November 16-17, 2024

Described as the best home tour in the region, guests visit four stunning homes during the Ojai Holiday Home Tour & Marketplace. The Home Tour showcases the beauty of the Ojai Valley with a unique approach to celebrating this festive season.

Celebrating over 25 years, the Holiday Home Tour & Marketplace, which takes place over a weekend in November, welcomes visitors from Los Angeles, Santa Barbara, and Ventura Counties. In addition to touring four beautiful Ojai homes, visitors to Ojai during the event can browse the Marketplace, where dozens of vendors and artisans sell unique and handmade goods in Libbey Park.

The Holiday Home Tour & Marketplace is the Ojai Festival Women’s Committee’s largest fundraiser, with the proceeds benefiting the Ojai Music Festival and its BRAVO Education and Community Programs.

Join our mailing list to stay updated about the Holiday Home Tour & Marketplace in the coming months!

SEASON 4

This season on OJAICAST, we have one very special episode where host Emily Praetorius gets to talk in-depth with Artistic and Executive Director Ara Guzelimian about what magic is in store for us at the 2024 Ojai Music Festival (June 6-9). From Mozart to Schoenberg and Haydn to Gubaidulina, we take a musical tour of the Festival programming with some extra insights into Music Director Mitsuko Uchida’s close connections with the fabulous roster of musicians joining her this year.

Episode 1

Mozart: Piano Concerto No. 17 in G major, K.453 – 3. Allegretto
Performed by Mitsuko Uchida and the English Chamber Orchestra with Jeffrey Tate

Mozart: Piano Concerto No. 22 in E-Flat Major, K. 482 – I. Allegro
Performed by Mitsuko Uchida and the English Chamber Orchestra with Jeffrey Tate

Sophia Gubaidulina: Five Etudes for Harp, Double Bass and Percussion
Performed Christina Rozhkova, Alexander Suslin and Mark Pekarsky

Schoenberg: 6 Little Piano Pieces, Op. 19 – 6. Sehr langsam
Performed by Mitsuko Uchida

Sophia Gubaidulina: In Croce
Performed by Maria Kliegel and Elsbeth Moser

Helmut Lachenmann: Interieur
Performed by Sae Hashimoto

Kaija Saariaho: Lichtbogen
Performed by Avanti Chamber Orchestra

György Kurtág: Kafka Fragments – No. 19
Performed by Ah Young Hong and Patricia Kopatchinskaja

John Zorn: Road Runner
Performed by Frode Haltli

Haydn: Symphony No. 46 in B Major, Hob.I:46 – 4. Finale. Presto e scherzando
Performed by the English Chamber Orchestra with Daniel Barenboim

Mozart: Piano Concerto No. 17 in G major, K.453 – 3. Allegretto
Performed by Mitsuko Uchida and the English Chamber Orchestra with Jeffrey Tate

Emily Praetorius, host and producer
Louis Ng, recording engineer

OJAICAST theme by Thomas Kotcheff and Louis Weeks

Also available on SPOTIFY and APPLE PODCASTS
OJAICast SEASON 3
OJAICast SEASON 2
OJAICast SEASON 1

ABOUT OUR OJAICAST HOST 
Emily Praetorius, a former Ojai Music Festival Rothenberg Intern Fellow, is a composer from Ojai, CA. She recently received her DMA from Columbia University in 2023 where she studied composition with Georg Friedrich Haas and George Lewis. Her pieces have been performed by several New York City based ensembles such as Yarn/Wire, Mivos Quartet, TAK and Wet Ink Ensemble. Recent works include a solo viola work on violist Carrie Frey’s 2023 album Seagrass and a current collaboration with violin-viola duo andPlay. After 10 years of living in New York City where she studied, composed and co-owned Kuro Kirin Espresso & Coffee, she returned to her hometown of Ojai to live in the sunshine and go hiking every weekend. 

Thank you for joining us at our 78th Festival, June 6-9, 2024. It was a glorious time to be in our communal festival experience, particularly in the company of our wondrous Music Director, Mitsuko Uchida. We were graced by her performances of extraordinary depth and insight along with the exhilaration of her partnership with the generous, brilliant musicians of the Mahler Chamber Orchestra and the 2024 featured artists.

Take a look at excerpts from the press. 

Celebrating Our Story

For the first time in our history, we’ve launched a comprehensive campaign to ensure that the Ojai experience you love can be sustained for future generations of musicians and audiences. The Festival is largely dependent on contributed income, which makes up 75% of our annual budget.   

With this campaign, we are looking to ensure the flourishing of this musical treasure for the future by commissioning new work, originating important artistic initiatives that have an impact beyond the Festival, as well as expanding our music education programs for students from pre-kindergarten to college. 

Look at what we have already accomplished with the campaign:

• Re-imagined staging of Tan Dun’s Ghost Opera presented at the 2023 Ojai Festival. It was then produced at Kaatsbaan Cultural Park in New York in the fall of 2023.
• Commissioned Dylan Mattingly’s Sunt Lacrimae Rerum for the 2021 Festival. It was recently performed at the LA Phil’s Green Umbrella as part of the California Festival.
• Created a new BRAVO composition program called SCORE for Ojai public high school students.

Our generous Board of Directors has taken up the challenge with 100% participation by way of additional campaign gifts and planned giving. We invite each of you to take part in this next chapter of our story. Join us by renewing your annual donation, and consider making a special campaign donation. Every gift counts towards the goals of this Future Forward campaign.   

This is a moment to celebrate our shared story, your vital part in our legacy, and most importantly, the vibrant future to come. Join us in our next chapter and help bring our Future Forward.

A Small Expense with a Great Impact

Throughout the year, the Ojai Music Festival prioritizes community, artistic curiosity, and innovative programs, culminating with our treasured Festival in June. The Festival’s year-round programs are made possible by donations from our loyal audience members, like you!

Recurring gifts allow you to give at the level and timing that works best with both your budget and schedule. They simultaneously allow the Festival to rely on a consistent, year-round revenue stream. 

Since the Ojai Music Festival’s founding in 1947, volunteers have ensured the enduring success of the organization, from our renowned four-day Festival and our acclaimed BRAVO music education program.

Volunteer opportunities range from ushering, administrative office work, concessions to housing Festival artists and production team. The Festival is fortunate to have a large community of volunteers.

Besides receiving benefits to volunteer that include lawn tickets, a festival commemorative t-shirt and invitations to events, volunteers get to enjoy the camaraderie of working together and meeting interesting music enthusiasts like Jodine Hammerand!

JODINE HAMMERAND: A Return to Ojai and the Music Festival!

What brought you to Ojai? 
My family was living in Los Angeles when my parents took my siblings and I to Ojai for the week of Spring Break. We all fell in love with Ojai and our family moved here in 1972.

When did you start your involvement in the Music Festival? 
I started at Nordhoff High School as a freshman. It was probably my junior year when I started volunteering for the Ojai Music Festival as an usher. I will never forget watching a run-through with the LA Philharmonic that was being conducted by Michael Tilson Thomas!

When did you make your way back to Ojai?
After retiring from Alaska Airlines, I ultimately chose to move back to Ojai right at the height of the pandemic. I was interested in volunteering again and finally was able to usher for the 2022 Ojai Music Festival, then again in 2023. It felt like a happy reunion!

What is a recent fond memory of the Festival?
I am a lover of all music genres, especially the Blues. I really enjoyed Rhiannon Giddens being the music director in 2023 with her banjo playing. She also introduced the pipa and the  kora, two great instruments rooted deep in history. ‘The roots of the present are deep in the past’ my high school history teacher used to always say! I attended the performance of Ghost Opera and enjoyed listening to the pipa with all the instruments. I ushered at the performance of Omar’s Journey and heard the kora played by Seckou Keita. I arrived before the concert as ushers do to prepare the Libbey Bowl. I was walking down the center aisle of seats when I saw Seckou practicing on stage. When he was finished, he looked my way, and I gave him a thumbs up indicating how beautiful he played. He smiled his big smile and that made me very happy, and I will never forget it. 

I look forward to volunteering for the Ojai Music Festival. It is a joy every year, no matter the style of music. In addition, I enjoy every year when the staff and volunteers gather together before the Festival, to listen to Ara Guzelimian with his knowledge of the musicians. He is an asset as artistic and executive director.

Many thanks to all who attended the Virtual Ojai Talks on the music of Gubaidulina, Lachenmann, and Saariaho led by Artistic and Executive Director Ara Guzelimian on Wednesday, April 3, 2024. Here is the featured music and the resources that were discussed that we’d love to share with all! These are all readily accessible YouTube links.

Gubaidulina Interview

Schoenberg: String Quartet No. 2

Clip from Helmut Lachenman: My Way documentary

Interview with Helmut Lachenman

Lachenmann: Mouvement

Trailer for Echoes of the Universe: The Music of Kaija Saariaho documentary

Saariaho: Terrestre

Many thanks to all who attended the Virtual Ojai Talks on the music of Schoenberg led by Artistic and Executive Director Ara Guzelimian. Here is the featured music and the resources that were discussed that we’d love to share with all!

The Music We Heard:

These are all readily accessible YouTube links. A companion playlist in either Apple Music or Spotify appears at the bottom, for those who prefer those sources for streaming. One note – the very beautiful Matthias Pintscher/Karajan Academy live performance of the Schoenberg Chamber Symphony No. 1 is only available on YouTube, so the streaming playlists include a different but also compelling performance led by Simon Rattle.

Schoenberg: Chamber Symphony No. 1, Op. 9

Matthias Pintscher conductor with the ensemble of the Karajan Academy of the Berlin Philharmonic

Schoenberg: String Quartet No. 2

Barbara Hannigan and the Emerson String Quartet

Text to Litanei (third movement)
Text to Entrückung (fourth movement)

Brahms: Piano Pieces, Opus 119

Rudolf Serkin, piano

Schoenberg: Six Little Piano Pieces, Op. 19

Mitsuko Uchida, piano

Other Media Referenced:

Schoenberg: Mahler’s Funeral

Painting, musically represented in the Op. 19, No. 6 movement above

Salka Viertel: The Kindness of Strangers

A rich remembrance of the emigré community of artists in Los Angeles of the 1930s and 1940s

Allen Shawn: Arnold Schoenberg’s Journey

A complex but rewarding portrait of the composer and his work, if you are not daunted by extensive musical analysis

Here is the playlist:

Enjoy!

The 2024 Festival welcomes Mahler Chamber Orchestra, Brentano String Quartet, violinist Alexi Kenney, cellist Jay Campbell, harpist Julie Smith Phillips, and introduces soprano Lucy Fitz Gibbon, percussionist Sae Hashimoto, accordionist Ljubinka Kulisic, and bassist Rick Stotijn to Ojai audiences.

2024 Festival Schedule Highlights

• Mitsuko Uchida performs each Festival evening in works by Schoenberg and Mozart
• Works by Kaija Saariaho are woven throughout the Festival, including Dreaming Chaconne, Fall, Six Japanese Gardens, and Lichtbogen, conducted by Saariaho’s daughter, Aliisa Neige Barrière
• Concert programs include the music of John Adams, Bartók, Biber, Cage, Debussy, Sofia Gubaidulina, Kurtág, Helmut Lachenmann, Missy Mazzoli, Esa-Pekka Salonen, Stravinsky, Jörg Widmann, and John Zorn
• In collaboration with Baryshnikov Arts, Shifting Ground features violinist Alexi Kenney and video projections by Xuan, juxtaposing Baroque works by Bach and Matteis, with recent music by Kaija Saariaho, Angélica Negrón, Paul Wiancko, and Salina Fisher
• The Festival features music from both the First and Second Viennese Schools, from Haydn and Mozart to Berg, Webern, and multiple works by Arnold Schoenberg in honor of the 150th Anniversary of his birth

Dear Ojai Festival friends,

As the New Year approaches, it is only fitting to take a moment to reflect on the year that was at the Ojai Music Festival. Rhiannon Giddens was at the exhilarating center of this year’s Festival, illuminating everything she does with passion, formidable commitment, and heart. She is one of those artists who uses her gifts to make our understanding of the world broader and more whole.

And what a Festival it was, with discovery, adventure, and delight around every corner, from new music to old and everything in between, from Senegal to North Carolina, from Mexico to Iran, from Haydn to Squarepusher . . .

Tan Dun’s pioneering Ghost Opera brought together the remarkable Wu Man, who was in on its creation, with a new generation of collaborators in the Attacca Quartet and dancer/choreographer PeiJu Chien Pott in a completely fresh re-thinking of the work. In late September, the production traveled East for performances at Kaatsbaan Cultural Park in New York, another in a long tradition of Ojai-originated projects having creative ripple effects across the performing arts world.

Back home in Ojai, we celebrated the first-ever statewide California Festival of new music with a November concert – an engrossing and hugely inventive program of music by Reena Esmail, Dylan Mattingly, M.A. Tiesenga, and Samuel Adams, showcasing the creativity of a new generation of California composers. We were mesmerized by the Hindustani vocals of Saili Oak and encountered the electronic hurdy-gurdy!

Looking back on the year, I am filled with gratitude on every level at the company we keep – the artists, the staff, the many volunteers, the endlessly open and curious audiences, our gracious and generous donors. Thank you for being part of this boundless musical adventure!

And there is much more to come around the corner.  We can happily anticipate the 2024 Festival with the profound artistry of Mitsuko Uchida, joined by the Mahler Chamber Orchestra and a host of gifted young artists in a characteristically wide-ranging program from Mozart to Kaija Saariaho.

More details about the Festival to come in January. See you in 2024!

In the meantime, all the warmest good wishes for a healthy, happy, and most of all, peaceful New Year,

Ara Guzelimian

Artistic and Executive Director

The artwork, FESTIVAL, created by Christopher Noxon.
Christopher Noxon paints and writes in Ojai, California. Sullivan Goss Gallery in Santa Barbara featured his work in the 2023 exhibit “Betty Lane & Christopher Noxon: From One Generation to the Next.” His work is in the permanent collection of the Ojai Valley Museum and he’s shown at Gallery 825 in Los Angeles, the Santa Paula Art Museum and the Beatrice Woods Center for the Arts. His writing and illustrations have appeared in the New Yorker, the Atlantic and New York Times Magazine. ChristopherNoxonArt.com

Dear friends, 

I am writing this in the blissful quiet following Thanksgiving, a pause from the usually hectic days and a chance to reflect with gratitude. We are in a particularly troubled moment across the world, with much sorrow, animosity, and division seemingly everywhere. And yet, the enduring pleasures of life also assert themselves – the company of loved ones, a walk in the brisk autumn air, the smile of a child playing, and always, the boundless rewards of music. 

I have been heartened by multiple musical joys these past few weeks. We’ve had the pleasure of presenting a California Festival concert at the Ojai Valley School’s Greenberg Center, our first “off-season” concert of new music in Ojai, one received with great enthusiasm and cheer. We delighted in the company of four exuberant and always inventive younger composers – Reena Esmail, M.A. Tiesenga, Dylan Mattingly, and Samuel Adams.  

I then flew almost immediately to London, to spend a few days in the company of Mitsuko Uchida, our 2024 Festival Music Director. We had several rewarding visits together, putting the finishing touches together for next year. Mitsuko first came to Ojai as a guest artist at the 50th anniversary Festival in 1996. Those of us with long Festival memories will recall that as one of the hottest (literally!) festivals ever, with Mitsuko playing a hypnotically beautiful Schubert B-Flat Sonata and then capping the week with the Ravel Piano Concerto in G, with Pierre Boulez and the Los Angeles Philharmonic. Mitsuko’s response to the overwhelming heat was to play the Schubert with even more beauty and greater concentration, creating an intense quiet of listening that defied the weather. It was one of those unforgettable experiences, where one sensed a collective joining together of audience and artist, living fully in every moment of the piece, where nothing else mattered. 

Mitsuko has always retained a special fondness for Ojai, and we are so fortunate to have her back. She is one of the most remarkable musicians of our time, someone who is constantly exploring and finding ever-deeper insights into everything she plays. Her lifelong passion for the Mozart piano concertos will be at the center of this year’s Festival, music that is constantly revealing new dimensions and humanity in her hands. She is joined by the musicians of the Mahler Chamber Orchestra, her closest collaborators in recent years – a well-honed partnership of exuberance and discovery that continues to grow.  

Although Mitsuko is perhaps best known for her championing of Mozart, Beethoven, and Schubert, she has had a close association with a number of today’s most vibrant composers in her role as an Artistic Director of the Marlboro Festival in Vermont. Each summer, she has personally invited a great musical thinker to be in residence at the celebrated chamber music festival, creating a fascinating intersection between tradition and innovation. We will happily benefit from these associations at Ojai next year with music by a number of these composers – Sofia Gubaidulina, Kaija Saariaho, Jörg Widmann, György Kurtág, and Helmut Lachenmann among them.

The programming that is emerging from our conversations is completely true to Mitsuko Uchida – the eternal freshness of the Mozart piano concertos, new and recent music by the composers she values most, and a focus on the composers of the Second Viennese School. Next year marks the 150th anniversary of the birth of Arnold Schoenberg, a composer who is perpetually misunderstood. We will take a fresh listen to some of his most beautiful (yes, I did say beautiful!) works in the hands of musicians who believe deeply in the expressive power of this music. 

As we make the first preliminary announcement of the 2024 Festival, I hope you will take pleasure in the characteristic Ojai mix of the expected and unexpected, the new and the old, and always, the sense of discovery. In the coming months, we will have a chance to meet the artists, beginning with Mitsuko Uchida herself and do a deeper exploration of the music to be programmed.  

In closing, I want to linger again briefly in the spirit of the Thanksgiving just past by expressing my personal gratitude to each of you for your continued support of the Ojai Festival. We are fortunate to be in this music adventure together with you. 

Ara Guzelimian
Artistic and Executive Director 

The Ojai Music Festival is long known for being a place for experimentation, exploration, and interaction. We are in awe of our patrons, returning and new, who share the experience with the artists and community, and equally important, their feedback and insights every year.  We thank you for making the time to share your personal “What the Festival Means to You.” 

“An inspirational weekend with incredible performers, devoted audience, and unpredictable concerts. We always find something weird and something wonderful throughout the events.”

Do you have questions? We’ve got answers!

The Ojai Music Festival was delighted to participate in the California Festival, a statewide initiative organized by the Los Angeles Philharmonic, San Diego Symphony, and San Francisco Symphony. This showcase of 100-plus California organizations, which runs from November 3 to 19, closely aligned with the Ojai Festival mission and history in celebrating new and adventurous music.

Our performance was a “maiden voyage” of presenting a non-summer concert on November 11 at the Greenberg Center, Ojai Valley School in collaboration with the Los Angeles Philharmonic. With a supportive and enthusiastic audience, the program presented smaller-scale recent works by Samuel Carl Adams, Reena Esmail, Dylan Mattingly, and M.A. Tiesenga, performed by pianist Conor Hanick, clarinetist Sérgio Coelho, vibraphone player Sidney Hopson, violinist Gallia Kastner, vocalist Saili Oak, multi-instrumentalist M.A. Tiesenga, and Zelter String Quartet. These same forward-looking composers were then featured at the Green Umbrella concert, at the Walt Disney Hall, on November 14.

Take a look at some of our favorite moments from our Creative Lab concert on November 11 in Ojai. Special thanks to the Ojai Valley School.

photos by © Timothy Teague

LA Phil’s Green Umbrella: Chaparral and Interstates

photos by © Nick Rutter

On behalf of the Ojai Festival Women’s Committee, thank you so much for another wonderful year of this fabulous tradition! Keep your eye on your inbox for a survey from us. We’d love to hear from you. Thank you for shopping at the Holiday Marketplace! We hope this is not the last you see of the incredible vendors. Please visit the link below to connect with them on their websites and social media! 

Mark your calendar for next year: November 9 and 10, 2024

The Ojai Holiday Home Tour and Marketplace is a benefit for the Ojai Music Festival and its BRAVO Music Education & Community Programs. By supporting this treasured tradition, you ensure that the Festival continues providing free music education in Ojai public elementary schools and presenting the internationally renowned 78th Festival, June 6-9, 2024. Your support for BRAVO is deeply appreciated.

Get an inside look at the creative process with our free Virtual Ojai Talks, where we celebrate the intersection of music and ideas with the 2024 Festival artists, composers, innovators, and thinkers. Virtual Talks are free and open to the musically curious!

Meet the Artists
April 30, 2024, 5:30-6:30pm
Zoom

Before the Festival, get to know a few of our featured artists making their Ojai Festival debuts – soprano Lucy Fitz Gibbon, accordionist Ljubinka Kulicic, and percussionist Sae Hashimoto – in conversation with Ara Guzelimian.

RSVP here >

A European Grand Tour
April 3, 2024, 5:30-6:30pm
Zoom

Our music exploration continues with Ara Guzelimian’s personal introduction of three fascinating composers featured at this year’s Festival. Explore the lives and music of Sofia Gubaidulina, Helmut Lachenmann, and Kaija Saariaho, illustrated with music samples and selected videos. Join us as we prepare for another adventure in Ojai this June with pianist Mitsuko Uchida as music director.

(past event)

Click here to view the resources referenced in this talk.

Learning to Love Schoenberg
February 21, 2024, 5:30-6:30pm
Zoom

Arnold Schoenberg remains one of the most misunderstood and elusive of all composers. The stereotypical image is that of a fearsome modernist, his music shattering everything that preceded him. Ara feels differently, hearing Schoenberg’s most compelling works as a profound evolution, an outgrowth of the paths of Wagner and Mahler, among others. Join us for an insightful introduction to this towering figure, with music and even rare home movies of him in the company of Chaplin and Gershwin.

(past event)

Click here to view the sources and resources referenced in this talk.

Conversations with Ara Guzelimian
November 7, 2023, 5:30-6:30pm
Zoom

It’s Ara’s turn! We’ve enjoyed our past Virtual Ojai Talks where Artistic and Executive Director Ara Guzelimian interviews guest artists and composers. Now we’ve turned the tables on him…Enjoy a conversation between Ara and host Gail Eichenthal, who are long-time friends, about returning to Ojai, working with Mitsuko Uchida, and what to expect for the 2024 Festival (June 6-9).

(past event)

About Gail Eichenthal 
Gail Eichenthal is a veteran broadcast journalist and the chief engagement officer of Classical California.  

Gail’s ties to Ojai are deep: as a UCLA chorister, she sang with the LA Master Chorale at the Ojai Festival in the the mid-1970’s under Michael Tilson Thomas. She produced and hosted live Ojai Festival concert broadcasts on KUSC in the 1980s. And more recently, she helped inaugurate the Festival’s live webcasts. 

Gail began her association with KUSC as an intern. The internship turned into a job. Two years later, at 25, she became the first woman to host the national radio broadcasts of a major American orchestra as the “voice of the Los Angeles Philharmonic” for more than 20 years, during which she worked closely with Ara Guzeimian.  

From 1994 to 2005, Gail expanded her career into broadcast news and was an award-winning reporter and anchor at KNX, the CBS news affiliate in Los Angeles. Gail has written for the LA Times and many other publications.  

Dear friends,

I hope this finds you enjoying the pleasures of summer. I have the good fortune to be at the Marlboro Music Festival as I write this, tucked away in a particularly idyllic corner of southern Vermont – which mercifully was spared the worst of the recent torrential rains elsewhere in the state.

I have had the luxury of time to reflect on the recent Festival and find myself immensely grateful for the company we keep, including each one of you who create such a unique and open-hearted community at each Festival.

The 2023 Ojai Festival is now a happy memory to be savored and cherished. We were so fortunate to be in the company of the wondrous Rhiannon Giddens and all the extraordinary artists she brought to create a particularly joyous Festival community. It is next to impossible to single out individual highlights in a Festival full of them. I will only dare mention a few — Rhiannon singing Paul Simon’s American Tune with an eloquence and a to-the-moment timeliness that brought tears to the eyes, the absolutely essential American story of Omar Ibn Said as told in Rhiannon and Michael Abels’ Omar’s Journey, the indelible musical and visual images created by Wu Man, PeiJu Chien-Pott and the Attacca Quartet in a new production of Tan Dun’s Ghost Opera, the encounter with the enormous creativity and fresh voices of the Iranian Female Composers Association, Kayhan Kalhor’s spellbinding artistry, the infectious joy of Seckou Keita, and Francesco Turrisi’s boundless musical imagination in creating the special Early Music program for a Sunday morning. OK, I’ll stop at that as my own list could go on for another 30 or more highlights. If you are so inspired, please write to me with your own list of highlights.

Here at Marlboro, I delight in the company of Mitsuko Uchida, a co-Artistic Director of the Marlboro Music Festival and our Music Director for the 2024 Ojai Festival. Mitsuko, one of the most eloquent and probing musicians of our time, is making a long awaited return next year, joined by the Mahler Chamber Orchestra (who themselves are returning to Ojai since their 2018 visit with Patricia Kopatchinskaja). Her close collaboration with this immensely creative and spirited ensemble is central to her work in recent years, as they have embarked on a multi-year exploration of the Mozart piano concertos together. She explains the importance of their partnership in this video:

Mitsuko has long been a champion of and mentor to several generations of young musicians at the Marlboro Festival. We will have the good fortune of being joined in Ojai with some of the most gifted artists on the American musical scene — clarinetist Anthony McGill, Brentano String Quartet, soprano Lucy Fitz Gibbon, and violinist Alexi Kenney — all of whom have rich Marlboro history. More about each of them in the months to come.

Prior to coming to Marlboro, I had the pleasure of serving on the jury of the Mahler Conducting Competition in Bamberg, Germany. Marina Mahler, the granddaughter of Gustav Mahler, graced the proceedings as patron of the competition. When I first met Marina some years ago, I started a painstaking description of where and what Ojai is — she interrupted me to tell me that she had attended Ojai Valley School during her most formative years! So, there you have it — a direct link between the legacy of Gustav Mahler and Ojai! We became fast friends with this knowledge of our Ojai ties. I also had the deep pleasure of serving on the jury alongside Barbara Hannigan (2019 Music Director), who continues to light up the musical world wherever she goes. While there, I discovered that Barbara had assembled a very personal playlist for Apple Music, which characteristically documents her wide-ranging imagination and generosity of spirit. She has curated a list of performances by favorite musicians who, in her words, “allow audiences into a ‘heart-to-heart’ connection with whatever music they perform.” In a lovely confluence of Ojai artists, her list includes Rhiannon Giddens!

Finally, a reflection of loss. Kaija Saariaho, who died at the age of 70 in early June, made an indelible impression with her music and her presence at the 2016 Ojai Festival with Peter Sellars. Kaija was a singular creative force in our musical world, writing with a voice that was intensely personal and affecting, a sound world unlike any other composer. She was also a cherished friend to so many of the Festival musicians over the years. We can only be grateful for having her and her music in our lives. To bid farewell, here are the final three movements of her choral work Nuits, Adieux (1991) in a recording released just this month:

We are most fortunate in the company we keep.
With thanks and warm greetings,

Ara Guzelimian
Artistic and Executive Director