2020 Music Director Matthias Pintscher and Artistic Director Chad Smith Announce Programming for the 74th Festival

The 2020 Festival – June 11 to 14 – celebrates Pintscher as composer, conductor, and collaborator; welcomes the residency of his Ensemble intercontemporain (EIC) in its first Ojai appearance; and anticipates the return of the Calder Quartet
Building connections between today’s most progressive composers and those from the past six centuries, the Festival explores the sonic worlds of Matthias Pintscher, seven-time Ojai Music Director Pierre Boulez, and composer Olga Neuwirth with highlights:
  • The 2020 Festival is anchored by Boulez’s Memoriale and sur Incises; the US Premiere of Olga Neuwirth’s Eleanor Suite, as well as performances of her In the realms of the unreal and Aello; the West Coast Premiere of Pintscher’s Nur and Uriel, Bereshit, Rittrato di Gesualdo featured for the first time in Ojai; and programmed alongside works by Bach, Unsuk Chin, Gesualdo, Ligeti, Mahler, Mendelssohn, Mozart, Steve Reich, Schubert, Varèse, and Zappa
  • US Premiere of the Genesis Cycle, with World Premiere EIC/Ojai co-commission of the “eighth day” The Flood by Toshio Hosakawa. Curated by Pintscher for EIC’s 40th birthday in 2017, the Genesis Cycle explores the Creation story and features works by composers from different countries, including Mark Andre, Franck Bedrossian, Chaya Czernowin, Joan Magrané Figuera, Stefano Gervasoni, Toshio Hosakawa, Marko Nikodijevic, and Anna Thorvaldsdottir
  • Festival concludes with a Free Concert for the Community, including works by Angélica Negrón, Gabriela Ortiz, Copland, and Stravinsky
  • 2020 Ojai Music Festival Preview Concert features the US Premiere of Olga Neuwirth’s Le Encantadas o le avventure nel mare delle meraviglie with Pintscher conducting his Ensemble intercontemporain and members of IRCAM, in partnership with the LA Philharmonic’s Noon to Midnight at Walt Disney Concert Hall, June 6

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Link to 2020 Festival schedule 

(November 12, 2019– Ojai, California) – The 74th Ojai Music Festival, June 11-14, 2020, celebrates Music Director Matthias Pintscher as composer, conductor, and collaborator, and his commitment to strengthening the interactions and connections between the music of today and seminal works from across the centuries.

Joining Mr. Pintscher will be the Ensemble intercontemporain (EIC) in its first appearance at the Ojai Music Festival. Mr. Pintscher is Music Director of the EIC, the world’s leading contemporary music ensemble founded by seven-time Ojai Music Director Pierre Boulez. The 2020 Festival welcomes the return of the Calder Quartet and the LA Phil New Music Group, plus the Ojai debuts of mezzo-soprano Tamara Mumford, tenor Andrew Staples, and singer/songwriter Della Miles.

Matthias Pintscher said, “Since I received the invitation to serve as Music Director for the Ojai Music Festival, I am in an inspiring state of excitement, passion, and curiosity on all imaginable levels. Ojai is truly a magical place that allows all of us to find out more about ourselves. Here we can take risks, be bold, be introspective, and dare to wade towards the unknown, even the big unknown inside ourselves. Working and living in NYC and Paris I naturally wanted to create the vision of building a musical “invisible bridge” between two equally strong musical cultures – how they clash with, and yet complete each other today. It is a journey and it is my privilege to take you by the hand and to walk with you in this beautiful sonic garden where we are all invited to explore and discover together.”

Artistic Director Chad Smith commented, “Here in Ojai you will find an oasis of music making of the highest caliber in a relaxing and openhearted environment. Audiences and artists create memorable moments together – moments of discovery and of deep listening, and moments when we realize we are hearing the future of music play out in front of us. This journey, where music of today interconnects to seminal musical moments of our great tradition, requires a bold guide, an imaginative programmer, and an enthusiastic advocate. Therefore, I am thrilled to welcome Matthias Pintscher, one of today’s singular composers and most sought-after conductors, as Music Director. Matthias embodies Ojai’s commitment to adventurous music making and to introducing virtuosic artists to our community. This year we will meet his extraordinary Ensemble intercontemporain. Their arrival is both an exciting first and a powerful connection to Ojai’s storied past. Alongside works by Matthias, Boulez’s provocative and riveting music will be a featured thread across the Festival, as will the mu-sic of Olga Neuwirth, one the most brilliant composers of our time.”

Chad Smith, who serves as Ojai’s Artistic Director for the 2020 Festival, was appointed in March 2018 to succeed Thomas W. Morris. As announced last month, Ara Guzelimian has been named as Ojai’s next Artistic Director beginning with the 2021 Festival, following Mr. Smith’s decision to step away from Ojai, given his recent appointment as Chief Executive Officer of the Los Angeles Philharmonic. Details for Mr. Guzelimian’s first Festival – the Ojai Music Festival’s 75th – will be announced in 2020.

Based in Paris, Ensemble intercontemporain is considered one of the leading performance organizations devoted to contemporary new music and was founded in 1976 by former Ojai Music Director Pierre Boulez. Now led by Mr. Pintscher, EIC’s 31 soloists share a passion for 20th to 21st century music and collaborate closely with composers of today to explore instrumental techniques and develop projects, which interweave music, dance, theater, film, and the visual arts. EIC last appeared in the US in 2013 for Mr. Pintscher’s inaugural year as their music director. Their last Los Angeles appearance was in 1986 with Pierre Boulez.

The Calder Quartet, which made its Ojai debut at the 2015 Festival with Music Director Steven Schick and returned in 2016 with Music Director Peter Sellars, will present during the 2020 Festival a thoughtfully balanced mix of new and old works for the Ojai Dawns and Libbey Bowl concerts. The Calder will perform a wide range of works by Olga Neuwirth, Matthias Pintscher, Cage, Schubert, and Ives. Hailed as one of American’s great quartets, the Los Angeles-based Calder Quartet is currently composed of violinists Benjamin Jacobson and Tereza Stanislav, violist Jonathan Moerschel, and cellist Eric Byers. Violinist Tereza Stanislav joined the quartet in 2019, replacing
Andrew Bulbrook who was an original member of the quartet. Founded in 1998 at the University of Southern California, the group takes its name from American sculptor Alexander Calder.

Since the first concert in 1981, the LA Phil New Music Group has performed works by some of the sharpest minds in composition. Their Ojai appearance in June 2020 marks a return after nearly two decades, performing Steve Reich’s seminal Tehillim on Friday, June 12.

The 2020 Festival will feature the Ojai debuts of several performers. Singer/songwriter Della Miles, who created the role of Eleanor in the world premiere of Olga Neuwirth’s opera American Lulu at the Komische Oper Berlin in 2012, will reprise her role on opening night, Thursday, June 11, in the Suite for Eleanor. Mezzo-soprano Tamara Mumford and tenor Andrew Staples will be the featured soloists in Mahler’s Das Lied von der Erde arranged by Glenn Cortese on Sunday, June 14

Pintscher, Boulez, and Neuwirth
Known as one of today’s foremost composers, Matthias Pintscher will have his works interspersed throughout the 2020 Festival, including Bereshit, Nur, Uriel, and 4° quartetto d’archi Ritratto di Gesualdo. In addition to his music directorship of the Ensemble intercontemporain founded by Pierre Boulez, Mr. Pintscher’s connection with Boulez was a deeply personal friendship and an interwoven professional path that also included their respective roles with EIC, IRCAM, the Lucerne Festival Academy, and now the Ojai Music Festival. Boulez’s works to be performed by EIC include his sur Incises and Mèmoriale.

The 2020 Festival also shines a light on the work of the prolific, ingenious, daring, and deeply relevant work of Austrian composer Olga Neuwirth. Three of her major works will be performed during the Festival with EIC, Calder Quartet, and singer/songwriter Della Miles including Suite from Eleanor, which received its premiere in 2015 at the Salzburg Festival. Additional featured music of Ms. Neuwirth during the Festival will include in the realms of the unreal performed by the Calder Quartet and Aello – ballet mécanomorphe with the EIC.

Prior to the start of the 74th Festival in Ojai, an Ojai Music Festival Preview Concert at the LA Phil’s Noon to Midnight on June 6 will offer the US Premiere of Ms. Neuwirth’s Le Encantadas o le avventure nel mare delle meraviglie. Mr. Pintscher will conduct the EIC with members of IRCAM (Institute for Research and Coordination in Acoustics/Music), also founded by Boulez.

IRCAM is a Paris-based public research center dedicated to both scientific research on sound and the creation and transmission of music. Ms. Neuwirth’s Le Encantadas o le avventure nel mare delle meraviglie is inspired by Herman Melville’s descriptions of the Galapagos Islands and the sounds of Venice, the city of islands. The performance, which requires the capacities of an indoor venue, will utilize the full Walt Disney Concert Hall placing musicians throughout the Hall. Prior to this US concert, Ms. Neuwirth’s Le Encantadas has been performed in Europe, including at the Philharmonie de Paris (2015), the Lucerne Festival (2016), and most recently, the Elbphilharmonie in Hamburg (2019). This Ojai Preview Concert will be the first appearance of an Ojai program as part of the LA Phil’s Noon to Midnight.

Chad Smith commented, “Olga’s spatial work, Le Encantadas o le avventure nel mare delle meraviglie, is a work of extraordinary imagination and technical brilliance. It is also a deeply affecting work requiring a special acoustic environment – one tailor-made for Walt Disney Concert Hall. With EIC in residence at Ojai, Matthias and I thought a perfect way to kick off the Ojai Music Festival this year was to present Olga’s work at the LA Phil’s Noon to Midnight festival.”

The last time Ms. Neuwirth’s works were performed in Ojai was in 2002 with the world premiere of Incidendo/fluido for piano with pianist Marino Formenti. “Thrilling and ingenious, Neuwirth’s works are musically innovative, socially and politically critical and ethically earnest. They are an expression of her convictions and her finely honed sense of justice, capturing almost every conceivable genre and mood: from light to dark, brutal to tender, tragic to comic, real to imagined, social to existential. Olga Neuwirth has at times risked being ostracized by the music world and society in general for what she believes. Yet she does not let this discourage her, but pushes herself to step outside her comfort zone and cut across categories to embrace people and affinities of every imaginable race, age and gender,” wrote Catherine Saxon-Kerkhoff (Berlin 2015) of Ms. Neuwirth.

The Genesis Cycle
In celebration of the EIC’s 40th birthday in 2017, Matthias Pintscher curated the Genesis Cycle by inviting seven composers from seven different countries to write a new, approximately ten-minute work capturing one of the seven days of Creation. The pieces reflect the Old Testament’s telling of how the universe came to be, as well as the composers’ own creative process of musical imagination. For the Ojai performance and US premiere, Genesis Cycle will include the world premiere of an eighth day with a new work by Japanese composer Toshio Hosakowa, entitled The Flood. The first seven days comprise works by Mark Andre, Franck Bedrossian, Chaya Czernowin, Joan Magrane Figuera, Stefano Gervasoni, Marko Nikodijevic, and Anna Thorvaldsdottir. This joint project is a compelling panorama of composition in the present day with various stylistic leanings.

Furthering the dialogue between new and old music, the Festival will explore Mr. Pintscher’s interest in Mozart with a performance of the Gran Partita, as well as Mahler’s Das Lied von der Erde, Bach’s Brandenburg Concerto No. 4, and Gesualdo’s arrangement by Sciarrino.

Free Concert for the Community
The 2020 Ojai Music Festival will culminate on Sunday afternoon with a free concert event for the community at the Libbey Bowl with the Calder Quartet and guest artists. It will feature the music of Angélica Negrón, Gabriela Ortiz, Copland, and Stravinsky. Additional program details will be shared in the spring of 2020.

Ojai Talks
The 2020 Festival begins with Ojai Talks hosted by Ara Guzelimian, who will return as Ojai’s Artistic Director with the 2021 Festival. On Thursday, June 11, a series of discussions will begin with an exploration of the 2020 Festival programming and its connection with the sonic world of Pierre Boulez. More on-site and online dialogue during the 2020 Festival includes Concert Insights, the pre-concert talks at the Libbey Bowl Tennis Courts with Festival artists. Pre-concert interviews with artists are also broadcast through the Festival’s live streaming programs.

Further details for Mr. Pintscher’s 2020 Festival will be announced in the spring. 

Matthias Pintscher, 2020 Music Director
Matthias Pintscher is the Music Director of the Ensemble intercontemporain, the world’s leading contemporary music ensemble, founded by Pierre Boulez. In addition to a robust concert season in Paris, he toured extensively with them throughout Europe, Asia, and the United States this season including concerts in Berlin, Brussels, Russia, and the United States. Known as one of today’s foremost composers, Mr. Pintscher will conduct the premiere of his new work for baritone, chorus, and orchestra, performed by Georg Nigl and the Chorus and Symphonieorchester des Bayerischen Rundfunks at their Musica Viva festival in February 2020.

In the 2019/20 season, Mr. Pintscher makes debuts with the symphony orchestras of Montreal, Baltimore, Houston, Pittsburgh, and with the Detroit Symphony Orchestra at Interlochen. He also makes his debut at the Vienna State Opera conducting the premiere of Olga Neuwirth’s new opera Orlando, and returns to the Staatsoper Unter den Linden in Berlin to conduct performances of Beat Furrer’s Violetter Schnee, which he premiered in January 2019. Re-invitations this season include the Cleveland Orchestra, Orchestre de la Suisse Romande, and Chamber Orchestra of Europe.

Highlights of Mr. Pintscher’s 2018/19 season included serving as the Season Creative Chair for the Tonhalle-Orchester Zürich, as Artist-in-Residence at the Los Angeles Chamber Orchestra, and concluding a nine-year term as the BBC Scottish Symphony Orchestra’s Artist-in-Association. Last season, Mr. Pintscher made his debuts with the Saint Louis Symphony Orchestra, Rotterdam Phil-harmonic, and the Staatsoper Berlin, and returned to the symphony orchestras of Chicago, Cincinnati, Cleveland, Indianapolis, Milwaukee, the New York Philharmonic, the New World Symphony in Miami, and the Music Academy of the West. In Europe, he conducted the Scottish Chamber Orchestra at the Edinburgh International Festival and returned to the Orchestre de Paris, Danish Na-tional Symphony Orchestra, and Helsinki Philharmonic. Mr. Pintscher also conducted the premiere of his work Nur, a new concerto for piano and ensemble, performed by Daniel Barenboim and the Boulez Ensemble in January 2018. An enthusiastic supporter of and mentor to students and young musicians, Mr. Pintscher served as Principal Conductor of the Lucerne Festival Academy Orchestra from 2016-2018 and worked with the Karajan Academy of the Berlin Philharmonic in their 2017/18 season, culminating in a concert at the Philharmonie.

Matthias Pintscher began his musical training in conducting, studying with Pierre Boulez and Peter Eötvös in his early twenties, during which time composing took a more prominent role in his life. He rapidly gained critical acclaim in both areas of activity, and continues to compose in addition to his conducting career. Mr. Pintscher’s music is championed by some of today’s finest performing art-ists, orchestras, and conductors. His works have been performed by the Boston Symphony Orchestra, Chicago Symphony, Cleveland Orchestra, New York Philharmonic, Philadelphia Orchestra, Berlin Philharmonic, London Symphony Orchestra, Royal Concertgebouw Orchestra, and the Orchestre de Paris, among many others. Bärenreiter is his exclusive publisher, and recordings of his compositions can be found on Kairos, EMI, Teldec, Wergo, and Winter & Winter. Mr. Pintscher has been on the composition faculty of The Juilliard School since 2014.

Ensemble intercontemporain
In 1976, Pierre Boulez founded the Ensemble intercontemporain with the support of Michel Guy (who was Minister of Culture at the time) and the collaboration of Nicholas Snowman. The Ensemble’s 31 soloists share a passion for 20th to 21st century music. They are employed on permanent contract, enabling them to fulfill the major aims of the Ensemble: performance, creation, and education for young musicians and the public.

Under the artistic direction of Matthias Pintscher, the musicians work in close collaboration with composers, exploring instrumental techniques and developing projects that interweave music, dance, theater, film, video, and visual arts. In collaboration with IRCAM (Institut de Recherche et Coordination Acoustique/Musique), the EIC is also active in the field of synthetic sound generation. New pieces are commissioned and performed on a regular basis with the support of the Fondation Meyer.

The EIC is renowned for its strong emphasis on music education: concerts for kids, creative work-shops for students, training programs for future performers, conductors, and composers. Since 2004, the soloists have been tutoring young instrumentalists, conductors and composers in the field of contemporary repertoire at the Lucerne Festival Academy, a several week educational project held by the Lucerne Festival. Resident of the Cité de la musique-Philharmonie de Paris, the Ensemble performs and records in France and abroad, taking part in major festivals worldwide. The Ensemble is financed by the Ministry of Culture and Communication and receives additional support from the Par-is City Council. New commissions by Ensemble intercontemporain are supported by Fondation Meyer.

Chad Smith, Artistic Director
Chad Smith currently serves as Chief Executive Officer of the Los Angeles Philharmonic Association. Prior to his promotion in October 2019, Mr. Smith was Chief Operating Officer for the Association. He held that post for four years and was responsible for the artistic oversight and coordination of the orchestra’s programming, as well as the organization’s marketing, communications and public relations, production, orchestra operations, media, and learning initiatives. His tenure with the orchestra has been defined by his close relationships with Music & Artistic Director Gustavo Dudamel and Conductor Laureate Esa-Pekka Salonen; groundbreaking artistic initiatives including the launch of new orchestral series, major multi-disciplinary projects and dozens of festivals; and an unparalleled commitment to composers and the music of today. He has also overseen the launch of many of the organization’s defining learning programs, including YOLA (Youth Orchestra Los Angeles), a program which has provided daily after-school music training to thousands of children in several of L.A.’s underserved communities.

Mr. Smith began his career in 2000 at the New World Symphony, working closely with conductor Michael Tilson Thomas. He first joined the LA Phil in 2002, when he was responsible for planning the orchestra’s Green Umbrella new music series, as well as its classical programming at the Hollywood Bowl. After briefly serving as the New York Philharmonic’s head artistic planner, in 2006 he returned to the LA Phil in the expanded role of Vice President of Artistic Planning, a position he held until being named COO in 2015.

A trustee of the New England Conservatory, he also serves on the advisory board of the Music Academy of the West and is a member of the Executive Committee for the Avery Fisher Artist Program. A native of Gettysburg, Pennsylvania, he earned a B.A. in European history from Tufts University, as well as B.M. and M.M. Degrees in vocal performance from the New England Conservatory.

Ojai Music Festival
From its founding in 1947, the Ojai Music Festival has been a hallmark for presenting groundbreaking musical experiences, bringing together innovative artists and curious audiences in an intimate, idyllic setting 75 miles northwest of Los Angeles. The Festival presents broad-ranging programs in unusual ways with an eclectic mix of new and rarely performed music, as well as refreshing juxtapositions of musical styles. The Festival, which takes place in June, is an immersive experience with concerts, free community events, symposia, and gatherings. Considered a highlight of the international music summer season, Ojai has remained a leader in the classical music landscape for seven decades.
Through its signature structure of the Artistic Director appointing an annual Music Director, Ojai has presented a “who’s who” of music including Aaron Copland, Igor Stravinsky, Michael Tilson Thom-as, Kent Nagano, Pierre Boulez, John Adams, Esa-Pekka Salonen, Robert Spano, Pierre-Laurent Aimard, David Robertson, Eighth Blackbird, George Benjamin, Dawn Upshaw, Leif Ove Andsnes, Mark Morris, Jeremy Denk, Steven Schick, Peter Sellars, Vijay Iyer, Patricia Kopatchinskaja, Barbara Hannigan, and Matthias Pintscher.

As it approaches its 75th anniversary, Ojai looks toward its future with Ara Guzelimian, whose tenure as Artistic Director will begin following the 2020 Festival.

Series Passes for 2020 Ojai Music Festival
2020 Festival series passes are available and may be purchased online at OjaiFestival.org or by calling (805) 646-2053. Ojai Music Festival series passes range from $205 to $950 for reserved seating and lawn series passes start at $75. Single concert tickets will be available in spring 2020. Tickets for the Ojai Preview Concert at the LA Phil’s Noon to Midnight will be available in the spring.

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Press contacts: 
Ojai Music Festival: Gina Gutierrez, ggutierrez@ojaifestival.org (805) 646-2181
National/International: Nikki Scandalios, nikki@scandaliospr.com (704) 340-4094

Ara Guzelimian, Ojai Talks Director & Artistic Director Designate

Ara Guzelimian is Provost and Dean of the Juilliard School in New York City having been appointed to the post in August 2006. At Juilliard, he works closely with the President in overseeing the faculty,  curriculum and artistic planning of the distinguished performing arts conservatory in all three of its divisions – dance, drama and music.  Mr. Guzelimian who was Artistic Director for Ojai Music Festival from 1992 to 1997, will return as Ojai’s Artistic Director for the 2021 Festival. 

Prior to the Juilliard appointment, he was Senior Director and Artistic Advisor of Carnegie Hall from 1998 to 2006; in that post, he oversaw the artistic planning and programming for the opening of Zankel Hall in 2003. He was also host and producer of the acclaimed “Making Music” composer series at Carnegie Hall from 1999 to 2008. Mr. Guzelimian currently serves as Artistic Consultant for the Marlboro Music Festival and School in Vermont. He is also a member of the Music Visiting Committee of the Morgan Library and Museum in New York City. He is a member of the Steering Committee of the Aga Khan Music Awards, and a Board member of the Amphion and Pacific Harmony Foundations.

He has given lectures and taught at the invitation of the Metropolitan Opera, the Salzburg Easter Festival, Lincoln Center, Carnegie Hall, the Banff Centre for the Arts, the Chicago Symphony, the National Center for the Performing Arts in Taipei and the Jerusalem Music Center. Previously, Ara Guzelimian held the position of Artistic Administrator of the Aspen Music Festival and School in Colorado and he was long associated with the Los Angeles Philharmonic at the beginning of his career, first as producer for the Orchestra’s national radio broadcasts and, subsequently, as Artistic Administrator. As a writer and music critic, he has contributed to such publications as Musical America, Opera Quarterly, Opera News, Symphony magazine, The New York Times, the Record Geijutsu magazine (Tokyo), the program books of the Salzburg and the Helsinki Festivals, and the journal for the IRCAM center in Paris.

Mr. Guzelimian is editor of Parallels and Paradoxes: Explorations in Music and Society (Pantheon Books, 2002), a collection of dialogues between Daniel Barenboim and Edward Said. The Chicago, Boston, and London Symphony orchestras, conducted by Bernard Haitink, have performed Mr. Guzelimian’s performing edition of Mendelssohn’s incidental music to Shakespeare’s A Midsummer Night’s Dream. In September 2003, Mr. Guzelimian was awarded the title Chevalier des Arts et des Lettres by the French government for his contributions to French music and culture.

Ara Guzelimian Named Artistic Director of the Ojai Music Festival Beginning with the 75th Festival in 2021

Chad Smith will Provide Artistic Direction through the 2020 Festival with Music Director Matthias Pintscher

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(October 17, 2019 – Ojai, CA) – Ojai Music Festival Board Chairman Jerrold Eberhardt announced today the appointment of Ara Guzelimian as Ojai’s next Artistic Director with the 75th Festival, June 10 to 13, 2021. Mr. Guzelimian begins his initial three-year tenure with Ojai following the 2020 Festival under the artistic direction of Chad Smith. Mr. Smith, who was named as the Festival’s Artistic Di-rector in March 2018, announced his intention to step away from Ojai given his October 1, 2019 appointment as Chief Executive Officer of the Los Angeles Philharmonic.

“Ara Guzelimian’s remarkable artistic perspective, expertise, and relationships will be paramount as he guides the future direction of the Festival. Through his work with young musicians around the world, Ara truly has his finger on the pulse of music making today. My Board colleagues and I are absolutely thrilled that Ara has agreed to take the helm as Artistic Director,” said Jerrold Eberhardt. “When Tom Morris decided to conclude his defining 16-year tenure, the Board immediately approached Chad Smith with our full confidence that Chad was the right visionary to build on Tom’s artistic legacy. Two weeks ago, the LA Phil named Chad as their new CEO – a brilliant move for that organization and for the field of music. We accept and understand Chad’s desire to focus fully on the Philharmonic, and appreciate that he will remain Ojai’s Artistic Director through the June 2020 Festival.”

Ara Guzelimian commented, “The Ojai Festival represents an ideal of adventurous, open-minded, and open-hearted programming in the most beautiful and welcoming of settings with an audience to match its aspirations. To become Artistic Director at this moment, as the Festival approaches its 75th anniversary, is a deeply meaningful homecoming for me. I fell in love with Ojai in my teens – the place, the community, the spirit. I’ve enjoyed the warmest of friendships with my extraordinary predecessors – Lawrence Morton, Ernest Fleischmann, Tom Morris, and now, Chad Smith – and some of my most cherished musical experiences are rooted here. To return in this capacity brings me such joy. I look forward to working with the wonderful Board and staff to imagine a forward-facing festival very much true to the 2020s!”

Chad Smith said, “For nearly 75 years, the Ojai Music Festival has been a major platform for the world’s most probing, adventurous, and visionary musicians. It is, therefore, bittersweet to step away from this incredible opportunity after the 2020 Festival, but Ojai deserves the full creative energies of its Artistic Director and the LA Phil requires the singular focus of its CEO. That Ara’s personal journey allows him to assume the role of Artistic Director at Ojai, just as mine requires me to step away, is fortuitous. Ara is, quite simply, one of the great artistic minds in our field, and I look forward to supporting him and the Festival in the years to come from my position with the Philharmonic.”

Currently Provost and Dean of The Juilliard School, Ara Guzelimian had previously announced his in-tention to step down from that position in June 2020. At Juilliard, he will continue in an advisory role, and will teach, during the 2020/21 academic year. Mr. Guzelimian was Ojai’s Artistic Director from 1992 to 1997, working closely with Festival Music Directors Pierre Boulez, John Adams, Kent Nagano, Michael Tilson Thomas, and Emanuel Ax. Since 2004, he has served as the Festival’s Ojai Talks Director.

Next month, the Ojai Music Festival and Chad Smith will share details for the upcoming 2020 Festival – June 11 to 14, with Music Director Matthias Pintscher.

Ara Guzelimian
Ara Guzelimian is Provost and Dean of the Juilliard School in New York City having been appointed to the post in August 2006. At Juilliard, he works closely with the President in overseeing the faculty, curriculum and artistic planning of the distinguished performing arts conservatory in all three of its divisions – dance, drama and music.

Prior to the Juilliard appointment, he was Senior Director and Artistic Advisor of Carnegie Hall from 1998 to 2006; in that post, he oversaw the artistic planning and programming for the opening of Zankel Hall in 2003. He was also host and producer of the acclaimed “Making Music” composer series at Carnegie Hall from 1999 to 2008. Mr. Guzelimian currently serves as Artistic Consultant for the Marlboro Music Festival and School in Vermont. He is also a member of the Music Visiting Committee of the Morgan Library and Museum in New York City. He is a member of the Steering Committee of the Aga Khan Music Awards, and a Board member of the Amphion and Pacific Harmony Foundations.

He has given lectures and taught at the invitation of the Metropolitan Opera, the Salzburg Easter Festival, Lincoln Center, Carnegie Hall, the Banff Centre for the Arts, the Chicago Symphony, the National Center for the Performing Arts in Taipei and the Jerusalem Music Center. Previously, Ara Guzelimian held the position of Artistic Administrator of the Aspen Music Festival and School in Colora-do and he was long associated with the Los Angeles Philharmonic at the beginning of his career, first as producer for the Orchestra’s national radio broadcasts and, subsequently, as Artistic Administrator. As a writer and music critic, he has contributed to such publications as Musical America, Opera Quarterly, Opera News, Symphony magazine, The New York Times, the Record Geijutsu magazine (Tokyo), the program books of the Salzburg and the Helsinki Festivals, and the journal for the IRCAM center in Paris.

Mr. Guzelimian is editor of Parallels and Paradoxes: Explorations in Music and Society (Pantheon Books, 2002), a collection of dialogues between Daniel Barenboim and Edward Said. The Chicago, Bos-ton, and London Symphony orchestras, conducted by Bernard Haitink, have performed Mr. Guzelim-ian’s performing edition of Mendelssohn’s incidental music to Shakespeare’s A Midsummer Night’s Dream. In September 2003, Mr. Guzelimian was awarded the title Chevalier des Arts et des Lettres by the French government for his contributions to French music and culture.

Ojai Music Festival
From its founding in 1947, the Ojai Music Festival has become a place for groundbreaking musical experiences, bringing together innovative artists and curious audiences in an intimate, idyllic setting 75 miles northwest of Los Angeles. The Festival presents broad-ranging programs in unusual ways with an eclectic mix of new and rarely performed music, as well as refreshing juxtapositions of musical styles. The Festival, that takes place in June, is an immersive experience with concerts, free community events, symposia, and gatherings. Considered a highlight of the international music summer season, Ojai has remained a leader in the classical music landscape for seven decades.

Through its signature structure of the Artistic Director appointing an annual Music Director, Ojai has presented a “who’s who” of music including Aaron Copland, Igor Stravinsky, Michael Tilson Thomas, Kent Nagano, Pierre Boulez, John Adams, Esa-Pekka Salonen, Robert Spano, Pierre-Laurent Aimard, David Robertson, Eighth Blackbird, George Benjamin, Dawn Upshaw, Leif Ove Andsnes, Mark Morris, Jere-my Denk, Steven Schick, Peter Sellars, Vijay Iyer, Patricia Kopatchinskaja, and Barbara Hannigan. The Ojai Music Festival anticipates the 74th Festival, June 11 to 14, 2020, with conductor and composer Matthias Pintscher.

As it approaches its 75th anniversary, Ojai looks toward its future with Ara Guzelimian, whose tenure as Artistic Director will begin following the 2020 Festival.

74th Festival: June 11 to 14, 2020
The 74th Festival – June 11 to 14, 2020 – with Music Director Matthias Pintscher will highlight progressive and forward-thinking composers of our generation while paying homage to early classical roots. Featuring a vast array of composers from the past six centuries, the program will connect the traditional with the contemporary. Joining Mr. Pintscher for this adventurous musical exploration will be the Ensemble Intercontemporain in its Ojai Music Festival debut. This Paris-based world-renowned
ensemble of 31 full-time musicians is dedicated to performing and promoting contemporary chamber music, which was founded in 1972 by former Ojai Music Director Pierre Boulez, and is now led by Mr. Pintscher. For series passes to the 2020 Festival, visit OjaiFestival.org or call 805 646 2053.

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Press contacts:
Ojai Music Festival: Gina Gutierrez, ggutierrez@ojaifestival.org (805) 646-2094
National/International: Nikki Scandalios, nikki@scandaliospr.com (704) 340-4094

Ara Guzelimian photo by Rosalie O’Connor

Press Photos: Ara Guzelimian

Photo credit: Rosalie O’Connor

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Press Photos: Ojai Music Festival (2019)

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photo by: Annelies-van-der-Vegt

Ojai Festival Names New Board Leadership

OJAI MUSIC FESTIVAL NAMES NEW BOARD
CHAIR JERROLD EBERHARDT AND FY2020 SLATE OF OFFICERS

(September 19, 2019 OJAI, CA) – The Ojai Music Festival announced its FY2020 Slate of Officers for the Board of Directors this past weekend at the annual Board meeting with Jerrold Eberhardt as Board Chair succeeding David Nygren, who remains on the Board. Other Board officers are Barry Sanders, Vice-Chair Governance; Stephan Farber, Vice-Chair Finance and Treasurer; Michele Brustin, Vice- Chair Development; and Cathryn Krause, Secretary.

“I am deeply honored to continue to serve the Ojai Music Festival in this new capacity as Board chair, and I am humbled to succeed my dear friend David Nygren who served with distinction over the past five years. On behalf of my deeply dedicated Board colleagues, I want to thank David for his thoughtful, generous leadership,” commented Eberhardt. “The first Festival I attended was Eighth Blackbird’s in 2009. Since then, I have enjoyed magical weekends of remarkable music making in Ojai during Tom Morris’ defining tenure. Building on the Festival’s breathtaking artistic momentum, we look toward the future under the leadership of Chad Smith as Artistic Director. Chad, whose artistic genius is well known around the globe, is arguably the best in the business, and he is exactly the right visionary for the Ojai Music Festival today. Under Chad’s watch and as Ojai approaches its 75th anniversary in 2021, we are extremely optimistic about the future of this treasured Festival.”

Jerrold L. Eberhardt had a distinguished 40-year career at Smith Barney. He and his family moved from Chicago to Los Angeles in 1997 when he was named Senior Executive Vice President and Divisional Director for the Western Division, which included 11 States and was expanded to include Asia and Australia. He retired in 2009. Mr. Eberhardt has been a member of the Board of Directors of Dynasty Financial Partners, LLC since 2012. Dynasty is the premier provider of integrated wealth management solutions and technology for Independent Registered Investment Advisors.  

Throughout his business career, he was active in charitable and civic affairs in the Chicago community.  Prior to moving to Los Angeles, he was a trustee of the Ravinia Festival Association and served as vice chairman and a member of the executive committee. 

Mr. Eberhardt is former Chairman of the Board of Directors of the Los Angeles Philharmonic Association, and currently serves as vice chairman and a member of the executive committee.  He is a member of the Board of the Music Academy of the West and serves on the executive committee. He also serves on the Board of the Music Center Foundation and is a past trustee of the Aspen Music Festival & School, having served on the Board for six years.  He is a member of The California Club and previously served on the Board of Directors and as the Chairman of the Finance Committee. Mr. Eberhardt graduated from the University of Illinois and received his MBA from the University of Cincinnati.

Ojai Music Festival Board of Directors
The FY2020 Board of Directors currently includes: Barry Sanders, attorney, author and civic leader (Los Angeles); Stephan Farber, founder/CEO of Sound Post Capital (Houston); Michele Brustin, civic leader (Santa Barbara); Cathryn Krause, co-founder of BST Solutions (Ojai); Sandy Buechley, business intelligence manager at Patagonia, Inc. (Ojai); NancyBell Coe, president (retired) of Music Academy of the West (Santa Barbara); James P. Drummy, principal at the law firm of Poindexter & Doutré Inc. (Los Angeles); Fred Fisher, founding architect partner of Fred Fisher & Partners (Ojai); David Nygren, founder of Nygren Consulting, LLC; David Oxtoby, president of the American Academy of Arts and Sciences (Boston); Dr. Barry Schifrin, doctor (retired) (Los Angeles); Maurice Singer, founding principal at the Evergreen Advantage (Los Angeles/Santa Barbara); Dr. Bridget Tsao-Brockman, optometrist (Ojai); Merrill Williams, director of public relations of the Ojai Valley Inn & Spa (retired) (Ojai); and the Ojai Festival Women’s Committee president Tiese Quinn (Ojai).

Ojai Music Festival
From its founding in 1947, the Ojai Music Festival has become a place for groundbreaking musical experiences, bringing together innovative artists and curious audiences in an intimate, idyllic setting 75 miles northwest of Los Angeles. The Festival presents broad-ranging programs in unusual ways with an eclectic mix of new and rarely performed music, as well as refreshing juxtapositions of musical styles. The four-day festival is an immersive experience with concerts, free community events, symposia, and gatherings. Considered a highlight of the international music summer season, Ojai has remained a leader in the classical music landscape for seven decades.

Through its signature structure of the Artistic Director appointing an annual Music Director, Ojai has presented a “who’s who” of music including Aaron Copland, Igor Stravinsky, Michael Tilson Thomas, Kent Nagano, Pierre Boulez, John Adams, Esa-Pekka Salonen, Robert Spano, Pierre-Laurent Aimard, David Robertson, Eighth Blackbird, George Benjamin, Dawn Upshaw, Leif Ove Andsnes, Mark Morris, Jeremy Denk, Steven Schick, Peter Sellars, Vijay Iyer, Patricia Kopatchinskaja and Barbara Hannigan.

The Ojai Music Festival approaches its 75th anniversary, and looks toward the future with Artistic Director Chad Smith whose first Festival will be in June 2020 with Music Director Matthias Pintscher.  Mr. Smith succeeds Thomas W. Morris whose defining tenure spanned 16 years. 

74th Ojai Music Festival with Matthias Pintscher
The 74th Festival – June 11 to 14, 2020 – with Music Director Matthias Pintscher will highlight progressive and forward-thinking composers of today’s generation while paying homage to early classical roots. Featuring a vast array of composers from the past six centuries, the program will connect the traditional with the contemporary. Joining Pintscher for this adventurous musical exploration will be the Ensemble Intercontemporain in their Ojai Music Festival debut. This Paris-based world-renowned ensemble of 31 full-time musicians is dedicated to performing and promoting contemporary chamber music, which was founded by past Music Director Pierre Boulez in 1972 and now led by Pintscher. For series passes to the 2020 Festival, visit OjaiFestival.org or call 805 646 2053.

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Contact:
Nikki Scandalios, nikki@scandaliospr.com, (704) 340-4094
Gina Gutierrez, ggutierrez@ojaifestival.org, (805) 646-2094

Press Photos: Chad Smith

      

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Photo Credit: Cindy Pitou Burton

2020 Music Director Matthias Pintscher Shares Initial Programming

Incoming Artistic Director Chad Smith and Matthias Pintscher Announce
the 74th Festival, June 11 to 14, 2020

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“It is a tremendous pleasure and incredible honor to be music director for the 2020 Ojai Festival, something I have dreamed about since moving to New York twelve years ago.  I feel a combination of joy and responsibility to showcase composers and works that create something like an INVISIBLE BRIDGE between the two continents in which I am living and working: Europe and the USA. I have realized that my role as musical communicator – as composer, conductor, educator, and festival director – is to actively strengthen the interactions and connections between the music of today and its heritage in the US and on the “old continent”. As a European living in New York and Paris, I want to explore this INVISIBLE BRIDGE as one of the key elements for my programming of the 2020 Ojai Festival: thoughtful, innovative, loving, provocative, and poetic. Music speaks most directly from human to human, and Ojai is a perfect place to showcase this. I am excited. See you in 2020. – Matthias Pintscher, 2020 Music Director 

(May 30, 2019 – Ojai, California) – As the Ojai Music Festival anticipates the upcoming 73rd Festival (June 6 to 9, 2019) with Music Director Barbara Hannigan, the Festival’s 2020 Music Director Matthias Pintscher and incoming Artistic Director Chad Smith share initial programming for the 74th Festival, June 11 to 14, 2020. 

Chad Smith begins his tenure as the Ojai Music Festival’s Artistic Director with the 2020 Festival in partnership with 2020 Music Director Matthias Pintscher. Mr. Smith succeeds Thomas W. Morris, who has shaped Ojai’s artistic direction for sixteen years and will be retiring from the Festival following the upcoming 73rd edition.

“For nearly 75 years, the Ojai Music Festival has been Southern California’s home for the most probing, adventurous, and visionary musicians, and I couldn’t be more excited to be joining this organization as its next Artistic Director. I first experienced the unique spirit of Ojai in 2001, when Esa-Pekka Salonen was the Festival’s Music Director. I was struck by the uncompromising programming, the incredibly devoted and informed audience, and the pure joy in the performances emanating from Libbey Bowl. In that weekend, in that first experience with Ojai, I came to understand the special nature of making music in this part of the world, and I was hooked. From my seat in Los Angeles, I have watched as Tom Morris has expanded the possibilities of what this Festival could be, making it more international, more inclusive, and ultimately more relevant year by year. Tom is one of the lions in our field, and I could not be more humbled, but also inspired, to take the reins from him. This Festival is poised for even greater things; I am thrilled to be a part of that future. To imagine the start of my tenure with Ojai, I can’t think of a more fitting partner than my good friend, conductor and composer Matthias Pintscher. We are excited to share initial plans for our 2020 Festival,” said Chad Smith, incoming Artistic Director.

Programming for the 2020 Festival will feature the music of Pierre Boulez, Chaya Czernowin, Helmut Lachenmann, Olga Neuwirth, Anna Thorvaldsdottir, and several works by Pintscher, among many others. Ojai will welcome the Ensemble Intercontemporain, of which Mr. Pintscher is music director, as the 2020 Festival’s ensemble-in-residence. Founded by Pierre Boulez, the world-renowned Ensemble Intercontemporain and Pintscher collaborate closely with composers to explore instrumental techniques and develop projects which interweave music, dance, theater, film, and the visual arts. This will mark the Ensemble’s first appearance in Ojai. Additionally, members of IRCAM, the Paris-based Institute for Research and Coordination in Acoustics/Music, will collaborate on several 2020 Festival performances. Programming details for Ojai 2020 will be announced in the fall.

Matthias Pintscher, 2020 Music Director
Matthias Pintscher is the Music Director of the Ensemble Intercontemporain, the world’s leading contemporary music ensemble founded by Pierre Boulez. In addition to a robust concert season in Paris, he toured extensively with them throughout Europe, Asia, and the United States this season including concerts in Berlin, Brussels, Russia, and the United States. Known equally as one of today’s foremost composers, Mr. Pintscher will conduct the premiere of his new work for baritone, chorus, and orchestra, performed by Georg Nigl and the Chorus and Symphonieorchester des Bayerischen Rundfunks at their Musica Viva festival in February 2020.

In the 2019/20 season, Mr. Pintscher makes debuts with the symphony orchestras of Montreal, Baltimore, Houston, Pittsburgh, and with the Detroit Symphony Orchestra at Interlochen. He also makes his debut at the Vienna State Opera conducting the premiere of Olga Neuwirth’s new opera Orlando, and returns to the Staatsoper Unter den Linden in Berlin to conduct performances of Beat Furrer’s Violetter Schnee, which he premiered in January 2019. Re-invitations this season include the Cleveland Orchestra, Orchestre de la Suisse Romande, and Chamber Orchestra of Europe. In summer 2020, Mr. Pintscher will serve as Music Director of the 74thOjai Music Festival.

Highlights of Mr. Pintscher’s 2018/19 season included serving as the Season Creative Chair for the Tonhalle-Orchester Zürich, as Artist-in-Residence at the Los Angeles Chamber Orchestra, and concluding a nine-year term as the BBC Scottish Symphony Orchestra’s Artist-in-Association. Last season, Mr. Pintscher made his debuts with the Saint Louis Symphony Orchestra, Rotterdam Philharmonic, and the Staatsoper Berlin, and returned to the symphony orchestras of Chicago, Cincinnati, Cleveland, Indianapolis, Milwaukee, the New York Philharmonic, the New World Symphony in Miami, and the Music Academy of the West. In Europe, he conducted the Scottish Chamber Orchestra at the Edinburgh International Festival and returned to the Orchestre de Paris, Danish National Symphony Orchestra, and Helsinki Philharmonic. Mr. Pintscher also conducted the premiere of his work Nur, a new concerto for piano and ensemble, performed by Daniel Barenboim and the Boulez Ensemble in January 2018. An enthusiastic supporter of and mentor to students and young musicians, Mr. Pintscher served as Principal Conductor of the Lucerne Festival Academy Orchestra from 2016-2018 and worked with the Karajan Academy of the Berlin Philharmonic in their 2017/18 season, culminating in a concert at the Philharmonie.

Matthias Pintscher began his musical training in conducting, studying with Pierre Boulez and Peter Eötvös in his early twenties, during which time composing took a more prominent role in his life. He rapidly gained critical acclaim in both areas of activity, and continues to compose in addition to his conducting career. As a composer, Mr. Pintscher’s music is championed by some of today’s finest performing artists, orchestras, and conductors. His works have been performed by the Boston Symphony Orchestra, Chicago Symphony, Cleveland Orchestra, New York Philharmonic, Philadelphia Orchestra, Berlin Philharmonic, London Symphony Orchestra, Royal Concertgebouw Orchestra, and the Orchestre de Paris, among many others. Bärenreiter is his exclusive publisher, and recordings of his compositions can be found on Kairos, EMI, Teldec, Wergo, and Winter & Winter. Mr. Pintscher has been on the composition faculty of The Juilliard School since 2014.

Ensemble Intercontemporain

Ensemble intercontemporain

In 1976, Pierre Boulez founded the Ensemble Intercontemporain with the support of Michel Guy (who was Minister of Culture at the time) and the collaboration and Nicholas Snowman. The Ensemble’s 31 soloists share a passion for 20th to 21st century music. They are employed on permanent contract, enabling them to fulfill the major aims of the Ensemble: performance, creation, and education for young musicians and the general public.    

Under the artistic direction of Matthias Pintscher the musicians work in close collaboration with composers, exploring instrumental techniques and developing projects that interweave music, dance, theater, film, video, and visual arts. In collaboration with IRCAM (Institut de Recherche et Coordination Acoustique/Musique), the Ensemble Intercontemporain is also active in the field of synthetic sound generation. New pieces are commissioned and performed on a regular basis with the support of the Fondation Meyer.

The Ensemble is renowned for its strong emphasis on music education: concerts for kids, creative workshops for students, training programs for future performers, conductors, and composers.  Since 2004, the Ensemble soloists have been tutoring young instrumentalists, conductors and composers in the field of contemporary repertoire at the Lucerne Festival Academy, a several week educational project held by the Lucerne Festival.

Resident of the Philharmonie de Paris, the Ensemble performs and records in France and abroad, taking part in major festivals worldwide. The Ensemble is financed by the Ministry of Culture and Communication and receives additional support from the Paris City Council. New commissions by Ensemble Intercontemporain are supported by Fondation Meyer.

IRCAM, the Institute for Research and Coordination in Acoustics/Music
IRCAM, the Institute for Research and Coordination in Acoustics/Music directed by Frank Madlener, is one of the world’s largest public research centers dedicated to both musical expression and scientific research. This unique location where artistic sensibilities collide with scientific and technological innovation brings together over 160 collaborators.

IRCAM’s three principal activities – creation, research, transmission – are visible in IRCAM’s Parisian concert season, its productions throughout France and abroad, and in its two annual rendezvous: ManiFeste, which combines an international festival with a multidisciplinary academy, and the Vertigo forum, which presents technical mutations and their tangible effects on artistic creation.

Founded by Pierre Boulez, IRCAM is associated with the Centre Pompidou, under the tutelage of the French Ministry of Culture. The mixed STMS research lab (Sciences and Technologies for Music and Sound), housed by IRCAM, also benefits from the support of the CNRS and Sorbonne University.

Incoming Artistic Director Chad Smith_image by Cindy Pitou Burton

Chad Smith, Incoming Artistic Director
Chad Smith is the Chief Operating Officer for the Los Angeles Philharmonic Association. Mr. Smith joined the Los Angeles Philharmonic Association in 2002, serving as VP of artistic planning for over a decade before becoming COO in 2015. As COO, he is responsible for the artistic oversight and coordination of the orchestra’s programming, as well as the organization’s strategic planning, marketing, PR, production, orchestra operations, media, and educational initiatives.

During his tenure, Mr. Smith has implemented an expansive vision of what an orchestra can be through a deep commitment to living composers, the development of multi-disciplinary collaborations, and thematic festivals which have positioned the Philharmonic at the center of the city’s cultural discourse. Committed to making classical music more inclusive, he has overseen the launch of many of the organization’s defining educational programs, including YOLA, a program which has provided daily after-school music training to thousands of children in several of LA’s most underserved communities.

He currently serves as a trustee of the New England Conservatory of Music, as a member of Lincoln Center’s Avery Fisher Prize executive committee, and on the artistic advisory board for the Music Academy of the West. Mr. Smith began his career in 2000 at the New World Symphony, after receiving his B.M. (Vocal Performance) and B.A. (European History) in the NEC/Tufts dual degree program. He received his M.M. in 1998 in Vocal Performance from NEC.

The Ojai Music Festival
From its founding in 1947, the Ojai Music Festival has become a place for groundbreaking musical experiences, bringing together innovative artists and curious audiences in an intimate, idyllic setting 75 miles northwest of Los Angeles. The Festival presents broad-ranging programs in unusual ways with an eclectic mix of new and rarely performed music, as well as refreshing juxtapositions of musical styles. The four-day festival is an immersive experience with concerts, free community events, symposia, and gatherings. Considered a highlight of the international music summer season, Ojai has remained a leader in the classical music landscape for seven decades.

Through its signature structure of the Artistic Director appointing an annual Music Director, Ojai has presented a “who’s who” of music including Aaron Copland, Igor Stravinsky, Michael Tilson Thomas, Kent Nagano, Pierre Boulez, John Adams, Esa-Pekka Salonen, Robert Spano, Pierre-Laurent Aimard, David Robertson, Eighth Blackbird, George Benjamin, Dawn Upshaw, Leif Ove Andsnes, Mark Morris, Jeremy Denk, Steven Schick, Peter Sellars, Vijay Iyer, and Patricia Kopatchinskaja. Following Barbara Hannigan’s 2019 Festival, Ojai welcomes Mathias Pintscher as its 2020 Music Director.

As the Ojai Music Festival approaches its 75th anniversary and looks toward the future with incoming Artistic Director Chad Smith, the innumerable contributions of outgoing Artistic Director Thomas W. Morris over his sixteen-year tenure will continue to be felt through the 2019 Festival and beyond.

Live video streaming of the Ojai Music Festival
The Ojai Music Festival continues to draw thousands of curious and engaged music enthusiasts from across the country. Ojai includes free access to the Festival experience through live and archived video streaming online at OjaiFestival.org. This year’s live streaming runs June 6 through June 9 and will include guest interviews throughout the webcasts. Hosting this year will be Director of Publications for National Sawdust and longtime journalist Steve Smith and Los Angeles-based composer and Classical KUSC host Thomas Kotcheff.

Series Passes for 2020 Ojai Music Festival
Advance 2020 series subscriptions will be available for purchase during the 2019 Festival and online at OjaiFestival.org.

Single Tickets for 2019 Ojai Music Festival with Music Director Barbara Hannigan
2019 Festival single tickets are available and may be purchased online at OjaiFestival.org or by calling (805) 646-2053. 2019 Ojai Music Festival ticket prices range from $45 to $150 for reserved seating and lawn tickets are $20. Student discounts are available.

2019 Applications for the Arts Management Intern Program Now Available

(OJAI, CA) – The Ojai Music Festival’s arts management internship program is now accepting applications for the 73rd Ojai Music Festival slated for June 6 to 9, 2019 with soprano and conductor Barbara Hannigan as music director.  Entering its 12th year, the Festival’s sought-after program provides hands-on experiences to college students as they are immersed in areas of production, administration, operations, special events, merchandising, live streaming, marketing, public relations, and patron services.

Students from varying fields and walks of life enjoy access to different opportunities which give them new skill sets and experiences that they take with them throughout their careers. The internship program also provides them to interact with leaders in the music industry and create lasting friendships with other students. 

Applicants must be 18 or over and enrolled in a two or four year accredited college. The Festival provides housing for the duration of the internship as well as a stipend.  Applications are due by March 1, 2019.  Download the application here.

About the Ojai Music Festival
From its founding in 1947, the Ojai Music Festival has created a place for groundbreaking musical experiences, bringing together innovative artists and curious audiences in an intimate, idyllic setting 80 miles northwest of Los Angeles. The Festival presents broad-ranging programs in unusual ways with an eclectic mix of rarely performed music, refreshing juxtapositions of musical styles, and works by today’s composers. The four-day festival is an immersive experience with concerts, free community events, symposia, and gatherings. Considered a highlight of the international music summer season, Ojai has remained a leader in the classical music landscape for seven decades.

Through its unique structure of the Artistic Director appointing an annual Music Director, Ojai has presented a “who’s who” of music including Aaron Copland, Igor Stravinsky, Olivier Messiaen, Michael Tilson Thomas, Kent Nagano, Pierre Boulez, John Adams, Esa-Pekka Salonen, Robert Spano, Pierre-Laurent Aimard, David Robertson, Eighth Blackbird, George Benjamin, Dawn Upshaw, Leif Ove Andsnes, Mark Morris, Jeremy Denk, Steven Schick, Peter Sellars, Vijay Iyer, Barbara Hannigan (2019), and Matthias Pintscher (2020).

The 73rd Ojai Music Festival, June 6 to 9, 2019, will celebrate and explore the creative breadth of Music Director Barbara Hannigan, as conductor, singer, and mentor. Joining Ms. Hannigan will be the US debuts of her mentoring initiative for young professional artists, Equilibrium (EQ), and the orchestral collective from Amsterdam, LUDWIG, with whom Ms. Hannigan made her Grammy Award-winning conducting debut CD “Crazy Girl Crazy” in 2017.

The 2019 Festival program will feature works by composers central to Ojai’s history and future, including John Luther Adams, Gerard Grisey, Oliver Knussen, Catherine Lamb, Olivier Messiaen, Terry Riley, Arnold Schoenberg, Tyshawn Sorey, Igor Stravinsky, Mark-Anthony Turnage, Claude Vivier, and John Zorn. Highlights will include the staged production of Stravinsky’s The Rake’s Progress with Ms. Hannigan conducting and members of EQ as the cast; Ms. Hannigan performing in Gérard Grisey’s Quatre chants pour franchir le seuil; the Ojai premiere of John Zorn’s Jumalattaret and Girl Crazy Suite, a special arrangement by Bill Elliott of songs from the Gershwin musical.

For more information regarding the internship program for the Ojai Music Festival, please call the main office at 805 646 2094 or email info@ojaifestival.org.  For more information on the Ojai Music Festival, visit OjaiFestival.org.

 

 

Ojai Music Festival Announces Initial 2019 Festival Program with Music Director Barbara Hannigan

The 73rd Festival celebrates Hannigan as conductor, singer, and mentor; welcomes resident ensemble LUDWIG and members of Hannigan’s Equilibrium (EQ) mentoring initiative in their US debuts, and pianist Stephen Gosling and pianist/conductor Edo Frenkel in their Ojai debuts; and  the return of JACK Quartet and conductor/percussionist Steven Schick

Works by composers central to Ojai’s history and future are featured, including John Luther Adams, James Dillon, Gerard Grisey, Oliver Knussen, Catherine Lamb, Olivier Messiaen, Terry Riley, Marc Sabat, Arnold Schoenberg, Tyshawn Sorey, Igor Stravinsky, Mark-Anthony Turnage, Claude Vivier, and John Zorn, with highlights:

  • Semi-staged production of Stravinsky’s The Rake’s Progress with Hannigan conducting, director/designer Linus Fellbom, and members of EQ as the cast
  • Hannigan performs as singer in Gérard Grisey’s Quatre chants pour franchir le seuil, Schoenberg’s String Quartet No. 2 for soprano & string quartet, the US premiere of John Zorn’s Jumalattaret,Girl Crazy Suite, a special arrangement by Bill Elliott of songs from the Gershwin musical;and as narrator in William Walton’s whimsical Façade: An Entertainment
  • Hannigan conducts Vivier’s Lonely Child, Schoenberg’s Verklärte Nacht and Stravinsky’s complete ballet Pulcinella
  • Chamber works by John Zorn with Stephen Gosling and the JACK Quartet include Hexentarot, Ghosts,and The Aristosfor piano trio, The Unseen, and The Alchemist for string quartet
  • Concert in memoriam to 2005 Music Director Oliver Knussen 
  • John Luther Adam’s The Mathematics of Resonant Bodies performed by Steven Schick in the Libbey Park Gazebo, free for the community 

Second year of partnership with Great Britain’s Aldeburgh Festival in Snape continues June 19-21, 2019

After shaping Ojai’s artistic direction for sixteen years, the 2019 Festival marks the conclusion of Thomas W. Morris’ defining tenure

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(OJAI CA – November 13, 2018) – The 73rd Ojai Music Festival, June 6-9, 2019, celebrates and explores the creative breadth of Music Director Barbara Hannigan, as conductor, singer, and mentor. Joining Ms. Hannigan will be the US debut of her mentoring initiative for young professional artists, Equilibrium (EQ), as well as the US debut of the orchestral collective from Amsterdam, LUDWIG, with whom Ms. Hannigan made her Grammy Award-winning conducting debut CD “Crazy Girl Crazy” in 2017.

2019 Music Director Barbara Hannigan shared,

“What does the Ojai Music Festival mean to me? Possibility. Embrace. Challenge. Electricity. Resonance. The Ojai Festival is an atelier where we are invited to gather, as audience and performers, where we are in communion with one another, witnessing the act of live performance. Storytelling, dramaturgy, heart to heart exchange are at the center of my programming choices. This Festival will be a synthesis of dark and light – chiaroscuro – and brings the human voice to the forefront of many events, exploring the various ways composers have been inspired to express themselves through the interplay of text and music. 

 

The Ojai Festival is a more than a playground: it is a circus tent, a jungle gym, an obstacle course, a field of dreams. There are risks being taken, and we open ourselves with curiosity, to possibilities of sound, of flying and falling, of being overwhelmed. Performers always have a degree of courage, but the same must be said of the loyal, curious and inspiring audiences of the Ojai Festival. I simply can’t wait.”

The 2019 Festival marks the sixteenth and final year under the artistic direction of Thomas W. Morris. As the Ojai Music Festival approaches its 75th anniversary and looks toward the future, the innumerable contributions by Mr. Morris will continue to be realized through the 2019 Festival and beyond. Under his creative watch, the Festival pushed boundaries and scope; explored each music director’s individual perspective, creativity, and artistic communities; invited an ever-broadening roster of artists; expanded in scope into an immersion experience over four days; introduced live and archival video streaming of concerts and talks; and built connections across musical communities with through-curated programming for each Festival.  

Artistic Director Thomas W. Morris said,

“One of the most rewarding parts of my artistic director responsibilities has been selecting the annual music director – an ever-evolving process informed by the extraordinary resilience and receptivity of the Ojai Music Festival and its audience, as well as the astonishing wealth of artistic talent that exists. The world of music is so different than it was sixteen years ago with the artistic possibilities exploding, the breadth and depth of creative talent expanding, artificial boundaries between genres disappearing, and the appetite for audiences for more intense and distinctive musical experiences increasing. It is those forces that have propelled the sequence of music director appointments over the years – from a singer, to a pianist, to a choreographer, to a pianist/author, to a percussionist/conductor, to a stage director, to an improviser/composer, to a violinist, and to a singer/conductor/mentor. I would be less than honest to admit that this was a sequence well thought out in advance; in fact, the process was organic – an evolving adventure as each music director opened up new possibilities for the next in the context of an ever-changing environment. In many ways, Ojai is an ever self-reinforcing and regenerative flywheel of creativity. 

 

I am thrilled that Barbara Hannigan is my creative partner in 2019, my last after sixteen glorious and stimulating years. Barbara, a dear friend and a great artist, is a beacon of extraordinary creativity through her incredible artistry and ceaseless curiosity and commitment to the future. She represents everything an artist of the future must be. A renowned soprano, conductor and musician, she demonstrates the values that define the next generation of great artistic leaders with her new Equilibrium mentoring initiative for young artists. It will be a festival of provocative new sounds, imaginative productions, palatable energy, and outright fun – what I see as a fitting capstone to what has been an invigorating, stimulating, and daunting adventure for me over these years.”
 

Launching the Festival concert line-up on Thursday, June 6 will be Ms. Hannigan’s work from the podium, Stravinsky’s neoclassic opera, The Rake’s Progress, a Faustian fable for our time addressing the subjects of love, laziness, and greed. Anne Truelove was one of the first operatic roles Ms. Hannigan ever sang, and the opera holds a special place in her heart. Ms. Hannigan conducts this semi-staged performance featuring members of her Equilibrium mentoring initiative as the cast and the Los Robles Master Chorale in their Ojai debut. The production, directed by Linus Fellbom, is a co-production with the Gothenburg Symphony in Sweden, the Klara Festival in Brussels, the Munich Philharmonic in Germany, plus the Aldeburgh Festival. The Rake’s Progress is new to Ojai with the exception of a performance in 1962 of one scene from the opera, and has been very rarely performed in Southern California.During the Festival, Ms. Hannigan also conducts works by Arnold Schoenberg, Igor Stravinsky, and Claude Vivier.

As a singer, Ms. Hannigan will perform Gérard Grisey’s masterpiece, Quatre chants pour franchir le seuil,a 45-minute song cycle for soprano and 16 instruments which explores the passage from life into death. Quatre chants pour franchir le seuil, completed just days before Grisey’s death, will be conducted by Ojai’s 2015 Music Director Steven Schick. Ms. Hannigan will perform in Arnold Schoenberg’s sensual String Quartet No. 2 for soprano & string quartet with the JACK Quartet. Ms. Hannigan will serve as both singer and conductor in Girl Crazy Suite, a touching and infectious arrangement by Tony-award winning Bill Elliott, which is part of Hannigan’s 2017 Grammy-winning album Crazy Girl Crazy, that will close the Festival on Sunday, June 9. Also featured will be Ms. Hannigan and pianist Stephen Gosling performing the US premiere of John Zorn’s Jumalattaret, an extraordinary quest for soprano and piano inspired by the goddesses of Finland’s Kalevala saga. 

In January 2017, Ms. Hannigan launched the Equilibrium (EQ) initiative to mentor 21 young professional musicians in the first substantial phase of their careers. EQ includes intensive workshop retreats, which focus on developing and strengthening the skills needed for sustaining a fulfilling career, as well as offering performance opportunities with Ms. Hannigan and others. EQ artists are selected from an international field of applicants for their talent, musicianship, passion, drive, curiosity, discipline, versatility, and creativity. Seven of these young artists will form the cast of The Rake’s Progress, as well as perform additional music by Igor Stravinsky, Claude Vivier, Mark-Anthony Turnage. On Saturday, June 8, the singers will participate in a special program of folk songs from their diverse native countries entitled, Rites of Passage.

LUDWIG, the celebrated collective from Amsterdam, with whom Ms. Hannigan works closely and collaborated with on the recent Grammy and Juno award-winning album Crazy Girl Crazy(Alpha Classics), makes its Ojai and US debut with the 2019 Festival. Formed in 2012, LUDWIG distinguishes itself artistically and in terms of its range and flexibility. Varying in size from a single soloist to a full-scale symphonic orchestra, LUDWIG carefully crafts its diverse programming. In 2015, LUDWIG received The Art of Impact grant for their pioneering research project Ludwig and the Brain, which, in cooperation with leading scientists, explores innovative ways music can have positive effects on health and education. 

The JACK Quartet, which made its Ojai debut at the 2018 Festival, returns performing Schoenberg’s String Quartet No. 2 with Ms. Hannigan as soprano, Marc Sabat’s Euler Lattice Spirals Scenery, Tyshawn Sorey’s Everything Changes, Nothing Changes, Catherine Lamb’s String Quartet, and a two-part concert of works by John Zorn, including three piano trios with Stephen Gosling, and two quartets The Unseenand The Alchemist. Deemed “superheroes of the new music world” (Boston Globe), JACK is dedicated to the performance, commissioning, and spread of new string quartet music. Comprising violinists Christopher Otto and Austin Wulliman, violist John Pickford Richards, and cellist Jay Campbell, the group collaborates with composers of our day and was recently named the 2018 Ensemble of the Year by Musical America.

Oliver Knussen, who passed away at the early age of 66 on July 8, 2018, was Ojai’s Music Director in 2005, and worked extensively with Barbara Hannigan in the 1990s. In tribute, the Festival will offer a program of Mr. Knussen’s music including ensemble and piano pieces. Thomas W. Morris said on his passing, “Olly, as he was known to everyone, was a giant musician – figuratively and literally –  a bear of a man with the gentlest and kindest disposition of anyone I have ever known.  I was always amazed about the breadth of his openness and curiosity for music, and he simply knew and loved more music than anyone I knew. His music was meticulously crafted, finely etched, and deeply inspired. He is profoundly missed professionally and personally.”

Additional featured music includes Terry Riley’s seminal In C, receiving its second Ojai Festival performance and featuring 2019 Festival artists and William Walton’s entertainment, Façade, a concoction for speaker and six instruments on humorous poems by Edith Sitwell, will be narrated by Barbara Hannigan and surprise guests.

Free Community Concerts 
The Festival continues to build on its commitment to reach broader audiences with several opportunities for the community to experience Festival offerings. Over the course of the first three afternoons of the 2019 Festival, percussionist Steven Schick will perform the eight movements of John Luther Adams’ The Mathematics of Resonant Bodies. Works by John Luther Adams have been performed for Ojai audiences and have included Sila, Inuksuit (co-commissioned by the Ojai Music Festival), and recently Everything that Rises performed at the 2018 Festival.  

Ojai Films 
For the first time since 2014, the Ojai Music Festival welcomes the return of Ojai Films, a series of two screenings during the weekend at the Ojai Presbyterian Church, while the Ojai Playhouse continues its reconstruction. On Friday, June 7 the Festival will include, I’m a creative animal: A Portrait of Barbara Hannigan produced in 2014 by SRF and directed by Barbara Seiler. On Saturday, June 8, the Festival will present the US premiere of Taking Risks, a documentary produced by Accentus Music on the birth of Equilibrium which follows its inception through all stages of the casting and production, and culminating in the world premiere of the semi-staged production of The Rake’s Progress (which is performed in Ojai June 6) in Gothenburg in December 2018.

Ojai Talks 
The 2019 Festival begins with Ojai Talks hosted by Ara Guzelimian, former Festival Artistic Director and current Dean and Provost of The Juilliard School. On Thursday, June 6, a three-part series of discussions will begin with an exploration of Barbara Hannigan’s Equilibrium (EQ) initiative, with Ms. Hannigan and EQ artists. Mr. Guzelimian will interview Thomas W. Morris on his sixteen-year tenure as Ojai’s Artistic Director for the second part, and the third part of the discussion series will speak to the reinvention of musical groups, with members of LUDWIG.  

Additional on-site and online dialogue during the 2019 Festival includes Concert Insights, the pre-concert talks at the Libbey Bowl Tennis Courts with Festival artists led by resident musicologist Christopher Hailey. Pre-concert interviews with artists are broadcast through the Festival’s free live streaming program, hosted by content-expert individuals.  

Further details for Ms. Hannigan’s 2019 Festival will be announced in the spring. For up-to-date Festival information, artist biographies, and photos, visit the Ojai Music Festival website at OjaiFestival.org.

Partnership with the Aldeburgh Festival, June 19-21, 2019 
The new partnership with Aldeburgh was launched following the 2018 Festival in Ojai with Music Director Patricia Kopatchinskaja. The collaboration showcases select Ojai Music Festival concerts during the Aldeburgh Festival at the acclaimed Maltings in Snape near Aldeburgh, England. The partnership features co-productions and co-commissions affording both the Ojai Music Festival and Aldeburgh Festival the ability to present more complex and creative artistic projects than could be conceived by each partner separately.  Launched in June 2018 for an initial four-year period, the 2019 edition takes place June 19-21.

Ojai at Berkeley Concludes 
Ojai at Berkeley, the robust eight-year partnership between the Ojai Music Festival and Cal Performances, began in 2011 and allowed such collaborations as The Classical Style by Steven Stucky and Jeremy Denk, Josephine Baker Portrait by Tyshawn Sorey and Julia Bullock, and George Lewis’ Afterword the Opera to be performed. With the leadership transitions at both institutions, it has been decided to conclude the venture. The final installation of Ojai at Berkeley took place in June 2018 following the Ojai Music Festival with Music Director Patricia Kopatchinskaja.

Barbara Hannigan, 2019 Music Director
Nova Scotian musician Barbara Hannigan divides her time between singing on the world’s major stages and conducting leading orchestras. The Berlin Philharmonic, Münchner Philharmoniker, Gothenburg Symphony, Orchestra dell’Accademia Nazionale di Santa Cecilia, Mahler Chamber Orchestra, and the Toronto Symphony are among the orchestras with whom she holds close relationships. Ms. Hannigan has worked with the most prominent conductors, including Simon Rattle, Kent Nagano, Esa-Pekka Salonen, Andris Nelsons, Yannick Nézet-Séguin, Kirill Petrenko, David Zinman, Vladimir Jurowski, Antonio Pappano, Alan Gilbert, and Reinbert de Leeuw. Her commitment to the music of our time has led to an extensive collaboration with composers including Boulez, Dutilleux, Ligeti, Stockhausen, Sciarrino, Barry, Dusapin, and Abrahamsen. She has recently been appointed as Principal Guest Conductor of the Gothenburg Symphony in Sweden, following Kent Nagano’s tenure in that position.

Unforgettable operatic appearances include the title role in Lulu in Krszysztof Warlikowski’s staging at Brussels’ La Monnaie, and more recently at Hamburg Staatsoper conducted by Kent Nagano and directed by Christoph Marthaler; the title role of Pelléas et Mélisandein Katie Mitchell’s staging at the 2016 Festival d’Aix-en-Province conducted by Esa-Pekka Salonen and in Krszysztof Warlikowski’s more recent production at the Ruhrtriennale in Germany; and Marie in Zimmermann’s Die Soldaten at the Bayerische Staatsoper—a hugely acclaimed presentation directed by Andreas Kriegenberg and conducted by Kirill Petrenko, for which she won the Faust Award in Germany. She made her Opéra National de Paris debut in 2015 with La voix humaine again in a Warlikowski production and returned in April 2018 to reprise the role. She created the role of Ophelia in Brett Dean’s Hamletat the Glyndebourne Festival in summer 2017 and created the lead soprano roles in both of George Benjamin’s full scale operas: Written on Skin, and Lessons in Love and Violence.

In 2017, Ms. Hannigan released her first album as both singer and conductor, with Holland’s LUDWIG orchestra as the orchestral force, on Alpha Classics, entitled Crazy Girl Crazy. The album features works by Berio, Berg, and a specially commissioned Gershwin arrangement by Bill Elliott, as well as a bonus dvd by Mathieu Amalric. The album has received numerous awards worldwide including the Grammy and Juno awards for best classical vocal album.

Ms. Hannigan’s previous recordings have garnered awards from Gramophone, Edison, Victoires de la Musique and the Royal Philharmonic Society. Other awards include Singer of the Year (Opernwelt, 2013), Musical Personality of the Year (Syndicat de la Presse Francaise, 2012), Ehrenpreise (Preis der Deutschen Schallplattenkritik 2018), and Rolf Schock Prize for Musical Arts (2018), and she was recently appointed as a member to the Order of Canada (2016).

In 2017 Ms. Hannigan created Equilibrium, an international mentoring initiative for young professional musicians, and chose 21 participants from a total of 350 applicants from 39 countries to participate in Equilibrium’s first season (2018/19), which will have over 20 performances with four partner orchestras in works including Stravinsky’s The Rake’s Progress, Mozart’s Requiem, and Stravinsky’s Pulcinella.

Thomas W. Morris, Artistic Director 
Thomas W. Morris was appointed Artistic Director of the Ojai Music Festival starting with the 2004 Festival. As Artistic Director, he is responsible for artistic planning and each year appoints a music director with whom he shapes the Festival’s programming. During Mr. Morris’ tenure, the scope and density of the Festival has expanded, the collaborative partnership Ojai at Berkeley with Cal Performances at UC Berkeley launched, a partnership with England’s Aldeburgh Festival was initiated in 2018, and a comprehensive program of video streaming of all concerts was instituted. Mr. Morris is recognized as one of the most innovative leaders in the orchestra industry and served as the longtime chief executive of both The Cleveland Orchestra and the Boston Symphony Orchestra. He is currently active nationally and internationally as a consultant, lecturer, teacher, and writer. Mr. Morris was a founding director of Spring for Music in NYC and served as the project’s artistic director. He served ten years on the board of trustees of Interlochen Center for the Arts, most recently as Vice Chair, and he is also an accomplished percussionist. In November 2018, Mr. Morris announced his decision to retire as the Festival’s Artistic Director following the 2019 Festival with Music Director Barbara Hannigan, after shaping Ojai’s artistic direction for sixteen years.

About the Ojai Music Festival 
From its founding in 1947, the Ojai Music Festival has created a place for groundbreaking musical experiences, bringing together innovative artists and curious audiences in an intimate, idyllic setting 80 miles northwest of Los Angeles. The Festival presents broad-ranging programs in unusual ways with an eclectic mix of rarely performed music, refreshing juxtapositions of musical styles, and works by today’s composers. The four-day festival is an immersive experience with concerts, free community events, symposia, and gatherings. Considered a highlight of the international music summer season, Ojai has remained a leader in the classical music landscape for seven decades.

Through its unique structure of the Artistic Director appointing an annual Music Director, Ojai has presented a “who’s who” of music including Aaron Copland, Igor Stravinsky, Olivier Messiaen, Michael Tilson Thomas, Kent Nagano, Pierre Boulez, John Adams, Esa-Pekka Salonen, Robert Spano, Pierre-Laurent Aimard, David Robertson, Eighth Blackbird, George Benjamin, Dawn Upshaw, Leif Ove Andsnes, Mark Morris, Jeremy Denk, Steven Schick, Peter Sellars, Vijay Iyer, Barbara Hannigan (2019), and Matthias Pintscher (2020).

As the Ojai Music Festival approaches its 75th anniversary and looks toward the future, Thomas W. Morris concludes his remarkable 16-year tenure as Artistic Director following the 73rd Festival in 2019. With the appointment of Chad Smith as the next Artistic Director, Ojai’s artistic momentum is clearly poised to continue. Mr. Smith will succeed Mr. Morris as Artistic Director with the 2020 Festival (June 11-14).

Remote Access to the Ojai Music Festival 
The Ojai Music Festival allows the world beyond Ojai’s Libbey Bowl to experience the music and ideas expressed at the Festival through state-of-the art live streaming access during the four-day Festival and later archived at OjaiFestival.org

Series Passes for the 2019 Ojai Music Festival 
2019 Festival series passes are available and may be purchased online at OjaiFestival.org or by calling (805) 646-2053. Ojai Music Festival series passes range from $165 to $925 for reserved seating and lawn series passes start at $75. Single concert tickets will be available in spring 2019.

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The Ojai Music Festival Welcomes New Board Members

The Ojai Music Festival and Board Chair David Nygren announces the appointment of two new members of its Board of Directors, as well as the full slate of officers for the 2018-19 season voted in at the September annual meeting. Joining the 18-member Board of Directors is Stephan Farber and Judith Hale Norris.

Stephan Farber is a private wealth advisor working closely with multi-generation families who encounter distinctive challenges in managing and stewarding their wealth. Farber works with leading collectors of musical instruments and art. He has particular depth in wealth transfer strategies and tax-sensitive philanthropic initiatives. Prior to his career in banking, he worked for many years in the music industry with a wide range of artists including Philip Glass, David Bowie, and The Rolling Stones. A string instrument enthusiast, Stephan collects and plays pre-war Gibson mandolins and serves on the board of Arco Collaborative, established by internationally renowned violinist Jennifer Koh. He received his M.B.A. from the Wharton School at the University of Pennsylvania and B.A. from Oberlin College. Currently, he lives with his family in Houston, Texas.

Judith Hale Norris is the President of the Ojai Festival Women’s Committee. She also serves on the Board of the Ojai Education Foundation, the Steering Committee of the Ojai Women’s Fund, and as Co-Chair of the Council of Distinguished Advisers, Straus Institute of Resolution, Pepperdine University School of Law. She recently retired as an Adjunct Professor and Associate Director of the Investor Advocacy Clinic at Straus Institute for Dispute Resolution, Pepperdine University School of Law. Prior to her appointment in 2010 as Associate Director of the Investor Advocacy Clinic, she served as Vice President and Director for the Western Region of the Financial Industry Regulatory Authority (FINRA) Dispute Resolution with regional headquarters in San Francisco and Los Angeles. Before joining FINRA in 1986, She served as Chief Staff Counsel for the U.S Court of Appeals for the District of Columbia Circuit (DC) and for the United States Court of Appeals for the First Circuit (Boston). She also served as an Assistant United States Attorney for the District of Massachusetts and as a trial and appellate attorney for the U. S. Department of Justice in Washington, D. C. Norris received her Bachelor of Arts degree from the University of Maine and her Juris Doctor degree from Boston University School of Law. She received her Mediator Certificate from the Institute of Conflict Management.

The 2018-19 Board Officers are David Nygren, chairman; Barry Sanders, vice-chair strategic planning; David Oxtoby, vice-chair governance; Cathryn Krause, secretary; and Jerrold Eberhardt, treasurer.

About the Ojai Music Festival 
From its founding in 1947, the Ojai Music Festival has created a place for groundbreaking musical experiences, bringing together innovative artists and curious audiences in an intimate, idyllic setting 80 miles northwest of Los Angeles. The Festival presents broad-ranging programs in unusual ways with an eclectic mix of rarely performed music, refreshing juxtapositions of musical styles, and works by today’s composers. The four-day festival is an immersive experience with concerts, free community events, symposia, and social gatherings. Considered a highlight of the international music summer season, Ojai has remained a leader in the classical music landscape for seven decades.

Through its unique structure of the Artistic Director appointing an annual Music Director, Ojai has presented a “who’s who” of music including Aaron Copland, Igor Stravinsky, Olivier Messiaen, Michael Tilson Thomas, Kent Nagano, Pierre Boulez, John Adams, Esa-Pekka Salonen, Robert Spano, Pierre-Laurent Aimard, David Robertson, Eighth Blackbird, George Benjamin, Dawn Upshaw, Leif Ove Andsnes, Mark Morris, Jeremy Denk, Steven Schick, Peter Sellars, and Vijay Iyer. Following Patricia Kopatchinskaja, Ojai will welcome Music Director Barbara Hannigan (2019), Matthias Pintscher (2020), and Mitsuko Uchida (2021).

As the Ojai Music Festival approaches its 75th anniversary and looks toward the future with recently appointed Artistic Director Chad Smith, who will take the helm in 2020, the innumerable contributions by Thomas W. Morris will continue to be realized through the 2019 Festival and beyond. Under Mr. Morris’ creative watch, the Festival continues to push boundaries and scope; explore each music director’s individual perspective, creativity, and artistic communities; invite an ever-broadening roster of artists; and build connections across musical communities with through-curated programming for each Festival. 

73rd Ojai Music Festival
The Festival’s 73rd installment – June 6-9, 2019 – celebrates and explores the creative artistic force of Music Director Barbara Hannigan as conductor, singer, and mentor. The four-day immersive experience will be a synthesis of dark and light: chiaroscuro with music curated by Hannigan that resonates deeply with her interests and collaborations. Music will include Stravinsky’s The Rake’s Progress and other vocal works by Schoenberg, Grisey, Turnage, and Vivier. The Festival will also feature the American debut of LUDWIG orchestra and members of Hannigan’s new Equilibrium mentoring initiative.

Series Passes for 2019 Ojai Music Festival 
Advance 2019 series subscriptions are available for purchase at OjaiFestival.org or by calling (805) 646-2053. Ticket prices range from $165 to $925 for reserved seating and lawn series start at $75.

2019 Festival with Barbara Hannigan Initial Program Highlights

 

 

 

 2019 Music Director Barbara Hannigan Shares Initial Programming for 73rd Ojai Music Festival

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(OJAI CA – June 4, 2018) – As the Ojai Music Festival anticipates the 72nd Festival (June 7-10, 2018) with Music Director Patricia Kopatchinskaja, the Festival’s 2019 Music Director Barbara Hannigan and Artistic Director Thomas W. Morris share initial programming for the 73rd Festival, June 6-9, 2019. The 2019 Ojai Music Festival celebrates and explores the creative artistic force of Barbara Hannigan, as conductor, singer, and mentor.

Following the 2019 Ojai Music Festival, Ojai at Berkeley continues for the ninth season June 13-15 and the Festival’s partnership with the Aldeburgh Festival for the second season June 19-21. The 2019 Festival marks the sixteenth and final year under the artistic direction of Thomas W. Morris. Chad Smith succeeds Mr. Morris as Artistic Director with the 2020 Festival.

“Barbara Hannigan is an inspiration for what a great artist should be. She is world renowned as a soprano, having sung at all the great opera houses and concert stages. She is a pioneer of the new, having championed the works of countless composers of our time including George Benjamin, Hans Abrahamsen, Gerald Barry, Unsuk Chin, Pierre Boulez, Gyorgy Ligeti, and Henri Dutilleux. She is a passionate conductor, known for her unique programming and interpretations. Through Equilibrium, her recently announced mentoring initiative for younger artists, she is committed to the next generation of musicians. Most importantly she is an entrepreneur, leading by example, unafraid of creating new paths, an advocate for issues of our time and space, and a supernova in the musical universe. Ojai will showcase all of those aspects of this remarkable artist next June, including the American debut of the incredible musicians’ collective from Amsterdam, Ludwig, with whom Barbara has a close relationship,” said Artistic Director Thomas W. Morris. 

“I am buzzing with energy and excitement around the 2019 Ojai Music Festival. Together with Tom Morris, a longtime inspiration and friend, it has been a joy to imagine and explore beautiful collaborations and combinations of repertoire and musicians. As the 2019 Festival nears, these dreams are approaching reality! This Festival will be a synthesis of dark and light: chiaroscuro. The music we will present resonates deeply with me, and the dramatic storytelling is equally strong, as you’ll see and hear in Stravinsky’s The Rake’s Progress, and other vocal works by Schoenberg, Grisey, Turnage, and Vivier. I am still pinching myself that this magical gathering exists and am thrilled to join the enormous energy that the Festival has generated for over 70 years,” shared Barbara Hannigan.

During the 2019 Festival, Barbara Hannigan will conduct works by Aaron Copland, Arnold Schoenberg, Igor Stravinsky, and Claude Vivier. A highlight of her work from the podium will be Stravinsky’s neoclassic opera, The Rake’s Progress, a Faustian fable for our time addressing the subjects of love, laziness, and greed. Anne Truelove was one of the first operatic roles Ms. Hannigan ever sang, and the opera holds a special place in her heart. Ms. Hannigan conducts this semi-staged complete performance that features members of her Equilibrium mentoring initiative as the cast. The production, directed by Linus Fellbom, is a co-production with the Gothenberg Symphony in Sweden, the Klara Festival in Brussels, the Munich Philharmonic in Germany, plus Cal Performances and the Aldeburgh Festival.

As a singer, Ms. Hannigan will perform Gérard Grisey’s haunting masterpiece, Quatre chants pour franchir le seuil, a 45-minute song cycle for soprano and 16 instruments which explores the passage from live into death. Quatre chants pour franchir le seuil, which was completed just days before Grisey’s death, will be conducted by Ojai’s 2015 Music Director Steven Schick. Ms. Hannigan will perform in Arnold Schoenberg’s sensual String Quartet No. 2 for soprano & string quartet in F sharp minor, Op. 10. In her own arrangement with Bill Elliot of selections from George Gershwin’s Girl Crazy, Ms. Hannigan will serve as both singer and conductor.

LUDWIG, the celebrated new music collective from Amsterdam, with whom Ms. Hannigan works closely and collaborated with on the recent Grammy and Juno award-winning album Crazy Girl Crazy (Alpha Classics), makes its Ojai and US premiere with the 2019 Festival.

Seven of Ms. Hannigan’s Equilibrium young artists will be in residence with her in Ojai. In January 2017, Ms. Hannigan launched the Equilibrium (EQ) initiative to mentor 21 young professional musicians in the first substantial phase of their careers. EQ includes intensive workshop retreats, which focus on developing and strengthening the skills needed for sustaining a fulfilling career, as well as offering performance opportunities with Ms. Hannigan and others. EQ artists are selected from an international field of applicants for their talent, musicianship, passion, drive, curiosity, discipline, versatility, and creativity. At the 2019 Festival, these young artists will form the cast of The Rake’s Progress, and will perform additional music by Igor Stravinsky, Claude Vivier, Mark Anthony Turnage, and others.

Other music to be featured during the Festival including Terry Riley’s seminal In C, receiving its second Ojai Music Festival performance and featuring 2019 Festival artists. William Walton’s entertainment, Façade, a concoction for speaker and six instruments on humorous poems by Edith Sitwell, will be narrated by Barbara Hannigan and surprise guests. Music of American composer John Zorn will also be featured during the Festival.

Additional details of the 2019 Festival will be announced in the fall. For up-to-date Festival information, artist biographies and photos, visit the Ojai Music Festival website at OjaiFestival.org.

Barbara Hannigan, 2019 Music Director

Nova Scotian musician Barbara Hannigan divides her time between singing on the world’s major stages and conducting leading orchestras. The Berlin Philharmonic, Münchner Philharmoniker, Gothenburg Symphony, Orchestra dell’Accademia Nazionale di Santa Cecilia, Mahler Chamber Orchestra, and the Toronto Symphony are among the orchestras with whom she holds close relationships. Barbara has worked with the most prominent conductors, including Simon Rattle, Kent Nagano, Esa-Pekka Salonen, Andris Nelsons, Yannick Nézet-Séguin, Kirill Petrenko, David Zinman, Vladimir Jurowski, Antonio Pappano, Alan Gilbert, and Reinbert de Leeuw. Her commitment to the music of our time has led to an extensive collaboration with composers including Boulez, Dutilleux, Ligeti, Stockhausen, Sciarrino, Barry, Dusapin, and Abrahamsen. 

Unforgettable operatic appearances include the title role in a “chameleonic and compelling” (Gramophone) Lulu in Krszysztof Warlikowski’s staging at La Monnaie, and more recently Lulu at Hamburg Staatsoper conducted by Kent Nagano and directed by Christoph Marthaler; the title role of Pelléas et Mélisande in Katie Mitchell’s staging at the 2016 Festival d’Aix-en-Province conducted by Esa-Pekka Salonen and in Krszysztof Warlikowski’s more recent production at the Ruhrtriennale in Germany; and a fearless interpretation of Marie as a flame in the darkness in Zimmermann’s Die Soldaten at the Bayerische Staatsoper—a hugely acclaimed presentation directed by Andreas Kriegenberg and conducted by Kirill Petrenko, for which she won the Faust Award in Germany. She made her Opéra national de Paris debut in 2015 with La Voix humaine again in a Warlikowski production and returned in April 2018 to reprise the role. She created the role of Ophelia in Brett Dean’s Hamlet at the Glyndebourne Festival in summer 2017 and created the role of Agnes in George Benjamin’s Written on Skin, a production which has garnered rave reviews worldwide, with most recent performances at New York’s Lincoln Center (2015) and London’s Royal Opera House (2017); and had the world premiere of  Benjamin’s new opera also at London’s Royal Opera House.

Recently appointed as Principal Guest Conductor of the Gothenburg Symphony in Sweden, Ms. Hannigan made her conducting debut in 2011 at the Chatelet in Paris, and her path since that time has been a constant creative development, having created special programs for the Toronto Symphony, Danish National and Swedish Radio symphony orchestras, Mahler Chamber Orchestra, L’Orchestre Philharmonique de Radio France, and Münchner Philharmoniker, as well as the orchestra of the Munich Staatsoper.

In 2017, Ms. Hannigan released her first album as both singer and conductor, with Holland’s LUDWIG orchestra as the orchestral force, on Alpha Classics, entitled Crazy Girl Crazy. The album features works by Berio, Berg, and a specially commissioned Gershwin arrangement by Bill Elliott, as well as a bonus dvd by Mathieu Amalric. The album has won both the Grammy and Juno awards for best classical vocal album.

Ms. Hannigan’s other recordings have garnered awards from Gramophone, Edison, Victoires de la Musique and the Royal Philharmonic Society. Other awards include Singer of the Year (Opernwelt, 2013), Musical Personality of the Year (Syndicat de la Presse Francaise, 2012), Ehrenpreise (Preis der Deutschen Schallplattenkritik 2018), and Rolf Schock Prize for Musical Arts (2018).

Recently appointed as a member to the Order of Canada (2016), Ms. Hannigan’s life as an artist has been the subject of several documentaries: Accentus Music’s acclaimed documentary I’m a creative animal, produced at Lucerne Festival 2014 where she was Artiste Etoile, Dutch television’s Canadees Podiumdier (NTR 2014), as well as three films by Mathieu Amalric: C’est presque au bout du monde, Lulu Variations, and Music is Music.

In 2017 Ms. Hannigan created Equilibrium, an international mentoring initiative for young professional musicians, and chose 21 participants from a total of 350 applicants from 39 countries to participate in Equilibrium’s first season (2018/19), which will have over 20 performances with four partner orchestras in works including Stravinsky’s The Rake’s Progress, Mozart’s Requiem, and Stravinsky’s Pulcinella.

2018 Ojai Music Festival, June 7-10
The 72nd Ojai Music Festival, June 7-10, 2018, will present the dynamic violinist Patricia Kopatchinskaja as music director. Praised for her “mesmerizing artistry” (The Strad) and “savage energy” (The Washington Post), Ms. Kopatchinskaja’s unbounded musical creativity will be in full force as a soloist, collaborator, and new music advocate. Joining her will be close artistic collaborators making their Festival debuts, including the Berlin-based Mahler Chamber Orchestra in its first extended United States residency, JACK Quartet, composer/pianist Michael Hersch, pianist Markus Hinterhäuser, pianist/harpsichordist Anthony Romaniuk, and Kopatchinskaja’s parents, Viktor and Emilia. Major Festival projects include two staged concerts conceived by Ms. Kopatchinskaja. The first is Bye Bye Beethoven, a musical commentary that challenges the clichés and conventions of classical music. Her second concert, Dies Irae, is her own provocative view on the inevitable consequences of global warming. Receiving its world premiere will be a dramatic narrative by American composer Michael Hersch, I hope we get a chance to visit soon, after texts of Rebecca Elson, Mary Harris O’Reilly, and Christopher Middleton. For more information on programs and tickets, visit OjaiFestival.org.

Live video streaming of the Ojai Music Festival 
The Ojai Music Festival continues to draw thousands of curious and engaged music enthusiasts from across the country. As tickets remain in high demand, Ojai includes free access to the Festival experience through live and archived video streaming at OjaiFestival.org. This year’s live streaming will begin on Thursday, June 7 and run through June 10. The live streaming includes guest interviews throughout the webcast. Hosting this year will be Director of Publications for National Sawdust and longtime journalist Steve Smith, and LA-based composer/musician Thomas Kotcheff.

New Partnership with the Aldeburgh Festival 
Following the 2018 Festival in Ojai with Music Director Patricia Kopatchinskaja and the following week’s Ojai at Berkeley presented in collaboration with Cal Performances, a new partnership with Aldeburgh will take place at the end of the Aldeburgh Festival (June 20 – 23) based at the acclaimed Maltings Concert Hall and in the town of Snape near Aldeburgh in England. The collaboration with Aldeburgh follows the formation of Ojai at Berkeley as a partnership of co-productions and co-commissions that affords the Ojai Music Festival, the Aldeburgh Festival, and Cal Performances the ability to present more complex and creative artistic projects than could be conceived by each partner separately. The Aldeburgh relationship launches in June 2018 for an initial four-year period. The 2019 edition of this partnership will take place June 19-21.

Ojai at Berkeley
Marking the eighth year of artistic partnership, Ojai at Berkeley celebrates the dynamic nature of the Ojai Music Festival and of Cal Performances. As two distinct communities, Ojai and Berkeley are both known for intrepid artistic discovery, spirited intellect, and enduring engagement in the arts. Inaugurated in 2011, Ojai at Berkeley is a joint force that enables co-commissions and co-productions and allows artists to achieve more than could be imagined by each organization separately. Ojai at Berkeley will take place from June 15-17, 2018 in Berkeley, CA, following the Ojai Music Festival. For more information, visit CalPerformances.org. Following the 2019 Ojai Music Festival, Ojai at Berkeley will take place June 13-15.

Thomas W. Morris, Artistic Director 
Thomas W. Morris was appointed Artistic Director of the Ojai Music Festival starting with the 2004 Festival. As Artistic Director, he is responsible for artistic planning and each year appoints a music director with whom shapes the Festival’s programming. During Mr. Morris’ tenure, audiences have increased, the scope and density of the Festival has expanded, the collaborative partnership Ojai at Berkeley with Cal Performances at UC Berkeley has started, a new partnership with England’s Aldeburgh Festival will be initiated this year, and a comprehensive program of video streaming of all concerts has been instituted. Mr. Morris is recognized as one of the most innovative leaders in the orchestra industry and served as the longtime chief executive of both The Cleveland Orchestra and the Boston Symphony Orchestra. He is currently active nationally and internationally as a consultant, lecturer, teacher, and writer. Mr. Morris was a founding director of Spring for Music and served as the project’s artistic director. He is currently vice chair of the Board of Directors of the Interlochen Center for the Arts, and he is also an accomplished percussionist. In November 2018, Mr. Morris announced his decision to retire as the Festival’s Artistic Director following the 2019 Festival with Music Director Barbara Hannigan, after shaping Ojai’s artistic direction for sixteen years.

About the Ojai Music Festival 
From its founding in 1947, the Ojai Music Festival has created a place for groundbreaking musical experiences, bringing together innovative artists and curious audiences in an intimate, idyllic setting 80 miles northwest of Los Angeles. The Festival presents broad-ranging programs in unusual ways with an eclectic mix of rarely performed music, refreshing juxtapositions of musical styles, and works by today’s composers. The four-day festival is an immersive experience with concerts, free community events, symposia, and gatherings. Considered a highlight of the international music summer season, Ojai has remained a leader in the classical music landscape for seven decades.

Through its unique structure of the Artistic Director appointing an annual Music Director, Ojai has presented a “who’s who” of music including Aaron Copland, Igor Stravinsky, Olivier Messiaen, Michael Tilson Thomas, Kent Nagano, Pierre Boulez, John Adams, Esa-Pekka Salonen, Robert Spano, Pierre-Laurent Aimard, David Robertson, Eighth Blackbird, George Benjamin, Dawn Upshaw, Leif Ove Andsnes, Mark Morris, Jeremy Denk, Steven Schick, Peter Sellars, and Vijay Iyer. Following Patricia Kopatchinskaja, Ojai will welcome Music Director Barbara Hannigan (2019), Matthias Pintscher (2020), and Mitsuko Uchida (2021).

As the Ojai Music Festival approaches its 75th anniversary and looks toward the future with recently appointed Artistic Director Chad Smith, who will take the helm in 2020, the innumerable contributions by Thomas W. Morris will continue to be realized through the 2019 Festival and beyond. Under Mr. Morris’ creative watch, the Festival continues to push boundaries and scope; explore each music director’s individual perspective, creativity, and artistic communities; invite an ever-broadening roster of artists; and build connections across musical communities with through-curated programming for each Festival. 

Series Passes for 2019 Ojai Music Festival 
Advance 2019 series subscriptions will be available for purchase during the 2019 Festival and online immediately following at OjaiFestival.org.

2018 Festival Tickets
2018 Festival single tickets are available and may be purchased online at OjaiFestival.org or by calling (805) 646-2053. Ticket prices range from $45 to $150 for reserved seating and lawn tickets are $20. Student and group discounts are available.

Directions to Ojai and Libbey Bowl, information about lodging, concierge services for visitors, and information on other Ojai activities are available on the Festival website. Follow Festival updates at OjaiFestival.org, Facebook (Facebook.com/ojaifestival), and Twitter (@ojaifestivals).

 

 

 

Barbara Hannigan, 2019 Music Director

Nova Scotian musician Barbara Hannigan divides her time between singing on the world’s major stages and conducting leading orchestras. The Berlin Philharmonic, Münchner Philharmoniker, Gothenburg Symphony, Orchestra dell’Accademia Nazionale di Santa Cecilia, Mahler Chamber Orchestra, and the Toronto Symphony are among the orchestras with whom she holds close relationships. Barbara has worked with the most prominent conductors, including Simon Rattle, Kent Nagano, Esa-Pekka Salonen, Andris Nelsons, Yannick Nézet-Séguin, Kirill Petrenko, David Zinman, Vladimir Jurowski, Antonio Pappano, Alan Gilbert, and Reinbert de Leeuw. Her commitment to the music of our time has led to an extensive collaboration with composers including Boulez, Dutilleux, Ligeti, Stockhausen, Sciarrino, Barry, Dusapin, and Abrahamsen. 

Unforgettable operatic appearances include the title role in a “chameleonic and compelling” (Gramophone) Lulu in Krszysztof Warlikowski’s staging at La Monnaie, and more recently Lulu at Hamburg Staatsoper conducted by Kent Nagano and directed by Christoph Marthaler; the title role of Pelléas et Mélisande in Katie Mitchell’s staging at the 2016 Festival d’Aix-en-Province conducted by Esa-Pekka Salonen and in Krszysztof Warlikowski’s more recent production at the Ruhrtriennale in Germany; and a fearless interpretation of Marie as a flame in the darkness in Zimmermann’s Die Soldaten at the Bayerische Staatsoper—a hugely acclaimed presentation directed by Andreas Kriegenberg and conducted by Kirill Petrenko, for which she won the Faust Award in Germany. She made her Opéra national de Paris debut in 2015 with La Voix humaine again in a Warlikowski production and returned in April 2018 to reprise the role. She created the role of Ophelia in Brett Dean’s Hamlet at the Glyndebourne Festival in summer 2017 and created the role of Agnes in George Benjamin’s Written on Skin, a production which has garnered rave reviews worldwide, with most recent performances at New York’s Lincoln Center (2015) and London’s Royal Opera House (2017); and had the world premiere of  Benjamin’s new opera also at London’s Royal Opera House.

Recently appointed as Principal Guest Conductor of the Gothenburg Symphony in Sweden, Ms. Hannigan made her conducting debut in 2011 at the Chatelet in Paris, and her path since that time has been a constant creative development, having created special programs for the Toronto Symphony, Danish National and Swedish Radio symphony orchestras, Mahler Chamber Orchestra, L’Orchestre Philharmonique de Radio France, and Münchner Philharmoniker, as well as the orchestra of the Munich Staatsoper.

In 2017, Ms. Hannigan released her first album as both singer and conductor, with Holland’s LUDWIG orchestra as the orchestral force, on Alpha Classics, entitled Crazy Girl Crazy. The album features works by Berio, Berg, and a specially commissioned Gershwin arrangement by Bill Elliott, as well as a bonus dvd by Mathieu Amalric. The album has won both the Grammy and Juno awards for best classical vocal album.

Ms. Hannigan’s other recordings have garnered awards from Gramophone, Edison, Victoires de la Musique and the Royal Philharmonic Society. Other awards include Singer of the Year (Opernwelt, 2013), Musical Personality of the Year (Syndicat de la Presse Francaise, 2012), Ehrenpreise (Preis der Deutschen Schallplattenkritik 2018), and Rolf Schock Prize for Musical Arts (2018).

Recently appointed as a member to the Order of Canada (2016), Ms. Hannigan’s life as an artist has been the subject of several documentaries: Accentus Music’s acclaimed documentary I’m a creative animal, produced at Lucerne Festival 2014 where she was Artiste Etoile, Dutch television’s Canadees Podiumdier (NTR 2014), as well as three films by Mathieu Amalric: C’est presque au bout du monde, Lulu Variations, and Music is Music.

In 2017 Ms. Hannigan created Equilibrium, an international mentoring initiative for young professional musicians, and chose 21 participants from a total of 350 applicants from 39 countries to participate in Equilibrium’s first season (2018/19), which will have over 20 performances with four partner orchestras in works including Stravinsky’s The Rake’s Progress, Mozart’s Requiem, and Stravinsky’s Pulcinella.

 

2018 Festival Updated Announcement

72nd Ojai Music Festival: June 7-10, 2018
Patricia Kopatchinskaja, Music Director

 

Download PDF Version of Release

The 2018 Festival presents many dimensions of Kopatchinskaja:

· Violinist in works by Luigi Nono, Beethoven, Tigran Mansurian, and Ligeti
· Collaborator with soprano Ah Young Hong in Kurtag’s Kafka Fragments, Ravel’s Sonata for Violin and Cello with JACK Quartet cellist Jay Campbell, and with her parents in an exploration of Moldavan folk music
· Advocate for music by Michael Hersch and Galina Ustvolskaya

Highlights of the 2018 Festival:
· Two semi-staged concerts conceived and directed by Kopatchinskaja
· The world premiere of a commissioned work by Michael Hersch
· Stravinsky’s L’Histoire du Soldat on the occasion of its centennial
· Free music events including Luciano Berio’s Sequenzas for solo instruments, two concerts for children devised and performed by Kopatchinskaja, and John Luther Adams’ new string quartet “everything that rises” as a tribute to Ojai Valley renewal following the Thomas Fire

Joining Patricia Kopatchinskaja are close artistic collaborators, all of whom are making their Festival debuts: Berlin-based Mahler Chamber Orchestra in its first extended United States residency, JACK Quartet, composer/pianist Michael Hersch, pianist Markus Hinterhäuser, pianist/harpsichordist Anthony Romaniuk, pianist Amy Yang, and Kopatchinskaja’s parents, Viktor and Emilia Kopatchinsky

The new partnership with Great Britain’s Aldeburgh Festival launches June 20-23, 2018

Cal Performances’ Ojai at Berkeley is June 15-17, 2018

“Ojai is special. There is no fight with new music. There is no fear. Just curiosity and hunger for fresh music of today. The Ojai audiences are completely open minded, and it’s a wonderful possibility to do music that I truly enjoy and find powerfully relevant in our present world. Ojai is magic,” Patricia Kopatchinskaja, 2018 Music Director.

(OJAI CA – UPDATE May 24, 2018) – The 72nd Ojai Music Festival, June 7-10, 2018, presents Music Director Patricia Kopatchinskaja’s unbounded musical creativity in the context of today’s social and political climate. The Ojai, Ventura, and Santa Barbara areas continue to replenish from the devastation of the Thomas Fire. The Topa Topa Mountains surrounding the Ojai Valley have already given rise to new growth, and the Festival honors this renewal with new works, debuts, and free community concerts.

“When I first met Patricia Kopatchinskaja, I knew she was a natural to be Music Director of the Festival. She is, quite simply, a force of nature. Her unstoppable energy, blazing virtuosity, and relentless curiosity are irresistible. The 2018 Festival will showcase her wildly diverse artistic tal-ents as a violinist, a collaborator, a director, an advocate, and as a creative force. Patricia sees music in the context of today’s social and political issues, so the 2018 Festival is one that will surely offer confrontation, questioning, and healing. The 2018 Festival aims to capture Patricia’s infectious energy and virtuosity,” said Artistic Director Thomas W. Morris.

The 2018 Ojai Music Festival welcomes the Mahler Chamber Orchestra (MCO) in its first extended United States residency. Founded in 1997, the Berlin-based MCO defines itself as a free and international ensemble, dedicated to creating and sharing exceptional experiences in classical music. With members spanning 20 different countries, the MCO works as a nomadic collec-tive of passionate musicians uniting for specific projects in Europe and across the world. The MCO forms the basis of the Lucerne Festival Orchestra and maintains long and fruitful artistic relationships with major artists, including Ms. Kopatchinskaja and Mitsuko Uchida, Ojai’s 2021 Music Director. In Ojai, MCO will display its versatility and virtuosity as an orchestral ensemble, in smaller chamber iterations, and also in superb solo performances from individual members.

The JACK Quartet also makes its Ojai debut at the 2018 Festival. Deemed “superheroes of the new music world” (Boston Globe), JACK is dedicated to the performance, commissioning, and spread of new string quartet music. Comprising violinists Christopher Otto and Austin Wulliman, violist John Pickford Richards, and cellist Jay Campbell, the group collaborates with composers of our day, including John Luther Adams, Chaya Czernowin, Simon Steen-Andersen, Caroline Shaw, Helmut Lachenmann, Steve Reich, Matthias Pintscher, and John Zorn.  At the 2018 Festival, JACK will perform works by Georg Frederick Haas, Horatio Radulescu, Morton Feldman, George Crumb, and John Luther Adams.

Major projects will include two semi-staged concerts conceived and directed by Ms. Kopatchinskaja. The first, which opens the Festival on Thursday night, is Bye Bye Beethoven. Ms. Kopatchinskaja describes the concert as a commentary on “the irrelevance of the classic concert routine for our present life.” This program features a mash-up of music by Charles Ives, John Cage, Joseph Haydn, György Kurtág, Johann Sebastian Bach, and the Beethoven Violin Concerto. This marks the US premiere of Bye Bye Beethoven, which was premiered at the Hamburg International Music Festival and subsequently staged in Berlin. This production marked the fourth collaboration between Ms. Kopatchinskaja and the Mahler Chamber Orchestra. Bye Bye Beethoven involves musicians in both conventional and unconventional roles, encounters with different musical genres and discourse among sound, space and imagery.

The second semi-staged concert conceived and directed by Ms. Kopatchinskaja is a provocative commentary on the consequences of global warming. Titled Dies Irae, the program is an aesthetic reflection of a time rife with global warming, wars over resources, and refugee crises. Musical selections include Heinrich Ignaz Franz Biber, George Crumb, Michael Hersch, Byzantine chant, and Galina Ustvolskaya’s remarkable Dies irae for eight double basses, piano, and wooden box. The evening performance on Saturday, June 9 marks its American premiere.

A new work, I hope we get a chance to visit soon by American composer Michael Hersch – described by him as a dramatic narrative for two sopranos and eight instrumentalists – will receive its world premiere at the 2018 Ojai Music Festival, with subsequent performances at Cal Performances’ Ojai at Berkeley and at Great Britain’s venerable Aldeburgh Festival. Performing in the premiere will be sopranos Ah Young Hong and Kiera Duffy, alto saxophone player Gary Lou-ie, and members of the Mahler Chamber Orchestra conducted by Tito Munoz. Set to poetry and text by Rebecca Elson, Mary Harris O’Reilly, and Christopher Middleton, the new work is com-missioned by the Ojai Music Festival, Cal Performances Berkeley, Aldeburgh Festival, and PN Review. Mr. Hersch, who wrote a violin concerto for Ms. Kopatchinskaja two years ago, is con-sidered one of the most gifted composers of his generation. He currently serves on the composi-tion faculty at the Peabody Institute of the Johns Hopkins University. The Friday, June 8 premiere follows works by Carl Philip Emmanuel Bach, and music by Purcell, Bartok, Shostakovich, and George Crumb performed by Anthony Romaniuk, Patricia Kopatchinskaja, and JACK Quartet.

Featured on Friday afternoon (June 8) will be the music of Russian composer Galina Ustvolskaya, described by Alex Ross as “one of the century’s grand originals.” Kopatchinskaja has long been a passionate advocate of Ustvolskaya’s music and will perform her Duet and So-nata with pianist Markus Hinterhäuser. Hinterhäuser, who is also the Intendant of the Salzburg Festival, will perform all six of her piano sonatas. Ustvolskaya’s powerful Dies irae will be featured in the Saturday evening concert of the same title.

Additional programming highlights include Kurtag’s Kafka Fragments; Stravinsky’s L’Histoire du Soldat on the occasion of its centennial; major chamber and piano music by Galina Ustvolskaya; as well as Romanian and Moldavan folk music performed by Ms. Kopatchinskaja and her parents, Viktor and Emilia Kopatchinsky on cimbalom and violin. The Festival closes with the Ligeti Violin Concerto performed by Patricia Kopatchinskaja.

Free Community Concerts
The 2018 Festival continues to build on its commitment to reach broader audiences with several opportunities for all to experience Ojai offerings. On Thursday June 7, following the three-part Ojai Talks dialogues, the Festival commences the first in a series of five free concerts in the Gazebo of Libbey Park, featuring performances of Luciano Berio’s Sequenzas for solo instruments performed by members of the Mahler Chamber Orchestra. On Saturday morning (June 9), Viktor Koptachinsky will perform in works for cimbalon at the Gazebo hosted by his daughter Patricia and Artistic Director Thomas W. Morris. Ms. Kopatchinskaja and Scott Worthington, electronics (who replaces Jorge Chiong-Sanchez), will perform Luigi Nono’s La lontanaza nostalgica utopia futura in a free concert on Thursday evening in Libbey Park, preceding the Festival’s first main Libbey Bowl concert of Ms. Kopatchinskaja’s semi-staged concert Bye Bye Beethoven.

New to the schedule is on Friday evening (June 8), the JACK Quartet will perform John Luther Adams’ Everything that Rises, a work commissioned by the quartet, in a free community concert in tribute to the Ojai Valley renewal following December’s devastating wild fires. Additionally, Ms. Kopatchinskaja has programmed two free concerts just for children. Children of all ages will convene in the Ojai Art Center listen to works by Berio, Biber, Cage, Holliger, Arthur Honegger, and Ferdinand the Bull by Alan Ridout for solo violin and speaker. These concerts for children are presented in association with the Festival’s BRAVO education program for schools and community.

Ojai Talks
The 2018 Festival begins with Ojai Talks hosted by Ara Guzelimian, former Festival Artistic Director and current Dean and Provost of The Julliard School. On Thursday, June 7, a three-part series of discussions will begin with an exploration of Patricia Kopatchinskaja’s musical preferences and inspirations, followed by a discussion with composer Michael Hersch and soprano Ah Young Hong.  The third part of the series will speak to the reinvention of musical groups with  the JACK Quartet. Additional on-site and on-line dialogue during the 2018 Festival includes Concert Insights, the preconcert talks at the LIbbey Bowl Tennis Courts with Festival artists hosted by resident musicologist Christoper Hailey, and live stream interviews between concerts.

For up-to-date Festival information, artist biographies and photos, and access to concerts, etc., visit the Ojai Music Festival website at OjaiFestival.org.

New Partnership with the Aldeburgh Festival
Following the 2018 Festival in Ojai with Music Director Patricia Kopatchinskaja and the following week’s Ojai at Berkeley presented in collaboration with Cal Performances, a new partnership with Aldeburgh will take place at the end of the Aldeburgh Festival (June 20 – 23) based at the acclaimed Maltings Concert Hall and in the town of Snape near Aldeburgh in England. The col-laboration with Aldeburgh follows the formation of Ojai at Berkeley as a partnership of co-productions and co-commissions that affords the Ojai Music Festival, the Aldeburgh Festival, and Cal Performances the ability to present more complex and creative artistic projects than could be conceived by each partner separately. The Aldeburgh relationship launches in June 2018, for an initial four-year period.

Ojai at Berkeley
Marking the eighth year of artistic partnership, Ojai at Berkeley celebrates the dynamic nature of the Ojai Music Festival and of Cal Performances. As two distinct communities, Ojai and Berke-ley are both known for intrepid artistic discovery, spirited intellect, and enduring engagement in the arts. Inaugurated in 2011, Ojai at Berkeley is a joint force that enables co-commissions and co-productions and allows artists to achieve more than could be imagined by each organization separately. Ojai at Berkeley will take place from June 15-17 in Berkeley, CA, following the Ojai Music Festival. For more information, visit CalPerformances.org.

Patricia Kopatchinskaja, 2018 Music Director
Ms. Kopatchinskaja’s (Ko pat chin sky yah) 2017/18 season commenced with the world premi-ere of her new project Dies Irae at the Lucerne Festival where she was ‘artiste étoile’. The second staged program which follows the success of Bye Bye Beethoven with Mahler Chamber Orchestra in 2016, is conceptualized using a theme from the Latin Requiem Mass and features music from composers such as Scelsi, Biber and Ustwolskaja. The North American premiere will take place at the Ojai Festival in June 2018 where she is Music Director.

Ms. Kopatchinskaja’s was awarded the prestigious Swiss Grand Award for Music in September 2017 and continues to move from strength to strength adding a Grammy award to her list of ac-colades in the 17/18 Season. The Violinist was presented with the award for Best Chamber Mu-sic/Small Ensemble Performance for her disc Death and the Maiden, recorded with the St Paul Chamber Orchestra and released on Alpha Classics.

Concert highlights in 17/18 include; performances of Stravinsky’s concerto with Currentzis and the Tonhalle-Orchester Zürich and the same repertoire with Gimeno and the Rotterdam Phil-harmonic Orchestra. She has played with Mahler Chamber Orchestra under Payare and will perform with Orchestra Sinfonica Nazionale della RAI and Geneva Camerata for Berg’s violin concerto.

Chamber music is immensely important to Ms. Kopatchinskaja and she performs regularly with artists such as Markus Hinterhäuser, Anthony Romaniuk and Jay Campbell. With pianist, Polina Leschenko she has recorded and released ‘Deux’ for Alpha Classics. Together the duo reimagi-nes the sonatas of Ravel, Poulenc, Bartok and Dohnányi.

Thomas W. Morris, Artistic Director
Thomas W. Morris was appointed Artistic Director of the Ojai Music Festival starting with the 2004 Festival. As Artistic Director, he is responsible for artistic planning and each year appoints a music director with whom shapes the Festival’s programming. During Mr. Morris’ tenure, audi-ences have increased, the scope and density of the Festival has expanded, the collaborative partnership Ojai at Berkeley with Cal Performances at UC Berkeley has started, a new partner-ship with England’s Aldeburgh Festival will be initiated this year, and a comprehensive program of video streaming of all concerts has been instituted. Mr. Morris is recognized as one of the most innovative leaders in the orchestra industry and served as the long-time chief executive of both The Cleveland Orchestra and the Boston Symphony Orchestra. He is currently active na-tionally and internationally as a consultant, lecturer, teacher, and writer. Mr. Morris was a found-ing director of Spring for Music and served as the project’s artistic director. He is currently vice chair of the Board of Directors of the Interlochen Center for the Arts, and he is also an accom-plished percussionist. In November, Mr. Morris announced his decision to retire as the Festival’s Artistic Director following the 2019 Festival with Music Director Barbara Hannigan, after shaping Ojai’s artistic direction for sixteen years.

About the Ojai Music Festival
From its founding in 1947, the Ojai Music Festival has created a place for groundbreaking musi-cal experiences, bringing together innovative artists and curious audiences in an intimate, idyllic setting 80 miles northwest of Los Angeles. The Festival presents broad-ranging programs in unu-sual ways with an eclectic mix of rarely performed music, refreshing juxtapositions of musical styles, and works by today’s composers. The four-day festival is an immersive experience with concerts, free community events, symposia, and gatherings. Considered a highlight of the inter-national music summer season, Ojai has remained a leader in the classical music landscape for seven decades.

Through its unique structure of the Artistic Director appointing an annual Music Director, Ojai has presented a “who’s who” of music including Aaron Copland, Igor Stravinsky, Olivier Messiaen, Michael Tilson Thomas, Kent Nagano, Pierre Boulez, John Adams, Esa-Pekka Salonen, Robert Spano, Pierre-Laurent Aimard, David Robertson, Eighth Blackbird, George Benjamin, Dawn Upshaw, Leif Ove Andsnes, Mark Morris, Jeremy Denk, Steven Schick, Peter Sellars, and Vijay Iyer. Following Patricia Kopatchinskaja, Ojai will welcome Music Director Barbara Hannigan (2019), Matthias Pintscher (2020) and Mitsuko Uchida (2021).

As the Ojai Music Festival approaches its 75th anniversary and looks toward the future with re-cently appointed Artistic Director Chad Smith, who will take the helm in 2020, the innumerable contributions by Thomas W. Morris will continue to be realized through the 2019 Festival and be-yond. Under Mr. Morris’ creative watch, the Festival continues to push boundaries and scope; explore each music director’s individual perspective, creativity, and artistic communities; invite an ever-broadening roster of artists; and build connections across musical communities with through-curated programming for each Festival.

Remote Access to the Ojai Music Festival
The Ojai Music Festival continues to draw thousands of curious and engaged music enthusiasts from across the country. As tickets remain in high demand, Ojai includes free access to the Fes-tival experience through live and archived video streaming at OjaiFestival.org. The live streaming includes guest interviews throughout the web cast. Hosting this year will be director of publications at National Sawdust and longtime journalist Steve Smith and LA-based composer/musician and host of Underscore.FM podcast Thomas Kotcheff.

Tickets for the 2018 Ojai Music Festival
2018 Festival single tickets are available and may be purchased online at OjaiFestival.org or by calling (805) 646-2053. 2018 Ojai Music Festival single tickets range from $45 to $150 for re-served seating and lawn tickets for $20.

OJAI MUSIC FESTIVAL SCHEDULE
June 7-10, 2018

Chad Smith Named Artistic Director of the Ojai Music Festival

 

CHAD SMITH NAMED ARTISTIC DIRECTOR OF THE OJAI MUSIC FESTIVAL

“For nearly 75 years, the Ojai Music Festival has been Southern California’s home for the most probing, adventurous, and visionary musicians, and I couldn’t be more excited to be joining this or

ganization as its next Artistic Director. I first experienced the unique spirit of Ojai in 2001, when Esa-Pekka Salonen was the Festival’s Music Director. I was struck by the uncompromising programming, the incredibly devoted and informed audience, and the pure joy in the performances emanating from the Libbey Bowl. In that weekend, in that first experience with Ojai, I came to understand the special nature of making music in this part of the world, and I was hooked. From my seat in Los Angeles, I have watched as Tom Morris has expanded the possibilities of what this Festival could be, making it more international, more inclusive, and ultimately more relevant year by year. Tom is one of the lions in our field, and I could not be more humbled, but also inspired, to take the reins from him. This Festival is poised for even greater things; I am thrilled to be a part of that future.” – Chad Smith

Download a PDF Version of the Announcement Here

(March 21, 2018 – Ojai, CA) – Today, the Ojai Music Festival announces the appointment of Chad Smith as its next Artistic Director. Mr. Smith begins his initial three-year tenure with the 2020 Festival, in partnership with Ojai’s 2020 Music Director Matthias Pintscher. Mr. Smith’s collaboration with the Ojai Music Festival will be concurrent with his post as Chief Operating Officer of the Los Angeles Philharmonic. He will join the ranks of such distinguished predecessors as Lawrence Morton, Ara Guzelimian, and Ernest Fleischmann. He succeeds Thomas W. Morris who will have shaped Ojai’s artistic direction for sixteen years when he retires from the Festival following the 73rd Festival in 2019.

Festival Board Chair David Nygren said, “I am honored to welcome Chad Smith to the Ojai family. Chad’s depth of experience and artistic sensibilities are in perfect alignment with where the Festival is today as we approach our 75th anniversary celebration in 2021 and 2022, and as we look toward the future. I have complete confidence that Chad will build on the momentum that Tom has set in motion over these last fifteen years. This seamless transition in artistic leadership will enable Ojai to continue to meet the demands of our supremely curious audiences, to build on the Ojai aesthetic of discovery, adventure, and engagement, to foster an environment where great artists can experiment, and perhaps enter a new stage in their own artistic development. The rich heritage of this glorious Festival and sublimely beautiful place have a way of melding with great musical personalities, leaving behind lasting impressions. Chad and Tom are collaboratively planning already for a seamless transition as we anticipate the Festival’s milestone anniversary.”

Thomas W. Morris commented, “I am thrilled that Chad Smith will succeed me as Artistic Director of the Ojai Music Festival. I have known Chad for many years, and have always been impressed with his distinctive creativity in programming, his insatiable curiosity in the broadest range of music, and his deep relationships with artists. The Ojai Music Festival stands as a pillar of musical creativity and adventure, and I can think of no one better than Chad to follow this tradition through and well beyond Ojai’s 75th anniversary.”

Chad Smith
Chad Smith is the Chief Operating Officer for the Los Angeles Philharmonic Association. Mr. Smith joined the Los Angeles Philharmonic Association in 2002, serving as VP of artistic planning for over a decade before becoming COO in 2015. As COO, he is responsible for the artistic oversight and coordination of the orchestra’s programming, as well as the organization’s strategic planning, marketing, PR, production, orchestra operations, media and educational initiatives.
During his tenure, Mr. Smith has implemented an expansive vision of what an orchestra can be through a deep commitment to living composers, the development of multi-disciplinary collaborations, and thematic festivals which have positioned the Philharmonic at the center of the city’s cultural discourse. Committed to making classical music more inclusive, he has overseen the launch of many of the organization’s defining educational programs, including YOLA, a program which has provided daily after-school music training to thousands of children in several of LA’s most underserved communities.

He currently serves as a trustee of New England Conservatory of Music, as a member of Lincoln Center’s Avery Fisher Prize executive committee and on the artistic advisory board for the Music Academy of the West. Mr. Smith began his career in 2000 at the New World Symphony, after receiving his B.M. (Vocal Performance) and B.A. (European History) in the NEC/Tufts dual degree program. He received his M.M. in 1998 in Vocal Performance from NEC.

About the Ojai Music Festival
From its founding in 1947, the Ojai Music Festival has become a place for groundbreaking musical experiences, bringing together innovative artists and curious audiences in an intimate, idyllic setting 75 miles northwest of Los Angeles. The Festival presents broad-ranging programs in unusual ways with an eclectic mix of new and rarely performed music, as well as refreshing juxtapositions of musical styles. The four-day festival is an immersive experience with concerts, free community events, symposia, and gatherings. Considered a highlight of the international music summer season, Ojai has remained a leader in the classical music landscape for seven decades.
Through its signature structure of the Artistic Director appointing an annual Music Director, Ojai has presented a “who’s who” of music including Aaron Copland, Igor Stravinsky, Michael Tilson Thomas, Kent Nagano, Pierre Boulez, John Adams, Esa-Pekka Salonen, Robert Spano, Pierre-Laurent Aimard, David Robertson, Eighth Blackbird, George Benjamin, Dawn Upshaw, Leif Ove Andsnes, Mark Morris, Jeremy Denk, Steven Schick, Peter Sellars, and Vijay Iyer. Following Patricia Kopatchinskaja, Ojai will welcome Music Director Barbara Hannigan (2019), Mathias Pintscher (2020) and Mitsuko Uchida (2021).
As the Ojai Music Festival approaches its 75th anniversary and looks toward the future with Chad Smith, the innumerable contributions by Thomas W. Morris will continue to be realized through the 2019 Festival and beyond. Under Mr. Morris’ creative watch, the Festival continues to push boundaries and scope; explore each music director’s individual perspective, creativity, and artistic communities; invite an ever-broadening roster of artists; and build connections across musical communities with through-curated programming for each Festival. Over the years, Mr. Morris has also expanded the Festival’s reach beyond Ojai with ongoing partnerships with Cal Performances in Berkeley and this year, the Aldeburgh Festival in England, as well as through live and archival video streaming of performances, available on the Festival’s website.

2018 Ojai Music Festival, June 7-10
The 72nd Ojai Music Festival, June 7-10, 2018, will present the dynamic violinist Patricia Kopatchinskaja as music director. Praised for her “mesmerizing artistry” (The Strad) and “savage energy” (The Washington Post), Ms. Kopatchinskaja’s unbounded musical creativity will be in full force as a soloist, collaborator, and new music advocate. Joining her will be close artistic collaborators making their Festival debuts, including the Berlin-based Mahler Chamber Orchestra in its first extended United States residency, JACK Quartet, composer/pianist Michael Hersch, pianist Markus Hinterhäuser, pianist/harpsichordist Anthony Romaniuk, composer/sound designer Jorge Sanchez-Chiong, and Kopatchinskaja’s parents, Viktor and Emilia Kopatchinsky. Major 2018 Festival projects include two staged concerts conceived by Ms. Kopatchinskaja. The first is Bye Bye Beethoven, a musical commentary that challenges the clichés and conventions of classical music. Her second concert, Dies Irae, is her own provocative view on the inevitable consequences of global warming. Receiving its world premiere will be a dramatic narrative by American composer Michael Hersch, I hope we get a chance to visit soon, after texts of Rebecca Elson, Mary Harris O’Reilly and Christopher Middleton. For more information on programs and tickets, visit OjaiFestival.org

Thomas W. Morris Announces Retirement as Artistic Director of the Ojai Music Festival

Ojai Music Festival: Gina Gutierrez, ggutierrez@ojaifestival.org (805) 646-2094
National/International: Nikki Scandalios, nikki@scandaliospr.com (704) 340-4094

Thomas W. Morris announces retirement as Artistic Director of the Ojai Music Festival
Following the 2019 Festival with Music Director Barbara Hannigan, Mr. Morris will conclude his distinguished 16-year tenure as the Festival’s Artistic Director

(Ojai November 17, 2017) – Thomas W. Morris has announced his decision to retire as the Ojai Music Festival’s Artistic Director following the 73rd Festival in 2019, after shaping Ojai’s artistic direction for sixteen years.

Under the creative watch of Mr. Morris, the Ojai Music Festival has been called “a finely calibrated ruckus each spring” (Alex Ross, The New Yorker). Mr. Morris expanded the Festival’s programming boundaries and scope, exploring each music director’s individual perspective, creativity, and artistic communities. Mr. Morris has offered adventurous through-curated programming for each Festival and between Festivals, and audiences have come to anticipate a four-day immersive musical, intellectual, and creative adventure. The Ojai Music Festival, under Mr. Morris, has also expanded its reach beyond Ojai with ongoing partnerships with Cal Performances in Berkeley and the Aldeburgh Festival in England, as well as through live and archival video streaming of performances, which are available on the Festival’s website.

Over the years, Mr. Morris has invited an ever-broadening roster of artists, building connections across musical communities. Music Directors of the Ojai Music Festival who have partnered with Mr. Morris since the start of his tenure in 2004 are Kent Nagano, Oliver Knussen, Robert Spano, David Robertson, Pierre-Laurent Aimard, Eighth Blackbird, George Benjamin, Dawn Upshaw, Leif Ove Andsnes, Mark Morris, Jeremy Denk, Steven Schick, Peter Sellars, Vijay Iyer, as well as Patricia Kopatchinskaja and Barbara Hannigan in upcoming Festivals. The Festival has welcomed close collaborators, including John Luther Adams, International Contemporary Ensemble (ICE), Claire Chase, George Crumb, Caroline Shaw, Roomful of Teeth, The Bad Plus, Aruna Sairam, Trimpin, George Lewis, Calder Quartet, Mark Morris Dance Group, Tyshawn Sorey, and Kaija Saariaho, among others.  Programming highlights featured in Ojai during Mr. Morris’ tenure include site-specific works and premieres by John Luther Adams – Sila and Inuksuit, world premieres including The Classical Style by Steven Stucky and Jeremy Denk and Slide by Rinde Eckert performed by Eighth Blackbird, and most recently, the world premiere of Trouble by Vijay Iyer, performed by Jennifer Koh.

Mr. Morris continues to expand the footprint of the Ojai Music Festival, most notably with Ojai at Berkeley, the partnership with Cal Performances that is now in its eighth year, and the recently announced partnership with the Aldeburgh Festival in England, based in the acclaimed Maltings Concert Hall and in the town of Snape near Aldeburgh. These partnerships with accompanying co-productions and co-commissions allow the Ojai Music Festival, the Aldeburgh Festival, and Cal Performances to present more complex and creative artistic projects than could be conceived by each partner separately. The Aldeburgh relationship launches in June 2018. 

“Each year, I find new possibilities to meet the demands of our supremely curious audiences. As Ojai has quite a legacy, my job has been to build on the Ojai aesthetic of discovery, adventure and engagement, creating an environment where great artists can experiment, and perhaps enter a new stage in their own artistic development. The rich heritage of this glorious Festival and sublimely beautiful place have a way of melding with great musical personalities, leaving behind lasting impressions,” commented Mr. Morris. “The Festival is an irresistible, exhilarating challenge and my work here has been enormous fun. The decision to finish my work here was a difficult one, but I’m confident it is the right one for Ojai and for me. The timing allows the Festival to find a successor in time to play a central role in all the artistic and institutional planning well through the 75th celebration in 2021 and 2022. For me, sixteen wonderful years in Ojai have led me into previously unanticipated artistic realms. I love the music, the place and the people. Working alongside Ojai’s extraordinary family of artists has been an honor and a privilege.”

Chairman of the Board David Nygren said, “Words are simply insufficient in expressing our deep gratitude for Tom’s innumerable contributions not only to the Festival, but to the entire field. Tom’s delight in the creative process is infectious and with each Festival, he has brought us – audiences and artists alike – along on intensive and transformational artistic journeys. He has fearlessly pushed boundaries of genre and community, and has designed through-curated Festivals rich with adventurous programming, frequent surprises, and lively discussion. In his retirement from Ojai, we will be celebrating his unrivaled creative genius and an entire career of superior artistic expression that has mesmerized hundreds of thousands of people. The Festival is recipient of a lifetime of Tom’s work, connections, creativity, and expressive discipline. Tom’s successor will inherit a brilliant platform on which he or she will continue to build, but for now we hope you will join us as we salute Tom during the upcoming Festivals with music directors Patricia Kopatchinskaja and Barbara Hannigan.” 

Mr. Morris shared his decision with the Festival’s Board of Directors at a recent Board meeting. The Board has begun forming a search committee to secure Mr. Morris’ successor, who will become the Festival’s sixth Artistic Director in its 72nd year history. 

Thomas W. Morris
Thomas W. Morris was appointed Artistic Director of the Ojai Music Festival starting with the 2004 Festival. As Artistic Director, he is responsible for artistic planning and each year appoints a music director with whom shapes the Festival’s programming. Over Mr. Morris’ tenure, audiences have increased, the scope and density of the Festival has expanded, the collaborative partnership Ojai at Berkeley with Cal Performances at UC Berkeley has started, and a compre-hensive program of video streaming of all concerts has been instituted. Mr. Morris is recognized as one of the most innovative leaders in the orchestra industry and served as the long-time chief executive of both The Cleveland Orchestra and the Boston Symphony Orchestra. He is currently active nationally and internationally as a consultant, lecturer, teacher, and writer. Mr. Morris was a founding director of Spring for Music and served as the project’s artistic director. He is currently vice chair of the Board of Directors of the Interlochen Center for the Arts, and he is also an accomplished percussionist.

About the Ojai Music Festival
From its founding in 1947, the Ojai Music Festival has become a place for groundbreaking musical experiences, bringing together innovative artists and curious audiences in an intimate, idyllic setting 75 miles northwest of Los Angeles. The Festival presents broad-ranging programs in unusual ways with an eclectic mix of new and rarely performed music, as well as refreshing juxtapositions of musical styles. The four-day festival is an immersive experience with concerts, free community events, symposia, and gatherings. Considered a highlight of the international music summer season, Ojai has remained a leader in the classical music landscape for seven decades.

Through its unique structure of the Artistic Director appointing an annual Music Director, Ojai has presented a “who’s who” of music including Aaron Copland, Igor Stravinsky, Olivier Messiaen, Michael Tilson Thomas, Kent Nagano, Pierre Boulez, John Adams, Esa-Pekka Salonen, Robert Spano, Pierre-Laurent Aimard, David Robertson, Eighth Blackbird, George Benjamin, Dawn Upshaw, Leif Ove Andsnes, Mark Morris, Jeremy Denk, Steven Schick, Peter Sellars, and Vijay Iyer.  Following Patricia Kopatchinskaja, Ojai will welcome Music Director Barbara Hannigan (2019).

The 72nd Ojai Music Festival, June 7-10, 2018, will present the dynamic violinist Patricia Kopatchinskaja as music director. Praised for her “savage energy” (The Washington Post) and “mesmerizing artistry” (The Strad), Kopatchinskaja’s unbounded musical creativity will be in full force, showcasing her as a soloist, collaborator, and new music advocate. Joining her will be her close artistic collaborators, all of whom are making their Festival debuts: the Berlin-based Mahler Chamber Orchestra in its first extended United States residency, JACK Quartet, composer/pianist Michael Hersch, pianist Markus Hinterhäuser, pianist/harpsichordist Anthony Romaniuk, pianist Amy Yang, composer/sound designer Jorge Sanchez-Chiong, and Kopatchinskaja’s parents, Viktor and Emilia Kopatchinski. For more information on programs and series passes, visit the 2018 Festival Schedule

 

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Matthias Pintscher Named 2020 Music Director

 

MATTHIAS PINTSCHER NAMED 2020 MUSIC DIRECTOR

MUSIC DIRECTORS THROUGH 75TH ANNIVERSARY FESTIVAL INCLUDE

Patricia Kopatchinskaja: 72nd Festival, June 7 to 10, 2018
Barbara Hannigan: 73rd Festival, June 6 to 9, 2019
Matthias Pintscher: 74th Festival, June 11 to 14, 2020
Mitsuko Uchida: 75th Festival, June 10 to 13, 2021

 

Download PDF Version of Press Release

(OJAI CA) — Ojai Music Festival Artistic Director Thomas W. Morris announced updated Festival Music Director appointments today. Composer/conductor Matthias Pintscher will take the helm as 2020 Music Director for the 74th Festival (June 11 – 14, 2020). Mr. Pintscher is one of the most prominent composers of our time and has an extraordinarily active conducting career. He serves currently as Music Director of the Ensemble Intercontemporain in Paris and as Principal Conductor of the Lucerne Festival Academy. He is active as a teacher both at the Lucerne Festival Academy and at the Juilliard School in New York. His teachers and mentors include two Ojai alumni, Peter Eötvös and Pierre Boulez. As Music Director of the Ojai Music Festival, Mr. Pintscher will follow violinist Patricia Kopatchinskaja (2018) and soprano/conductor Barbara Hannigan (2019), and precedes pianist Mitsuko Uchida (2021).

“I have known Matthias since the 1990s both as a composer and conductor, and have always been impressed with his amazing creativity, unbounded energy and endless curiosity”, said Thomas W. Morris. “He is in high demand as a composer with recent works being commissioned by the Lucerne Festival, Chicago Symphony, London Symphony and Cleveland Orchestra, and his conducting career is exploding with regular guest engagements with the world’s greatest orchestras, including this week’s debut with the Los Angeles Philharmonic. Matthias is another natural to be music director of Ojai, and I am confident he will preside over a festival that is engrossing, wide ranging, and full of surprise – consistent with the arc of our artistic planning towards and through the 75th anniversary in 2021 and 2022.”

“It is a tremendous pleasure and incredible honor to be music director for the 2020 Ojai Festival, something I have dreamed about since moving to New York ten years ago,” said Matthias Pintscher. “I feel a combination of joy and responsibility to showcase composers and works that create something like an INVISIBLE BRIDGE between the two continents in which I am living and working: Europe and the USA. I have realized that my role as musical communicator – as composer, conductor, educator, and festival director – is to actively strengthen the interactions and connections between the music of today and its heritage in the US and on the “old continent”. As a European living in New York, I want to explore this INVISIBLE BRIDGE as one of the key elements for my programming of the 2020 Ojai Festival: thoughtful, innovative, loving, provocative, and poetic. Music speaks most directly from human to human, and Ojai is a perfect place to showcase this. I am excited. See you in 2020.”

Initial details for Mr. Pintscher’s 2020 Festival will be announced in June 2019. For complete biographical information on upcoming Ojai Music Festival Music Directors, visit OjaiFestival.org.

Matthias Pinscher, 2020 Music Director
Matthias Pintscher is the Music Director of the Ensemble Intercontemporain and became Principal Conductor of the Lucerne Festival Academy Orchestra at the start of the 16/17 season. He is currently in his eighth year as Artist-in-Association with the BBC Scottish Symphony Orchestra.
In the 17/18 season, Mr. Pintscher makes several significant debuts including with the Royal Concertgebouw Orchestra, London Symphony Orchestra, Berlin Radio Symphony, Finnish Radio Symphony, and the Gulbenkian Orchestra in Lisbon. Pintscher and the Ensemble Intercontemporain bring an ambitious presentation of Pierre Boulez’s Répons to the Park Avenue Armory in New York and perform a number of concerts on tour in London (Royal Festival Hall), Vienna (Konzerthaus), and Cologne (Philharmonie). In addition, they will be joined by alumni of the Lucerne Festival in a special multi-media Messiaen project which will be performed in four cities. Return guest engagements this season include the Los Angeles Philharmonic in both a subscription week and at the Hollywood Bowl, Atlanta Symphony Orchestra, Utah Symphony, Saint Paul Chamber Orchestra (where he premieres Salvatore Sciarrino’s new piano concerto with Jonathan Biss), Orchestre de la Suisse Romande, Frankfurt Radio Symphony, and the Mahler Chamber Orchestra conducting Beethoven’s Ninth Symphony. An enthusiastic supporter of and mentor to students and young musicians, Pintscher will also work with the Karajan Academy of the Berlin Philharmonic, culminating in a concert at the Philharmonie.

In the 16/17 season, Pintscher was featured as the inaugural composer-in-residence and artist-in-focus at Hamburg’s new Elbphilharmonie concert hall which opened in January 2017. He took the Ensemble Intercontemporain on tour to Asia and celebrated the orchestra’s 40th anniversary. Other highlights included guest appearances with The Cleveland Orchestra, Dallas Symphony, National Arts Centre Orchestra (Ottawa), Kammerphilharmonie Bremen, and Bayerische Rundfunk, among others. Last season also saw the premiere of Pintscher’s new compositions un despertar, his second cello concerto, performed by Alisa Weilerstein and the Boston Symphony Orchestra under the direction of François-Xavier Roth; and Shirim for baritone and orchestra, with Danish singer Bo Skovhus and the NDR Elbphilharmonie Orchestra led by Christophe Eschenbach.

Matthias Pintscher began his musical training in conducting, studying with Peter Eötvös in his early twenties, during which time composing soon took a more prominent role in his life. He began to divide his time equally between conducting and composing, rapidly gaining critical acclaim in both areas of activity. As composer, Mr. Pintscher’s music is championed by some of today’s finest performing artists, orchestras, and conductors. His works have been performed by such orchestras as the Chicago Symphony, Cleveland Orchestra, New York Philharmonic, Philadelphia Orchestra, Berlin Philharmonic, London Symphony Orchestra, and the Orchestre de Paris. Bärenreiter is his exclusive publisher, and recordings of his compositions can be found on Kairos, EMI, Teldec, Wergo, and Winter & Winter. Mr. Pintscher has been on the composition faculty of the Juilliard School since 2014.

Update on the Thomas Fire
The Ojai Music Festival is deeply grateful for the outpouring of concern and support from our worldwide community after the Thomas Fire raged in the Ojai, Ventura, and Santa Barbara areas. As one of California’s largest wildfires on record, the fire has had a devastating impact on hundreds of thousands of acres and on all those in its path. Thanks to the heroic efforts by firefighters, the overall natural beauty including the town of Ojai, Libbey Bowl, other Festival venues, and area hotels and restaurants were spared, allowing the Festival to proceed as planned. Over time, the Topa Topa Mountains surrounding the Ojai Valley will give rise to new life, and the Festival looks to honor this renewal of hope during the upcoming 2018 Festival with Music Director Patricia Kopatchinskaja.

This Year’s Ojai Music Festival (June 7-10, 2018)
The 72nd Ojai Music Festival, June 7-10, 2018, will present the dynamic violinist Patricia Kopatchinskaja as music director. Praised for her “savage energy” (The Washington Post) and “mesmerizing artistry” (The Strad), Ms. Kopatchinskaja’s unbounded musical creativity will be in full force, showcasing her as a soloist, collaborator, and new music advocate. Joining her will be her close artistic collaborators, all of whom are making their Festival debuts: the Mahler Chamber Orchestra in its first extended United States residency, JACK Quartet, composer/pianist Michael Hersch, pianist Markus Hinterhäuser, pianist/harpsichordist Anthony Romaniuk, pianist Amy Yang, composer/sound designer Jorge Sanchez-Chiong, and Ms. Kopatchinskaja’s parents, Viktor and Emilia Kopatchinski. For more information on programs and series passes, visit OjaiFestival.org.

Patricia Kopatchinskaja, 2018 Music Director
Violinist Patricia Kopatchinskaja’s versatility shows itself in her diverse repertoire, ranging from baroque and classical often played on gut strings, to new commissions and re-interpretations of modern masterworks. Kopatchinskaja’s 2017/18 season commences with the world premiere of her new project Dies Irae at the Lucerne Festival where she was ‘artiste étoile’. Dies Irae is her second staged program following the success of Bye Bye Beethoven with Mahler Chamber Orchestra in 2016, and uses the theme from the Latin Requiem Mass as a starting point for her new concept featuring music from Gregorian Chant and Early Baroque to Giacinto Scelsi and Galina Ustwolskaja. The North American premiere will take place at the Ojai Festival in June 2018.

Thomas W. Morris, Artistic Director
Thomas W. Morris was appointed Artistic Director of the Ojai Music Festival starting with the 2004 Festival. As Artistic Director, he is responsible for artistic planning and each year appoints a music director with whom shapes the Festival’s programming. During Mr. Morris’ tenure, audiences have increased, the scope and density of the Festival has expanded, the collaborative partnership Ojai at Berkeley with Cal Performances at UC Berkeley has started, a new partnership with England’s Aldeburgh Festival will be initiated this year, and a comprehensive program of video streaming of all concerts has been instituted. Mr. Morris is recognized as one of the most innovative leaders in the orchestra industry and served as the long-time chief executive of both The Cleveland Orchestra and the Boston Symphony Orchestra. He is currently active nationally and internationally as a consultant, lecturer, teacher, and writer. Mr. Morris was a founding director of Spring for Music and served as the project’s artistic director. He is currently vice chair of the Board of Directors of the Interlochen Center for the Arts, and he is also an accomplished percussionist. In November, Mr. Morris announced his decision to retire as the Festival’s Artistic Director following the 2019 Festival with Music Director Barbara Hannigan, after shaping Ojai’s artistic direction for sixteen years.

Ojai Music Festival
From its founding in 1947, the Ojai Music Festival has become a place for groundbreaking musical experiences, bringing together innovative artists and curious audiences in an intimate, idyllic setting 75 miles northwest of Los Angeles. The Festival presents broad-ranging programs in unusual ways with an eclectic mix of new and rarely performed music, as well as refreshing juxtapositions of musical styles. The four-day festival is an immersive experience with concerts, free community events, symposia, and gatherings. Considered a highlight of the international music summer season, Ojai has remained a leader in the classical music landscape for seven decades.

Through its unique structure of the Artistic Director appointing an annual Music Director, Ojai has chosen a “who’s who” for the post, including Aaron Copland, Igor Stravinsky, Olivier Messiaen, Michael Tilson Thomas, Kent Nagano, Pierre Boulez, John Adams, Esa-Pekka Salonen, Robert Spano, Pierre-Laurent Aimard, David Robertson, Eighth Blackbird, George Benjamin, Dawn Upshaw, Leif Ove Andsnes, Mark Morris, Jeremy Denk, Steven Schick, Peter Sellars, and Vijay Iyer. Following Patricia Kopatchinskaja in 2018, Ojai will welcome Music Director Barbara Hannigan (2019).

Series Passes for the 2018 Ojai Music Festival (June 7-10)
2018 Festival series passes are available and may be purchased online at OjaiFestival.org or by calling (805) 646-2053. 2018 Ojai Music Festival series passes range from $165 to $925 for reserved seating, and lawn series passes start at $75. Single concert tickets will be available in spring 2018.
Directions to Ojai and Libbey Bowl, as well as information about lodging, concierge services for visitors, and other Ojai activities, are available on the Festival website. Follow Festival updates at OjaiFestival.org, Facebook (Facebook.com/ojaifestival), and Twitter (@ojaifestivals).

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2017 Festival Reviews

The 2017 Ojai Music Festival with Music Director Vijay Iyer embodied the spirit of the Festival with an openness to discovery and stretching musical boundaries. This year as Vijay expressed the 71st edition was an opportunity to bring various communities together. Relive the 2017 Festival anytime by watching our archived live streaming concerts on our You Tube channel. View photos here

Feedback from our audience, artists, and members of the press is important to us. Read review excerpts, which we will continue to update as press reviews come in, or download the PDF version here.

 

[Vijay Iyer] made a festival with a history of daring and risk-taking become more vital and daring than ever. – San Diego Union-Tribune

 

The compelling feature was in what appeared to be Iyer’s own quest to find examples of how to take the next step and make the music your own.

For that he brought some of the great masters of day, with special and illuminating attention on Chicago’s Association for the Advancement of Creative Music. Friday night, Iyer presented the West Coast premiere of George Lewis’ brilliant 2015 opera, “Afterword,” written to commemorate the 50th anniversary of AACM” – Los Angeles Times

Over the weekend, we heard Iyer in multiple settings. He showed his ever-deepening attributes as a composer, most notably in the impressive world premiere of his engaging Violin Concerto, “Trouble,” for style-flexible virtuoso Jennifer Koh (whose late-night solo concert “Bach And Beyond,” melding Bach, Berio and others, was a bold highlight of the weekend). – DownBeat magazine

 

Proving once again that for the truly fearless, nothing is impossible, the 2017 Ojai Music Festival effectively erased the boundaries between jazz, classical, traditional Indian music, and more over the course of four sound-packed days in and around Libbey Bowl. – Santa Barbara Independent 

 

Improvisation and invention from two continents staked out new ground somewhere in between. Was it jazz? Maybe. But as a whole, this year’s gathering in Ojai thrived under its long-held, suitably broad umbrella of “music festival,” and an excellent, engrossing one at that. Ultimately, those are the only labels that matter. – Los Angeles Times

New Partnership with the Aldeburgh Festival Launches June 2018

Following 72nd Festival in Ojai with Music Director Patricia Kopatchinskaja

Ojai at Berkeley continues for 8th season June 15-17, 2018

It’s like a dream to be able to play over the course of only a few days and hear my most beloved musical pieces of our time, and to share with the audience members of the most vibrant and progressive festival on the American continent – OJAI. These pieces changed my life – I hope they will find a very special place also in your souls. I am delighted we can share some of these programs with Berkeley and with Aldeburgh.”  Patricia Kopatchinskaja, 2018 Music Director. 

(OJAI CA – June 9) – As the Ojai Music Festival anticipates the 71st Festival (June 8-11, 2017) with Music Director Vijay Iyer, the Festival is proud to announce a new partnership with the renowned Aldeburgh Festival at Snape Maltings. Following the 2018 Festival in Ojai with Music Director Patricia Kopatchinskaja and the following week’s Ojai at Berkeley presented in collaboration with Cal Performances, the new partnership will take place during the Aldeburgh Festival (June 8th – 24th) based at the acclaimed Snape Maltings Concert Hall.

Ojai Artistic Director Thomas W. Morris said, “The Aldeburgh Festival has long been a beacon of music festivals – sharing Ojai’s commitment to adventure, innovation, and creativity. It is an enormous pleasure to announce our new partnership for co-productions and co-commissions with Snape Maltings, joining with our eight-year partnership with Cal Performances in Berkeley. Roger Wright, Chief Executive of Snape Maltings which runs the Aldeburgh Festival, is a long time friend and colleague, and his enthusiasm for new music, creative programming, and many of the same artists we enjoy in Ojai made the partnership inevitable.”

“I am delighted at the prospect of this new partnership between the Aldeburgh Festival and Ojai, and to join in the creation of new work and innovative programming for which both our Festivals are acclaimed. It will be a pleasure to work with Tom Morris, an inspirational colleague, and to continue to develop distinctive programming and build new audiences for significant new work,” said Chief Executive of Snape Maltings, Roger Wright.

“Ojai is more than a musical gathering — it is a festival of distinctive artistic ideas,” commented Matías Tarnopolsky, Executive and Artistic Director of Cal Performances, home of Ojai at Berkeley.  “That’s the essential reason Cal Performances chose to create a now longstanding partnership with the Ojai Music Festival to bring the focused and concise best of each year’s programs to Berkeley. Aldeburgh Festival, a jewel among Britain’s summer festivals, is Ojai’s peer in intellectual stature and in its superb setting, and the perfect onward journey from Ojai at Berkeley.  Cal Performances is proud to join hands with Aldeburgh Festival and the Ojai Music Festival in expanding Ojai’s musical horizons.”

The collaboration with Snape Maltings follows the formation of Ojai at Berkeley as a partnership of co-productions and co-commissions that affords the Ojai Music Festival, the Aldeburgh Festival, and Cal Performances the ability to present more complex and creative artistic projects than could be conceived by each partner separately. The relationship launches in June 2018, for an initial four-year period.

The 2018 Ojai Music Festival
The 2018 Ojai Music Festival welcomes the Mahler Chamber Orchestra in its first extended United States residency. The Mahler Chamber Orchestra was founded in 1997 based on the shared vision of being a free and international ensemble, dedicated to creating and sharing exceptional experiences in classical music. With 45 members spanning 20 different countries at its core, the MCO works as a nomadic collective of passionate musicians uniting for specific tours in Europe and across the world.  Based in Berlin, the Mahler Chamber Orchestra forms the basis of the Lucerne Festival Orchestra and has long and fruitful artistic relationships with major artists, including Ms. Kopatchinskaja and Mitsuko Uchida, Ojai’s 2021 Music Director. In Ojai, the Mahler Chamber Orchestra will be featured both as an orchestral ensemble, and showcased the solo and chamber music artistry of its members.

Major 2018 Ojai Festival projects include two staged concerts designed by Ms. Kopatchinskaja. The first is Bye Bye Beethoven, which she describes as a commentary on “the irrelevance of the classic concert routine for our present life.”  This staged program features a mash-up of music by Charles Ives, John Cage, Joseph Haydn, Gyorgy Kurtag, Johann Sebastian Bach, and the Beethoven Violin Concerto.  Ms. Kopatchinskaja’s second semi-staged concert is her own provocative commentary on the inevitable consequences of global warming on the planet.  Titled Dies Irae, the program includes music by Heinrich Ignaz Franz Biber, Michael Hersch, Byzantine chant, Giacinto Scelsi, and Galina Ustvolskaya’s remarkable Dies Irae for eight double basses, piano, and wooden box.

American composer Michael Hersch will premiere at the 2018 Ojai Music Festival a new piece, described by him as a dramatic cantata for two sopranos and eight instrumentalists. It will then be performed at Cal Performances’ Ojai at Berkeley and at the Aldeburgh Festival. Mr. Hersch, who wrote a violin concerto for Ms. Kopatchinskaja two years ago, is considered one of the most gifted composers of his generation and is a formidable pianist. He currently serves on the composition faculty at the Peabody Institute of the Johns Hopkins University. This new work is a co-commission by the Ojai Music Festival, Cal Performances Berkeley, the Aldeburgh Festival, and PNReview, the prominent British poetry magazine at which Mr. Hersch is artist-in-residence.  

Additional programming highlights include Kurtag’s Kafka Fragments; Stravinsky’s L’Histoire du Soldat on the occasion of its centennial; major chamber and piano music by Galina Ustvolskaya; as well as Rumanian and Moldavian folk music performed by Ms. Kopatchinskaja and her parents, Viktor and Emilia Kopatchinski on cimbalom and violin. The Festival closes with the Ligeti Violin Concerto performed by Patricia Kopatchinskaja.

Additional details for Ms. Kopatchinskaja’s 2018 Festival will be announced in the fall. For up-to-date Festival information, artist biographies and photos, and access to concert, etc., visit website Ojaifestivals.org

Advance 2018 series subscriptions will be available for purchase during the 2017 Festival and online immediately following on June 12 at OjaiFestival.org

Ojai at Berkeley
Next week marks the eighth year of artistic partnership. Ojai at Berkeley celebrates the dynamic nature of the Ojai Music Festival and of Cal Performances. As two distinct communities, Ojai and Berkeley are both known for intrepid artistic discovery, spirited intellect, and enduring engagement in the arts. Inaugurated in 2011, Ojai at Berkeley is a joint force that enables co-commissions and co-productions and allows artists to achieve more than could be imagined by each organization separately. Ojai at Berkeley will take place from June 15-17 in Berkeley, CA, following the Ojai Music Festival. For more information, visit CalPerformances.org. 

Aldeburgh Festival
Aldeburgh Festival was founded in 1948 by composer Benjamin Britten, and is centered in a collection of renovated mid-nineteenth century malthouses in England’s East Anglia, northwest of London along the coast in the village of Snape, a few miles inland from the town of Aldeburgh. Celebrating its 70th Festival in 2017, the two-week Aldeburgh Festival emphasizes the presentation of new and distinctive repertoire and performances and features the music of Britten. Music theatre and opera form part of the program, as does the presentation of a visual arts program.  The Festival is run by Snape Maltings, which is a unique creative campus running a year-round residency and performance program including the Britten-Pears Young Artist Programme, Aldeburgh Residencies, Aldeburgh Young Musicians, the Jerwood Opera Writing Programme and the Snape Proms.

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Ojai’s 2017 Music Director Vijay Iyer and Q2 Music Host Helga Davis will highlight the upcoming Festival, along with Jennifer Koh, George Lewis, Wadada Leo Smith, and Tyshawn Sorey      

For tickets to the April 13, 7:00pm event, visit TheGreeneSpace.org or watch a live video stream of the event at Q2Music.org 

“I’m honored, as Music Director of the 2017 Ojai Music Festival, to convene this gathering of some of the most brilliant and important music-makers that I know. Our evening of music and conversation at The Greene Space offers a glimpse of the scope of this four-day event in Southern California, with a few of the incredible artists who will be on hand: George Lewis, whose opera Afterword will have its west coast premiere at the Festival; composer-trumpeter Wadada Leo Smith, a collaborator and mentor of mine, will join me in duets from our project A Cosmic Rhythm with Each Stroke; the dazzling violinist Jennifer Koh will perform some of the ancient and cutting-edge solo music from her sprawling repertoire; and multi-instrumentalist-composer Tyshawn Sorey will offer some of his latest creations.”  – Vijay Iyer, 2017 Music Director

(OJAI, CA – March 29, 2017) — In advance of the upcoming 2017 Ojai Music Festival (June 8-11), the Festival and media partner WQXR’s Q2 Music present an evening of discussion and performance on April 13, at 7pm, at The Jerome L. Greene Performance Space in New York as part of their three-year partnership.

Q2’s Helga Davis will host Ojai Music Director Vijay Iyer to discuss and explore the upcoming 2017 Festival. Joining Mr. Iyer in performance and conversation will be violinist Jennifer Koh, composer/trombonist George Lewis, trumpeter Wadada Leo Smith, and composer/percussionist Tyshawn Sorey.

Helga Davis, also a 2017 Ojai Music Festival artist in Courtney Bryan’s Yet Unheard, will focus the April 13 evening around the intersection of music composed and improvised. The Association for the Advancement of Creative Music (AACM) has engaged this dichotomy since its inception, and the AACM serves as an underlying thread in the April 13 event as well as the upcoming Ojai Music Festival. The evening will feature solo performances by Vijay Iyer and duets by Mr. Iyer and Tyshawn Sorey, as well as Mr. Iyer and Wadada Leo Smith in excerpts from their acclaimed release A Cosmic Rhythm with Each Stroke. Rounding out the evening, Jennifer Koh will perform Esa-Pekka Salonen’s chaconne for solo violin Lachen verlernt (Laughing Unlearnt). Composer George Lewis will join the artists in discussion with Ms. Davis.

This marks the second year of Ojai Music Festival events presented by Q2 Music at The Greene Space. Last spring’s event featured Ojai’s 2016 Music Director Peter Sellars, guitarist of the International Contemporary Ensemble (ICE) Dan Lippel, soprano Julia Bullock, and vocalist/pianist Leila Adu. The Jerome L. Greene Performance Space’s mission is to galvanize conversations around the life, arts, and politics of New York and our world.

Tickets, April 13 at 7pm
Tickets for the event are $20 and can be purchased at TheGreeneSpace.org where the event will be webcast live.

Ojai Music Festival and WQXR’s Q2 Partnership 
Launched in 2015, additional highlights of the 2017 partnership with WQXR’s Q2 Music feature immersive access to select new music concerts at Q2Music.org beginning May 1, 2017, as well as a three-part series of special programs showcasing performances from the 2016 Festival, hosted by Ojai’s 2016 Music Director Peter Sellars. Q2 Music audiences can also access performances from prior Festivals with hosts Mark Morris (2013 Music Director) and Steven Schick (2015 Music Director). Imagined as a multiyear collaboration, the Festival and Q2 Music aim to celebrate a shared artistic aesthetic, build audiences and connect respective communities.

About Q2 Music 
Q2 Music is WQXR’s online platform dedicated to contemporary classical composers, innovative ensembles and musical discovery. Its programming includes immersive festivals, insightful commentary from hosts such as composer Phil Kline and vocalist Helga Davis, full-length album streams, live webcasts and exclusive concert audio from local and national venues, and special events in front of live audiences at The Jerome L. Greene Performance Space at WQXR in downtown New York City. Q2 Music produces Meet the Composer with host Nadia Sirota, a Peabody Award-winning interview podcast which mines the brains of today’s leading composers, as well as LPR Live, a podcast which shares dynamic new-music performances from Greenwich Village’s Le Poisson Rouge. Q2 Music is streamed live 24/7 at WQXR.org/Q2Music and is also available via the free WQXR App.

Ojai Music Festival, June 8-11, 2017

Of the upcoming Ojai Music Festival, Vijay Iyer commented, “When I was invited to take on the role of Music Director for the 2017 Ojai Music Festival, it was a shocking but validating proposition. As an artist, I like to insert myself into situations where some might not necessarily imagine I belong. I have many different affinities musically, and also very real associations across different musical communities, generations, geographic locations, and traditions that speak to me and through me. Our 2017 Festival feels like a good opportunity to update the idea of what music is today. I know the hallowed history of this Festival and I’ve seen different versions of what it can be. I’m just glad that Tom Morris invited me to intervene, and to bring my people with me. I’m going to learn so much over those few days in June, and I believe everyone there will discover a great deal – not just about music, but about themselves.” 

For complete 2017 Ojai Music Festival information, please see the Festival calendar at OjaiFestival.org. Experience the Festival in Ojai (June 8-11) or remotely via Ojai Live webcast (June 8-11); or visit Ojai at Berkeley (June 15-17).

Ojai Music Festival Tickets 
Festival single tickets \ may be purchased online at OjaiFestival.org or by calling (805) 646-2053. Tickets range from $40 to $150 for reserved seating and are $15 for lawn tickets. Student and group discounts are also available.

Directions to Ojai and performance venues, as well as information regarding lodging, a concierge service, and other Ojai activities, are also available on the Ojai Music Festival web site.

Ojai Live webcast of 2017 Festival 
Ojai Live begins on Thursday, June 8 with the evening concert at Libbey Bowl. The dynamic multi-camera live webcast brings the Ojai Music Festival to audiences around the world with live broadcasts of performances and interview segments. Watch Ojai Live at OjaiFestival.org.

Ojai at Berkeley 
Marking the seventh year of artistic partnership, Ojai at Berkeley celebrates the dynamic nature of the Ojai Music Festival and of Cal Performances. As two distinct communities, Ojai and Berkeley are both known for intrepid artistic discovery, spirited intellect, and enduring engagement in the arts. Inaugurated in 2011, Ojai at Berkeley is a joint force that enables co-commissions and co-productions and allows artists to achieve more than could be imagined by each organization separately. Ojai at Berkeley follows the 2017 Ojai Music Festival and will take place from June 15-17 in Berkeley, CA. For more information visit CalPerformances.org.

Vijay Iyer, 2017 Ojai Music Festival Music Director 
Composer-pianist Vijay Iyer is the Franklin D. and Florence Rosenblatt Professor of the Arts at Harvard University. He was named Downbeat Magazine’s Jazz Artist of the Year for 2012, 2015, and 2016, and he received a 2016 US Artists Fellowship, 2013 MacArthur Fellowship, a 2012 Doris Duke Performing Artist Award, and a 2011 Grammy nomination. He has released twenty-one albums, including A Cosmic Rhythm with Each Stroke (ECM, 2016) in duo with legendary composer-trumpeter Wadada Leo Smith, named “Best New Music” by Pitchfork; Break Stuff (ECM, 2015) with the Vijay Iyer Trio, winner of the German Record Critics’ Award for Album of the Year; the live score to the film RADHE RADHE: Rites of Holi (ECM, 2014) by filmmaker Prashant Bhargava; and Holding it Down: The Veterans’ Dreams Project (Pi Recordings, 2013), his third politically searing collaboration with poet-performer Mike Ladd, named Album of the Year in the Los Angeles Times.

Mr. Iyer’s compositions have been commissioned and premiered by Bang on a Can All-Stars, The Silk Road Ensemble, Ethel, Brentano Quartet, Brooklyn Rider, Imani Winds, American Composers Orchestra, International Contemporary Ensemble, Chamber Orchestra Leopoldinum, Matt Haimowitz, and Jennifer Koh. Mr. Iyer serves as Director of the Banff International Workshop in Jazz and Creative Music.

About the Ojai Music Festival 
From its founding in 1947, the Ojai Music Festival has created a place for groundbreaking musical experiences, bringing together innovative artists and curious audiences in an intimate, idyllic setting 80 miles northwest of Los Angeles. The Festival presents broad-ranging programs in unusual ways with an eclectic mix of rarely performed music, refreshing juxtapositions of musical styles, and works by today’s composers. The four-day festival is an immersive experience with concerts, free community events, symposia, and gatherings. Considered a highlight of the international music summer season, Ojai has remained a leader in the classical music landscape for seven decades.

Through its unique structure of the Artistic Director appointing an annual Music Director, Ojai has presented a “who’s who” of music including Aaron Copland, Igor Stravinsky, Olivier Messiaen, Michael Tilson Thomas, Kent Nagano, Pierre Boulez, John Adams, Esa-Pekka Salonen, Robert Spano, Pierre-Laurent Aimard, David Robertson, Eighth Blackbird, George Benjamin, Dawn Upshaw, Leif Ove Andsnes, Mark Morris, Jeremy Denk, Steven Schick, and Peter Sellars.

The Festival, which enters its 71st year in 2017, is a nonprofit organization based in Ojai, California. David Nygren serves as the board chairman, Jamie Bennett is the president, and Thomas W. Morris serves as Artistic Director.

Ojai Music Festival and 2017 Music Director Vijay Iyer Announce the 71st Festival Program June 8-11, 2017

Vijay Iyer is joined by a community of artistic collaborators, including returning Ojai family members 2015 Music Director Steven Schick, International Contemporary Ensemble (ICE), Carnatic vocalist Aruna Sairam, flutist Claire Chase, and composer/percussionist Tyshawn Sorey 

Iyer introduces Ojai to master musicians from various backgrounds and communities: Brentano Quartet; violinist Jennifer Koh; vocalist/composer Jen Shyu; Vijay Iyer Trio; Vijay Iyer Sextet; Tyshawn Sorey Double Trio; tabla virtuoso Zakir Hussain; saxophonist Rudresh Mahanthappa; trumpeter Wadada Leo Smith; and The Trio featuring Muhal Richard Abrams, George Lewis, and Roscoe Mitchell

Highlights of the 2017 Festival include the world premiere of Vijay Iyer’s Violin Concerto, written for and performed by Jennifer Koh; the American premiere of Iyer’s Emergence for trio and ensemble; RADHE RADHE: Rites of Holi with music by Iyer and film by Prashant Bhargava; the West Coast premiere of the opera Afterword by George Lewis; and Yet Unheard (world premiere of chamber version) by Courtney Bryan

Cal PerformancesOjai at Berkeley is slated for June 15-17, 2017 following the Ojai Music Festival

download pdf version 
download 2017 schedule 

(November 16, 2016– Ojai, California) – The Ojai Music Festival, June 8-11, 2017, with Music Director Vijay Iyer celebrates diverse communities of music, artists, and collaborations in a weekend of stimulation and reflection.

Artistic Director Thomas W. Morris stated, “Vijay Iyer is usually described as a composer, a pianist, an improviser, a collaborator, and a teacher. What really distinguishes him, however, is not just what he does but who he is and what he stands for. Vijay believes a life in the arts is a life of service in imagining, building, and enacting community that transcends heritage, nation, and creed. The 2017 Festival reflects these beliefs in the range of collaborators joining us – from Carnatic vocalist Aruna Sairam to percussionist/composer Tyshawn Sorey, to the virtuosic ensemble ICE, to trumpet legend Wadada Leo Smith; in the breadth of roles Vijay will play – from composer, to performer, to collaborator, to intellectual guide; and in the historical and social perspectives represented by the music and artists – from how so much of the Festival’s foundation is based on the groundbreaking Association for the Advancement of Creative Music (AACM), to young composer Courtney Bryan’s powerful tribute to Sandra Bland, a vivid testimony to music’s ability to bring communities together in healing.”

Vijay Iyer commented, “When I was invited to take on the role of Music Director for the 2017 Ojai Music Festival, it was a shocking but validating proposition. As an artist, I like to insert myself into situations where some might not necessarily imagine I belong. I have many different affinities musically, and also very real associations across different musical communities, generations, geographic locations, and traditions that speak to me and through me. Our 2017 Festival feels like a good opportunity to update the idea of what music is today. I know the hallowed history of this Festival and I’ve seen different versions of what it can be. I’m just glad that Tom Morris invited me to intervene, and to bring my people with me. I’m going to learn so much over those few days in June, and I believe everyone there will discover a great deal – not just about music, but about themselves.” 

Watch Vijay Iyer Discuss the 2017 Festival

Much of the four-day Festival programming revolves around the Association for the Advancement of Creative Musicians (AACM), an organization founded in Chicago in 1965 by a group of African-American experimentalists. Musicians of the AACM were not only committed to an adventurous synthesis of music making strategies – contemporary and ancient, familiar and faraway – but their very being was framed out of the Civil Rights struggles of that era. The New York Times, on the occasion of the 50th anniversary of the AACM a year ago said, “The AACM has been one of the country’s great engines of experimental art, producing work with an irreducible breadth of scope and style.”  Some of the original founding AACM members, including Wadada Leo Smith, Muhal Richard Abrams, and Roscoe Mitchell will be featured 2017 Ojai artists, as will composer/trombonist George Lewis, whose book A Power Stronger Than Itself: The AACM and American Experimental Music tells the definitive history of the AACM. Lewis’ opera Afterword, which is receiving its West Coast premiere, is based on the history of the organization.

The 2017 Festival begins on Thursday, June 8 showcasing the talents of Vijay Iyer. The program features two recent works by Mr. Iyer, the American premiere of Emergence, performed by ICE and the Vijay Iyer Trio conducted by Steven Schick; and the world premiere of his Violin Concerto, a co-commission by the Ojai Music Festival, Cal Performances in Berkeley, and the Boston Symphony Orchestra. The Violin Concerto was composed for and will be performed by violinist Jennifer Koh. The evening closes with a duo comprising Mr. Iyer and the celebrated trumpet player and a founder of the AACM, Wadada Leo Smith. Described by Mr. Iyer as his “hero, friend, and teacher,” Mr. Smith collaborates with the pianist on music that is “spellbinding and traverses musical identities.”

The two-part Friday afternoon concert on June 9 features flutist Claire Chase performing a selection from her recent Density 2036 project, a 22-year program conceived by Ms. Chase in 2014 to commission an entirely new body of repertory for solo flute each year until the 100th anniversary of Edgard Varèse groundbreaking 1936 flute solo. Following Density 2036 will be a rare performance by Tyshawn Sorey’s Double Trio in a program called “The Inner Spectrum of Variables.” Mr. Sorey made his Ojai debut last year composing music for and performing in the Josephine Baker Portrait. 

Friday evening’s concert features the West Coast premiere of George Lewis’ opera Afterword, for a small ensemble and three singers, performed by ICE with soprano Joelle Lamarre, contralto Gwendolyn Brown, and tenor JuIian Otis, all of whom sang in the 2016 American premiere of the work in Chicago, and with Steven Schick conducting. A 2002 MacArthur Fellow, George Lewis is a composer, theorist, musicologist, and virtuoso trombonist with an endowed chair at Columbia University. His A Will to Adorn was performed during the 2015 Ojai Music Festival. Mr. Lewis is the author of A Power Stronger than Itself: The AACM and American Experimental Music, a prizewinning, comprehensive cultural history of this influential organization and its members. The opera Afterword draws from the book’s own afterword, consisting of transcribed dialogues and testimonials about the AACM’s founding in 1965. Afterword will be semi-staged and directed by Sean Griffin.

Saturday afternoon’s two-part concert on June 10 begins with a program by the Brentano Quartet. In addition to performing the entire two-century range of standard quartet repertoire, the Brentano Quartet has a strong interest in both old and new music. The concert features music by György Kurtág and Mozart, as well as Vijay Iyer’s Mozart Effects, written for the quartet. Following this will be Conduction® led by Tyshawn Sorey, who is widely considered to be among the most important young artists at the intersection between composed and improvised music. Conduction®, is a gestural language invented by the acclaimed cornetist and composer Lawrence D. “Butch” Morris. As defined by the composer, “Conduction® is the practice of conveying and interpreting a lexicon of directives to construct or modify sonic arrangement or composition; a structure-content exchange between composer/conductor and instrumentalists that provides the immediate possibility of initiating or altering harmony, melody, rhythm, tempo, progression, articulation, phrasing, or form through the manipulation of pitch, dynamics (volume/intensity/density), timbre, duration, silence, and organization in real-time. Conduction® is a 60-minute piece of new music for an ensemble of 20 players being composed in real time – none of the performers nor conductor have a note of music in front of them.”

The Saturday evening centerpiece is RADHE RADHE: Rites of Holi, commissioned five years ago by Carolina Performing Arts at The University of North Carolina at Chapel Hill to celebrate the centennial of Stravinsky’s Le Sacre du printemps. RADHE RADHE: Rites of Holi is a vivid and mesmerizing multimedia collaboration by Mr. Iyer and filmmaker Prashant Bhargava (who passed away in 2015 at the age of 42), exploring another sort of rite of spring, the Hindu festival of Holi, famous for its revelry of color in celebration of the love between the divine Krishna and Radha. In northern India, Mr. Bhargava filmed ravishing hi-definition images of an eight-day Holi festival, later editing the footage into a finished 37-minute film with Stravinsky’s Sacre musical structure as the basis for its film structure. Mr. Iyer composed a new score as the musical complement to Mr. Bhargava’s visual ballet, drawing at times on the rhythms and chants of the Holi festival. The result is one of Mr. Iyer’s warmest, most colorful creations to date, as rich melodically as it is texturally. The work is for an ensemble of 13 players that will be performed by ICE and conducted by Steven Schick, who will accompany the projected film live on the Libbey Bowl stage. The first half of the concert will be the West Coast premiere of a new version of Le Sacre du printemps arranged by composer Cliff Colnot for the same instrumental forces.

The final day of the Festival on Sunday, June 11 is a mini-festival of improvisation. It begins in the early morning with a free concert of living legends that will be one of the historical highlights at Ojai – The Trio featuring octogenarian pianist Muhal Richard Abrams, George Lewis on trombone and laptop, and Roscoe Mitchell on assorted woodwinds. Mr. Abrams and Mr. Mitchell were among the founders of the AACM. The afternoon concert presents Vijay Iyer and his close collaborator for more than twenty years, the award-winning saxophonist Rudresh Mahanthappa, joining forces with two living giants of Indian classical music: celebrated Carnatic vocalist Aruna Sairam and tabla maestro and world music pioneer Zakir Hussain. This day realizes one of Vijay Iyer’s dreams for the 2017 Festival, to create a new musical fabric with these remarkable artists together in Ojai. The Festival closes with Vijay Iyer and his all-star sextet including bassist Stephan Crump, Tyshawn Sorey on drums, alto saxophonist Steve Lehman, Graham Haynes on cornet and flugelhorn, and tenor saxophonist Mark Shim, an ensemble The New York Times has said, “addresses original music with a gripping sense of purpose.”

In addition to the main concert lineup there will be two Daybreak concerts both starting at 9am at Zalk Theatre at Besant Hill School in the upper Ojai for Ojai Music Festival members. On Friday, June 9 the performance features Jen Shyu, experimental vocalist, composer, multi-instrumentalist, dancer, and Fulbright scholar, who will perform her own work, Solo Rites: Seven Breaths. Saturday, June 10 features Nicole Mitchell, flutist, composer, bandleader, and educator. Ms. Mitchell’s music celebrates African American culture while reaching across genres and integrating new ideas with moments in the legacy of jazz, gospel, experimentalism, pop, and African percussion. She formerly served as the first woman president of Chicago’s Association for the Advancement of Creative Musicians (AACM).

Free Community Concerts

Ojai continues to build on its commitment to reach an ever-broader audience, and the 2017 Festival offers two free Late Night concerts in the Libbey Bowl, in addition to the Sunday morning concert. Friday evening at 10:30pm features a recital by Jennifer Koh, entitled “Bach and Beyond” in which Ms. Koh will perform works by Johann Sebastian Bach, Missy Mazzoli, Luciano Berio, and Esa-Pekka Salonen. Saturday night at 10:30pm brings Vijay Iyer together with the Brentano Quartet to perform his Time, Place, Action. The Brentano Quartet opens the concert with selections from Bach’s Art of the Fugue, and the concert closes with the American premiere of a new version of Yet Unheard by the versatile composer and pianist Courtney Bryan. Written for chorus, orchestra, and the vocalist Helga Davis, Yet Unheard sets a new text by poet Sharan Strange memorializing Sandra Bland, a 28-year-old African American woman who died in police custody in Waller County, Texas, on July 13, 2015. Her death was classified as a suicide, though protests dispute the cause of death and allege racial violence. Focusing on bridging the sacred and the secular, Ms. Bryan’s recent compositions explore human emotions through sound, confronting the challenge of notating the feeling of improvisation. 

Ojai Talks

The 2017 Festival begins with Ojai Talks hosted by Ara Guzelimian, former Festival Artistic Director and current Dean and Provost of The Juilliard School. On Thursday June 8 the first part session topic is “The Art of Improvisation” with Vijay Iyer. The second part of the Talks features a panel to discuss “Music as Community” with Mr. Iyer and other prominent guests. On Friday evening, June 9 the Ojai Talks will be held prior to the 8pm concert of George Lewis’ Afterword on the Libbey Bowl stage. The session will feature a discussion on the Association for the Advancement of Creative Musicians (AACM) with special guests. Additional details will be announced at a later date.

Ojai at Berkeley

Marking the seventh year of artistic partnership, Ojai at Berkeley celebrates the dynamic nature of the Ojai Music Festival and of Cal Performances. As two distinct communities, Ojai and Berkeley are both known for intrepid artistic discovery, spirited intellect, and enduring engagement in the arts. Inaugurated in 2011, Ojai at Berkeley is a joint force that enables co-commissions and co-productions and allows artists to achieve more than could be imagined by each organization separately. Ojai at Berkeley follows the 2017 Ojai Music Festival and will take place from June 15-17 in Berkeley, CA. For more information visit CalPerformances.org.

Vijay Iyer, Music Director

Composer-pianist Vijay Iyer is the Franklin D. and Florence Rosenblatt Professor of the Arts at Harvard University. He was named Downbeat Magazine’s Jazz Artist of the Year for 2012, 2015, and 2016, and he received a 2016 US Artists Fellowship, 2013 MacArthur Fellowship, a 2012 Doris Duke Performing Artist Award, and a 2011 Grammy nomination. He has released twenty-one albums, including A Cosmic Rhythm with Each Stroke (ECM, 2016) in duo with legendary composer-trumpeter Wadada Leo Smith, named “Best New Music” by Pitchfork; Break Stuff (ECM, 2015) with the Vijay Iyer Trio, winner of the German Record Critics’ Award for Album of the Year; the live score to the film RADHE RADHE: Rites of Holi (ECM, 2014) by filmmaker Prashant Bhargava; and Holding it Down: The Veterans’ Dreams Project (Pi Recordings, 2013), his third politically searing collaboration with poet-performer Mike Ladd, named Album of the Year in the Los Angeles Times.

Mr. Iyer’s compositions have been commissioned and premiered by Bang on a Can All-Stars, The Silk Road Ensemble, Ethel, Brentano Quartet, Brooklyn Rider, Imani Winds, American Composers Orchestra, International Contemporary Ensemble, Chamber Orchestra Leopoldinum, Matt Haimowitz, and Jennifer Koh. Mr. Iyer serves as Director of the Banff International Workshop in Jazz and Creative Music.

Thomas W. Morris, Artistic Director

Thomas W. Morris was appointed Artistic Director of the Ojai Music Festival starting with the 2004 Festival. Morris is recognized as one of the most innovative leaders in the orchestra industry and served as the long-time chief executive of both The Cleveland Orchestra and the Boston Symphony Orchestra. He is currently active nationally and internationally as a consultant, lecturer, teacher, and writer. As Artistic Director, Morris is responsible for artistic planning and each year appoints a music director with whom he collaborates on shaping the Festival’s programming. During his decade-long tenure, audiences have increased and the scope of the Festival has expanded, most recently to include a collaborative partnership, Ojai at Berkeley, with Cal Performances at UC Berkeley. Morris was a founding director of Spring for Music at New York’s Carnegie Hall and served as the project’s artistic director. He currently serves as a member of the Board of Directors of the Interlochen Center for the Arts. He is also an accomplished percussionist.

About the Ojai Music Festival

From its founding in 1947, the Ojai Music Festival has created a place for groundbreaking musical experiences, bringing together innovative artists and curious audiences in an intimate, idyllic setting 80 miles northwest of Los Angeles. The Festival presents broad-ranging programs in unusual ways with an eclectic mix of rarely performed music, refreshing juxtapositions of musical styles, and works by today’s composers. The four-day festival is an immersive experience with concerts, free community events, symposia, and gatherings. Considered a highlight of the international music summer season, Ojai has remained a leader in the classical music landscape for seven decades.

Through its unique structure of the Artistic Director appointing an annual Music Director, Ojai has presented a “who’s who” of music including Aaron Copland, Igor Stravinsky, Olivier Messiaen, Michael Tilson Thomas, Kent Nagano, Pierre Boulez, John Adams, Esa-Pekka Salonen, Robert Spano, Pierre-Laurent Aimard, David Robertson, Eighth Blackbird, George Benjamin, Dawn Upshaw, Leif Ove Andsnes, Mark Morris, Jeremy Denk, Steven Schick, and Peter Sellars.

The Festival, which enters its 71st year in 2017, is a nonprofit organization based in Ojai, California. The Board Chairman is David Nygren and President is Jamie Bennett.

Remote Access to the Ojai Music Festival

The Ojai Music Festival continues to draw thousands of curious and engaged music enthusiasts from across the country. As tickets remain in high demand, Ojai includes free access to the Festival experience through live and archived video streaming at OjaiFestival.org. Festival concert archives can also be heard on media partner Q2 Music’s website at WQXR.org. 

Series Passes for 2017 Ojai Music Festival

2017 Festival series passes are available and may be purchased online at OjaiFestival.org or by calling (805) 646-2053. 2017 Ojai Music Festival series passes range from $140 to $860 for reserved seating and lawn series passes start at $60. Single concert tickets will be available in spring 2017.

Directions to Ojai and Libbey Bowl, as well as information about lodging, concierge services for visitors, and other Ojai activities, are available on the Festival website. Follow Festival updates at OjaiFestival.org, Facebook (Facebook.com/ojaifestival), and Twitter (@ojaifestivals).

# # #

OPENINGS FOR THE ARTS MANAGEMENT INTERNSHIP PROGRAM

Application deadline: March 1, 2017
Download application form

bonding-2

(Ojai, CA) —  Applications are now being accepted to participate in the Ojai Music Festival’s arts management internship program coinciding with the 71st Ojai Music Festival slated for June 8-11, 2017 with Music Director Vijay Iyer.  Entering its tenth year, the Festival’s three-week program provides hands-on experiences to college students.

Ojai’s arts management internship program offers select students direct experience as they are immersed in areas of administration, operations, special events, merchandising, production, marketing, public relations, and patron services.

Students from varying fields and walks of life enjoy access to different opportunities which give them new skill sets and experiences that they take with them throughout their careers. The internship program also provides them to interact with leaders in the music industry and create lasting friendships with other students. 

Applicants must be 18 or over and enrolled in a two or four year accredited college. The Festival provides housing for the duration of the internship as well as a stipend. Applications are due by March 1, 2017. 

The 71st Ojai Music Festival, June 8-11, 2017, will celebrate diverse communities of music, artists, and collaborations in a weekend of stimulation and reflection curated by this year’s Music Director Vijay Iyer. A genre-transcending composer, pianist, improviser, and musical thinker, Iyer’s programming vision will make connections across genres to help audiences discover how composers, performers, and improvisers make music together.

Joining him will be a community of artistic collaborators, including returning Ojai family members 2015 Music Director Steven Schick, International Contemporary Ensemble (ICE), Carnatic vocalist Aruna Sairam, flutist Claire Chase, and composer/percussionist Tyshawn Sorey. Master musicians from various backgrounds making their Ojai debuts include Brentano Quartet; violinist Jennifer Koh; Vijay Iyer Trio; Vijay Iyer Sextet; tabla virtuoso Zakir Hussain; saxophonist Rudresh Mahanthappa; trumpeter Wadada Leo Smith; and The Trio featuring Muhal Richard Abrams, George Lewis, and Roscoe Mitchell.

The 2017 Festival will also feature the world premiere of Vijay Iyer’s Violin Concerto, the American premiere of Iyer’s Emergence; Radhe Radhe: Rites of Holi with music by Iyer and film by Prashant Bhargava; the West Coast premiere of the opera Afterword by George Lewis; and Yet Unheard (world premiere of chamber version) by Courtney Bryan.

For more information regarding the internship program for the Ojai Music Festival, please call the main office at 805 646 2094 or email info@ojaifestival.org.  For more information on the 70th Ojai Music Festival, visit OjaiFestival.org.

 

 

Press Photos: Barbara Hannigan, 2019 Music Director

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Photo Credit: Musacchio Ianniello Accademia Nazionale di Santa Cecilia

Press Photos: Libbey Park (2014)

Hudson Shad performs at the 68th Ojai Music Festival at Libbey Park Gazebo on June 13, 2014 in Ojai, California.

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Photo Credit: Timothy Norris

Press Photos: OMF Evening (2011)

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Photo Credit: Timothy Norris