Meet our 2023 Interns

We are excited to share our stellar team of interns with you. These students represent the next generation of musicians and arts administrators. The Festival depends on them for critical support in a variety of management areas including production, stage management, front of house, operations, box office, marketing, and more. Our impressive roster of interns is ready to bring their passion and experience to the Ojai Music Festival team and make the 77th Ojai Music Festival a year to remember.
Hitesh Benny
Hitesh Benny is a student transferring to the University of California, San Diego to study Music and Economics. He is the Front of House Intern at this year’s Festival. Over the past two years, Hitesh has attained associate degrees in Music and Economics from Moorpark College. He has been a part of various ensembles including the Moorpark College Concert Choir, Symphony Orchestra, and the Come Together Ensemble. In the choir, he served as a student conductor, leading them in their Fall and Winter concerts. In the Symphony Orchestra, he also served as the percussion section leader and had transcriptions performed and recorded by the ensemble. Through the Come Together Ensemble, he premiered his compositions. Hitesh was fortunate to have been mentored by Richard Danielpour, the head of composition at UCLA. Hitesh has a steadfast dedication to helping small businesses in his community. Through these experiences, he earned various entrepreneurial and managerial lessons. He also remains committed to the musical community by serving as a volunteer at the Hear Now Festival, the Music Academy of the West Summer Festival, and the Ojai Music Festival.
Elizabeth (Liz) Callahan is a violinist who grew up in Ventura, California and began playing violin at the age of 10 at a children’s string ensemble at her church. Elizabeth has played violin in numerous ensembles including the Ojai Youth Symphony, Ventura High School Honors String Orchestra, and the Westmont College Orchestra. She thoroughly enjoyed the opportunity to perform during the orchestra tour to Austria and Prague as Principal violinist and as a selected soloist. Elizabeth is so grateful to have studied classical violin with fantastic faculty members including Dr. Han Soo Kim and Professor Isaac Kay, and traditional Irish violin technique with Grammy- and Emmy- nominated Celtic violinist, Máiréad Nesbitt. Elizabeth has participated in Westmont College Choir and she has had the opportunity to be an Assistant Conductor for the College Choir and the Santa Barbara Youth Symphony while studying conducting with Dr. Daniel Gee. She has been actively involved in music education in Santa Barbara while being Personnel Manager for the Santa Barbara Youth Symphony. Elizabeth will graduate from Westmont College in May 2023 with a Bachelor of Music Education and will continue to pursue a career in music education.
Eliana Choi is a recent 2023 Westmont College graduate who majored in psychology and minored in kinesiology and music. She utilized her minor in music to become on of the box office interns again at the Ojai Music Festival. Eliana is back in the Ojai intern family because she had a fabulous time with the staff, performers, volunteers, and interns last year (#RunningAMOC2022). Eliana specifically cherished working on Festival mobile app and updating the Festival website while at the box office. In her free time, Eliana enjoys playing video games, working out, and practicing her acoustic guitar and violin. She will pursue a doctoral degree in occupational therapy at Keck Graduate Institute in late August. Eliana is open to answering any questions and hopes that everyone will enjoy their time at the Festival!
Mia Condon has worked as a Stage Manager for the past four years. Throughout her experience, she has sought out positions that allow her to experience new genres of live entertainment and learn new strategies which she can utilize in future endeavors. She has a background in vocal and instrumental music in multiple genres and has a deep love for music, especially that which has a connection to things greater than and deeper than the individuals creating it. She Is incredibly excited to have the opportunity to experience Ojai for the first time and looks forward to engaging with everyone involved! Currently, Mia attends CalArts in Santa Clarita, CA.
William Jae is a composer and pianist raised in Los Angeles, California. William’s music can be described as both chaotic and sublime. His openness to learn new kinds of music allowed him to push the limits of what he can do with his own music. Between 2019 to 2020, he was a fellow at the Nancy and Barry Sanders Composer Fellowship Program, where he studied with renowned composers such as Andrew Norman, Sarah Gibson, and Thomas Kotcheff. It was during this time that he first experienced the world of contemporary classical music. In 2019, his string trio composition, “Alabaster Wool”, premiered at the Walt Disney Concert Hall and was performed by members of the Lyris Quartet. When the COVID-19 pandemic began in 2020, he received the Jack Kent Cooke Young Artists Award and made an appearance at Blanket Fort 2 hosted by Peter Dugan at From The Top. He was also the semi-finalist in the 2020 ASCAP Morton Gould Young Composers Award that same year. William is currently a junior at the Eastman School of Music pursuing a dual degree in music composition and psychology at the University of Rochester. Outside of the classroom, he is the artistic director of the Eastman Chamber Orchestra. During his free time, William enjoys spending time with his friends and colleagues as well as exploring various film and video game genres.
Sophie Little is currently pursuing a BA in Theater Technology and a minor in Music Technology at Chapman University, strongly focusing on sound engineering and theater design. Furthering this passion, she hopes to apply her knowledge and love for music by designing and assisting with sound for music festivals and concerts in the future. In the past, Sophie has been involved in countless productions throughout high school and college, most notably being her involvement with various music festivals in her home state of Michigan. Most recently, Sophie worked as the Sound Engineer and Designer for Chapman’s student-run production of It Shoulda Been You by Brian Hargrove. Sophie is very excited to join the Ojai Music Festival team as a sound intern and continue growing her love and knowledge of sound.
Niav Maher is a virtuosic soloist spanning several musical genres, combining personal sensitivity with insightful interpretation. She has been the recipient of many scholarships throughout her career at the Longy School of Music, New England Conservatory Prep, and Manhattan School of Music. Niav received the Michael B. Packer Scholarship of Excellence in Piano Studies at the Longy School of Music. From 2012-2019, Niav studied with Jonathan Bass at the New England Conservatory Preparatory School. In 2016, Niav was the first-prize winner of the NEC Preparatory Concerto Competition playing the Mendelssohn Concerto No.1 and went on to perform in Jordan Hall with the NEC YSO. She has participated on scholarship in NEC Prep tours through Germany, Italy, and Norway as a soloist, and orchestra member. In 2019, Niav received the Seth Kimmelman Scholarship given to a NEC Prep student who combines a commitment to the piano with intellectual curiosity. She then received the Piano Department award upon graduation.
Most recently, Niav was a winner of the Lillian Fuchs Chamber Music Competition at Manhattan School of Music. Niav holds a Bachelor of Music Degree in Classical Piano Performance from Manhattan School of Music where she studied with Daniel Epstein on the Glen K. Twiford Piano Department Scholarship. At the recommendation of the faculty, the Provost of MSM selected Niav as the recipient of the Helen Cohn Award, which is given upon graduation to a pianist in recognition of outstanding work in chamber music. Niav will begin her Master of Music Degree this fall, studying with Daniel Shapiro at the Cleveland Institute of Music.
Meet Diego Martinez, a talented musician, and audio engineer based in Chula Vista, California. Currently pursuing a Bachelor’s degree in music technology, Diego is dedicated to building a career in music composition and audio engineering. His coursework has given him a deep understanding of the technical aspects of music production, from recording and mixing to mastering and post-production. He is eager to apply his knowledge to real-world scenarios and is excited to learn from experienced professionals in the industry. As an accomplished artist, Diego has released several singles, collaborations, and three albums under his stage name, P-Wave. His hard work has paid off, as two of his albums have even received physical cassette releases – one independently, and the most recent under the popular indie music label, Stratford Ct.
Diego’s dedication to mastering his craft is evident in his constant pursuit of knowledge. He is always on the lookout for opportunities to learn and grow, attending conferences and workshops and seeking out mentorship from industry experts. In addition to his musical talents, Diego has honed his communication and networking skills, which have proven invaluable in his career. With his exceptional talent, dedication, and drive, Diego is sure to make significant contributions to any organization he is a part of, including the Ojai Music Festival sound department.
Mariah Divianne Musni is an undergraduate student pursuing Interdisciplinary Computing for the Arts and Music (ICAM) at the University of California, San Diego. Moving from the Philippines to the United States at 16, she sought new opportunities and personal growth. At UCSD, she combines her love for technology and artistic expression. This program allows Mariah to explore the convergence of computation, art, and music, pushing the boundaries of creativity and innovation. Through immersive coursework, she develops technical skills while nurturing her artistic sensibilities to create transformative experiences. As a novice audio intern at KSDT, the campus radio station, Mariah gained valuable hands-on experience in setting up audio equipment for live events, ensuring seamless sound quality.
Mariah’s passion for the arts originated in the Philippines, where she actively participated in dance and choir competitions. These experiences honed her creativity, discipline, and admiration for the performing arts.With a diverse background, unwavering determination, and a passion for innovation, Mariah aims to make a profound impact in ICAM, Speculative Design, and beyond. Mariah is committed to shaping the future of interdisciplinary creativity, pushing the boundaries of what is possible.
As a Junior at the University of California Los Angeles, Dani Nollenberger is currently pursuing a major in Music History and Industry Studies. Passionate about music, Dani has a deep interest in both performing and writing music. In addition to their musical pursuits, Dani is also dedicated to bringing excellent live music experiences to others and sharing the joy of music with those around them. With an unwavering commitment to the world of music, Dani has refined her skills and is working towards a career in the music industry. Dani plans to apply her knowledge and passion to make a meaningful impact in the world of music and her community.
Margaret Rodenburg is a flutist and 2023 Bachelor of Music major graduating with Highest Honors from the University of California, Santa Barbara where she studied Flute Performance with Jill Felber. A native of Seattle WA, Margaret began playing flute at age 9, and has since found immense joy in the musical ensembles and communities throughout her life, including the Seattle Rock Orchestra, Seattle All-City Marching Band, Seattle Collaborative Orchestra, UCSB Wind Ensemble, UCSB Flute Choir, and UCSB Chamber program. While her musical journey began as an instrumentalist, Margaret has both volunteered in and taught private flute lessons to beginners in the greater Seattle and Santa Barbara areas and has worked in a variety of administrative positions in the UCSB Music Department. Throughout her time in undergrad, Margaret has recognized that her passion for playing music will continue to be bolstered by community ensembles and individual experimentation and that her desire for a long-term role in the live music industry is actually one backstage—she hopes to soon enter the industry in a managerial, administrative or organizational capacity.
Baritone and Arts Administration leader, Kevin Spooner, is pursuing a Master of Music in Vocal Performance at the A.J. Fletcher Opera Institute of the University of North Carolina School of the Arts. Kevin received his Bachelor of Music in Vocal Performance from the Eastman School of Music and has performed a diverse breadth of roles in the operatic repertoire ranging from Mozart to Sondheim. During his time at Eastman, Kevin worked as an Admissions Ambassador, where he was responsible for guiding musicians and their families during their visit to ensure a comfortable and rewarding time at Eastman.
Passionate about non-profit organizations and presenting recitals, in 2018 Kevin organized and produced a recital featuring local musicians and himself to raise money for The Great Swamp Conservancy in Canastota, NY. Kevin is also performing a recital entitled Songs and Arias of Love the week before the Ojai Music Festival in his hometown of Oneida, NY.
During the 2022/2023 season, Kevin made his professional debut as Marchese D’Obigny in Verdi’s La Traviata with Piedmont Opera. Kevin also performed the role of Rodomonte in Joseph Haydn’s Orlando Paladino with the A.J. Fletcher Opera Institute in February. Last summer, Kevin performed the role of Schaunard in Puccini’s La Bohème with Opera Steamboat and performed the role of Paul’s Father in Gregory Spears’ Paul’s Case with the Ad Astra Music Festival. Outside of the arts, Kevin enjoys running, tennis, golf, and reading Stephen King novels.
As a pianist, producer, and composer, Mateo Thacher is pursuing a dual degree in Economics and Music at Claremont McKenna College. Throughout college and high school, he has engaged in a number of musical interests including music production and live performances. A member of the Pomona College Choir, Mateo is working on an arrangement for his second original fashion show soundtrack. In the winter of 2018, he began making music with his hometown friend here in Ojai, California and continues to publish music under the name Krandank, which is accessible on all streaming platforms.
Aside from his creative endeavors, Mateo manages a team of student research analysts at the Roberts Environmental Center. We focus on consulting and providing research analytics for clients across all fields of sustainability and environmental education. He hopes to continue his interest in music, economics, and the environment in his career, seeking a life that blends his many passions. In his spare time, Mateo loves to surf, climb, work out, skate, and get together with friends and family.
Landon Wilson is a pianist and arts administrator based in New York City. He is the Artistic Associate of AMOC* (American Modern Opera Company) and studies at Manhattan School of Music as an undergraduate President’s Award recipient. Landon’s interests in creating interdisciplinary and socially-confrontational work have led him to develop THE RASA PROJECT, an artificially intelligent, generative piece responding to the climate crisis through music by John Cage, Reena Esmail, and inti figgis-vizueta. Uniting a creative team of musicians, software engineers, neuroscientists, and visual artists from Manhattan School of Music, Columbia University, Royal College of Art (London), and Tsinghua University (Beijing), THE RASA PROJECT will premiere in October 2023 at National Sawdust as part of their 2023-24 Emerging Artists Series.
With AMOC*, Landon has worked with venues such as The Cathedral of St. John the Divine, The 92nd Street Y, The Clark Art Institute, Tina Kim Gallery, and Baryshnikov Arts Center. In the 2022-23 season, he produced an ‘Up Close’ collaboration between AMOC* and Ensemble Connect at Carnegie Hall featuring the quiescent, evocative work of the Wandelweiser Collective.
Residing at International House New York, Landon received the Thea Petscheck Iervolino Foundation Award and is developing a lecture panel with Peter Sellars about finding hope for the future in a post-pandemic world. He returns to the Ojai Festival as the 2023 Steven Rothenberg Production Fellow after interning in Public Relations and Marketing last summer.
Media


Live Stream
The Ojai Music Festival offers the world the experience of Libbey Bowl through free, high-quality live streaming. To watch the Live Streams of the 2023 concerts, click the following link:
Podcast
Welcome to OJAICast, where we pull back the curtain to take a sneak-peek at the upcoming Ojai Music Festival, June 8 to 11, in beautiful Ojai Valley, California. All are welcome here, from newcomers to long-time music fans. In-depth insights and special guests will help introduce this year’s programming and whet your musical appetites for what’s to come with host Emily Praetorius.
Virtual Talks
Get an inside look at the creative process with our free Virtual Ojai Talks, where we celebrate the intersection of music and ideas with the 2023 Festival artists, composers, innovators, and thinkers. Virtual Talks are free and open to the musically curious!
2023 Live Stream Replays
Seven of the 2023 concerts are available at no cost via live streaming… [continue reading]
Podcast Series: OJAICAST 2023

SEASON 3
Welcome to OJAICAST, where we pull back the curtain to take a sneak-peek at the upcoming Ojai Music Festival, June 8 to 11, in beautiful Ojai Valley, California. All are welcome here, from newcomers to long-time music fans. In-depth insights and special guests will help introduce this year’s programming and whet your musical appetites for what’s to come with host Emily Praetorius.
Episode 1
Our first episode gives an in-depth look into the 77th Ojai Music Festival (June 8 – 11, 2023), curated by Music Director Rhiannon Giddens. Special guest Artistic and Executive Director Ara Guzelimian will give us some insights into the creation of this year’s festival programming and background on some of pieces being played.
Ojai Virtual Talks, Rhiannon Giddens
Uncovering the History of the Banjo with Rhiannon Giddens
Emily Praetorius, host and producer
Louis Ng, recording engineer
OJAICast theme by Thomas Kotcheff and Louis Weeks
Music Excerpts in this Episode:
I’m on My Way – Rhiannon Giddens
Performed by Rhiannon Giddens and Francesco Turrisi
Liquid Borders – Gabriela Ortiz
Performed by red fish blue fish
Clock Catcher – Flying Lotus
Performed by Attacca Quartet
Ghost Opera – Tan Dun
Performed by Kronos Quartet
Episode 2
Our second episode takes a look at the idea of composing across boundaries with 2023 Festival composers Niloufar Nourbakhsh and Carlos Simon.
Shawn Okpebholo
Ojai Virtual Talks: Lei Liang and Steve Schick
Niloufar Nourbakhsh and IFCA
Carlos Simon, Requiem for the Enslaved
Bill Traylor
Emily Praetorius, host and producer
Louis Ng, recording engineer
OJAICAST theme by Thomas Kotcheff and Louis Weeks
Music Excerpts in this Episode:
mi sueño: afro-flamenco – Shawn Okpebholo
Performed by Clare Longendyke
The Willows are New – Chou Wen-Chung
Performed by Gloria Cheng
Veiled – Niloufar Nourbakhsh
Performed by Amanda Gookin
Between Worlds – Carlos Simon
Performed by Julia Mirzoev
Episode 3
Our final episode welcomes kamancheh player Niloufar Shiri, pipa player Wu Man, and multi-instrumentalist Francesco Turrisi to the podcast, where they discuss the history of their instruments, how they are played in contemporary music today, and what we can look forward to in this year’s Festival programming.
Niloufar Shiri Performs at Ojai Meadows Preserve
Niloufar Shiri
Pop Up Pipa with Wu Man
Francesco Turrisi: Playlist & Ojai Talk
Francesco Turrisi
Rhiannon Giddens and Francesco Turrisi Met Museum Concert
Emily Praetorius, host and producer
Louis Ng, recording engineer
OJAICAST theme by Thomas Kotcheff and Louis Weeks
Music Excerpts in this Episode:
Niloufar Shiri Improvisation
Rhiannon Giddens and Francesco Turrisi Met Museum Concert
Also available on SPOTIFY and APPLE PODCASTS
OJAICAST SEASON 2
OJAICAST SEASON 1
ABOUT OUR OJAICAST HOST
Emily Praetorius, former Ojai Music Festival intern and Rothenberg Intern Fellow, is a current Composition DMA candidate at Columbia University. She previously studied composition and clarinet performance at the University of Redlands (BM) and composition at Manhattan School of Music (MM). She has studied with Kathryn Nevin (clarinet), Susan Botti, Georg Friedrich Haas, George Lewis, and Anthony Suter. Emily is from Ojai, CA and lives in New York City where she is a proud co-owner of Kuro Kirin Espresso & Coffee.
Get a Head Start: 2023 Festival Preview


Wednesday, May 31 2023
7:00-8:30PM
Bart’s Books
FREE AND OPEN TO THE PUBLIC
Start your musical exploration before the 2023 Ojai Music Festival, slated for June 8-11, featuring Music Director Rhiannon Giddens!
Join us for a 2023 Festival Preview featuring Artistic and Executive Director Ara Guzelimian who will share program and artist insights for an inside look!
Special thanks to our friends at Bart’s Books for co-hosting this free community offering.
Box Ofice:
Open 10 am – 5 pm, Monday – Friday
[email protected]
805 646 2053
Neutra, Kornfeld, and The Zelter String Quartet

This past Sunday The Zelter String Quartet joined us for music and conversation about the Emigré Legacy in Los Angeles at a beautiful Richard Neutra home in the Hollywood Hills of Los Angeles.
The Zelter String Quartet performed a special musical performance celebrating the legacy of Neutra’s contemporaries among the emgiré composers who settled in Los Angeles.
Thank you very much to our donors who are able to make events like this possible. The Ojai Music Festival relies on the charitable contributions of our family of patrons, and events like this are a beautiful reminder of how our community comes together to support the music we love.
Thank you very much to our hosts and the guests – both new and familiar for spending a glorious afternoon with us. We were happy to gather before the upcoming 2023 Festival, June 8 to 11, 2023.
For more reading on the Emigré legacy in L.A., check out Alex Ross’ article, Richard Neutra’s Architectural Vanishing Act.
Thank you for your interest in the 2023 Ojai Music Festival!

A hallmark of groundbreaking musical experiences in idyllic Ojai, we welcome Grammy-winning Rhiannon Giddens to lead the 77th edition of our annual Festival. The four-day event includes Omar’s Journey based on Gidden’s new opera Omar and Carlos Simon’s Between Worlds inspired by the works of painter Bill Traylor. Get 15% off tickets when you enter the code CAAM15 at checkout.
DISCOUNT INFORMATION AND LIMITATIONS:
The CAAM15 discount code has a 2-ticket minimum and only applies to 2023 Ojai Music Festival tickets. The code will expire on June 12, 2023. Discount codes cannot be applied to ticket orders that have already been purchased. All ticket orders are non-refundable. If you can’t attend a concert, contact the Box Office at least 24 hours prior to the concert start time to turn your tickets into a donation. Contact the Box Office for any other questions or concerns.
Box Ofice:
Open 10 am – 5 pm, Monday – Friday
[email protected]
805 646 2053
A magical afternoon with Shelley Burgon and Theodosia Roussos


As Ojai begins the blooms in the start of spring, Ojai Music Festival and the Ojai Valley Land Conservancy came together for an enchanted afternoon to hear Theodosia Roussos, acclaimed soprano and english horn/oboe player, and Shelley Burgon – harpist, composer, and, sound artist.
To celebrate our closest friends and supporters, we shared signature OVLC palomas on the rocks with fresh squeezed grapefruit juice from the garden, and views of the snow capped Topas before settling in to hear Theodosia and Shelley perform (with a surprise new work debut from Shelley!)
Thank you to our Festival Family and to the OVLC for celebrating music in Ojai, see you in June!
Photos from the Ventura River with OVLC!


In celebration of the incredible spring Ojai weather and our OjaiNEXT Festival attendees, we teamed up with the Ojai Valley Land Conservancy to host our second iteration of the Hike and Hear with Theodosia Roussos, acclaimed Soprano and English Horn/Oboe player.
After an educational jaunt along the Ventura River with OVLC guides, guests settled into Theodosia’s interactive performance where audience members became the accompaniment to her dynamic outdoor performance.
To learn more about events such as these, sign up for updates for our OjaiNEXT audience members, specifically for our younger Festival enjoyers who are eligible to participate fully in all the Festival activities with special discounts, private events, and community building opportunities!
Music Sounds Better in Ojai Winner Announced!


And the winner is Jules Weismann for our Design Challenge!
Thanks to the participants for submitting their artwork to our design challenge and to the panelists for helping us select the winning design.
We appreciated the heartfelt and imaginative spirit of all the designers, and we landed with our favorite by Ojai artist Jules Weismann.
About Jules Weismann
Jules Weissman works with digital and multimedia mediums to explore themes of identity and connection. With a background in graphic design and a love for experimentation, she often finds her inspiration in Ojai, where she lives with the oldest cat in the world.
View some of our honorable mentions from other designers:
Look for new limited edition merchandise with some of these designs at the upcoming June Festival!
2023 Music Director Rhiannon Giddens and Artistic Director Ara Guzelimian Share Updates to the 77th Ojai Music Festival
“I am so excited to get to work with the Ojai Music Festival as Music Director for 2023. With Ojai, I am able to sit at the crossroads of all that I am artistically and feel fully supported by the Festival team and by Ojai’s audiences. With the artists that we’re bringing out next June, the future is in celebration of how we come together as humans – despite boxes, boundaries, and borders thrown up with the intent to keep us apart.” – Rhiannon Giddens, 2023 Ojai Festival Music Director
Ojai welcomes guest artists to the 2023 Festival, including Wu Man (pipa), Kayhan Kalhor (kamancheh/composer), 2015 Ojai Music Director Steven Schick (conductor/percussion), Francesco Turrisi (multi-instrumentalist), Seckou Keita (kora), Gloria Cheng (piano), Emi Ferguson (flute), Justin Robinson (fiddle), Michi Wiancko (violin), and Leonard Hayes (piano); featured singers Cheryse McLeod Lewis (mezzo-soprano), Limmie Pulliam (tenor), and Michael Preacely (bass-baritone); guest ensembles Attacca Quartet, red fish blue fish (percussion), and members of the Silkroad Ensemble: Mazz Swift (violin), Mario Gotoh (violin/viola), Karen Ouzounian (cello), and Shawn Conley (double bass)
Highlights of the 2023 Festival programming:
• The Festival opens with Gabriela Ortiz’s Liquid Borders performed by red fish blue fish directed by Steven Schick alongside the Attacca Quartet in works of John Adams, Flying Lotus, Rhiannon Giddens, Philip Glass, Haydn, Kayhan Kalhor, and Squarepusher
• World Premiere of Omar’s Journey, an Ojai commissioned suite for voices and chamber ensemble drawn from the opera Omar by Rhiannon Giddens and Michael Abels with Giddens (soprano) singing the role of Julie. The new work, placed in the context of the journey of Omar Ibn Said (1770-1864), is contextualized by the music of Senegal and the Carolinas
• World Premiere of an Ojai Music Festival commission by Aida Shirazi, founding member of the Iranian Female Composers Association (IFCA), for kamancheh and electronics; and Festival-wide programming in honor of the IFCA with works by Niloufar Nourbaksh, Nina Barzegar, Nasim Khorassani, and Golfam Khayam
• A reimagining of Tan Dun’s pioneering Ghost Opera for pipa and string quartet with Wu Man, Attacca Quartet, PeiJu Chien-Pott (dancer/choreographer), and Jon Reimer (director)
• An acoustic concert with Rhiannon Giddens and Francesco Turrisi with music ranging from the Baroque to Appalachian ballads and traditional Black American songs as well as excerpts from Songs of Flight by Shawn Okpebholo
• Carlos Simon’s Between Worlds, four solo string works placed in visual context by their source of inspiration: the paintings of self-taught artist Bill Traylor (1853-1949) whose lived experience spanned the Civil War, Emancipation, Reconstruction, Jim Crow, and the Great Migration
• An “Early Music” concert curated by Francesco Turrisi with music spanning from ancient pipa music to works of Dowland and Monteverdi
• “Strings Attached” concert – a festive finale of string instruments from cultures across the Americas, Asia, Europe, and the Middle East
• Activities designed to welcome and engage the community throughout the Festival include four free events – two early morning concerts with Niloufar Shiri (kamancheh) and Mario Gotoh (violin), and with Seckou Keita (kora); an interactive community concert performance of Elliot Cole’s Flowerpot Music led by Steven Schick; and a reading/musical performance by Rhiannon Giddens of her new children’s book Build a House
Additional works featured throughout the Festival by Margaret Bonds, Chou Wen-chung, Tyson Gholston Davis, Ge Gan-Ru, Lei Liang, Jessie Montgomery, Shawn Okpebholo, and Edgard Varèse
OJAI, California — March 15, 2023— The 77th Ojai Music Festival, June 8 to 11, 2023, welcomes acclaimed musician and composer Rhiannon Gidden as Music Director. Along with Festival Artistic Director Ara Guzelimian, Giddens shares additional details for the upcoming Festival which will include more than 20 music events in the beautiful setting of the Ojai Valley.
“Rhiannon Giddens has an extraordinarily wide embrace of music, history, and culture. She uses her art to tell essential stories, to illuminate, and to create deeper understanding, dissolving false boundaries between people and cultures,” adds Guzelimian. “Rhiannon’s programs for the 2023 Ojai Festival touch on so many of her interests across musical genres, from Baroque music to Black traditions in American roots music, from classical music from China and Persia to the influence of non-Western music on American contemporary works. This is a Festival that celebrates liquid borders between cultures and musics, so we appropriately begin the programming with Gabriela Ortiz’s work of the same name. I am thrilled to be working with all our 2023 Festival artists and with Rhiannon as we bring her range of musical interests to Ojai audiences.”
One of the 2023 Festival program anchors will be Omar’s Journey, an Ojai-commissioned suite for voices and small chamber ensemble drawn from the recently premiered and widely acclaimed opera Omar by Rhiannon Giddens and Michael Abels. For Ojai, this intimate concert version of Omar will be placed in the context of the journey of Omar Ibn Said (1770-1864), a Muslim scholar who was captured from his native Senegal and enslaved in North and South Carolina. Omar’s Journey will pair the new Giddens/Abels suite with the musical traditions of Senegal and the Carolinas of his lifetime. This world premiere features Giddens, soprano, singing the role of Julie for the first time, joined by Cheryse McLeod-Lewis (mezzo-soprano), Limmie Pulliam (tenor), and Michael Preacely (bass-baritone).
During this 77th edition of the Ojai Festival, additional music centerpieces include a reimagining of Tan Dun’s pioneering Ghost Opera performed by Wu Man and Attacca Quartet. Written in 1994, Tan’s Ghost Opera evokes the spirits of Bach and Shakespeare, standing with the ancient folk traditions of traditional shamanistic Chinese music. Ojai’s reimagined performance of Tan’s work is directed by Jon Reimer with dancer/choreographer PeiJu Chien-Pott.
Gabriela Ortiz’s Liquid Borders performed by red fish blue fish directed by Steven Schick opens the Festival. Liquid Borders will be followed by works of John Adams, Flying Lotus, Rhiannon Giddens, Philip Glass, Haydn, Kayhan Kalhor, and Squarepusher curated and performed by the Attacca Quartet.
A complete performance of Carlos Simon’s Between Worlds, a quartet of string works placed directly in the visual context of the art of Bill Traylor (1853-1949), will be performed by members of the Silkroad Ensemble – Mazz Swift, Mario Gotoh, Karen Ouzounian, and Shawn Conley – with projection mapping by Ross Karre. Traylor’s lived experience spanned the Civil War, Emancipation, Reconstruction, Jim Crow and the Great Migration. Carlos Simon wrote, “Themes of mystical folklore, race, and religion pervade Traylor’s work. I imagine these solo pieces as a musical study; hopefully showing Traylor’s life between disparate worlds.”
The Saturday morning concert, “The Willows are New,” celebrates a range of works by Niloufar Nourbakhsh, one of the founding members of the Iranian Female Composers Association (IFCA), Lei Liang, Ge Gan-Ru, and Chou Wen-chung followed by solo improvisations by renowned kamancheh player Kayhan Kalhor.
Ojai’s “Early Music” concert on Sunday, June 11, curated by Francesco Turrisi, plays on the idea of “old music and on music for the first hours of the day.” Turrisi’s program celebrates thousand-year-old works for solo pipa, to Renaissance consort music, from ancient Persian melodies to modal jazz improvisations.
The 2023 Festival concludes with an exuberant musical summit performed by Rhiannon Giddens, Wu Man, Kayhan Kalhor, Seckou Keita, Justin Robinson, Francesco Turrisi, Michi Wiancko, and members of the Silkroad Ensemble – Mario Gotoh, Karen Ouzounian, Mazz Swift, and Shawn Conley. This family jam session “Strings Attached” features solos and collaborations among the bowed and plucked string instruments from cultures across the Americas, Asia, Europe, and the Middle East.
In honor of what would have been his 100th birthday, the Festival will feature works of Chinese American composer Chou Wen-chung coupled with the music of Edgard Varèse who was Chou’s mentor. The Festival will also present music by Michael Abels, John Adams, Nina Barzegar, Margaret Bonds, Tyson Gholston Davis, Flying Lotus, Ge Gan-Ru, Rhiannon Giddens, Philip Glass, Kayhan Kalhor, Golfam Khayam, Nasim Khorassani, Lei Liang, Jessie Montgomery, Niloufar Nourbakhsh, Shawn Okpebholo, and Caroline Shaw.
2023 Featured Artists
Rhiannon Giddens’ 2023 collaborators include a mix of Festival debuts and returning artists. Audiences will be introduced to Leonard Hayes (piano), Kayhan Kalhor (kamancheh/composer), Seckou Keita (kora), Justin Robinson (fiddle), Michi Wiancko (violin), members of the Silkroad Ensemble including Mazz Swift (violin), Mario Gotoh (violin/viola), Karen Ouzounian (cello), and Shawn Conley (double bass), and singers Cheryse McLeod-Lewis (mezzo-soprano), Limmie Pulliam (tenor), and Michael Preacely (bass-baritone).
Making welcome returns to Ojai will be percussionist/conductor Steven Schick, Music Director for the 2015 Festival, and pipa player Wu Man who last appeared with Schick. From the 2021 Festival will be multi-instrumentalist Francesco Turrisi, Emi Ferguson (flute), and the Attacca Quartet (violinists Amy Schroeder and Domenic Salerni, violist Nathan Schram, and cellist Andrew Yee), as well as Gloria Cheng (piano) and red fish blue fish (percussion ensemble), both last seen at the 2015 Festival.
Community Offerings
An integral part of the immersive Ojai Festival experience are the free community activities that occur in the Libbey Park and throughout Ojai. The 2023 Festival will include two morning Meditations at Chaparral Auditorium, the first begins Saturday, June 10 with Niloufar Shiri, kamancheh and Mario Gotoh, violin. On Sunday, June 11 the Morning Meditation features Seckou Keita, kora.
Percussionist/conductor Steven Schick welcomes everyone to make music together in the Libbey Park on Sunday afternoon. Led by Schick, the Ojai community and patrons will be invited to participate in an interactive performance of Elliot Cole’s Flowerpot Music.
On the same Sunday afternoon at Libbey Park, Rhiannon Giddens offers a special family event for children of all ages. Giddens will do a reading and musical performance of her debut book Build a House. The picture book, published by Candlewick Press, was inspired by a song that Giddens wrote and recorded with Yo-Yo Ma to commemorate Juneteenth 2020.
Beyond Ojai: Online Offerings
The Ojai Music Festival lives beyond the flagship four-day festival in June, allowing further engagement with audiences worldwide. These include the Festival’s state-of-the-art live streaming and archived library of concerts; Virtual Ojai Talks with featured Festival artists and alum leading up to the Festival; and OjaiCAST, the podcast series that provides insights on upcoming programming. The Festival’s digital projects are available at OjaiFestival.org.
Ojai on the Air with WQXR/New Sounds with host John Schaefer continues this year. The series of programs connects audiences and artists who engage deeply with adventurous new music. The first program, which debuted in October 2022 and is archived and available at NewSounds.org (episodes 4668-4671) featured discipline colliding collective AMOC, Ojai’s 2022 Music Director. Details of the second installment with 2023 Music Director Rhiannon Giddens will be announced soon. Sign up for the New Sounds newsletter to be informed of dates and about other musical adventures also at NewSounds.org.
Single Tickets for the 2023 Ojai Music Festival
Single Tickets are available and may be purchased at OjaiFestival.org or by calling (805) 646-2053. Single tickets range from $150 to $50 for reserved seating in the Libbey Bowl. General admission for the Lawn in Libbey Bowl is $20. Add-on event prices range from $35 to $50. Student discounts, OjaiNEXT young professional discounts, and group sales are available by inquiring with our Box Office.
RHIANNON GIDDENS, MUSIC DIRECTOR OF THE 2023 OJAI MUSIC FESTIVAL
The acclaimed musician Rhiannon Giddens uses her art to excavate the past and reveal bold truths about our present. A MacArthur “Genius Grant” recipient, Giddens co-founded the Grammy Award-winning Carolina Chocolate Drops. She most recently won a Grammy Award for Best Folk Album for They’re Calling Me Home and was also nominated for Best American Roots Song for “Avalon” from They’re Calling Me Home, which she made with multi-instrumentalist Francesco Turrisi. Giddens is now a two-time winner and eight-time Grammy nominee for her work as a soloist and collaborator.
They’re Calling Me Home was released by Nonesuch last April and has been widely celebrated by the NY Times, NPR Music, NPR, Rolling Stone, People, Associated Press and far beyond, with No Depression deeming it “a near perfect album…her finest work to date.” Recorded over six days in the early phase of the pandemic in a small studio outside of Dublin, Ireland – where both Giddens and Turrisi live – They’re Calling Me Home manages to effortlessly blend the music of their native and adoptive countries: America, Italy, and Ireland. The album speaks of the longing for the comfort of home as well as the metaphorical “call home” of death.
Giddens’ lifelong mission is to lift people whose contributions to American musical history have previously been erased, and to work toward a more accurate understanding of the country’s musical origins. Pitchfork has said of her work, “few artists are so fearless and so ravenous in their exploration,” and Smithsonian Magazine calls her “an electrifying artist who brings alive the memories of forgotten predecessors, white and black.”
Among her many diverse career highlights, Giddens has performed for the Obamas at the White House and received an inaugural Legacy of Americana Award from Nashville’s National Museum of African American History in partnership with the Americana Music Association. Her critical acclaim includes in-depth profiles by CBS Sunday Morning, the New York Times, the New Yorker, and NPR’s Fresh Air, among many others.
Giddens was featured in Ken Burns’ Country Music series, which aired on PBS, where she spoke about the African-American origins of country music. She is also a member of the band Our Native Daughters with three other black female banjo players, Leyla McCalla, Allison Russell, and Amythyst Kiah, and co- produced their debut album Songs of Our Native Daughters (2019), which tells stories of historic black womanhood and survival.
Giddens is in the midst of a tremendous 2022. She recently announced the publication of her first book, Build a House (October 2022). Lucy Negro Redux, the ballet Giddens wrote the music for, had its premiere at the Nashville Ballet (premiered in 2019 and toured in 2022), and the libretto and music for Giddens’ original opera, Omar, in collaboration with Michael Abels, based on the autobiography of the enslaved man Omar Ibn Said, premiered at the Spoleto USA Festival in May. Giddens is also curating a four-concert Perspectives series as part of Carnegie Hall’s 2022–2023 season. Named Artistic Director of Silkroad Ensemble in 2020, Giddens is developing new programs for that ensemble, including one inspired by the history of the American transcontinental railroad and the cultures and music of its builders. As an actor, Giddens had a featured role on the television series Nashville.
Rhiannon Giddens made her debut at the Ojai Music Festival in September 2021 with Music Director John Adams.
ARA GUZELIMIAN, ARTISTIC AND EXECUTIVE DIRECTOR
Ara Guzelimian is Artistic and Executive Director of the Ojai Music Festival, having begun in that position in July 2020. The appointment culminates many years of association with the Festival including tenures as director of the Ojai Talks and as Artistic Director from 1992–97. Guzelimian stepped down as Provost and Dean of the Juilliard School in New York City in June 2020, having served in that position since 2007. At Juilliard, he worked closely with the president in overseeing the faculty, curriculum, and artistic planning of the distinguished performing arts conservatory in all three of its divisions: dance, drama, and music. He continues at Juilliard as Special Advisor, Office of the President.
Prior to the Juilliard appointment, he was Senior Director and Artistic Advisor of Carnegie Hall from 1998 to 2006. Guzelimian serves as artistic consultant for the Marlboro Music Festival and School in Vermont. He is a member of the steering committee of the Aga Khan Music Awards, the artistic committee of the Borletti-Buitoni Trust in London, and a board member of the Amphion and Pacific Harmony Foundations. He is also a member of the music visiting committee of the Morgan Library and Museum in New York City. In 2020, Guzelimian was appointed to the advisory panel of the Birgit Nilsson Foundation in Sweden.
Previously, Guzelimian held the position of Artistic Administrator of the Aspen Music Festival and School in Colorado, and he was long associated with the Los Angeles Philharmonic at the beginning of his career, first as producer for the orchestra’s national radio broadcasts and, subsequently, as Artistic Administrator. Guzelimian is editor of Parallels and Paradoxes: Explorations in Music and Society (Pantheon Books, 2002), a collection of dialogues between Daniel Barenboim and Edward Said. In September 2003, he was awarded the title Chevalier des Arts et des Lettres by the French government for his contributions to French music and culture.
OJAI MUSIC FESTIVAL
The Ojai Music Festival represents an ideal of adventurous, openminded, and openhearted programming in the most beautiful and welcoming of settings, with audiences and artists to match its aspirations. Marking its 75th anniversary season last year, the Festival remains a creative laboratory for thought-provoking musical experiences, bringing together innovative artists and curious audiences in an intimate, idyllic outdoor setting. Each Festival’s narrative is guided by a different Music Director, whose distinctive perspectives shape programming — ensuring energized festivals year after year.
Throughout each year, the Ojai Music Festival contributes to Southern California’s cultural landscape with in-person and online Festival-related programming as well as robust educational offerings that serve thousands of public-school students and seniors. The organization’s apex is the world-renowned four-day Festival, which takes place in Ojai, a breathtaking valley 75 miles from Los Angeles, which is a perennial platform for the fresh and unexpected. During the immersive experience, a mingling of the most curious take part in concerts, symposia, free community events, and social gatherings. During the intimate Festival weekend, considered a highlight of the international music summer season, Ojai welcomes up to 5,000 patrons and reaches 35 times more audiences worldwide through live and on- demand streaming of concerts and discussions throughout the year.
Since its founding in 1947, the Ojai Music Festival has presented broad-ranging programs in unusual ways with an eclectic mix of new and rarely performed music, as well as refreshing juxtapositions of musical styles. Through its signature structure of the Artistic Director appointing a different Music Director each year, Ojai has presented a “who’s who” of music including the multi-disciplinary colliding collective AMOC* (American Modern Opera Company), Vijay Iyer, Patricia Kopatchinskaja, and Barbara Hannigan in recent years; throughout its history, featured artists have included Aaron Copland, Igor Stravinsky, Michael Tilson Thomas, Kent Nagano, Pierre Boulez, John Adams, Esa-Pekka Salonen, Robert Spano, Pierre-Laurent Aimard, David Robertson, Eighth Blackbird, George Benjamin, Dawn Upshaw, Leif Ove Andsnes, Mark Morris, Jeremy Denk, Steven Schick, Matthias Pintscher, and Peter Sellars.
Press contacts:
Ojai Music Festival: Gina Gutierrez, [email protected] (805) 646-2181 National/International: Nikki Scandalios, [email protected] (704) 340-4094