still pinching myself that this magical gathering exists and am thrilled to join the enormous energy that the Festival has generated for over 70 years,” shared Barbara Hannigan.

During the 2019 Festival, Barbara Hannigan will conduct works by Aaron Copland, Arnold Schoenberg, Igor Stravinsky, and Claude Vivier. A highlight of her work from the podium will be Stravinsky’s neoclassic opera, The Rake’s Progress, a Faustian fable for our time addressing the subjects of love, laziness, and greed. Anne Truelove was one of the first operatic roles Ms. Hannigan ever sang, and the opera holds a special place in her heart. Ms. Hannigan conducts this semi-staged complete performance that features members of her Equilibrium mentoring initiative as the cast. The production, directed by Linus Fellbom, is a co-production with the Gothenberg Symphony in Sweden, the Klara Festival in Brussels, the Munich Philharmonic in Germany, plus Cal Performances and the Aldeburgh Festival.

As a singer, Ms. Hannigan will perform Gérard Grisey’s haunting masterpiece, Quatre chants pour franchir le seuil, a 45-minute song cycle for soprano and 16 instruments which explores the passage from live into death. Quatre chants pour franchir le seuil, which was completed just days before Grisey’s death, will be conducted by Ojai’s 2015 Music Director Steven Schick. Ms. Hannigan will perform in Arnold Schoenberg’s sensual String Quartet No. 2 for soprano & string quartet in F sharp minor, Op. 10. In her own arrangement with Bill Elliot of selections from George Gershwin’s Girl Crazy, Ms. Hannigan will serve as both singer and conductor.

LUDWIG, the celebrated new music collective from Amsterdam, with whom Ms. Hannigan works closely and collaborated with on the recent Grammy and Juno award-winning album Crazy Girl Crazy (Alpha Classics), makes its Ojai and US premiere with the 2019 Festival.

Seven of Ms. Hannigan’s Equilibrium young artists will be in residence with her in Ojai. In January 2017, Ms. Hannigan launched the Equilibrium (EQ) initiative to mentor 21 young professional musicians in the first substantial phase of their careers. EQ includes intensive workshop retreats, which focus on developing and strengthening the skills needed for sustaining a fulfilling career, as well as offering performance opportunities with Ms. Hannigan and others. EQ artists are selected from an international field of applicants for their talent, musicianship, passion, drive, curiosity, discipline, versatility, and creativity. At the 2019 Festival, these young artists will form the cast of The Rake’s Progress, and will perform additional music by Igor Stravinsky, Claude Vivier, Mark Anthony Turnage, and others.

Other music to be featured during the Festival including Terry Riley’s seminal “In C,” receiving its second Ojai Music Festival performance and featuring 2019 Festival artists. William Walton’s entertainment, Façade, a concoction for speaker and six instruments on humorous poems by Edith Sitwell, will be narrated by Barbara Hannigan and surprise guests. Music of American composer John Zorn will also be featured during the Festival.

Purchase series passes by calling our box office at 805 646 2053 or order online. Meet Barbara Hannigan at the 2018 Festival at our early series subscriber reception on June 9. 

PURCHASE 2019 SERIES PASSES 

Here are some photos from this year’s Festival!  Many thanks to David Bazemore and Stephen Adams for images.

Each year, the Ojai Music Festival Arts Management Internship Program welcomes 12-14 college students and recent graduates to go behind the scenes of a renowned summer music festival. We are very excited to introduce this year’s wonderful interns!

Glenna Adkins:
Glenna Adkins is a cellist and improviser who grew up in Los Angeles. She currently studies music and writing at Sarah Lawrence College in New York. As an instrumentalist, composer, and avid music listener, she is passionate about the performance of new music, as well as the collaborative process between artists. Inspired by the intersection of different art forms, Glenna also composes and performs for works of derived theater and dance, exploring ideas of musical narrative through extended techniques. She has worked at REDCAT and at Reisinger Concert Hall and has recorded as a session musician in several film soundtracks. Additionally, Glenna is interested in issues of sustainability and has served as an Education Intern at the Science Barge in Yonkers, NY, giving school children guided tours of the institution’s hydroponic growing systems.

 

Peter Appleby:
Peter Appleby is a resident of Santa Paula and has developed a great appreciation for community events and local music festivals. After graduating from Villanova Prep School this spring, Peter will be studying International Relations at California Lutheran University in the fall. An amateur musician himself, Peter has had the privilege of participating in Claire Chase’s performance of PAN in 2017 through the Ojai Music Festival. He is excited to return to Ojai this summer and is eager to help with the festival.

 

 

Zoe Appleby:
Zoe Appleby is a Southern California resident who is lucky enough to have been involved in the Ojai Music Festival for three years now. For undergraduate school, Zoe attended Thomas Aquinas College in Santa Paula, CA, where she studied the greatest works of Western thought and literature in a Great Books Program. After spending six weeks in the summer of 2017 in Rome, Italy, studying art history, she decided that the academic field of art history was where she passions lay. Zoe has since been accepted into UC Riverside’s Art History department as an MA student studying medieval art history. After eventually completing her Ph.D. at a different institution, she would be interested in both teaching and researching at the college level and perhaps curating at a museum. She is passionate about bringing the arts to the public, and she has found the Ojai Music Festival to be an amazing event for her to experience the worlds where art and business meet to make something truly beautiful. She recently held a curatorial internship at the Santa Paula Art Museum, an institution which, like the Ojai Music Festival, embodies the spirit of artistic progress and public outreach. Zoe can usually be found swimming at one of the Southern California beaches, or rock-climbing in the cliffs above Ojai.

Maddi Baird:
Maddi Baird is an undergraduate music composition major at San Diego State University. She has had a passion for music and the arts from a young age, and has carried this passion by playing French horn, bass guitar, and by playing in SDSU’s Javanese Gamelan. While studying under Dr. Joseph Waters and Dr. Chris Warren, she has developed a passion for synthesis and analog synthesizers. In the future, she hopes to pursue a graduate degree in film scoring. Within her first semester at SDSU, she has acquired a position at their student union as an Audio-Visual technician and is the recipient of the Frank McCarty Endowed Scholarship in Music Composition. Maddi spends her free time volunteering at Ship in The Woods, a nonprofit art museum. She also has a radio show for KCR College Radio.

Byron Beasley:
Byron Beasley studies music technology at San Diego State University. He has been playing musical instruments since the age of 9 and currently composes music for the Trombone Ensemble at San Diego State. Byron also works as a studio technician at San Diego State, and has experience working with a variety of clients on a daily basis. At the studio, Byron’s job consists of assisting clients with audio and visual productions.
In high school, he worked as a section leader of the brass section, and has performed with a variety of ensembles. Byron also has experience playing in jazz band, marching bands, and wind ensembles (with jazz band being his favorite). He loves to listen to jazz in his free time and enjoys exercising as well. Byron has also composed music for a few video games, and so his diverse experiences in music make him a well-rounded musician, producer, and composer. His greatest aspiration is to work in the music and entertainment industry. Byron loves working behind the scenes to ensure that a product can come to fruition.

Kathryn Carlson:
Kathryn Carlson is a cellist who will soon be receiving her diploma for her Bachelor of Music degree in Instrumental Performance with cello emphasis from the UCSB music department. She is interested in pursuing new music, which she became involved in during her sophomore year of high school after being introduced to it by her music theory teacher Mr. Hertzog (composer for the kung-fu film Bloodsport). She has been a member of the UCSB Ensemble for Contemporary Music (ECM) throughout her time at UCSB and has performed new works in various concerts, including the 2016 UCSB Summer Music Festival, and the Beethoven, New Music, and Cupcake Bar concert hosted by the Now Hear Ensemble. In 2016 she was awarded the ECM Distinguished Performance Award and has recently performed in master classes hosted by The Knights and the Juilliard String Quartet. Having been an intern for the 2017 Ojai Music Festival, she is looking forward to joining the fantastic Ojai Music Festival team once again.

Alberto Cruz:
Alberto Cruz is a composer and recording engineer, currently studying composition at the California Institute of the Arts. During his time there, he has studied with, and continues to work with, Anne LeBaron, Matthias Webber, Karen Tanaka, Nora Kroll-Rosenbaum, John Baffa, and Bob Clendenen. He has fully committed himself to a curriculum at CalArts consisting of composition for film and media, as well as recording and mixing in both live and studio settings. Currently, Alberto works for the School of Film/Video at CalArts running various recording sessions for ADR, spoken word, foley, and music. He also works for the Herb Alpert School of music, recording for live and studio musicians, running a webcast/lighting board for live shows, and acting as a producer/promoter for various shows. When not at CalArts, he works as a studio intern for Matthew Snyder at Allegro Recordings. 
During his time at CalArts so far, Alberto has produced six shows, played clarinet and other instruments in numerous ensembles, written music for seven films, worked as a sound designer for two films, handled music preparation/orchestration for various established composers around LA, run countless recording sessions for animators, directors, solo musicians, large ensembles, and a large variety of people from other backgrounds, and written over ten performed works for the concert stage. Entering his fourth year of higher education, Alberto’s passion for film music and recording has been fully realized into a reality that he intends to pursue throughout the rest of his life.

Jamie Leidwinger:
Jamie Leidwinger is a Baltimore-based composer. She received her MM in Composition at the Peabody Institute of Johns Hopkins, a BA in Music from Dickinson College, and her teachers include Pulitzer Prize-winner Du Yun, Amy Beth Kirsten, Douglas Buchanan, and David Smooke. Jamie previously interned with the Ojai Music Festival, Q2 Music (NYC, now NewSounds), the Artistic Director of Symphony Space (NYC), and recently produced Q2 Music’s Instagram takeover series, “A Day in the Life,” as a freelance contributor; she is currently an Associate Artist Fellow with Amy Beth Kirsten’s music-theatre ensemble HOWL. Current projects include a podcast featuring interviews with Peter Sellars, Alex Ross, and more (release: Summer 2018), a collaboration with Baltimore-based street choir Voices Rise, co-founding a women’s vocal chamber octet, and co-founding SENSE, a Baltimore-based interdisciplinary, immersive, and inclusive arts series.

Emily Persinko:
Emily Persinko has interned at the Ojai Music Festival for the past two years, working closely with the marketing department and the box office. Emily graduated from San Diego State University (SDSU) this spring where she studied music entrepreneurship and business and is currently pursuing a career in arts administration. Emily is an event stage manager for La Jolla Music Society, a production assistant at San Diego Youth Symphony and Conservatory, and Assistant Operations Coordinator at Art of Élan. Emily has also recently interned at the San Diego Symphony in the development department and The Broad Stage in Santa Monica as an artistic intern. Emily has held positions as the principle flutist of the SDSU Wind Symphony and Chamber Orchestra. She also teaches at a private flute studio in San Diego and recently performed her senior flute recital.

 

 

Molly Tucker:
Molly Tucker, from Thousand Oaks, California, is currently in her third year at Oberlin College and Conservatory where she is pursuing degrees in Violin Performance and Economics. As a violinist, she has participated in such festivals as Bowdoin International Music Festival, Madeline Island Chamber Music Camp, The Apple Hill Center for Chamber Music, and the Montecito International Music Festival. Additionally, Molly has been a soloist with the Thousand Oaks Philharmonic and the California State University Northridge Youth Philharmonic. Her musical explorations have taken her to contemporary and Baroque music, as well as folk traditions. She has performed in an Oberlin Contemporary Music Ensemble performance of Hans Abrahamsen’s Schnee, as well as an Oberlin premiere of Celso-Garrido Lecca’s String Quartet No. 2, and has led and soloed with the Oberlin Baroque Orchestra. Molly has also fiddled since the age of seven and has attended Ashokan Music and Dance Camps and The Festival of American Fiddle Tunes. As a lover of contra dance, she has played dances in both California and New Hampshire, and regularly plays for the monthly dances at Oberlin. Molly is a co-founder of Quartet Davis, a string quartet that plays original arrangements of folk and jazz, which was one of the recipients of Oberlin’s Flint Initiative Grant for a three-week Midwest and East Coast tour in January 2018. She is also a part of Caraway House, a fiddle and voice duo that performs tunes from Scandinavian and Old Time traditions. In January 2017, she traveled to Amman, Jordan with an Oberlin string quartet to play at schools and public venues, including a performance with the Jordan Orchestra sponsored by the United States Embassy. She has studied with Marilyn McDonald, Linda Rose, and Kim Kilgore, and has had the opportunity to work with renowned musicians such as Kikuei Ikeda, the Punch Brothers, Fabian Almazan, The Calder Quartet, Billy Childs, and Christian Howes. Outside of her musical life, she is active in the Oberlin Student Cooperative Association, organizes the Oberlin Quaker Student Group, and works for Oberlin Conservatory Admissions.

Sarah Voshall:
Sarah Voshall is a pianist, collaborator, and teacher based in Los Angeles county. She is currently a third year piano performance major at the California Institute of the Arts in Valencia, CA. In high school, she studied improvisation with Daniel Hopkins, who remains a constant source of inspiration. At CalArts, she is privileged to study piano with Ming Tsu, and greatly appreciates the mentorship of Vicki Ray. She has also studied harpsichord with Tisha Mabee. Sarah’s current interests lie in methodically exploring the keyboard works of Bach alongside the surprisingly parallel piano pieces of Bartok. Recently, Sarah has found an interest in learning and performing chamber works with a trio of fellow CalArtians. As a means of cultivating a culture of music (and paying the bills), Sarah has been giving private piano lessons to students of all ages for the past decade. Sarah also teaches piano classes at West Creek Academy to second and third graders, a group of musicians whose youthful enthusiasm continues to delight and exasperate her in equal parts. In her spare time, Sarah enjoys spending time with her little sister who educates her in the memes of the day and forces her to listen to musical theatre soundtracks.

Madeleine Wilmsen:
Madeleine Wilmsen is a flute student at the University of Kansas and received her Bachelor of Arts in Music with a minor in Psychology in May of 2018. While attending undergrad, Madeleine participated in numerous ensembles and chamber groups. Between the years 2015 and 2017, Madeleine was a member of a flute and percussion duo that premiered new works by in-residence composers. She performed as principal player of the KU Symphony Orchestra during the Spring of 2017 and is currently the principal flutist of the KU Wind Ensemble. This spring, KUWE will perform a Reach Out Kansas commissioned piece at the Kennedy Center in Washington D.C. and will be recording a new album. For the last three years, Madeleine has served as President and founding member of the KU Flute Club. She was instrumental in the creation of the club and worked to establish many yearly events, including the annual KU Flute Day in the spring. During the fall of 2017, Madeleine worked as a Development intern at the Kansas City Symphony where she learned the ins and outs of a major non-profit and frequently communicated with symphony donors. She plans on earning a MM in flute performance and furthering her career in music (whether it be performing, teaching, or arts management).

Dominique Wright:
Dominique Wright just finished her sophomore year at Occidental College in Los Angeles, CA where she is an Economics Major and Flute Performance Minor. She is interested in continuing her work in social media marketing and is eager to work for larger companies and to gain further experience in management.
Dominique has also played the flute for ten years. When she was just beginning her musical studies, she lost her flute at school. When a mother at her school heard about the lost instrument, she went home to find her old flute and brought it back to school so that Dominique could continue playing. Since experiencing that gesture of kindness, Dominique has not wanted to stop playing music. This June will be her second time working with the Ojai Music Festival and she cannot wait to take a part in the festival again.

Live Stream

Join us for our 2018 Live Stream Broadcast

Special thanks to Lynn Bremer for underwriting support of the live streaming programs. 
Produced and filmed by Live Concert Productions.  

THURSDAY, JUNE 7

Start Time Event
8:30 PM Live with Smith & Kotcheff
9:00 PM Evening Concert
BYE BYE BEETHOVEN
10:20 PM Talk Back Q & A
Patricia Kopatchinskaja, MCO members

FRIDAY, JUNE 8

Start Time Event
1:00 PM Afternoon Concert
A Singular Vision: Part I 
2:00 PM Interview with Michael Hersch
2:30 PM Afternoon Concert
A Singular Vision: Part II
3:45 PM Interview with Barbara Hannigan
4:00 PM Video on Demand (VOD)
Music at Dawn Replay
5:05 PM Video on Demand
Ojai Talks Part 1 Replay
7:30 PM Evening Concert
Across Time: Part I
8:30 PM Interview with Patricia Kopatchinskaja
9:00 PM Evening Concert
Across Time: Part II
10:30 PM Free Community Concert
John Luther Adams: Everything That Rises

SATURDAY, JUNE 9

Start Time Event
1:00 PM Afternoon Concert
With Abandon: Part I
2:00 PM Interview with Jay Campbell
2:30 PM Afternoon Concert
With Abandon: Part II
3:45 PM Interview with Maria Ursprung
4:30 PM Video On Demand
Ojai Talks Part 2 REPLAY
5:35 PM Video On Demand
Music at Dawn REPLAY
6:30 PM Video On Demand
Ojai Talks Part 3 REPLAY
7:30 PM Evening Concert
Looking Inward
8:30 PM Interview with Ah Young Hong
9:00 PM Evening Concert
Dies Irae (West Coast Premiere)
10:30 PM Talkback Q&A
Patricia Kopatchinskaja, Maria Ursprung, Jay Campbell, Christian Heubes from MCO with Tom Morris

SUNDAY, JUNE 10

Start Time Event
1:00 PM Afternoon Concert
Exploring the Expanse: Part I
2:00 PM Interview with MCO Members
2:30 PM Afternoon Concert
Exploring the Expanse: Part II
3:45 PM Interview with Anthony Romaniuk
4:30 PM Evening Concert
A Devil’s Bargain and Some Earthly Delights
5:30 PM Interview with Thomas W. Morris

Barbara Hannigan, 2019 Music Director

Nova Scotian musician Barbara Hannigan divides her time between singing on the world’s major stages and conducting leading orchestras. The Berlin Philharmonic, Münchner Philharmoniker, Gothenburg Symphony, Orchestra dell’Accademia Nazionale di Santa Cecilia, Mahler Chamber Orchestra, and the Toronto Symphony are among the orchestras with whom she holds close relationships. Barbara has worked with the most prominent conductors, including Simon Rattle, Kent Nagano, Esa-Pekka Salonen, Andris Nelsons, Yannick Nézet-Séguin, Kirill Petrenko, David Zinman, Vladimir Jurowski, Antonio Pappano, Alan Gilbert, and Reinbert de Leeuw. Her commitment to the music of our time has led to an extensive collaboration with composers including Boulez, Dutilleux, Ligeti, Stockhausen, Sciarrino, Barry, Dusapin, and Abrahamsen. 

Unforgettable operatic appearances include the title role in a “chameleonic and compelling” (Gramophone) Lulu in Krszysztof Warlikowski’s staging at La Monnaie, and more recently Lulu at Hamburg Staatsoper conducted by Kent Nagano and directed by Christoph Marthaler; the title role of Pelléas et Mélisande in Katie Mitchell’s staging at the 2016 Festival d’Aix-en-Province conducted by Esa-Pekka Salonen and in Krszysztof Warlikowski’s more recent production at the Ruhrtriennale in Germany; and a fearless interpretation of Marie as a flame in the darkness in Zimmermann’s Die Soldaten at the Bayerische Staatsoper—a hugely acclaimed presentation directed by Andreas Kriegenberg and conducted by Kirill Petrenko, for which she won the Faust Award in Germany. She made her Opéra national de Paris debut in 2015 with La Voix humaine again in a Warlikowski production and returned in April 2018 to reprise the role. She created the role of Ophelia in Brett Dean’s Hamlet at the Glyndebourne Festival in summer 2017 and created the role of Agnes in George Benjamin’s Written on Skin, a production which has garnered rave reviews worldwide, with most recent performances at New York’s Lincoln Center (2015) and London’s Royal Opera House (2017); and had the world premiere of  Benjamin’s new opera also at London’s Royal Opera House.

Recently appointed as Principal Guest Conductor of the Gothenburg Symphony in Sweden, Ms. Hannigan made her conducting debut in 2011 at the Chatelet in Paris, and her path since that time has been a constant creative development, having created special programs for the Toronto Symphony, Danish National and Swedish Radio symphony orchestras, Mahler Chamber Orchestra, L’Orchestre Philharmonique de Radio France, and Münchner Philharmoniker, as well as the orchestra of the Munich Staatsoper.

In 2017, Ms. Hannigan released her first album as both singer and conductor, with Holland’s LUDWIG orchestra as the orchestral force, on Alpha Classics, entitled Crazy Girl Crazy. The album features works by Berio, Berg, and a specially commissioned Gershwin arrangement by Bill Elliott, as well as a bonus dvd by Mathieu Amalric. The album has won both the Grammy and Juno awards for best classical vocal album.

Ms. Hannigan’s other recordings have garnered awards from Gramophone, Edison, Victoires de la Musique and the Royal Philharmonic Society. Other awards include Singer of the Year (Opernwelt, 2013), Musical Personality of the Year (Syndicat de la Presse Francaise, 2012), Ehrenpreise (Preis der Deutschen Schallplattenkritik 2018), and Rolf Schock Prize for Musical Arts (2018).

Recently appointed as a member to the Order of Canada (2016), Ms. Hannigan’s life as an artist has been the subject of several documentaries: Accentus Music’s acclaimed documentary I’m a creative animal, produced at Lucerne Festival 2014 where she was Artiste Etoile, Dutch television’s Canadees Podiumdier (NTR 2014), as well as three films by Mathieu Amalric: C’est presque au bout du monde, Lulu Variations, and Music is Music.

In 2017 Ms. Hannigan created Equilibrium, an international mentoring initiative for young professional musicians, and chose 21 participants from a total of 350 applicants from 39 countries to participate in Equilibrium’s first season (2018/19), which will have over 20 performances with four partner orchestras in works including Stravinsky’s The Rake’s Progress, Mozart’s Requiem, and Stravinsky’s Pulcinella.

 

Annual Lunch

 

Special Offers

omf_supper_022

Enjoy a family-style boxed dinner under the oaks in Libbey Park alongside other music enthusiasts prior to the Friday and Saturday evening concerts, 6:00pm. This gourmet boxed meal includes dinner, dessert, and wines from The Ojai Vineyard. $45/person – advance reservation required. Space is limited. Purchase online here or call our box office at 805 646 2053.

Friday Night June 8
Boxed Dinner

 

Heirloom Caprese Stack with balsamic and olive oil (2 of each item)

Sea Bass with a corn, feta, tomato-basil sauce (no cream)

Moroccan Spiced Quinoa Pilaf

Haricot Vert with Shallots & Tarragon

Dessert: Chocolate Pot de Creme

Vegetarian Option: Large Marinated Portabella Mushroom

Saturday Night June 9
Boxed Dinner 

Butter Leaf Salad with cherry tomatoes, shaved Parmesan, fresh mint, and a creamy citrus dressing

Roasted chicken marbella with dried plums and apricots, capers and herbs in white wine sauce

Rio Gozo Farms roasted organic seasonal vegetables

Wild rice salad with sliced apples, silvered red onion, fresh herbs

Dessert: Caramel Blondie

Vegetarian Option: Roasted Stuffed Bell Pepper with roasted cauliflower and fresh herbs

 

 

 

EXPERIENCE BEAUTIFUL OJAI
A private two-day package for garden lovers
FRIDAY, JUNE 8 to SUNDAY, JUNE 10

  • Stay at the Ojai Valley Inn and Spa in a well-appointed fireplace room
  • Attend exceptional concerts of the Ojai Music Festival in the outdoor Libbey Bowl
  • Visits to some of Ojai’s finest private gardens including a personal tour of Peter Strauss’ Moroccan Garden, a Pamela Burton designed landscape in Upper Ojai, Paul Hendershot’s own house and garden, and the Turtle Conservancy and Gardens
  • Lunch under the oak trees on an historic estate, al fresco dinner in Libbey Park, and Sunday brunch in upper Ojai

One weekend
One price*
One amazing experience

Package includes: 
two nights at hotel, shuttle during your stay in Ojai, tickets for four concerts, VIP access to Festival lounge and additional surprises

There is limited space for this exclusive package.
Please respond as soon as possible to ensure your place.
Contact Gina Gutierrez at 805 646 2181 or email ggutierrez@ojaifestival.org

*$1,630 per person (double occupancy) | For single occupancy, add $630

Chad Smith

A Perfect Ojai Music Adventure: June 7-10, 2018

“The Ojai Music Festival has been raising a finely calibrated ruckus each spring since 1947.”– Alex Ross, The New Yorker

The Ojai Music Festival’s unparalleled legacy brings fearless musical innovators to share fresh and compelling sounds, ideas, and collaborations with an inquisitive audience open to new adventures. Unlike other festivals, Ojai creates a curated narrative thread over four concentrated days of surprise and wonder, giving audiences and artists an immersive artistic, intellectual, and stimulating experience.

Praised for her “savage energy” (The Washington Post) and “mesmerizing artistry” (The Strad), the Moldovan-Austrian violinist Patricia Kopatchinskaja journeys to Ojai as the 2018 Music Director and shares her boundless passion for the old, the new, and the challenging. A path-breaking collaborator with timely insights on the state of our world, Patricia will provoke important conversations that venture beyond the music.

2018 Highlights:

  • Two semi-staged concerts conceived and directed by Kopatchinskaja
  • The world premiere of a commissioned work by Michael Hersch
  • Stravinsky’s L’Histoire du Soldat on the occasion of its centennial
  • Free music events including Luciano Berio’s Sequenzas for solo instruments and two concerts for children devised and performed by Kopatchinskaja
  • Collaborations with soprano Ah Young Hong in Kurtag’s Kafka Fragments, Ravel’s Sonata for Violin and Cello with JACK Quartet cellist Jay Campbell, and with her parents in an exploration of Moldavian folk music. The Benefits of Ordering Series Passes:
    In addition to getting the best value and the best seats for every concert, you connect with the musical journey, with the artists, and with other music enthusiasts, all in the intimate setting of Ojai for a super-charged immersive experience.
  • A planned musical journey across four days
  • Priority seating for the best seats in Libbey Bowl
  • Special seating area at the Children’s Concert
  • Flexible seat exchange policy
  • Best savings over single ticket prices
  • Access to private events throughout the year

Enjoy a series immersion pass : 4-day, 3-day, or weekend passes available. Use promo code Ojailove2018 and receive an additional discount, now until March 11, 2018. Call our box office at 805 646 2053 or purchase online here>

 

Matthias Pintscher is Music Director of the Ensemble Intercontemporain and Principal Conductor of the Lucerne Festival Academy Orchestra. He is currently in his seventh year as Artist in Association with the BBC Scottish Symphony and was the inaugural Artist in Residence and featured artist at the new Elbphilharmonie concert hall in Hamburg. 

Matthias began his musical training in conducting with Hungarian Composer and Conductor Peter Eötvös during his early twenties, during which time composing took a more prominent role in his life. Soon after, he divided his time equally between conducting and composing studying with teacher and mentor Pierre Boulez, soon rising to critical acclaim and more recently is conducting as a major role.

Conducting highlights of the 16/17 season included projects with the Berliner Philharmoniker, Los Angeles Philharmonic, Cleveland Orchestra, Dallas Symphony, Cincinnati Symphony, Symphonieorchester des Bayerischen Rundfunks, Mariinsky Orchestra, Deutsches Sinfonieorchester Berlin, Radio Symphonie Orchester Wien and Deutsche Kammerphilharmonie Bremen as well as an extensive tour of Asia with the Ensemble Intercontemporain in celebration of their 40th anniversary. In addition, Matthias has also appeared as guest conductor with the NDR Hamburg, Danish Radio Symphony, Sydney, Melbourne Symphony, New York Philharmonic, Chicago Symphony, DSO Berlin, Mahler Chamber and Helsinki Philharmonic Orchestras.

Matthias is a prolific composer whose works are performed by leading orchestras and artists worldwide. The debut of his Cello Concerto Un Despertar was premiered last season by Alisa Weilerstein and the Boston Symphony Orchestra, and in April 2017 the World Premiere of Shirim for Baritone and Orchestra with Danish singer Bo Skovhus and the NDR Elbphilharmonie Orchester in Hamburg. Matthias is also professor at The Julliard School since 2014 and is published by Bärenreiter-Verlag.

During the 17/18 season, Matthias will return to the Los Angeles Philharmonic and BBC Scottish Symphony Orchestras, as well as projects with the Utah Symphony Orchestra, Gulbenkian Orchestra, Finnish Radio Symphony Orchestra, Mahler Chamber Orchestra (Beethoven 9), the Saint Paul Chamber Orchestra and Orchestra de la Suisse Romande as well as debuts with the Royal Concertgebouw Orchestra and the London Symphony Orchestra.

For further information on this artist, please contact:

EDWARD PASCALL, Senior Artist Manager
Edward.pascall@askonasholt.co.uk | +44 (0)20 7400 1725

OLLIE HAINES, Assistant Artist Manager
Ollie.haines@askonasholt.co.uk | +44 (0)20 7400 1749

Askonas Holt Limited
Lincoln House, 300 High Holborn, London WC1V 7JH, United Kingdom
T +44 (0)20 7400 1700 askonasholt.co.uk info@askonasholt.co.uk

 

Patricia Discusses the 2018 Festival

 

2018 Music Director Patricia Kopatchinskaja details the upcoming Festival – she put careful thought and feeling into her planning. In this video, you can see her passion and contagious enthusiasm.

You can purchase your series passes by following this link, or by calling 805-646-2053.  

 

2018 Video

Welcome to our library of videos relating to 2018 Festival artists! Learn more about what to expect in June. 

Meet the 2017 Holiday Home Designers

Liz Samia Cohn, Forage Ojai

Elizabeth Samia Cohn is new to Ojai but not new to floral design. For the past 20 years, east coast to west coast, Elizabeth has been designing florals and event venues, and homes ranging from mountain bungalows to coastal interiors. She moved from Boston to Ventura County just three years ago and fell in love with Ojai. She recently purchased the floral design shop formerly known as Digs, and has transformed it into Forage, a beautiful juxtaposition of interior design and florals. 

Her work has been seen in Martha Stewart Weddings, Elle Décor, Style Me Pretty and many others. Some of her past clients have included Niche Media, Boston Red Sox, New England Patriots, and Neiman Marcus. Her design approach is to create a full experience for her clients using responsibly sourced florals and design elements, which has given her the opportunity to work in interior and exterior landscape construction, and design for luxury homes and commercial buildings.
Address: 25 Baldwin Road, Ojai, CA; Phone: (805) 646-3447; Web: forageojai.com

Louesa Roebeck, Foraged Flora

Louesa was born in the middle of Ohio in the middle of the 1960s. She grew up there and Kentucky. After studying printmaking at the Rhode Island School of Design she moved to California and began working at Chez Panisse, where she learned Californian culture and its beauty working closely with Erica Tanov. Louesa then went on to open August, a seminal fashion, art, and community hub which became an early proponent of the intersection of luxury apparel and green socially responsible textile practices. In 200, she returned to her lifelong love of foraged and gleaned floral work. 

She divides her time between the Bay Area and Los Angeles, and currently lived in Ojai. She has created floral installations for Vivienne Westwood, John Baldesarri, Michael Pollan, Alice Waters, and Carolyn Murphy for Vogue and House Beautiful. Her floral work has been featured in a number of national and international magazines and media, including Vogue, C magazine, Sunset, and Martha Stewart Living. Her latest venture, Foraged Flora (Ten Speed Press/Random House) is now available for purchase. 
Web: LouesaRoebuck.com

 

Janelle Kandziora, Janelle Interiors Design Showroom

Janelle is the owner and lead designer at Janelle Interiors Design Showroom in Ojai. She specializes in construction design, color consulting, custom furniture, lighting and much more. Janelle has a successful design career furnishing homes all over the greater Los Angeles area, Santa Barbara, and Palm Springs Desert communities.

Janelle received her BA from Metropolitan State University of Minneapolis, Minnesota. Her degree concentrations were specifically in Fine Arts, Art History and Psychology. Her career began with 550 Design of Minneapolis where she trained under a senior staff of highly experienced designers. Specializing in residential and hospitality design, her experience quickly brought her to Palm Desert, California in early 2004. Her desert career began with Ambiance Unlimited where she refined her residential design skills and completed the model homes for PGA West’s Greg Norman Estates Country Club. With an interest in construction design she then joined the luxurious Andalusia Country Club design team and assisted owners in the creation of their dream homes. In 2009 she then opened Janelle Interiors as an independent design corporation and has since designed homes in some of the desert’s premier clubs.

Relocating to Ojai in 2012 she opened up her design showroom where clients can view the extensive home furnishing resources. Janelle’s design approach is, “Simple but Elegant,” with attention to the planning of space and style. She prides herself in creating a look and feel that coincides with her clients
dream or vision in any project. 
Showroom: (805) 640-0194; Web: JanelleInteriors.com

Irma C. Murrillo, Angela’s Flowers

Angela’s Flowers was originally started by Angela Mc Elroy in Ventura. She decided to move to beautiful Ojai Valley, where she continued to live until recently. Angela then sold the business to Joanne Moore approximately in 1989, who owned it until about 2006, until she decided to sell it to friend Laurie Barnett who then sold it to Irma. Irma began working for Angela’s Flowers when she was just a sophomore at the local high school. It was her first job and honestly believes it will be her last. She loves what she does so much it doesn’t seem like work, and has been with the business for over 20 years. 
Address: 226 W Ojai Ave #102, Ojai; Phone: (805) 646-5404; Web: AngelasFlowersOjai.com

 

“Ojai is special. There is no fight with new music, no fear — just curiosity and hunger for fresh music of today. The Ojai audiences are completely open minded, and it’s a wonderful possibility to do music that I truly enjoy and find powerfully relevant in our present world. Ojai is magic,” Patricia Kopatchinskaja, 2018 Music Director.

“When I first met Patricia Kopatchinskaja, I knew she was a natural to be Music Director of the Festival. She is, quite simply, a force of nature. Her unstoppable energy, blazing virtuosity, and relentless curiosity are irresistible. The 2018 Festival will showcase her wildly diverse artistic talents as a violinist, a collaborator, a director, an advocate, and as a creative force. Patricia sees music in the context of today’s social and political issues so the 2018 Festival is one that will surely offer confrontation, questioning, and healing. The 2018 Festival aims to capture Patricia’s infectious energy and virtuosity,” Thomas W. Morris, Artistic Director.

The 72nd Ojai Music Festival, June 7-10, 2018, presents Music Director Patricia Kopatchinskaja’s unbounded musical creativity and perspective in the context of today’s social and political climate. 

The 2018 Ojai Music Festival welcomes the Mahler Chamber Orchestra (MCO) in its first extended United States residency. Founded in 1997, the Berlin-based MCO defines itself as a free and international ensemble, dedicated to creating and sharing exceptional experiences in classical music. With members spanning 20 different countries, the MCO works as a nomadic collective of passionate musicians uniting for specific projects in Europe and across the world. The MCO forms the basis of the Lucerne Festival Orchestra and maintains long and fruitful artistic relationships with major artists, including Ms. Kopatchinskaja and Mitsuko Uchida, Ojai’s 2021 Music Director. In Ojai, MCO will display its versatility and virtuosity as an orchestral ensemble, in smaller chamber iterations, and also in superb solo performances from individual members.

The JACK Quartet also makes its Ojai debut at the 2018 Festival. Deemed “superheroes of the new music world” (Boston Globe), JACK is dedicated to the performance, commissioning, and spread of new string quartet music. Comprising violinists Christopher Otto and Austin Wulliman, violist John Pickford Richards, and cellist Jay Campbell, the group collaborates with composers of our day, including John Luther Adams, Chaya Czernowin, Simon Steen-Andersen, Caroline Shaw, Helmut Lachenmann, Steve Reich, Matthias Pintscher, and John Zorn. Upcoming and recent premieres include works by Derek Bermel, Cenk Ergün, Roger Reynolds, Toby Twining, and Georg Friedrich Haas. At the 2018 Festival, JACK will perform works by Georg Frederick Haas, Horatio Radulescu, Morton Feldman, George Crumb and Jorge Sanchez-Chiong.

Major projects will include two semi-staged concerts conceived and directed by Ms. Kopatchinskaja. The first, which opens the Festival on Thursday night, is Bye Bye Beethoven. Kopatchinskaja describes the concert as a commentary on “the irrelevance of the classic concert routine for our present life.”  This program features a mash-up of music by Charles Ives, John Cage, Joseph Haydn, György Kurtág, Johann Sebastian Bach, and the Beethoven Violin Concerto. This marks the US premiere of Bye Bye Beethoven, which was premiered at the Hamburg International Music Festival and subsequently staged in Berlin. This production marked the fourth collaboration between Ms. Kopatchinskaja and the Mahler Chamber Orchestra.  Bye Bye Beethoven involves musicians in both conventional and unconventional roles, encounters with different musical genres – including a collaboration with sound designer Jorge Sanchez-Chiong – and discourse among sound, space and imagery.

The second semi-staged concert conceived and directed by Ms. Kopatchinskaja is her own provocative commentary on the consequences of global warming. Titled Dies Irae, the program is an aesthetic reflection of a time rife with global warming, wars over resources, and refugee crises. Musical selections include Heinrich Ignaz Franz Biber, George Crumb, Michael Hersch, Byzantine chant, Giacinto Scelsi, and Galina Ustvolskaya’s remarkable Dies Irae for eight double basses, piano, and wooden box. The evening performance on Saturday, June 9, 2018 marks its American premiere.

A new piece by American composer Michael Hersch – described by him as a dramatic cantata for two sopranos and eight instrumentalists – will receive its world premiere at the 2018 Ojai Music Festival, with subsequent performances at Cal Performances’ Ojai at Berkeley and at Great Britain’s venerable Aldeburgh Festival. The Friday, June 8, 2018 premiere follows works by Carl Philip Emmanuel Bach, Jorge Sanchez-Chiong, and piano music by Bull, Byrd, Purcell as well as improvisations. Mr. Hersch, who wrote a violin concerto for Ms. Kopatchinskaja two years ago, is considered one of the most gifted composers of his generation and is a formidable pianist.  He currently serves on the composition faculty at the Peabody Institute of the Johns Hopkins University.

Featured on Friday afternoon (June 8) will be the music of Russian composer Galina Ustvolskaya, described by Alex Ross as “one of the century’s grand originals.” Kopatchinskaja has long been a passionate advocate of Ustvolskaya’s music and will perform with pianist Markus Hinterhäuser her Duet and Sonata. Hinterhäuser, who is also the Intendant of the Salzburg Festival, will perform all six of her piano sonatas. Ustvolskaya’s powerful Dies irae will be featured in the Saturday evening concert of the same title.

Additional programming highlights include Kurtag’s Kafka Fragments; Stravinsky’s L’Histoire du Soldat on the occasion of its centennial; major chamber and piano music by Galina Ustvolskaya; as well as Roumanian and Moldavian folk music performed by Ms. Kopatchinskaja and her parents, Viktor and Emilia Kopatchinski on cimbalom and violin. The Festival closes with the Ligeti Violin Concerto performed by Patricia Kopatchinskaja.

Free Community Concerts
The 2018 Festival continues to build on its commitment to reach broader audiences with several opportunities for all to experience Ojai offerings. On Thursday June 7, following the three-part Ojai Talks dialogues, the Festival commences the first in a series of six free pop-up concerts in the Gazebo of Libbey Park, featuring performances of most of Luciano Berio’s Sequenzas for solo instruments by members of the Mahler Chamber Orchestra.  Patricia Kopatchinskaja and Jorge Sanchez-Chiong, electronics, will also perform Luigi Nono’s La lontanaza nostalgica utopia future in a free concert Thursday evening in Libbey Park, preceding the Festival’s first main Libbey Bowl concert of Ms. Kopatchinskaja’s semi-staged concert Bye Bye Beethoven.  Additionally, Ms. Kopatchinskaja has programmed two free concerts just for children. Children of all ages will convene in the Ojai Art Center listen to works by Berio, Biber, Cage, Holliger, Arthur Honegger, and Ferdinand the Bull by Alan Ridout for solo violin and speaker. These concerts for children are presented in association with the Festival’s BRAVO education program for schools and community. 

Ojai Talks
The 2018 Festival begins with Ojai Talks hosted by Ara Guzelimian, former Festival Artistic Director and current Dean and Provost of The Julliard School. On Thursday, June 7, a three-part series of discussions will begin with an exploration of Patricia Kopatchinskaja’s musical preferences and inspirations. The Ojai Music Festival’s march toward its 75th anniversary frames the second Ojai Talks, with reflections on its storied legacy, contextualization of its place on the world stage, and hints of what evolutions may impact the Festival in the future. The third part of the discussion series will speak to the reinvention of musical groups, with panelists from the JACK Quartet and from the Mahler Chamber Orchestra. 

Additional on-site and on-line dialogue during the 2018 Festival includes Concert Insights, the preconcert talks at the LIbbey Bowl Tennis Courts with Festival artists hosted by resident musicologist Christoper Hailey. Preconcert interviews are broadcast through the Festival’s free live streaming program, hosted by content-expert individuals from across the nation. 

Additional details for Ms. Kopatchinskaja’s 2018 Festival will be announced in the spring. 

New Partnership with the Aldeburgh Festival
Following the 2018 Festival in Ojai with Music Director Patricia Kopatchinskaja and the following week’s Ojai at Berkeley presented in collaboration with Cal Performances, a new partnership with Aldeburgh will take place at the end of the Aldeburgh Festival (June 21 – 24) based at the acclaimed Maltings Concert Hall and in the town of Snape near Aldeburgh in England. The collaboration with Aldeburgh follows the formation of Ojai at Berkeley as a partnership of co-productions and co-commissions that affords the Ojai Music Festival, the Aldeburgh Festival, and Cal Performances the ability to present more complex and creative artistic projects than could be conceived by each partner separately. The Aldeburgh relationship launches in June 2018, for an initial four-year period.

Ojai at Berkeley
Marking the eighth year of artistic partnership, Ojai at Berkeley celebrates the dynamic nature of the Ojai Music Festival and of Cal Performances. As two distinct communities, Ojai and Berkeley are both known for intrepid artistic discovery, spirited intellect, and enduring engagement in the arts. Inaugurated in 2011, Ojai at Berkeley is a joint force that enables co-commissions and co-productions and allows artists to achieve more than could be imagined by each organization separately. Ojai at Berkeley will take place from June 15-17 in Berkeley, CA, following the Ojai Music Festival. For more information, visit CalPerformances.org.

2018 Festival series passes are available now and may be purchased online at OjaiFestival.org or by calling (805) 646-2053.

 

Congratulations to our friend and collaborator Tyshawn Sorey on his appointment as a MacArthur Fellow. Tyshawn’s astonishing creativity has been so evident in Ojai for the last two Festivals – 2016 with Peter Sellars and Julia Bullock, and in 2017 with Vijay Iyer (Sellars and Iyer are themselves MacArthur Fellows). Ojai is an incubator for artists and music, and we can all be proud to see these so honored and recognized with this exciting award. Wonderful and well-deserved news, Tyshawn.” – Thomas W. Morris

The MacArthur Foundation recently announced their Class of 2017 recipients popularly referred to as a “genius grant.” This esteemed list included two-time Festival alum Tyshawn Sorey.  A release from The John D. and Catherine T. MacArthur Foundation cited Sorey for “assimilating and transforming ideas from a broad spectrum of musical idioms and defying distinctions between genres, composition, and improvisation in a singular expression of contemporary music.”

The Foundation website summarizes Tyshawn’s work: 

A virtuosic percussionist and drum set player who is fluent in piano and trombone, Sorey is an ever-curious explorer of the nature of sound and rhythm, ensemble behavior, and the physicality of live performance. He erodes distinctions among musical genres as well as the line between composition and improvisation and incorporates sophisticated rhythmic and harmonic phrasing, highly prescribed improvisational sound worlds, and real-time experimentation with sound, among many other structural elements. At the same time, he possesses a refined sense of restraint and balance that allows him to maintain his own unique voice while bringing a vast array of musical settings to life. He explores various World and Eastern musical and philosophical concepts on his albums Koan (2009) and Alloy (2014), employing musical languages that range from slowly developing tonally and pantonally based music to free atonal pieces that contain irregular rhythms, lyrical phrasing, and distinctive pacing. Inner Spectrum of Variables (2015) features an extended composition in six movements that merges the harmonic and melodic vocabularies of Western classical, American, and Ethiopian creative expressions, free improvisation, and twentieth-century avant-garde musical traditions. In his song cycle Perle Noire: Meditations for Josephine (2016), Sorey reimagines the legendary Josephine Baker’s works; his original recreations of songs sung by Baker reflect both the context of her contributions to the civil rights movement and contemporary incidences of racial injustice. Sorey challenges expectations of jazz piano trio performance on Verisimilitude (2017), a set of five abstract, enigmatic, and austere pieces in which the delineation between spontaneous and formal composition is even more obscured.

In addition to his own work as a composer, conductor, and ensemble leader, Sorey’s prowess as a percussionist and drum set player is well known, and he continues to be in high demand as a sideman for popular creative artists. With his genre-free approach to making music and continuous experimentation, Sorey is rapidly emerging as a singular talent in contemporary musical composition and performance.

The Ojai Music Festival congratulates Tyshawn for joining the ranks of these creative and forward-thinking individuals. Read more here >