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72nd Ojai Music Festival: June 7-10, 2018
Patricia Kopatchinskaja, Music Director

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The 2018 Festival presents many dimensions of Kopatchinskaja:

· Violinist in works by Luigi Nono, Beethoven, Tigran Mansurian, and Ligeti
· Collaborator with soprano Ah Young Hong in Kurtag’s Kafka Fragments, Ravel’s Sonata for Violin and Cello with JACK Quartet cellist Jay Campbell, and with her parents in an exploration of Moldavan folk music
· Advocate for music by Michael Hersch and Galina Ustvolskaya

Highlights of the 2018 Festival:
· Two semi-staged concerts conceived and directed by Kopatchinskaja
· The world premiere of a commissioned work by Michael Hersch
· Stravinsky’s L’Histoire du Soldat on the occasion of its centennial
· Free music events including Luciano Berio’s Sequenzas for solo instruments, two concerts for children devised and performed by Kopatchinskaja, and John Luther Adams’ new string quartet “everything that rises” as a tribute to Ojai Valley renewal following the Thomas Fire

Joining Patricia Kopatchinskaja are close artistic collaborators, all of whom are making their Festival debuts: Berlin-based Mahler Chamber Orchestra in its first extended United States residency, JACK Quartet, composer/pianist Michael Hersch, pianist Markus Hinterhäuser, pianist/harpsichordist Anthony Romaniuk, pianist Amy Yang, and Kopatchinskaja’s parents, Viktor and Emilia Kopatchinsky

The new partnership with Great Britain’s Aldeburgh Festival launches June 20-23, 2018

Cal Performances’ Ojai at Berkeley is June 15-17, 2018

“Ojai is special. There is no fight with new music. There is no fear. Just curiosity and hunger for fresh music of today. The Ojai audiences are completely open minded, and it’s a wonderful possibility to do music that I truly enjoy and find powerfully relevant in our present world. Ojai is magic,” Patricia Kopatchinskaja, 2018 Music Director.

(OJAI CA – UPDATE May 24, 2018) – The 72nd Ojai Music Festival, June 7-10, 2018, presents Music Director Patricia Kopatchinskaja’s unbounded musical creativity in the context of today’s social and political climate. The Ojai, Ventura, and Santa Barbara areas continue to replenish from the devastation of the Thomas Fire. The Topa Topa Mountains surrounding the Ojai Valley have already given rise to new growth, and the Festival honors this renewal with new works, debuts, and free community concerts.

“When I first met Patricia Kopatchinskaja, I knew she was a natural to be Music Director of the Festival. She is, quite simply, a force of nature. Her unstoppable energy, blazing virtuosity, and relentless curiosity are irresistible. The 2018 Festival will showcase her wildly diverse artistic tal-ents as a violinist, a collaborator, a director, an advocate, and as a creative force. Patricia sees music in the context of today’s social and political issues, so the 2018 Festival is one that will surely offer confrontation, questioning, and healing. The 2018 Festival aims to capture Patricia’s infectious energy and virtuosity,” said Artistic Director Thomas W. Morris.

The 2018 Ojai Music Festival welcomes the Mahler Chamber Orchestra (MCO) in its first extended United States residency. Founded in 1997, the Berlin-based MCO defines itself as a free and international ensemble, dedicated to creating and sharing exceptional experiences in classical music. With members spanning 20 different countries, the MCO works as a nomadic collec-tive of passionate musicians uniting for specific projects in Europe and across the world. The MCO forms the basis of the Lucerne Festival Orchestra and maintains long and fruitful artistic relationships with major artists, including Ms. Kopatchinskaja and Mitsuko Uchida, Ojai’s 2021 Music Director. In Ojai, MCO will display its versatility and virtuosity as an orchestral ensemble, in smaller chamber iterations, and also in superb solo performances from individual members.

The JACK Quartet also makes its Ojai debut at the 2018 Festival. Deemed “superheroes of the new music world” (Boston Globe), JACK is dedicated to the performance, commissioning, and spread of new string quartet music. Comprising violinists Christopher Otto and Austin Wulliman, violist John Pickford Richards, and cellist Jay Campbell, the group collaborates with composers of our day, including John Luther Adams, Chaya Czernowin, Simon Steen-Andersen, Caroline Shaw, Helmut Lachenmann, Steve Reich, Matthias Pintscher, and John Zorn.  At the 2018 Festival, JACK will perform works by Georg Frederick Haas, Horatio Radulescu, Morton Feldman, George Crumb, and John Luther Adams.

Major projects will include two semi-staged concerts conceived and directed by Ms. Kopatchinskaja. The first, which opens the Festival on Thursday night, is Bye Bye Beethoven. Ms. Kopatchinskaja describes the concert as a commentary on “the irrelevance of the classic concert routine for our present life.” This program features a mash-up of music by Charles Ives, John Cage, Joseph Haydn, György Kurtág, Johann Sebastian Bach, and the Beethoven Violin Concerto. This marks the US premiere of Bye Bye Beethoven, which was premiered at the Hamburg International Music Festival and subsequently staged in Berlin. This production marked the fourth collaboration between Ms. Kopatchinskaja and the Mahler Chamber Orchestra. Bye Bye Beethoven involves musicians in both conventional and unconventional roles, encounters with different musical genres and discourse among sound, space and imagery.

The second semi-staged concert conceived and directed by Ms. Kopatchinskaja is a provocative commentary on the consequences of global warming. Titled Dies Irae, the program is an aesthetic reflection of a time rife with global warming, wars over resources, and refugee crises. Musical selections include Heinrich Ignaz Franz Biber, George Crumb, Michael Hersch, Byzantine chant, and Galina Ustvolskaya’s remarkable Dies irae for eight double basses, piano, and wooden box. The evening performance on Saturday, June 9 marks its American premiere.

A new work, I hope we get a chance to visit soon by American composer Michael Hersch – described by him as a dramatic narrative for two sopranos and eight instrumentalists – will receive its world premiere at the 2018 Ojai Music Festival, with subsequent performances at Cal Performances’ Ojai at Berkeley and at Great Britain’s venerable Aldeburgh Festival. Performing in the premiere will be sopranos Ah Young Hong and Kiera Duffy, alto saxophone player Gary Lou-ie, and members of the Mahler Chamber Orchestra conducted by Tito Munoz. Set to poetry and text by Rebecca Elson, Mary Harris O’Reilly, and Christopher Middleton, the new work is com-missioned by the Ojai Music Festival, Cal Performances Berkeley, Aldeburgh Festival, and PN Review. Mr. Hersch, who wrote a violin concerto for Ms. Kopatchinskaja two years ago, is con-sidered one of the most gifted composers of his generation. He currently serves on the composi-tion faculty at the Peabody Institute of the Johns Hopkins University. The Friday, June 8 premiere follows works by Carl Philip Emmanuel Bach, and music by Purcell, Bartok, Shostakovich, and George Crumb performed by Anthony Romaniuk, Patricia Kopatchinskaja, and JACK Quartet.

Featured on Friday afternoon (June 8) will be the music of Russian composer Galina Ustvolskaya, described by Alex Ross as “one of the century’s grand originals.” Kopatchinskaja has long been a passionate advocate of Ustvolskaya’s music and will perform her Duet and So-nata with pianist Markus Hinterhäuser. Hinterhäuser, who is also the Intendant of the Salzburg Festival, will perform all six of her piano sonatas. Ustvolskaya’s powerful Dies irae will be featured in the Saturday evening concert of the same title.

Additional programming highlights include Kurtag’s Kafka Fragments; Stravinsky’s L’Histoire du Soldat on the occasion of its centennial; major chamber and piano music by Galina Ustvolskaya; as well as Romanian and Moldavan folk music performed by Ms. Kopatchinskaja and her parents, Viktor and Emilia Kopatchinsky on cimbalom and violin. The Festival closes with the Ligeti Violin Concerto performed by Patricia Kopatchinskaja.

Free Community Concerts
The 2018 Festival continues to build on its commitment to reach broader audiences with several opportunities for all to experience Ojai offerings. On Thursday June 7, following the three-part Ojai Talks dialogues, the Festival commences the first in a series of five free concerts in the Gazebo of Libbey Park, featuring performances of Luciano Berio’s Sequenzas for solo instruments performed by members of the Mahler Chamber Orchestra. On Saturday morning (June 9), Viktor Koptachinsky will perform in works for cimbalon at the Gazebo hosted by his daughter Patricia and Artistic Director Thomas W. Morris. Ms. Kopatchinskaja and Scott Worthington, electronics (who replaces Jorge Chiong-Sanchez), will perform Luigi Nono’s La lontanaza nostalgica utopia futura in a free concert on Thursday evening in Libbey Park, preceding the Festival’s first main Libbey Bowl concert of Ms. Kopatchinskaja’s semi-staged concert Bye Bye Beethoven.

New to the schedule is on Friday evening (June 8), the JACK Quartet will perform John Luther Adams’ Everything that Rises, a work commissioned by the quartet, in a free community concert in tribute to the Ojai Valley renewal following December’s devastating wild fires. Additionally, Ms. Kopatchinskaja has programmed two free concerts just for children. Children of all ages will convene in the Ojai Art Center listen to works by Berio, Biber, Cage, Holliger, Arthur Honegger, and Ferdinand the Bull by Alan Ridout for solo violin and speaker. These concerts for children are presented in association with the Festival’s BRAVO education program for schools and community.

Ojai Talks
The 2018 Festival begins with Ojai Talks hosted by Ara Guzelimian, former Festival Artistic Director and current Dean and Provost of The Julliard School. On Thursday, June 7, a three-part series of discussions will begin with an exploration of Patricia Kopatchinskaja’s musical preferences and inspirations, followed by a discussion with composer Michael Hersch and soprano Ah Young Hong.  The third part of the series will speak to the reinvention of musical groups with  the JACK Quartet. Additional on-site and on-line dialogue during the 2018 Festival includes Concert Insights, the preconcert talks at the LIbbey Bowl Tennis Courts with Festival artists hosted by resident musicologist Christoper Hailey, and live stream interviews between concerts.

For up-to-date Festival information, artist biographies and photos, and access to concerts, etc., visit the Ojai Music Festival website at OjaiFestival.org.

New Partnership with the Aldeburgh Festival
Following the 2018 Festival in Ojai with Music Director Patricia Kopatchinskaja and the following week’s Ojai at Berkeley presented in collaboration with Cal Performances, a new partnership with Aldeburgh will take place at the end of the Aldeburgh Festival (June 20 – 23) based at the acclaimed Maltings Concert Hall and in the town of Snape near Aldeburgh in England. The col-laboration with Aldeburgh follows the formation of Ojai at Berkeley as a partnership of co-productions and co-commissions that affords the Ojai Music Festival, the Aldeburgh Festival, and Cal Performances the ability to present more complex and creative artistic projects than could be conceived by each partner separately. The Aldeburgh relationship launches in June 2018, for an initial four-year period.

Ojai at Berkeley
Marking the eighth year of artistic partnership, Ojai at Berkeley celebrates the dynamic nature of the Ojai Music Festival and of Cal Performances. As two distinct communities, Ojai and Berke-ley are both known for intrepid artistic discovery, spirited intellect, and enduring engagement in the arts. Inaugurated in 2011, Ojai at Berkeley is a joint force that enables co-commissions and co-productions and allows artists to achieve more than could be imagined by each organization separately. Ojai at Berkeley will take place from June 15-17 in Berkeley, CA, following the Ojai Music Festival. For more information, visit CalPerformances.org.

Patricia Kopatchinskaja, 2018 Music Director
Ms. Kopatchinskaja’s (Ko pat chin sky yah) 2017/18 season commenced with the world premi-ere of her new project Dies Irae at the Lucerne Festival where she was ‘artiste étoile’. The second staged program which follows the success of Bye Bye Beethoven with Mahler Chamber Orchestra in 2016, is conceptualized using a theme from the Latin Requiem Mass and features music from composers such as Scelsi, Biber and Ustwolskaja. The North American premiere will take place at the Ojai Festival in June 2018 where she is Music Director.

Ms. Kopatchinskaja’s was awarded the prestigious Swiss Grand Award for Music in September 2017 and continues to move from strength to strength adding a Grammy award to her list of ac-colades in the 17/18 Season. The Violinist was presented with the award for Best Chamber Mu-sic/Small Ensemble Performance for her disc Death and the Maiden, recorded with the St Paul Chamber Orchestra and released on Alpha Classics.

Concert highlights in 17/18 include; performances of Stravinsky’s concerto with Currentzis and the Tonhalle-Orchester Zürich and the same repertoire with Gimeno and the Rotterdam Phil-harmonic Orchestra. She has played with Mahler Chamber Orchestra under Payare and will perform with Orchestra Sinfonica Nazionale della RAI and Geneva Camerata for Berg’s violin concerto.

Chamber music is immensely important to Ms. Kopatchinskaja and she performs regularly with artists such as Markus Hinterhäuser, Anthony Romaniuk and Jay Campbell. With pianist, Polina Leschenko she has recorded and released ‘Deux’ for Alpha Classics. Together the duo reimagi-nes the sonatas of Ravel, Poulenc, Bartok and Dohnányi.

Thomas W. Morris, Artistic Director
Thomas W. Morris was appointed Artistic Director of the Ojai Music Festival starting with the 2004 Festival. As Artistic Director, he is responsible for artistic planning and each year appoints a music director with whom shapes the Festival’s programming. During Mr. Morris’ tenure, audi-ences have increased, the scope and density of the Festival has expanded, the collaborative partnership Ojai at Berkeley with Cal Performances at UC Berkeley has started, a new partner-ship with England’s Aldeburgh Festival will be initiated this year, and a comprehensive program of video streaming of all concerts has been instituted. Mr. Morris is recognized as one of the most innovative leaders in the orchestra industry and served as the long-time chief executive of both The Cleveland Orchestra and the Boston Symphony Orchestra. He is currently active na-tionally and internationally as a consultant, lecturer, teacher, and writer. Mr. Morris was a found-ing director of Spring for Music and served as the project’s artistic director. He is currently vice chair of the Board of Directors of the Interlochen Center for the Arts, and he is also an accom-plished percussionist. In November, Mr. Morris announced his decision to retire as the Festival’s Artistic Director following the 2019 Festival with Music Director Barbara Hannigan, after shaping Ojai’s artistic direction for sixteen years.

About the Ojai Music Festival
From its founding in 1947, the Ojai Music Festival has created a place for groundbreaking musi-cal experiences, bringing together innovative artists and curious audiences in an intimate, idyllic setting 80 miles northwest of Los Angeles. The Festival presents broad-ranging programs in unu-sual ways with an eclectic mix of rarely performed music, refreshing juxtapositions of musical styles, and works by today’s composers. The four-day festival is an immersive experience with concerts, free community events, symposia, and gatherings. Considered a highlight of the inter-national music summer season, Ojai has remained a leader in the classical music landscape for seven decades.

Through its unique structure of the Artistic Director appointing an annual Music Director, Ojai has presented a “who’s who” of music including Aaron Copland, Igor Stravinsky, Olivier Messiaen, Michael Tilson Thomas, Kent Nagano, Pierre Boulez, John Adams, Esa-Pekka Salonen, Robert Spano, Pierre-Laurent Aimard, David Robertson, Eighth Blackbird, George Benjamin, Dawn Upshaw, Leif Ove Andsnes, Mark Morris, Jeremy Denk, Steven Schick, Peter Sellars, and Vijay Iyer. Following Patricia Kopatchinskaja, Ojai will welcome Music Director Barbara Hannigan (2019), Matthias Pintscher (2020) and Mitsuko Uchida (2021).

As the Ojai Music Festival approaches its 75th anniversary and looks toward the future with re-cently appointed Artistic Director Chad Smith, who will take the helm in 2020, the innumerable contributions by Thomas W. Morris will continue to be realized through the 2019 Festival and be-yond. Under Mr. Morris’ creative watch, the Festival continues to push boundaries and scope; explore each music director’s individual perspective, creativity, and artistic communities; invite an ever-broadening roster of artists; and build connections across musical communities with through-curated programming for each Festival.

Remote Access to the Ojai Music Festival
The Ojai Music Festival continues to draw thousands of curious and engaged music enthusiasts from across the country. As tickets remain in high demand, Ojai includes free access to the Fes-tival experience through live and archived video streaming at OjaiFestival.org. The live streaming includes guest interviews throughout the web cast. Hosting this year will be director of publications at National Sawdust and longtime journalist Steve Smith and LA-based composer/musician and host of Underscore.FM podcast Thomas Kotcheff.

Tickets for the 2018 Ojai Music Festival
2018 Festival single tickets are available and may be purchased online at OjaiFestival.org or by calling (805) 646-2053. 2018 Ojai Music Festival single tickets range from $45 to $150 for re-served seating and lawn tickets for $20.

OJAI MUSIC FESTIVAL SCHEDULE
June 7-10, 2018

Special thanks to Lynn Bremer for underwriting support of the live streaming programs. 
Produced and filmed by Live Concert Productions.  

THURSDAY, JUNE 7

FRIDAY, JUNE 8

SATURDAY, JUNE 9

SUNDAY, JUNE 10

A Message from Ara Guzelimian, Artistic & Executive Director 

I write this on a bright November day, the air fresh with the crispness of the season. It has been a time of extraordinary events, marked a few days ago by an election of extreme division. We continue to be in the midst of an unprecedented pandemic, which has brought much loss, separation, and isolation. All of that is compounded by the racial and economic fissures made apparent by events of the past year.
 
How do we measure this time in our innermost thoughts? Many years ago, I first met Peter Sellars at a conference in San Diego where he was giving a talk. His remarks have stuck with me, growing in importance with the passage of time. Peter said that our response to the arts is one of the few truly private experiences we have at a time of very little privacy. We encounter a book, a play, a piece of music, a work of art, a dance; we may express a public opinion and may even try to second-guess what a “correct” and “sophisticated” opinion might be. But when all is said and done, when the lights are out and our head hits the pillow, we are left alone with our experience of the art. We love it or we don’t, it speaks to us or it doesn’t, we understand it or we are left confused. But, in the end, we feel what we feel and think what we think.

Like so many of us, I have turned to music of every variety imaginable to keep me company in this roller-coaster time. I’ve found myself returning to a Smithsonian anthology of the blues that I’ve had for years but had overlooked more recently. There is such richness in this tradition and, as B.B. King observed, “blues is a tonic for what ails you. I could play the blues and not be blue anymore.” One of the most moving discoveries among these old recordings is this one, sung and played by Blind Willie Johnson (inset photo), that summons up a well of human expression without a single word being uttered. Here is a recording made nearly 100 years ago that reaches out across time and speaks to us with amazing currency. This is the raw power of music in its ability to express deep emotion.

My other constant has been the music of Bach, especially in the hands of great pianists. Bach’s music is informed by his unshakable faith, an abiding humanity, as well as a sense of order and design. In working with John Adams to plan the 2021 Ojai Festival, I have been listening intently to the recent recordings by one of our artists, the Icelandic pianist Víkingur Ólafsson, a pianist as at home in Bach as he is in the music of Philip Glass. His recent Bach recording is one of exceptional beauty, and I have returned to it often to provide a grounding in this disrupted time. As Víkingur wrote, “everything is there in Johann Sebastian’s music: architectural perfection and profound emotion.” Here is the Adagio from Bach’s Concerto in D Minor, BWV 974:

I happily anticipate Víkingur’s participation next year and am so grateful to John Adams for suggesting him as one of the first guest artists to invite. John himself has had an uncanny ability to give voice to American experience throughout his career – he is a musical chronicler of our times. In recent days, I found myself thinking about The Wound Dresser, a 1989 setting of Walt Whitman’s poem of the same name. In it, Whitman documents his experiences tending to the Civil War wounded in makeshift field hospitals. 
 
In listening recently to The Wound Dresser, I have been so struck by the resonances with our own moment in time – the deep divisions in the country on one hand and the boundless generosity of so many health workers and caregivers in this pandemic on the other. Whitman writes “Thus in silence in dreams’ projections, / Returning, resuming, I thread my way through the hospitals, / The hurt and the wounded I pacify with soothing hand.”

John wrote about the work, “It is a statement about human compassion that is acted out on a daily basis, quietly and unobtrusively and unselfishly and unfailingly.” Another [Whitman] poem in the same volume states its theme in other words: ‘Those who love each other shall become invincible . . . ‘”
 
And so, we are reminded that artists are our truth-tellers and our chroniclers, their work our necessary companions through thick and thin. I am also reminded that we turn to the arts particularly in trying times. As we approach the 75th Festival in June, it is meaningful to recall that the Festival was founded in 1947, when the world was just barely emerging from World War II. The Festival’s very existence comes from an act of hope and optimism at a time of rebuilding in the face of adversity. In that spirit, we hold the promise of the next Ojai Festival as a similar act of faith. 

When we gather together to listen to music, we assert our humanity, our belief in the arts, and in community. Thanks to each of you for creating the warm and welcoming spirit of community that defines the Festival. I am so gratified to be working with the musicians who will bring to life the 75th Festival. And I relish the promise of listening to their music in your company.
 

Dear friends,

I hope this finds you enjoying the pleasures of summer. I have the good fortune to be at the Marlboro Music Festival as I write this, tucked away in a particularly idyllic corner of southern Vermont – which mercifully was spared the worst of the recent torrential rains elsewhere in the state.

I have had the luxury of time to reflect on the recent Festival and find myself immensely grateful for the company we keep, including each one of you who create such a unique and open-hearted community at each Festival.

The 2023 Ojai Festival is now a happy memory to be savored and cherished. We were so fortunate to be in the company of the wondrous Rhiannon Giddens and all the extraordinary artists she brought to create a particularly joyous Festival community. It is next to impossible to single out individual highlights in a Festival full of them. I will only dare mention a few — Rhiannon singing Paul Simon’s American Tune with an eloquence and a to-the-moment timeliness that brought tears to the eyes, the absolutely essential American story of Omar Ibn Said as told in Rhiannon and Michael Abels’ Omar’s Journey, the indelible musical and visual images created by Wu Man, PeiJu Chien-Pott and the Attacca Quartet in a new production of Tan Dun’s Ghost Opera, the encounter with the enormous creativity and fresh voices of the Iranian Female Composers Association, Kayhan Kalhor’s spellbinding artistry, the infectious joy of Seckou Keita, and Francesco Turrisi’s boundless musical imagination in creating the special Early Music program for a Sunday morning. OK, I’ll stop at that as my own list could go on for another 30 or more highlights. If you are so inspired, please write to me with your own list of highlights.

Here at Marlboro, I delight in the company of Mitsuko Uchida, a co-Artistic Director of the Marlboro Music Festival and our Music Director for the 2024 Ojai Festival. Mitsuko, one of the most eloquent and probing musicians of our time, is making a long awaited return next year, joined by the Mahler Chamber Orchestra (who themselves are returning to Ojai since their 2018 visit with Patricia Kopatchinskaja). Her close collaboration with this immensely creative and spirited ensemble is central to her work in recent years, as they have embarked on a multi-year exploration of the Mozart piano concertos together. She explains the importance of their partnership in this video:

Mitsuko has long been a champion of and mentor to several generations of young musicians at the Marlboro Festival. We will have the good fortune of being joined in Ojai with some of the most gifted artists on the American musical scene — clarinetist Anthony McGill, Brentano String Quartet, soprano Lucy Fitz Gibbon, and violinist Alexi Kenney — all of whom have rich Marlboro history. More about each of them in the months to come.

Prior to coming to Marlboro, I had the pleasure of serving on the jury of the Mahler Conducting Competition in Bamberg, Germany. Marina Mahler, the granddaughter of Gustav Mahler, graced the proceedings as patron of the competition. When I first met Marina some years ago, I started a painstaking description of where and what Ojai is — she interrupted me to tell me that she had attended Ojai Valley School during her most formative years! So, there you have it — a direct link between the legacy of Gustav Mahler and Ojai! We became fast friends with this knowledge of our Ojai ties. I also had the deep pleasure of serving on the jury alongside Barbara Hannigan (2019 Music Director), who continues to light up the musical world wherever she goes. While there, I discovered that Barbara had assembled a very personal playlist for Apple Music, which characteristically documents her wide-ranging imagination and generosity of spirit. She has curated a list of performances by favorite musicians who, in her words, “allow audiences into a ‘heart-to-heart’ connection with whatever music they perform.” In a lovely confluence of Ojai artists, her list includes Rhiannon Giddens!

Finally, a reflection of loss. Kaija Saariaho, who died at the age of 70 in early June, made an indelible impression with her music and her presence at the 2016 Ojai Festival with Peter Sellars. Kaija was a singular creative force in our musical world, writing with a voice that was intensely personal and affecting, a sound world unlike any other composer. She was also a cherished friend to so many of the Festival musicians over the years. We can only be grateful for having her and her music in our lives. To bid farewell, here are the final three movements of her choral work Nuits, Adieux (1991) in a recording released just this month:

We are most fortunate in the company we keep.
With thanks and warm greetings,

Ara Guzelimian
Artistic and Executive Director

Many thanks to all who attended the Virtual Ojai Talks on the music of Gubaidulina, Lachenmann, and Saariaho led by Artistic and Executive Director Ara Guzelimian on Wednesday, April 3, 2024. Here is the featured music and the resources that were discussed that we’d love to share with all! These are all readily accessible YouTube links.

Gubaidulina Interview

Schoenberg: String Quartet No. 2

Clip from Helmut Lachenman: My Way documentary

Interview with Helmut Lachenman

Lachenmann: Mouvement

Trailer for Echoes of the Universe: The Music of Kaija Saariaho documentary

Saariaho: Terrestre

SEASON 4

This season on OJAICAST, we have one very special episode where host Emily Praetorius gets to talk in-depth with Artistic and Executive Director Ara Guzelimian about what magic is in store for us at the 2024 Ojai Music Festival (June 6-9). From Mozart to Schoenberg and Haydn to Gubaidulina, we take a musical tour of the Festival programming with some extra insights into Music Director Mitsuko Uchida’s close connections with the fabulous roster of musicians joining her this year.

Episode 1

Mozart: Piano Concerto No. 17 in G major, K.453 – 3. Allegretto
Performed by Mitsuko Uchida and the English Chamber Orchestra with Jeffrey Tate

Mozart: Piano Concerto No. 22 in E-Flat Major, K. 482 – I. Allegro
Performed by Mitsuko Uchida and the English Chamber Orchestra with Jeffrey Tate

Sophia Gubaidulina: Five Etudes for Harp, Double Bass and Percussion
Performed by Christina Rozhkova, Alexander Suslin and Mark Pekarsky

Schoenberg: 6 Little Piano Pieces, Op. 19 – 6. Sehr langsam
Performed by Mitsuko Uchida

Sophia Gubaidulina: In Croce
Performed by Maria Kliegel and Elsbeth Moser

Helmut Lachenmann: Interieur
Performed by Sae Hashimoto

Kaija Saariaho: Lichtbogen
Performed by Avanti Chamber Orchestra

György Kurtág: Kafka Fragments – No. 19
Performed by Ah Young Hong and Patricia Kopatchinskaja

John Zorn: Road Runner
Performed by Frode Haltli

Haydn: Symphony No. 46 in B Major, Hob.I:46 – 4. Finale. Presto e scherzando
Performed by the English Chamber Orchestra with Daniel Barenboim

Mozart: Piano Concerto No. 17 in G major, K.453 – 3. Allegretto
Performed by Mitsuko Uchida and the English Chamber Orchestra with Jeffrey Tate

Emily Praetorius, host and producer
Louis Ng, recording engineer

OJAICAST theme by Thomas Kotcheff and Louis Weeks

Also available on SPOTIFY and APPLE PODCASTS
OJAICAST SEASON 3
OJAICAST SEASON 2
OJAICAST SEASON 1

ABOUT OUR OJAICAST HOST 
Emily Praetorius, a former Ojai Music Festival Rothenberg Intern Fellow, is a composer from Ojai, CA. She recently received her DMA from Columbia University in 2023 where she studied composition with Georg Friedrich Haas and George Lewis. Her pieces have been performed by several New York City based ensembles such as Yarn/Wire, Mivos Quartet, TAK and Wet Ink Ensemble. Recent works include a solo viola work on violist Carrie Frey’s 2023 album Seagrass and a current collaboration with violin-viola duo andPlay. After 10 years of living in New York City where she studied, composed and co-owned Kuro Kirin Espresso & Coffee, she returned to her hometown of Ojai to live in the sunshine and go hiking every weekend. 

Thank you for joining us at our 78th Festival, June 6-9, 2024. It was a glorious time to be in our communal festival experience, particularly in the company of our wondrous Music Director, Mitsuko Uchida. We were graced by her performances of extraordinary depth and insight along with the exhilaration of her partnership with the generous, brilliant musicians of the Mahler Chamber Orchestra and the 2024 featured artists.

Take a look at excerpts from the press. 

Since 2012, the Ojai Music Festival has expanded its global footprint building a worldwide audience and has deepened connections with patrons throughout the year with free Live Stream Broadcasts. The 78th Festival, June 6 to 9, continues this offering with acclaimed pianist Mitsuko Uchida as Music Director.

You can watch the free live streams of the Libbey Bowl concerts from the Festival’s home page which will begin Thu, June 6 at 8pm. The complete evening concerts will only be available at the time of the performance. UPDATE: Full morning concerts and highlights of the evening concerts are now available below and on our YouTube channel (7/1/24). 

Stay updated on new Festival videos by subscribing to our YouTube channel.

For more context on this year’s Festival, enjoy these links:

THU June 6, 2024

Selections from the 8:00PM OPENING CONCERT
Libbey Bowl  

Brentano String Quartet | Lucy Fitz Gibbon soprano 

HAYDN   String Quartet in C major, Op. 33, No. 3 (“Bird”) 
SCHOENBERG   Six Little Piano Pieces, Op. 19  
SCHOENBERG   String Quartet No. 2 in F-sharp minor, Op. 10 

FRI June 7, 2024

10:00AM 

Julie Smith Phillips harp | Jay Campbell cello | Sae Hashimoto percussion | Naomi Shaham double bass | Brentano String Quartet 

KAIJA SAARIAHO   Fall             
HELMUT LACHENMANN   Pression 
SOFIA GUBAIDULINA   Five Etudes         
BARTÓK   String Quartet No. 5 

Selections from the 8:00PM concert

José Maria Blumenschein concertmaster and leader 
Mahler Chamber Orchestra 

STRAVINSKY   Fanfare for a New Theater
WEBERN   Five Movements for Strings, Op. 5
SCHOENBERG  Chamber Symphony No. 1, Op. 9

SAT June 8, 2024

10:00AM

Ljubinka Kulisic accordion | Rick Stotijn double bass | Musicians of the Mahler Chamber Orchestra 

JOHN ZORN Road Runner       
MISSY MAZZOLI   Dark with Excessive Bright 
JOHN ADAMS   Shaker Loops 

Selections from the 8:00PM concert

José Maria Blumenschein concertmaster and leader | Aliisa Neige Barrière conductor | Vicente Alberola clarinet  

DEBUSSY (arr. Benno SACHS)   Prelude to the Afternoon of a Faun 
KAIJA SAARIAHO Lichtbogen 
ESA-PEKKA SALONEN   Elegy (from kínēma) 

SUN June 9, 2024

10:00AM

Alexi Kenney violin | Sae Hashimoto percussion | Ljubinka Kulisic accordion | Brentano String Quartet 

BIBER  Passacaglia for solo violin 
KAIJA SAARIAHO  Six Japanese Gardens 
HAYDN From The Seven Last Words of Christ 
SOFIA GUBAIDULINA  In Croce 

Selections from the 5:30PM concert

José Maria Blumenschein concertmaster and leader |  
Mahler Chamber Orchestra 

HAYDN   Symphony No. 46 in B major, Hob. I:46 
JÖRG WIDMANN Chorale Quartet (Choralquartett), version for chamber orchestra

Saturday & Sunday, November 16 & 17

How to purchase tickets:

• The Box Office
  • Located at the Holiday Marketplace at Libbey Park (210 S. Signal Street), one is at the fountain area and another is at the building closest to the Libbey Bowl. Look for red signs reading WILL CALL
  • Tickets are $50. Credit card purchases only
  • Hours are 10PM-4PM on Saturday and 10AM-3PM Sunday
• Ticket Outlets
  • Attitude Adjustment in Ojai
  • Fox Fine Jewelry in downtown Ventura (Closed Sundays)
  • For ticket outlets, cash or check only

Preview the Four Homes and Florists

Villa Valencia

Have you ever driven by a home and instantly been enamored of it, yearning to see inside and out? Here is your opportunity to indulge your curiosity, with a house both elegant and livable. Exuding French vibes, you feel transported to that wine country, although this property is
surrounded by fragrant orange groves. Inside the main house, with its massive ceilings, postcard-worthy views from every window, generous rooms, and simplicity abounding, one can only imagine how beautiful a stay in this home would be. Of course, the pool and guest house complete the picture, with areas of restful quiet and tranquility in between.

Floral Desginer: Louesa Roebuck

“The way of the flowers” has been studied for centuries. As an artist, floral designer and author, Louesa Roebuck demonstrates that one needs to understand the rules in order to bend them. In her two critically acclaimed books, Foraged Flora and Punk Ikebana, Louesa has composed stunning arrangements and installations that unite cultural influences with an exhilarating freedom from conventional floral design using regionally foraged and gleaned materials.

After moving to California from Ohio in 1998, Louesa worked at the influential Chez Panisse, which profoundly shaped the direction of her career.  She continued her education of California culture and beauty working with clothing and textile designer Erica Tanov, then opened “August,” a seminal fashion, art, and community hub illustrating the intersection of luxury apparel and environmentally and socially responsible textile practices. In 2008, Louesa returned to her lifelong love of foraged floral work.

In addition to creating floral art, arrangements and installations for many illustrious clients, her work has been featured in several national and international media including Vogue, GOOP, The New York Times, Wall Street Journal, Wired Magazine, Los Angeles Times, Architectural Digest, C Magazine, Gardenista, Sunset, Martha Stewart Living and more.

Working with locally seasonal foraged and sourced flora to bring Ojai’s ever-evolving abundance into Casa Valencia, Louesa has revealed how floral art, sculpture and Holiday designs can be created by embracing the flora right outside your door, inspiring you to cultivate your own vision by inviting the wonders of the natural world into your home.

Louesa lives with her partner Curtis and their three dogs in the hills above Ojai, and considers all of California her home. She, and her autographed books can often be found in their local gallery showroom, Art Port. Her books are also available at your local bookstore and online booksellers.

Visit Louesa Roebuck’s Website

Sespe Creek Sanctuary

When two artists, who work from home, design their dream house, you can be sure the creative space will be fabulous. Combining Spanish modern, farmhouse, and bohemian elements, it is an eclectic delight! Location is key, close to town but at the end of a cul-de-sac, built into a hillside surrounded by nature. Art and personal touches give each space dramatic personality, with several sets of stairs separating the many levels. Hand-painted Moroccan tiles are found throughout the kitchen. The living room with vaulted ceiling and prodigious windows offers the perfect place to entertain with the home theater system, showcasing the owner’s successful career as a television writer. The muse of her father inspires her in the dramatic deep green office with perfectly chosen wallpaper. The poolside wooden deck is surrounded by urban greenery and the sounds of Sespe Creek with a perfect view of the Pink Moment. A professional recording studio is an impressive bonus.

Floral Designer: Emily Denver – Fleur Ojai 

The owner of two sustainable floral businesses, Emily Denver is a pioneer in the field to vase, sustainable floristry movement. Fleur Ojai offers luxury florals for small gatherings and events, set design and home staging. Fleurie Florals is a tiny, traveling floral experience contained in a custom-made teardrop trailer, perfect for parties, workshops, and get togethers of all kinds.

Emily is known for her luxurious and natural style, beautifully blending colors and textures that honor the flowers. Mentored by a master florist from France at the age of 17, her design philosophy has become rooted much deeper than traditional floral technique. Emily has been fortunate to have traveled, worked, designed and taught around the world. Along the way, she has created everything from Shakespearean landscapes and English gardens, to becoming an expert on floriography, The Language of Flowers.

Emily has also lent her design aesthetic to her own line of jewelry, handbags, resort wear, and interior design. From shop windows on Melrose, to custom designing jewelry to match evening gowns for Award Season, her motto has continued to be: Good design is good design.

Born in Ventura County and raised all over the United States, Canada and Europe, Emily opened her floral studio and shop in Los Angeles in 2008. After a decade of running her successful floral business, she returned home to Ventura county’s jewel, Ojai, to create a home base of art and poetry, nature and music, creativity and passion, and of course, flowery goodness for herself, her family and her community. Creating Holiday designs for Sespe Creek Sanctuary for this year’s Holiday Home Tour has been a joy and a pleasure for her.

Emily’s floral design and styling has been featured in The Knot, Town & Country, Country Living, Vogue, Martha Stewart, Wedding Chicks, Style Me Pretty, Magnolia Rouge, and Green Wedding Shoes.

Visit Emily Denver’s Website

Signal Vista

A magnificent hilltop minimalist masterpiece, designed by the owners themselves. Beyond the stainless-steel front doors, sleek contemporary lines are accented with impressive original artwork displayed throughout. Floor to ceiling windows and glass doors maximize the stunning views of the East End and the Topa Topas. The primary bedroom has two glass walls to take in the gorgeous beauty, and the huge his and hers bathrooms and wardrobes alone are worth the visit. The large outdoor terrace is “bounded” by a sparkling pool with infinity edges on three sides and leads to gorgeous desert and South African landscaping.

Floral Designer: Lynn Malone

Floral design has always been a passion for Lynn, from picking and making Mother’s Day flowers as a child, to working for nearly three decades at local nonprofit and government organizations who needed florals for their events, always within a tight budget. A self-taught designer, Lynn spent twenty years learning to create beautiful florals affordably, primarily by incorporating seasonal and foraged flowers, foliage and other natural elements.

In 2013, Lynn semi-retired to open her own flower shop, Digs, which quickly became one of Ojai’s “go to” flower shops and later evolved into three different floral design studios after the shop was sold. After five years in retail floristry, she decided it was time to REALLY retire. Soon afterward, she realized she missed the flowers and floral interactions with friends and clients. Lynn currently designs for friends, an occasional wedding, and local organizations, including the Ojai Music Festival, the Ojai Land Conservancy and Rotary Clubs, creating unique florals for events and fundraisers on a budget. She occasionally leads floral workshops for local groups to help facilitate community gatherings around floral design.

Lynn serves as the design liaison for the Holiday Home Tour, matching designers and their unique styles with the homes on the tour and providing support for designers, homeowners and committee members. Having spent most of her floral career designing for multitudes of clients with their own unique styles and needs, Lynn has learned to be flexible in her approach to floral design in keeping with different needs and aesthetics of clients and friends. She has enjoyed working with the homeowners of two of this year’s Holiday Homes, each with very diverse styles, and each themed around different holidays.

Collector’s Cottage

A charming storybook cottage, right out of a Snow White fairy tale, houses a local mini-museum of myriad collectibles. Each themed room is full to the brim with delights from bears to Barbies to Beanie Babies, from Elvis to Alice in Wonderland, and so much more. See if you can guess the names of all the costumed Bears. Be mesmerized by the train set that fills a large room, as it chugs around the Disneyland village. You’ll feel like a child again as you revisit fantasy favorites from your youth and be impressed with many significant items of sophisticated one-of-a-kind memorabilia.

Floral Designer: Lynn Malone

Floral design has always been a passion for Lynn, from picking and making Mother’s Day flowers as a child, to working for nearly three decades at local nonprofit and government organizations who needed florals for their events, always within a tight budget. A self-taught designer, Lynn spent twenty years learning to create beautiful florals affordably, primarily by incorporating seasonal and foraged flowers, foliage and other natural elements.

In 2013, Lynn semi-retired to open her own flower shop, Digs, which quickly became one of Ojai’s “go to” flower shops and later evolved into three different floral design studios after the shop was sold. After five years in retail floristry, she decided it was time to REALLY retire. Soon afterward, she realized she missed the flowers and floral interactions with friends and clients. Lynn currently designs for friends, an occasional wedding, and local organizations, including the Ojai Music Festival, the Ojai Land Conservancy and Rotary Clubs, creating unique florals for events and fundraisers on a budget. She occasionally leads floral workshops for local groups to help facilitate community gatherings around floral design.

Lynn serves as the design liaison for the Holiday Home Tour, matching designers and their unique styles with the homes on the tour and providing support for designers, homeowners and committee members. Having spent most of her floral career designing for multitudes of clients with their own unique styles and needs, Lynn has learned to be flexible in her approach to floral design in keeping with different needs and aesthetics of clients and friends. She has enjoyed working with the homeowners of two of this year’s Holiday Homes, each with very diverse styles, and each themed around different holidays.

Information

Described as the best holiday home tour in the region, guests visit four exceptional homes during the 2024 Ojai Holiday Home Tour & Marketplace. The tour offers a diverse array of homes that reflect the unique charm of Ojai, and it celebrates the festive seasons adorned with floral inspirations by local Ojai designers.

Marking 28 years in 2024, the Holiday Home Tour & Marketplace welcomes visitors from Los Angeles, Santa Barbara, and Ventura Counties. Tours are guided by a team of volunteer docents in each home.

In addition to touring four beautiful Ojai homes, visitors to the event can do holiday shopping early at the Marketplace. On both days, 65+ vendors and artisans sell unique and handmade goods in Libbey Park from 10AM-4:30PM.

NEW! Convenient, no-hassle check-out directly at vendor booths.

The Holiday Home Tour & Marketplace is the Ojai Festival Women’s Committee‘s largest fundraiser. Proceeds benefit the Ojai Music Festival and its BRAVO Education and Community Programs.

Meet the Musicians

During the marketplace, hear performances by students of the BRAVO programs from elementary to high school grades. Throughout the home tour, enjoy live music by the following local talents.

Home Tour Musicians:

Santa Barbara Flute Ensemble
Fern Barishman
Caressa Cowan (pictured)
Kerri Climer
David and Eilam
Alex Fager (pictured)
Bonnie Griffin
George Lemire
Lyra Quartet
Madrigali
Mood Swing
Ojai Library Ukulele Club
Dori Riggs
Ray Sullivan (pictured)
Morgan Swaidan

Support the Holiday Home Tour & Marketplace

The Women’s Committee invites you to keep the Holiday Home Tour & Marketplace a part of your annual holiday tradition by becoming a sponsor or a volunteer.

As one of the largest financial supporters of the Ojai Music Festival and its BRAVO Education and Community Programs, the Women’s Committee is proud of its essential role in our community’s future through this annual staple.

Sign up as a Vendor!

The 2024 marketplace is now full, with 75 vendors. If you are a 2024 vendor and would like to check or edit your vendor information, log in to the portal below. If you would like for us to reach out to you when applications open up for the 2025 Marketplace, use the button below!

Relive your favorite Libbey Bowl moments from the 2024 Ojai Music Festival. Watch either whole concerts or individual pieces from each concert. Subscribe to our YouTube channel to stay up-to-date with new video releases.

“The Ojai Music Festival has always meant a wonderful blend of tradition and modernism. I look forward to hearing new and exciting modern and contemporary artists and works always followed by a beautiful and reliable classic. Over the years I have met new people and celebrated new friendships with people I may never have met if not for the festival. I look forward to this event each year.”

“An introduction for me to hear new artists perform whom  I ordinarily wouldn’t not be familiar with and to be awakened to new sounds and proficiency of the artists.”

Watch Entire Concerts

Watch Individual Pieces

THU November 7.2024 | 5-7PM | Museum of Ventura County (100 East Main St, Ventura)

It was a mesmerizing evening with flutist Emi Ferguson, a favorite of Ojai Music Festival audiences, on November 7 at the Museum of Ventura County.

After enjoying the company of others and exploring the museum’s latest exhibits, Emi led attendees through a beautiful journey of the flute through time and place. Special thanks to Emi for creating a playlist of the program and other fun resources to come back to time and time again when we need the beauty of music to give us comfort and joy.

THE PROGRAM

Improvisation (2021)
Seyfollah Shokri

Puis qu’en oubli (~1350)
Guillaume de Machaut (arr. Michael Hersch)
with the Flux Quartet

Syrinx (1913)
Claude Debussy

Fantasia in A Major (1733)
G.P. Telemann

Huitzitl (2007)
Gabriela Ortiz

Air (1995)
Londonderry Air (1977) arr. Emi Ferguson (2024)
Tōru Takemitsu

Kembang Suling, Mvt II (1996)
Gareth Farr

Allemande & Sarabande from BWV 1013 (1719)
J.S. Bach

Fantasia in E Minor (1733)
G.P. Telemann

Handkerchief Scene, from Memoirs of a Geisha (2005)
John Williams

Many thanks to all who attended the Virtual Ojai Talks on the music of Schoenberg led by Artistic and Executive Director Ara Guzelimian. Here is the featured music and the resources that were discussed that we’d love to share with all!

The Music We Heard:

These are all readily accessible YouTube links. A companion playlist in either Apple Music or Spotify appears at the bottom, for those who prefer those sources for streaming. One note – the very beautiful Matthias Pintscher/Karajan Academy live performance of the Schoenberg Chamber Symphony No. 1 is only available on YouTube, so the streaming playlists include a different but also compelling performance led by Simon Rattle.

Schoenberg: Chamber Symphony No. 1, Op. 9

Matthias Pintscher conductor with the ensemble of the Karajan Academy of the Berlin Philharmonic

Schoenberg: String Quartet No. 2

Barbara Hannigan and the Emerson String Quartet

Text to Litanei (third movement)
Text to Entrückung (fourth movement)

Brahms: Piano Pieces, Opus 119

Rudolf Serkin, piano

Schoenberg: Six Little Piano Pieces, Op. 19

Mitsuko Uchida, piano

Other Media Referenced:

Schoenberg: Mahler’s Funeral

Painting, musically represented in the Op. 19, No. 6 movement above

Salka Viertel: The Kindness of Strangers

A rich remembrance of the emigré community of artists in Los Angeles of the 1930s and 1940s

Allen Shawn: Arnold Schoenberg’s Journey

A complex but rewarding portrait of the composer and his work, if you are not daunted by extensive musical analysis

Here is the playlist:

Enjoy!

On behalf of the Ojai Festival Women’s Committee, thank you so much for another wonderful year of this fabulous tradition! Keep your eye on your inbox for a survey from us. We’d love to hear from you. Thank you for shopping at the Holiday Marketplace! We hope this is not the last you see of the incredible vendors. Please visit the link below to connect with them on their websites and social media! 

Mark your calendar for next year: November 9 and 10, 2024

The Ojai Holiday Home Tour and Marketplace is a benefit for the Ojai Music Festival and its BRAVO Music Education & Community Programs. By supporting this treasured tradition, you ensure that the Festival continues providing free music education in Ojai public elementary schools and presenting the internationally renowned 78th Festival, June 6-9, 2024. Your support for BRAVO is deeply appreciated.

The Ojai Music Festival was delighted to participate in the California Festival, a statewide initiative organized by the Los Angeles Philharmonic, San Diego Symphony, and San Francisco Symphony. This showcase of 100-plus California organizations, which runs from November 3 to 19, closely aligned with the Ojai Festival mission and history in celebrating new and adventurous music.

Our performance was a “maiden voyage” of presenting a non-summer concert on November 11 at the Greenberg Center, Ojai Valley School in collaboration with the Los Angeles Philharmonic. With a supportive and enthusiastic audience, the program presented smaller-scale recent works by Samuel Carl Adams, Reena Esmail, Dylan Mattingly, and M.A. Tiesenga, performed by pianist Conor Hanick, clarinetist Sérgio Coelho, vibraphone player Sidney Hopson, violinist Gallia Kastner, vocalist Saili Oak, multi-instrumentalist M.A. Tiesenga, and Zelter String Quartet. These same forward-looking composers were then featured at the Green Umbrella concert, at the Walt Disney Hall, on November 14.

Take a look at some of our favorite moments from our Creative Lab concert on November 11 in Ojai. Special thanks to the Ojai Valley School.

photos by © Timothy Teague

LA Phil’s Green Umbrella: Chaparral and Interstates

photos by © Nick Rutter

The Ojai Music Festival is long known for being a place for experimentation, exploration, and interaction. We are in awe of our patrons, returning and new, who share the experience with the artists and community, and equally important, their feedback and insights every year.  We thank you for making the time to share your personal “What the Festival Means to You.” 

“An inspirational weekend with incredible performers, devoted audience, and unpredictable concerts. We always find something weird and something wonderful throughout the events.”

Do you have questions? We’ve got answers!

Dear friends, 

I am writing this in the blissful quiet following Thanksgiving, a pause from the usually hectic days and a chance to reflect with gratitude. We are in a particularly troubled moment across the world, with much sorrow, animosity, and division seemingly everywhere. And yet, the enduring pleasures of life also assert themselves – the company of loved ones, a walk in the brisk autumn air, the smile of a child playing, and always, the boundless rewards of music. 

I have been heartened by multiple musical joys these past few weeks. We’ve had the pleasure of presenting a California Festival concert at the Ojai Valley School’s Greenberg Center, our first “off-season” concert of new music in Ojai, one received with great enthusiasm and cheer. We delighted in the company of four exuberant and always inventive younger composers – Reena Esmail, M.A. Tiesenga, Dylan Mattingly, and Samuel Adams.  

I then flew almost immediately to London, to spend a few days in the company of Mitsuko Uchida, our 2024 Festival Music Director. We had several rewarding visits together, putting the finishing touches together for next year. Mitsuko first came to Ojai as a guest artist at the 50th anniversary Festival in 1996. Those of us with long Festival memories will recall that as one of the hottest (literally!) festivals ever, with Mitsuko playing a hypnotically beautiful Schubert B-Flat Sonata and then capping the week with the Ravel Piano Concerto in G, with Pierre Boulez and the Los Angeles Philharmonic. Mitsuko’s response to the overwhelming heat was to play the Schubert with even more beauty and greater concentration, creating an intense quiet of listening that defied the weather. It was one of those unforgettable experiences, where one sensed a collective joining together of audience and artist, living fully in every moment of the piece, where nothing else mattered. 

Mitsuko has always retained a special fondness for Ojai, and we are so fortunate to have her back. She is one of the most remarkable musicians of our time, someone who is constantly exploring and finding ever-deeper insights into everything she plays. Her lifelong passion for the Mozart piano concertos will be at the center of this year’s Festival, music that is constantly revealing new dimensions and humanity in her hands. She is joined by the musicians of the Mahler Chamber Orchestra, her closest collaborators in recent years – a well-honed partnership of exuberance and discovery that continues to grow.  

Although Mitsuko is perhaps best known for her championing of Mozart, Beethoven, and Schubert, she has had a close association with a number of today’s most vibrant composers in her role as an Artistic Director of the Marlboro Festival in Vermont. Each summer, she has personally invited a great musical thinker to be in residence at the celebrated chamber music festival, creating a fascinating intersection between tradition and innovation. We will happily benefit from these associations at Ojai next year with music by a number of these composers – Sofia Gubaidulina, Kaija Saariaho, Jörg Widmann, György Kurtág, and Helmut Lachenmann among them.

The programming that is emerging from our conversations is completely true to Mitsuko Uchida – the eternal freshness of the Mozart piano concertos, new and recent music by the composers she values most, and a focus on the composers of the Second Viennese School. Next year marks the 150th anniversary of the birth of Arnold Schoenberg, a composer who is perpetually misunderstood. We will take a fresh listen to some of his most beautiful (yes, I did say beautiful!) works in the hands of musicians who believe deeply in the expressive power of this music. 

As we make the first preliminary announcement of the 2024 Festival, I hope you will take pleasure in the characteristic Ojai mix of the expected and unexpected, the new and the old, and always, the sense of discovery. In the coming months, we will have a chance to meet the artists, beginning with Mitsuko Uchida herself and do a deeper exploration of the music to be programmed.  

In closing, I want to linger again briefly in the spirit of the Thanksgiving just past by expressing my personal gratitude to each of you for your continued support of the Ojai Festival. We are fortunate to be in this music adventure together with you. 

Ara Guzelimian
Artistic and Executive Director