Edo Frenkel is a conductor, composer, and pianist whose work spans the repertoire of the standard western cannon, opera, and experimental music. His work has been described as “groundbreaking … an integration of raw emotion and music” (Rochestariat). His presence at the podium has “ensured performances of both intimacy and intensity” (Opera Magazine). His compositions have been lauded as “A kind of Edgar Varèse-esque cacophony for the Digital Age” (Democrat & Chronicle) that “leaves you aghast.”(kwadratuure.com).

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Nova Scotian musician Barbara Hannigan divides her time between singing on the world’s major stages and conducting leading orchestras. The Berlin Philharmonic, Münchner Philharmoniker, Gothenburg Symphony, Orchestra dell’Accademia Nazionale di Santa Cecilia, Mahler Chamber Orchestra, and the Toronto Symphony are among the orchestras with whom she holds close relationships. Ms. Hannigan has worked with the most prominent conductors, including Simon Rattle, Kent Nagano, Esa-Pekka Salonen, Andris Nelsons, Yannick Nézet-Séguin, Kirill Petrenko, David Zinman, Vladimir Jurowski, Antonio Pappano, Alan Gilbert, and Reinbert de Leeuw. Her commitment to the music of our time has led to an extensive collaboration with composers including Boulez, Dutilleux, Ligeti, Stockhausen, Sciarrino, Barry, Dusapin, and Abrahamsen. She has recently been appointed as Principal Guest Conductor of the Gothenburg Symphony in Sweden, following Kent Nagano’s tenure in that position.

Unforgettable operatic appearances include the title role in Lulu in Krszysztof Warlikowski’s staging at Brussels’ La Monnaie, and more recently at Hamburg Staatsoper conducted by Kent Nagano and directed by Christoph Marthaler; the title role of Pelléas et Mélisande in Katie Mitchell’s staging at the 2016 Festival d’Aix-en-Province conducted by Esa-Pekka Salonen and in Krszysztof Warlikowski’s more recent production at the Ruhrtriennale in Germany; and Marie in Zimmermann’s Die Soldaten at the Bayerische Staatsoper—a hugely acclaimed presentation directed by Andreas Kriegenberg and conducted by Kirill Petrenko, for which she won the Faust Award in Germany. She made her Opéra National de Paris debut in 2015 with La voix humaine again in a Warlikowski production and returned in April 2018 to reprise the role. She created the role of Ophelia in Brett Dean’s Hamlet at the Glyndebourne Festival in summer 2017 and created the lead soprano roles in both of George Benjamin’s full scale operas: Written on Skin, and Lessons in Love and Violence.

In 2017, Ms. Hannigan released her first album as both singer and conductor, with Holland’s LUDWIG orchestra as the orchestral force, on Alpha Classics, entitled Crazy Girl Crazy. The album features works by Berio, Berg, and a specially commissioned Gershwin arrangement by Bill Elliott, as well as a bonus dvd by Mathieu Amalric. The album has received numerous awards worldwide including the Grammy and Juno awards for best classical vocal album.

Ms. Hannigan’s previous recordings have garnered awards from Gramophone, Edison, Victoires de la Musique and the Royal Philharmonic Society. Other awards include Singer of the Year (Opernwelt, 2013), Musical Personality of the Year (Syndicat de la Presse Francaise, 2012), Ehrenpreise (Preis der Deutschen Schallplattenkritik 2018), and Rolf Schock Prize for Musical Arts (2018), and she was recently appointed as a member to the Order of Canada (2016).

In 2017, Ms. Hannigan created Equilibrium, an international mentoring initiative for young professional musicians, and chose 21 participants from a total of 350 applicants from 39 countries to participate in Equilibrium’s first season (2018/19), which will have over 20 performances with four partner orchestras in works including Stravinsky’s The Rake’s Progress, Mozart’s Requiem, and Stravinsky’s Pulcinella.

Find out more at barbarahannigan.com

A principal solo artist for more than two decades, Leighton has performed with many of the world’s eminent conductors, including Pierre Boulez, Zubin Mehta, the late Lorin Maazel, Simon Rattle, Esa-Pekka Salonen, Gustavo Dudamel, Bramwell Tovey and the late Rafael Frühbeck de Burgos. Her opera credits include principal appearances with New York City Opera, Glimmerglass Opera, Köln Opera, Paris Opera and Glyndebourne. She has recorded more films with composers John Williams, James Horner, Jerry Goldsmith, Ennio Morricone, Danny Elfman, James Newton Howard, Henry Jackman, Mark Mancina, Dennis McCarthy, Nick Glennie Smith, Steven Jablonsky, and Christophe Beck, and her voice can be heard on more than 85 major motion picture soundtracks. Most recently she worked on Small Foot, Venom, and Wreck It Ralph 3. Read More

Pianist Stephen Gosling is a ubiquitous presence on the New York new music scene, and has also performed throughout the U.S., Europe, Latin America and Asia. His playing has been hailed as “brilliant,” “electric,” and “luminous and poised” (New York Times), possessing “utter clarity and conviction” (Washington Post) and “extraordinary virtuosity” (Houston Chronicle).

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Los Robles Master Chorale (LRMC), led by Artistic Director Lesley Leighton and lauded for its “robust choral tapestry” (Artillery), is one of Southern California’s premier choirs. Celebrating a rich legacy and hailed for its remarkable sound, striking versatility, and commitment to commissioning new choral works, the 100+voice chorus harnesses the power of music to enrich people of all ages. With repertoire ranging from early music and great choral masterworks to folk, contemporary and world music, LRMC presents its own concert series each season and performs with leading music organizations across the Southland in such iconic venues as Walt Disney Concert Hall, Hollywood Bowl and Royce Hall. The chorale has recently appeared with the Los Angeles Philharmonic, San Bernardino Symphony Orchestra, the New West Symphony, among others.

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2019 Music Director Barbara Hannigan – conductor, singer, and mentor – discusses her artistic values and describes herself as a creative person intensely interested in the collaborative process. 

View the full schedule here 

Percussionist, conductor, and author Steven Schick was born in Iowa and raised in a farming family.  Hailed by Alex Ross in the New Yorker as, “one of our supreme living virtuosos, not just of percussion but of any instrument,” he has championed contemporary percussion music by commissioning or premiering more than one hundred-fifty new works. The most important of these have become core repertory for solo percussion. Schick was inducted into the Percussive Arts Society Hall of Fame in 2014. He was also music director of the 2015 Ojai Music Festival.

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JACK Quartet: Christopher Otto, Austin Wulliman, John Pickford Richards, Jay Campbell

Deemed “superheroes of the new music world” (Boston Globe), the JACK Quartet is “the go-to quartet for contemporary music, tying impeccable musicianship to intellectual ferocity and a take-no-prisoners sense of commitment.” (Washington Post) “They are a musical vehicle of choice to the next great composers who walk among us.” (Toronto Star)

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In 2012, six Dutch orchestral musicians defied prevailing trends and created a new musical collective. They wanted an ensemble which would distinguish itself not only artistically, but in its range and flexibility. LUDWIG – the name of course refers to the cultural entrepreneur in classical music – varies in size from a single soloist to full-scale symphonic orchestra. Their dream became reality: in no time at all the collective, with its fearless elan and contemporary vision for established repertoire, shot to prominence in the Netherlands.

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In January 2017, Barbara Hannigan launched the Equilibrium Initiative (EQ) to mentor 21 young professional musicians in the first substantial phase of their careers. EQ includes intensive workshop retreats, which focus on developing and strengthening the skills needed for sustaining a fulfilling career, as well as offering performance opportunities with Ms. Hannigan and others. EQ artists are selected from an international field of applicants for their talent, musicianship, passion, drive, curiosity, discipline, versatility, and creativity. Meet the seven singers who will be joining us in 2019.

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Each year the Ojai Holiday Home Tour welcomes designers and florists, each of whom are assigned a home and tasked with bringing their own vision of décor and the holidays to life. This year (November 10-11), we have lined up the following designers Bruce Abbott, Angela’s Flowers, Carolyn Bennett of cdb gardens, Laurel Crary, Brooke Giannetti of Giannetti Home, and Ojai Blooms. If you haven’t yet purchased your tickets, call our box office at 805 646 2053, or go online here >>

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Ojai Musicians Perform at the Ojai Holiday Home Tour

Helping get guests into the festive mood at the Ojai Holiday Home Tour will be performances by Ojai’s talented artists and ensembles, who have generously donated their time during the annual fundraising event. Enjoy music from a mix of performers during the weekend of November 10-11 at all the four homes throughout the day.

Saturday, November 10

Patina Farms
10 AM George Lemire, guitar
12 PM Pamela Romani & Cathy Newman, flute duet
2 PM Fern Barishman, piano

Love Nest
10 AM Licity Collins, guitar & vocal
12 PM Celtic Nut with Byle Family
2 PM  Celtic Nut with Byle Family

Saddle Mountain Sanctuary
10 AM Ruby Skye, acoustic duo
12 PM Lizzy Gilbert, flute
2 PM Louis Grace, oboe

Ojai Serenity
10 AM Karen Nelson, violin
11 AM Christine Weber & Alan Ferentz, ukelele
12 PM Kerri Climer & Jess Wayne, guitar & vocal
2 PM Madrigali

Sunday, November 11

Patina Farms
10 AM George Lemire, guitar
12 PM Fern Barishman, piano
2 PM Zed Fries, guitar

Love Nest
10 AM David Cosby, guitar
12 PM Bonnie Griffin & Dori Riggs, flute duet
2 PM Paul Harkins, guitar & vocal

Saddle Mountain Sanctuary
10 AM Ray Sullivan, guitar
12 PM Lizzy Gilbert, flute
2 PM Ruby Skye, acoustic duo

Ojai Serenity
10 AM Madrigali
12 PM Lorraine MacDonald, shamisen
2 PM Fred Beerstein Trio, oboe, violin, cello

**Schedule and artists subject to change **

Back to school with BRAVO

by Laura Walter, BRAVO education coordinator 

Passed by Congress in 2010, House Resolution 275 designates the week beginning with the second Sunday in September as National Arts in Education Week. During this week, the field of arts education joins together in communities across the country to tell the story of the impact of the transformative power of the arts in education. 


As we begin our school year and recognize how the arts have a significant impact on students, the Festival’s BRAVO education & community program commits to the joy of promoting arts education in our local schools and community. 

Music activates both sides of the brain and ties together the auditory system with memory, visual, and movement systems. Often times, children who have learning challenges can shine through music. They learn to interpret symbols, which translates to better reading and math skills.

The opportunity for them to express themselves leads to better self-esteem, and a stronger community. Making music together cultivates a sense of belonging, and leads to a more stable child and adult.

Research has shown that strong social skills are the best indicator of life-long success. Creating music together requires that we listen to each other. We must be regardful of another. And we lend a helping hand so that the whole ensemble excels.

Participating in our local school music programs helps students grow and learn about being part of something that is bigger than ourselves. Benjamin Zander, conductor of the Boston Philharmonic Orchestra and Boston Philharmonic Youth Orchestra remarks, “I have a definition of success. For me, it’s very simple. It’s not about wealth and fame and power. It’s about how many shining eyes I have around me…if the eyes are shining, you know you’re doing it. If the eyes are not shining, you get to ask a question. And this is the question: who am I being that my players’ eyes are not shining? We can do that with our children, too. Who am I being, that my children’s eyes are not shining? That’s a totally different world.” 

The Festival’s BRAVO program impacts 2,800 children and provides 1,075 free workshops yearly. Many thanks to the Ojai Festival Women’s Committee and the many local volunteers who support this integral program in the schools. 

What teachers are saying about the importance of music in the schools: 

“Education Through Music is valuable for many reasons. I enjoy going to the weekly class and participating with my students. With Ms. Laura’s instruction we are learning about music, song, dance, rhythm and at the same time listening, sharing, cooperating and having fun without “crossing the line” into silliness. A student in my class struggled with academics and behavior in the classroom, but he was a shining star in music class. I enjoyed watching him participate and be a leader to his peers as he was often one of Ms. Laura’s helpers in the activities. All the students are made to feel special and important. A big emphasis is placed on the instructor knowing each student’s name and using it throughout the class in different activities. The relationship the students have built with Ms. Laura over the years (some of the 3rd grade students have been working with her since kindergarten) is wonderful, and part of the reason they look forward to music class.” – Ms. Plott, 3rd, Meiners Oaks Elementary

 

“Because of Laura’s work teaching my students much needed social skills through play and music my class not only continued to grow as young human beings, but they learned acceptance, tolerance and kindness while being taught music. I believe that the Education Through Music program has been a vital support to all our students’ learning. By attending ETM each week the students in my class learned how to stay interested and engaged in an activity. The students learned how to be positive members of a group (the class). In addition, each week through play and music the students were encouraged and taught how to take risks and deal with the fear of standing up in front of their peers. Together with Laura, we worked to increase each child’s self-confidence in order to develop better communication, conflict resolution skills, and better listening skills amongst all the students which was evidenced by increased academic achievement and decreased social-emotional behavior problems.” – Ms. Mejia-Holdsworth, 2nd, Topa Topa Elementary

Learn more about National Arts in Education Week 

Become a Holiday Home Tour Docent

Serving as a Docent at one of our four homes is a FUN way to volunteer! As a docent, you have an opportunity to view a beautiful home, meet new people, and get to know members of the Ojai Festival Women’s Committee.

Each shift is a 3.5 hour commitment. You can sign up for 1 or more. We encourage you to sign up with a spouse or a friend! Please fill out the Docent Volunteer Form below by 9/30 and our Docent Chair will contact you to coordinate your schedule and assign you to one of the homes.

Support the Community 
As one of the largest financial supporters of the Ojai Music Festival, the Women’s Committee is proud of the essential role it plays in the Festival’s legacy in our community. Your participation helps provide support for BRAVO, the award-winning music education program for local school children and the world-renowned Ojai Music Festival.

 

Kick off your holiday season with festive inspirations on Saturday, November 10 and Sunday, November 11. Presented by the Ojai Festival Women’s Committee, this treasured tradition, which benefits the Ojai Music Festival and its education program, invites guests to tour four distinctive Ojai Valley homes exceptionally decorated by area designers according to a chosen theme.

Each year we are elated with the fine selection of houses and the gracious homeowners. We are honored to have Patina Farm on this year’s tour, the five-acre lush property and home which has garnered critical acclaim for its design elegance and has been on numerous publications including most recently Sunset Magazine. The second residence, boasts an intimate private garden and outdoor kitchen as well as a warm and welcoming interior – a reflection of the owners who are generous in their love of the community. The third is a completely remodeled home with a diverse private art collection. The owners love a good party as you will see by the mirrored disco ball ready to be used! The final home whisks you away to another world with the majestic Topa Topa Mountains as its backyard. The owners have created a beautiful space for their appreciation of art and nostalgia, which includes a real Oscar Award and other fun Hollywood memorabilia owned by the owner.

Taking place the same weekend is the Holiday Marketplace. This popular companion event will feature a collection of curated lifestyle and fashion items from more than 40 vendors. Admission to the Marketplace is free and open to the public. It will be held at Thomas Aquinas Church Hall (185 St. Thomas Drive).

Weekend hours of the self-guided Ojai home tour are 10am to 4pm. The Marketplace hours are 10am to 5:30pm on Saturday and 10am to 4:30pm on Sunday.

The Home Tour and Marketplace will benefit the Ojai Music Festival and its BRAVO education and community program, which offers free music workshops to the Ojai Valley public schools and the community.

The home tour price is $40 per person advance and $45 day of the event. A group discount of 15% is also available for 8 or more people. Organizers request no cameras allowed on the tour or children under 12 years of age. Comfortable shoes are highly recommended (no high-heeled shoes allowed).

Tickets go on sale in the fall by calling 805-646-2053, at participating ticket outlets (Attitude Adjustment, Flora Garden, Rains Department Store,  and Fox Fine Jewelers in Ventura. Or order online through this website in the fall.

Learn about being a docent >

Learn about sponsorships >

Be a Holiday Home Sponsor

The Ojai Festival Women’s Committee invites you to become a sponsor of the Holiday Home Tour & Market Place!

Your generous tax-deductible donation helps to support for the Festival’s BRAVO program, which provides music education for more than half of the local public elementary students and supports the internationally renowned Ojai Music Festival celebrating its 73rd year, on June 6-9, 2019.

Sponsorship of the event includes the following benefits:

Chaparral $150: 2 tickets, name listing in invitation & HHTM program guide 
Matilija $250: 4 tickets, name listing in invitation & HHTM program guide 
Topa Topa $500: 8 tickets, name listing in invitation & HHTM program guide, recognition on sponsor boards at event 
Chief Peak $1,000: 10 tickets, name listing in invitation & HHTM program guide, recognition on sponsor boards at event 
Pink Moment $2,500:  20 tickets, name listing in invitation & HHTM program guide, recognition on sponsor boards at event

As one of the largest financial supporters of the Ojai Music Festival, the Women’s Committee is proud of the essential role it plays in the Festival’s legacy in our community.  Please fill out the donation form below.

Thank you for your support!

 

Walt Disney Hall Concert Trips

Click here to download the the Flyer >

COST PER TRIP:

$225 for member, spouse or significant other
$275 non-members and guests. Become an OFWC member for $45 and enjoy the savings and more! Click here

Cost includes concert ticket, bus transportation with drinks and snacks, all gratuities, dinner, and donation to OFWC. Space is limited to 22 per trip. Tickets are transferrable and not refundable.

 

The Festival continues to thrive because of the enthusiastic support of its friends and patrons. Enjoy a few snapshots of a memorable Festival moment!

Images courtesy of Frank Gruber. 

The Festival will look back in tribute to composers with deep historical relationships to Ojai – Igor Stravinsky, Arnold Schoenberg, and Olivier Messiaen – and will look forward to major voices of our time, including Gerard Grisey, Mark-Anthony Turnage, John Luther Adams, and John Zorn.

Barbara as a conductor in semi-staged performance of Stravinsky’s Rake’s Progress (complete)
Barbara as a performer singing in Gerard Grisey’s Quatre Chants pour franchir le seuil conducted by Steven Schick, singing Arnold Schoenberg’s String Quartet No. 2, and singing/conducting George Gershwin’s selections from the Grammy-winning CD Girl Crazy
Barbara as a mentor with seven young singers in residence from her new mentoring initiative Equilibrium

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The 73rd Ojai Music Festival, June 6-9, 2019, celebrates and explores the creative breadth of Music Director Barbara Hannigan, as conductor, singer, and mentor. Joining Ms. Hannigan will be the US debut of her mentoring initiative for young professional artists, Equilibrium (EQ), as well as the US debut of the orchestral collective from Amsterdam, LUDWIG, with whom Ms. Hannigan made her Grammy Award-winning conducting debut CD “Crazy Girl Crazy” in 2017.

2019 Music Director Barbara Hannigan shared,
“What does the Ojai Music Festival mean to me? Possibility. Embrace. Challenge. Electricity. Resonance. The Ojai Festival is an atelier where we are invited to gather, as audience and performers, where we are in communion with one another, witnessing the act of live performance. Storytelling, dramaturgy, heart to heart exchange are at the center of my programming choices. This Festival will be a synthesis of dark and light – chiaroscuro – and brings the human voice to the forefront of many events, exploring the various ways composers have been inspired to express themselves through the interplay of text and music. 

 

The Ojai Festival is a more than a playground: it is a circus tent, a jungle gym, an obstacle course, a field of dreams. There are risks being taken, and we open ourselves with curiosity, to possibilities of sound, of flying and falling, of being overwhelmed. Performers always have a degree of courage, but the same must be said of the loyal, curious and inspiring audiences of the Ojai Festival. I simply can’t wait.”

The 2019 Festival marks the sixteenth and final year under the artistic direction of Thomas W. Morris. As the Ojai Music Festival approaches its 75th anniversary and looks toward the future, the innumerable contributions by Mr. Morris will continue to be realized through the 2019 Festival and beyond. Under his creative watch, the Festival pushed boundaries and scope; explored each music director’s individual perspective, creativity, and artistic communities; invited an ever-broadening roster of artists; expanded in scope into an immersion experience over four days; introduced live and archival video streaming of concerts and talks; and built connections across musical communities with through-curated programming for each Festival.

Artistic Director Thomas W. Morris said,

“One of the most rewarding parts of my artistic director responsibilities has been selecting the annual music director – an ever-evolving process informed by the extraordinary resilience and receptivity of the Ojai Music Festival and its audience, as well as the astonishing wealth of artistic talent that exists. The world of music is so different than it was sixteen years ago with the artistic possibilities exploding, the breadth and depth of creative talent expanding, artificial boundaries between genres disappearing, and the appetite for audiences for more intense and distinctive musical experiences increasing. It is those forces that have propelled the sequence of music director appointments over the years – from a singer, to a pianist, to a choreographer, to a pianist/author, to a percussionist/conductor, to a stage director, to an improviser/composer, to a violinist, and to a singer/conductor/mentor. I would be less than honest to admit that this was a sequence well thought out in advance; in fact, the process was organic – an evolving adventure as each music director opened up new possibilities for the next in the context of an ever-changing environment. In many ways, Ojai is an ever self-reinforcing and regenerative flywheel of creativity. 

 

I am thrilled that Barbara Hannigan is my creative partner in 2019, my last after sixteen glorious and stimulating years. Barbara, a dear friend and a great artist, is a beacon of extraordinary creativity through her incredible artistry and ceaseless curiosity and commitment to the future. She represents everything an artist of the future must be. A renowned soprano, conductor and musician, she demonstrates the values that define the next generation of great artistic leaders with her new Equilibrium mentoring initiative for young artists. It will be a festival of provocative new sounds, imaginative productions, palatable energy, and outright fun – what I see as a fitting capstone to what has been an invigorating, stimulating, and daunting adventure for me over these years.”
 

Launching the Festival concert line-up on Thursday, June 6 will be Ms. Hannigan’s work from the podium, Stravinsky’s neoclassic opera, The Rake’s Progress, a Faustian fable for our time addressing the subjects of love, laziness, and greed. Anne Truelove was one of the first operatic roles Ms. Hannigan ever sang, and the opera holds a special place in her heart. Ms. Hannigan conducts this semi-staged performance featuring members of her Equilibrium mentoring initiative as the cast and the Los Robles Master Chorale in their Ojai debut. The production, directed by Linus Fellbom, is a co-production with the Gothenburg Symphony in Sweden, the Klara Festival in Brussels, the Munich Philharmonic in Germany, plus the Aldeburgh Festival. The Rake’s Progress is new to Ojai with the exception of a performance in 1962 of one scene from the opera, and has been very rarely performed in Southern California.During the Festival, Ms. Hannigan also conducts works by Arnold Schoenberg, Igor Stravinsky, and Claude Vivier.

As a singer, Ms. Hannigan will perform Gérard Grisey’s masterpiece, Quatre chants pour franchir le seuil,a 45-minute song cycle for soprano and 16 instruments which explores the passage from life into death. Quatre chants pour franchir le seuil, completed just days before Grisey’s death, will be conducted by Ojai’s 2015 Music Director Steven Schick. Ms. Hannigan will perform in Arnold Schoenberg’s sensual String Quartet No. 2 for soprano & string quartet with the JACK Quartet. Ms. Hannigan will serve as both singer and conductor in Girl Crazy Suite, a touching and infectious arrangement by Tony-award winning Bill Elliott, which is part of Hannigan’s 2017 Grammy-winning album Crazy Girl Crazy, that will close the Festival on Sunday, June 9. Also featured will be Ms. Hannigan and pianist Stephen Gosling performing the US premiere of John Zorn’s Jumalattaret, an extraordinary quest for soprano and piano inspired by the goddesses of Finland’s Kalevala saga. 

In January 2017, Ms. Hannigan launched the Equilibrium (EQ) initiative to mentor 21 young professional musicians in the first substantial phase of their careers. EQ includes intensive workshop retreats, which focus on developing and strengthening the skills needed for sustaining a fulfilling career, as well as offering performance opportunities with Ms. Hannigan and others. EQ artists are selected from an international field of applicants for their talent, musicianship, passion, drive, curiosity, discipline, versatility, and creativity. Seven of these young artists will form the cast of The Rake’s Progress, as well as perform additional music by Igor Stravinsky, Claude Vivier, Mark-Anthony Turnage. On Saturday, June 8, the singers will participate in a special program of folk songs from their diverse native countries entitled, Rites of Passage.

LUDWIG, the celebrated collective from Amsterdam, with whom Ms. Hannigan works closely and collaborated with on the recent Grammy and Juno award-winning album Crazy Girl Crazy(Alpha Classics), makes its Ojai and US debut with the 2019 Festival. Formed in 2012, LUDWIG distinguishes itself artistically and in terms of its range and flexibility. Varying in size from a single soloist to a full-scale symphonic orchestra, LUDWIG carefully crafts its diverse programming. In 2015, LUDWIG received The Art of Impact grant for their pioneering research project Ludwig and the Brain, which, in cooperation with leading scientists, explores innovative ways music can have positive effects on health and education. 

 

The JACK Quartet, which made its Ojai debut at the 2018 Festival, returns performing Schoenberg’s String Quartet No. 2 with Ms. Hannigan as soprano, Marc Sabat’s Euler Lattice Spirals Scenery, Tyshawn Sorey’s Everything Changes, Nothing Changes, Catherine Lamb’s String Quartet, and a two-part concert of works by John Zorn, including three piano trios with Stephen Gosling, and two quartets The Unseenand The Alchemist. Deemed “superheroes of the new music world” (Boston Globe), JACK is dedicated to the performance, commissioning, and spread of new string quartet music. Comprising violinists Christopher Otto and Austin Wulliman, violist John Pickford Richards, and cellist Jay Campbell, the group collaborates with composers of our day and was recently named the 2018 Ensemble of the Year by Musical America.

Oliver Knussen, who passed away at the early age of 66 on July 8, 2018, was Ojai’s Music Director in 2005, and worked extensively with Barbara Hannigan in the 1990s. In tribute, the Festival will offer a program of Mr. Knussen’s music including ensemble and piano pieces. Thomas W. Morris said on his passing, “Olly, as he was known to everyone, was a giant musician – figuratively and literally –  a bear of a man with the gentlest and kindest disposition of anyone I have ever known.  I was always amazed about the breadth of his openness and curiosity for music, and he simply knew and loved more music than anyone I knew. His music was meticulously crafted, finely etched, and deeply inspired. He is profoundly missed professionally and personally.”

Additional featured music includes Terry Riley’s seminal In C, receiving its second Ojai Festival performance and featuring 2019 Festival artists and William Walton’s entertainment, Façade, a concoction for speaker and six instruments on humorous poems by Edith Sitwell, will be narrated by Barbara Hannigan and surprise guests.

Free Community Concerts 
The Festival continues to build on its commitment to reach broader audiences with several opportunities for the community to experience Festival offerings. Over the course of the first three afternoons of the 2019 Festival, percussionist Steven Schick will perform the eight movements of John Luther Adams’ The Mathematics of Resonant Bodies. Works by John Luther Adams have been performed for Ojai audiences and have included Sila, Inuksuit (co-commissioned by the Ojai Music Festival), and recently Everything that Rises performed at the 2018 Festival.  

Ojai Films 
For the first time since 2014, the Ojai Music Festival welcomes the return of Ojai Films, a series of two screenings during the weekend at the Ojai Presbyterian Church, while the Ojai Playhouse continues its reconstruction. On Friday, June 7 the Festival will include, I’m a creative animal: A Portrait of Barbara Hannigan produced in 2014 by SRF and directed by Barbara Seiler. On Saturday, June 8, the Festival will present the US premiere of Taking Risks, a documentary produced by Accentus Music on the birth of Equilibrium which follows its inception through all stages of the casting and production, and culminating in the world premiere of the semi-staged production of The Rake’s Progress (which is performed in Ojai June 6) in Gothenburg in December 2018.

Ojai Talks 
The 2019 Festival begins with Ojai Talks hosted by Ara Guzelimian, former Festival Artistic Director and current Dean and Provost of The Juilliard School. On Thursday, June 6, a three-part series of discussions will begin with an exploration of Barbara Hannigan’s Equilibrium (EQ) initiative, with Ms. Hannigan and EQ artists. Mr. Guzelimian will interview Thomas W. Morris on his sixteen-year tenure as Ojai’s Artistic Director for the second part, and the third part of the discussion series will speak to the reinvention of musical groups, with members of LUDWIG.  

Additional on-site and online dialogue during the 2019 Festival includes Concert Insights, the pre-concert talks at the Libbey Bowl Tennis Courts with Festival artists led by resident musicologist Christopher Hailey. Pre-concert interviews with artists are broadcast through the Festival’s free live streaming program, hosted by content-expert individuals.  

PURCHASE 2019 SERIES PASSES 

Here are some photos from this year’s Festival!  Many thanks to David Bazemore and Stephen Adams for images.

Each year, the Ojai Music Festival Arts Management Internship Program welcomes 12-14 college students and recent graduates to go behind the scenes of a renowned summer music festival. We are very excited to introduce this year’s wonderful interns!

Glenna Adkins:
Glenna Adkins is a cellist and improviser who grew up in Los Angeles. She currently studies music and writing at Sarah Lawrence College in New York. As an instrumentalist, composer, and avid music listener, she is passionate about the performance of new music, as well as the collaborative process between artists. Inspired by the intersection of different art forms, Glenna also composes and performs for works of derived theater and dance, exploring ideas of musical narrative through extended techniques. She has worked at REDCAT and at Reisinger Concert Hall and has recorded as a session musician in several film soundtracks. Additionally, Glenna is interested in issues of sustainability and has served as an Education Intern at the Science Barge in Yonkers, NY, giving school children guided tours of the institution’s hydroponic growing systems.

 

Peter Appleby:
Peter Appleby is a resident of Santa Paula and has developed a great appreciation for community events and local music festivals. After graduating from Villanova Prep School this spring, Peter will be studying International Relations at California Lutheran University in the fall. An amateur musician himself, Peter has had the privilege of participating in Claire Chase’s performance of PAN in 2017 through the Ojai Music Festival. He is excited to return to Ojai this summer and is eager to help with the festival.

 

 

Zoe Appleby:
Zoe Appleby is a Southern California resident who is lucky enough to have been involved in the Ojai Music Festival for three years now. For undergraduate school, Zoe attended Thomas Aquinas College in Santa Paula, CA, where she studied the greatest works of Western thought and literature in a Great Books Program. After spending six weeks in the summer of 2017 in Rome, Italy, studying art history, she decided that the academic field of art history was where she passions lay. Zoe has since been accepted into UC Riverside’s Art History department as an MA student studying medieval art history. After eventually completing her Ph.D. at a different institution, she would be interested in both teaching and researching at the college level and perhaps curating at a museum. She is passionate about bringing the arts to the public, and she has found the Ojai Music Festival to be an amazing event for her to experience the worlds where art and business meet to make something truly beautiful. She recently held a curatorial internship at the Santa Paula Art Museum, an institution which, like the Ojai Music Festival, embodies the spirit of artistic progress and public outreach. Zoe can usually be found swimming at one of the Southern California beaches, or rock-climbing in the cliffs above Ojai.

Maddi Baird:
Maddi Baird is an undergraduate music composition major at San Diego State University. She has had a passion for music and the arts from a young age, and has carried this passion by playing French horn, bass guitar, and by playing in SDSU’s Javanese Gamelan. While studying under Dr. Joseph Waters and Dr. Chris Warren, she has developed a passion for synthesis and analog synthesizers. In the future, she hopes to pursue a graduate degree in film scoring. Within her first semester at SDSU, she has acquired a position at their student union as an Audio-Visual technician and is the recipient of the Frank McCarty Endowed Scholarship in Music Composition. Maddi spends her free time volunteering at Ship in The Woods, a nonprofit art museum. She also has a radio show for KCR College Radio.

Byron Beasley:
Byron Beasley studies music technology at San Diego State University. He has been playing musical instruments since the age of 9 and currently composes music for the Trombone Ensemble at San Diego State. Byron also works as a studio technician at San Diego State, and has experience working with a variety of clients on a daily basis. At the studio, Byron’s job consists of assisting clients with audio and visual productions.
In high school, he worked as a section leader of the brass section, and has performed with a variety of ensembles. Byron also has experience playing in jazz band, marching bands, and wind ensembles (with jazz band being his favorite). He loves to listen to jazz in his free time and enjoys exercising as well. Byron has also composed music for a few video games, and so his diverse experiences in music make him a well-rounded musician, producer, and composer. His greatest aspiration is to work in the music and entertainment industry. Byron loves working behind the scenes to ensure that a product can come to fruition.

Kathryn Carlson:
Kathryn Carlson is a cellist who will soon be receiving her diploma for her Bachelor of Music degree in Instrumental Performance with cello emphasis from the UCSB music department. She is interested in pursuing new music, which she became involved in during her sophomore year of high school after being introduced to it by her music theory teacher Mr. Hertzog (composer for the kung-fu film Bloodsport). She has been a member of the UCSB Ensemble for Contemporary Music (ECM) throughout her time at UCSB and has performed new works in various concerts, including the 2016 UCSB Summer Music Festival, and the Beethoven, New Music, and Cupcake Bar concert hosted by the Now Hear Ensemble. In 2016 she was awarded the ECM Distinguished Performance Award and has recently performed in master classes hosted by The Knights and the Juilliard String Quartet. Having been an intern for the 2017 Ojai Music Festival, she is looking forward to joining the fantastic Ojai Music Festival team once again.

Alberto Cruz:
Alberto Cruz is a composer and recording engineer, currently studying composition at the California Institute of the Arts. During his time there, he has studied with, and continues to work with, Anne LeBaron, Matthias Webber, Karen Tanaka, Nora Kroll-Rosenbaum, John Baffa, and Bob Clendenen. He has fully committed himself to a curriculum at CalArts consisting of composition for film and media, as well as recording and mixing in both live and studio settings. Currently, Alberto works for the School of Film/Video at CalArts running various recording sessions for ADR, spoken word, foley, and music. He also works for the Herb Alpert School of music, recording for live and studio musicians, running a webcast/lighting board for live shows, and acting as a producer/promoter for various shows. When not at CalArts, he works as a studio intern for Matthew Snyder at Allegro Recordings. 
During his time at CalArts so far, Alberto has produced six shows, played clarinet and other instruments in numerous ensembles, written music for seven films, worked as a sound designer for two films, handled music preparation/orchestration for various established composers around LA, run countless recording sessions for animators, directors, solo musicians, large ensembles, and a large variety of people from other backgrounds, and written over ten performed works for the concert stage. Entering his fourth year of higher education, Alberto’s passion for film music and recording has been fully realized into a reality that he intends to pursue throughout the rest of his life.

Jamie Leidwinger:
Jamie Leidwinger is a Baltimore-based composer. She received her MM in Composition at the Peabody Institute of Johns Hopkins, a BA in Music from Dickinson College, and her teachers include Pulitzer Prize-winner Du Yun, Amy Beth Kirsten, Douglas Buchanan, and David Smooke. Jamie previously interned with the Ojai Music Festival, Q2 Music (NYC, now NewSounds), the Artistic Director of Symphony Space (NYC), and recently produced Q2 Music’s Instagram takeover series, “A Day in the Life,” as a freelance contributor; she is currently an Associate Artist Fellow with Amy Beth Kirsten’s music-theatre ensemble HOWL. Current projects include a podcast featuring interviews with Peter Sellars, Alex Ross, and more (release: Summer 2018), a collaboration with Baltimore-based street choir Voices Rise, co-founding a women’s vocal chamber octet, and co-founding SENSE, a Baltimore-based interdisciplinary, immersive, and inclusive arts series.

Emily Persinko:
Emily Persinko has interned at the Ojai Music Festival for the past two years, working closely with the marketing department and the box office. Emily graduated from San Diego State University (SDSU) this spring where she studied music entrepreneurship and business and is currently pursuing a career in arts administration. Emily is an event stage manager for La Jolla Music Society, a production assistant at San Diego Youth Symphony and Conservatory, and Assistant Operations Coordinator at Art of Élan. Emily has also recently interned at the San Diego Symphony in the development department and The Broad Stage in Santa Monica as an artistic intern. Emily has held positions as the principle flutist of the SDSU Wind Symphony and Chamber Orchestra. She also teaches at a private flute studio in San Diego and recently performed her senior flute recital.

 

 

Molly Tucker:
Molly Tucker, from Thousand Oaks, California, is currently in her third year at Oberlin College and Conservatory where she is pursuing degrees in Violin Performance and Economics. As a violinist, she has participated in such festivals as Bowdoin International Music Festival, Madeline Island Chamber Music Camp, The Apple Hill Center for Chamber Music, and the Montecito International Music Festival. Additionally, Molly has been a soloist with the Thousand Oaks Philharmonic and the California State University Northridge Youth Philharmonic. Her musical explorations have taken her to contemporary and Baroque music, as well as folk traditions. She has performed in an Oberlin Contemporary Music Ensemble performance of Hans Abrahamsen’s Schnee, as well as an Oberlin premiere of Celso-Garrido Lecca’s String Quartet No. 2, and has led and soloed with the Oberlin Baroque Orchestra. Molly has also fiddled since the age of seven and has attended Ashokan Music and Dance Camps and The Festival of American Fiddle Tunes. As a lover of contra dance, she has played dances in both California and New Hampshire, and regularly plays for the monthly dances at Oberlin. Molly is a co-founder of Quartet Davis, a string quartet that plays original arrangements of folk and jazz, which was one of the recipients of Oberlin’s Flint Initiative Grant for a three-week Midwest and East Coast tour in January 2018. She is also a part of Caraway House, a fiddle and voice duo that performs tunes from Scandinavian and Old Time traditions. In January 2017, she traveled to Amman, Jordan with an Oberlin string quartet to play at schools and public venues, including a performance with the Jordan Orchestra sponsored by the United States Embassy. She has studied with Marilyn McDonald, Linda Rose, and Kim Kilgore, and has had the opportunity to work with renowned musicians such as Kikuei Ikeda, the Punch Brothers, Fabian Almazan, The Calder Quartet, Billy Childs, and Christian Howes. Outside of her musical life, she is active in the Oberlin Student Cooperative Association, organizes the Oberlin Quaker Student Group, and works for Oberlin Conservatory Admissions.

Sarah Voshall:
Sarah Voshall is a pianist, collaborator, and teacher based in Los Angeles county. She is currently a third year piano performance major at the California Institute of the Arts in Valencia, CA. In high school, she studied improvisation with Daniel Hopkins, who remains a constant source of inspiration. At CalArts, she is privileged to study piano with Ming Tsu, and greatly appreciates the mentorship of Vicki Ray. She has also studied harpsichord with Tisha Mabee. Sarah’s current interests lie in methodically exploring the keyboard works of Bach alongside the surprisingly parallel piano pieces of Bartok. Recently, Sarah has found an interest in learning and performing chamber works with a trio of fellow CalArtians. As a means of cultivating a culture of music (and paying the bills), Sarah has been giving private piano lessons to students of all ages for the past decade. Sarah also teaches piano classes at West Creek Academy to second and third graders, a group of musicians whose youthful enthusiasm continues to delight and exasperate her in equal parts. In her spare time, Sarah enjoys spending time with her little sister who educates her in the memes of the day and forces her to listen to musical theatre soundtracks.

Madeleine Wilmsen:
Madeleine Wilmsen is a flute student at the University of Kansas and received her Bachelor of Arts in Music with a minor in Psychology in May of 2018. While attending undergrad, Madeleine participated in numerous ensembles and chamber groups. Between the years 2015 and 2017, Madeleine was a member of a flute and percussion duo that premiered new works by in-residence composers. She performed as principal player of the KU Symphony Orchestra during the Spring of 2017 and is currently the principal flutist of the KU Wind Ensemble. This spring, KUWE will perform a Reach Out Kansas commissioned piece at the Kennedy Center in Washington D.C. and will be recording a new album. For the last three years, Madeleine has served as President and founding member of the KU Flute Club. She was instrumental in the creation of the club and worked to establish many yearly events, including the annual KU Flute Day in the spring. During the fall of 2017, Madeleine worked as a Development intern at the Kansas City Symphony where she learned the ins and outs of a major non-profit and frequently communicated with symphony donors. She plans on earning a MM in flute performance and furthering her career in music (whether it be performing, teaching, or arts management).

Dominique Wright:
Dominique Wright just finished her sophomore year at Occidental College in Los Angeles, CA where she is an Economics Major and Flute Performance Minor. She is interested in continuing her work in social media marketing and is eager to work for larger companies and to gain further experience in management.
Dominique has also played the flute for ten years. When she was just beginning her musical studies, she lost her flute at school. When a mother at her school heard about the lost instrument, she went home to find her old flute and brought it back to school so that Dominique could continue playing. Since experiencing that gesture of kindness, Dominique has not wanted to stop playing music. This June will be her second time working with the Ojai Music Festival and she cannot wait to take a part in the festival again.

Live Stream

Join us for our 2018 Live Stream Broadcast

Special thanks to Lynn Bremer for underwriting support of the live streaming programs. 
Produced and filmed by Live Concert Productions.  

THURSDAY, JUNE 7

Start Time Event
8:30 PM Live with Smith & Kotcheff
9:00 PM Evening Concert
BYE BYE BEETHOVEN
10:20 PM Talk Back Q & A
Patricia Kopatchinskaja, MCO members

FRIDAY, JUNE 8

Start Time Event
1:00 PM Afternoon Concert
A Singular Vision: Part I 
2:00 PM Interview with Michael Hersch
2:30 PM Afternoon Concert
A Singular Vision: Part II
3:45 PM Interview with Barbara Hannigan
4:00 PM Video on Demand (VOD)
Music at Dawn Replay
5:05 PM Video on Demand
Ojai Talks Part 1 Replay
7:30 PM Evening Concert
Across Time: Part I
8:30 PM Interview with Patricia Kopatchinskaja
9:00 PM Evening Concert
Across Time: Part II
10:30 PM Free Community Concert
John Luther Adams: Everything That Rises

SATURDAY, JUNE 9

Start Time Event
1:00 PM Afternoon Concert
With Abandon: Part I
2:00 PM Interview with Jay Campbell
2:30 PM Afternoon Concert
With Abandon: Part II
3:45 PM Interview with Maria Ursprung
4:30 PM Video On Demand
Ojai Talks Part 2 REPLAY
5:35 PM Video On Demand
Music at Dawn REPLAY
6:30 PM Video On Demand
Ojai Talks Part 3 REPLAY
7:30 PM Evening Concert
Looking Inward
8:30 PM Interview with Ah Young Hong
9:00 PM Evening Concert
Dies Irae (West Coast Premiere)
10:30 PM Talkback Q&A
Patricia Kopatchinskaja, Maria Ursprung, Jay Campbell, Christian Heubes from MCO with Tom Morris

SUNDAY, JUNE 10

Start Time Event
1:00 PM Afternoon Concert
Exploring the Expanse: Part I
2:00 PM Interview with MCO Members
2:30 PM Afternoon Concert
Exploring the Expanse: Part II
3:45 PM Interview with Anthony Romaniuk
4:30 PM Evening Concert
A Devil’s Bargain and Some Earthly Delights
5:30 PM Interview with Thomas W. Morris

Barbara Hannigan, 2019 Music Director

Nova Scotian musician Barbara Hannigan divides her time between singing on the world’s major stages and conducting leading orchestras. The Berlin Philharmonic, Münchner Philharmoniker, Gothenburg Symphony, Orchestra dell’Accademia Nazionale di Santa Cecilia, Mahler Chamber Orchestra, and the Toronto Symphony are among the orchestras with whom she holds close relationships. Barbara has worked with the most prominent conductors, including Simon Rattle, Kent Nagano, Esa-Pekka Salonen, Andris Nelsons, Yannick Nézet-Séguin, Kirill Petrenko, David Zinman, Vladimir Jurowski, Antonio Pappano, Alan Gilbert, and Reinbert de Leeuw. Her commitment to the music of our time has led to an extensive collaboration with composers including Boulez, Dutilleux, Ligeti, Stockhausen, Sciarrino, Barry, Dusapin, and Abrahamsen. 

Unforgettable operatic appearances include the title role in a “chameleonic and compelling” (Gramophone) Lulu in Krszysztof Warlikowski’s staging at La Monnaie, and more recently Lulu at Hamburg Staatsoper conducted by Kent Nagano and directed by Christoph Marthaler; the title role of Pelléas et Mélisande in Katie Mitchell’s staging at the 2016 Festival d’Aix-en-Province conducted by Esa-Pekka Salonen and in Krszysztof Warlikowski’s more recent production at the Ruhrtriennale in Germany; and a fearless interpretation of Marie as a flame in the darkness in Zimmermann’s Die Soldaten at the Bayerische Staatsoper—a hugely acclaimed presentation directed by Andreas Kriegenberg and conducted by Kirill Petrenko, for which she won the Faust Award in Germany. She made her Opéra national de Paris debut in 2015 with La Voix humaine again in a Warlikowski production and returned in April 2018 to reprise the role. She created the role of Ophelia in Brett Dean’s Hamlet at the Glyndebourne Festival in summer 2017 and created the role of Agnes in George Benjamin’s Written on Skin, a production which has garnered rave reviews worldwide, with most recent performances at New York’s Lincoln Center (2015) and London’s Royal Opera House (2017); and had the world premiere of  Benjamin’s new opera also at London’s Royal Opera House.

Recently appointed as Principal Guest Conductor of the Gothenburg Symphony in Sweden, Ms. Hannigan made her conducting debut in 2011 at the Chatelet in Paris, and her path since that time has been a constant creative development, having created special programs for the Toronto Symphony, Danish National and Swedish Radio symphony orchestras, Mahler Chamber Orchestra, L’Orchestre Philharmonique de Radio France, and Münchner Philharmoniker, as well as the orchestra of the Munich Staatsoper.

In 2017, Ms. Hannigan released her first album as both singer and conductor, with Holland’s LUDWIG orchestra as the orchestral force, on Alpha Classics, entitled Crazy Girl Crazy. The album features works by Berio, Berg, and a specially commissioned Gershwin arrangement by Bill Elliott, as well as a bonus dvd by Mathieu Amalric. The album has won both the Grammy and Juno awards for best classical vocal album.

Ms. Hannigan’s other recordings have garnered awards from Gramophone, Edison, Victoires de la Musique and the Royal Philharmonic Society. Other awards include Singer of the Year (Opernwelt, 2013), Musical Personality of the Year (Syndicat de la Presse Francaise, 2012), Ehrenpreise (Preis der Deutschen Schallplattenkritik 2018), and Rolf Schock Prize for Musical Arts (2018).

Recently appointed as a member to the Order of Canada (2016), Ms. Hannigan’s life as an artist has been the subject of several documentaries: Accentus Music’s acclaimed documentary I’m a creative animal, produced at Lucerne Festival 2014 where she was Artiste Etoile, Dutch television’s Canadees Podiumdier (NTR 2014), as well as three films by Mathieu Amalric: C’est presque au bout du monde, Lulu Variations, and Music is Music.

In 2017 Ms. Hannigan created Equilibrium, an international mentoring initiative for young professional musicians, and chose 21 participants from a total of 350 applicants from 39 countries to participate in Equilibrium’s first season (2018/19), which will have over 20 performances with four partner orchestras in works including Stravinsky’s The Rake’s Progress, Mozart’s Requiem, and Stravinsky’s Pulcinella.

 

Annual Lunch