Contemporary Classical Music Festival in Ojai, CA

Francesco Turrisi: What’s On My Playlist

Francesco Turrisi


Grammy award winning multi-instrumentalist and 2023 Festival artist Francesco Turrisi has been defined a “musical alchemist” and a “musical polyglot” by the press. Enjoy this wide-ranging music playlist curated by Francesco especially made for the Ojai Music Festival!

PLUS, watch the conversation with Francesco and Festival Artistic Director Ara Guzelimian during our Virtual Ojai Talks in December. Click here >

Preview Francesco Turrisi’s playlist here, and log into Spotify or Apple Music to hear the full songs

 

SPOTIFY

APPLE MUSIC

Click HERE to listen on Apple Music

 

1. Slide Dance
by Tamer Pinarbasi, Ismail Lumanovski, Ara Dinkjian



 

2. Per ogni sorte di strumenti musicale, Op. 22: Passacaglio
composed by Biagio Marini, performed by Jordi Savall and Hespèrion XXI



 

3. Yo Vivo Enamorado
by Pedrito Martinez


 

4. Eliasong
by Christian Wallumrød Ensemble



 

5. Pucciniana
by Guinga



 

6. Lament for Linus
by Brad Mehldau



 

7. Sonata Da Chiesa No. 1 in D Major, Op. 5: I. Grave – Adagio – Grave – Allegro – Adagio
composed by Arcangelo Corelli, performed by Accademia Bizantina, Ottavio Dantone, and Stefano Montanari



 

8. Como al Pie del Suplicio Estuve
by Efrén López



 

9. La Tarantella dell’Avena
by Zahr



 

10. Sareri Hovin Mernem
by Lena Chamamyan



BONUS track. Here’s an added piece of music requested by Ojai listeners! Spotify – Passacaglia – song and lyrics by Francesco Turrisi

ENJOY Francesco’s Mom’s delicious “lean” lasagna recipe! Click here >

Steven Schick, conductor & percussionist

Tan Dun, composer

Justin Robinson, fiddler, vocalist

Mazz Swift, violinist

Karen Ouzounian, cello

Shawn Conley, bass

Mario Gotoh, violin, viola

2023 Virtual Ojai Talks

 Get an inside look at the creative process with our free Virtual Ojai Talks, where we celebrate the intersection of music and ideas with the 2023 Festival artists, composers, innovators, and thinkers. Virtual Talks are free and open to the musically curious!

Free and Open to the Public
Virtual Ojai Talks with Michael Abels
May 3, 2023, 5:30-6:30pm
Zoom

Enjoy a conversation between Ara Guzelimian and featured Festival composer Michael Abels as they talk about creating the world premiere of Omar’s Journey, an Ojai-commissioned work for voices and chamber ensemble drawn from the opera Omar by Rhiannon Giddens and Michael Abels, and his continuing work as both a film and concert composer.

RSVP here >

Watch Virtual Ojai Talks with Steven Schick and Lei Liang

Ara Guzelimian and percussionist/conductor Steven Schick are joined by composer Lei Liang, whose works are featured at this year’s 77th Ojai Music Festival – including vis-à-vis, written specifically for Steven Schick and Wu Man. In addition. they consider the legacy of Chou Wen-chung, the composer and legendary mentor to both, whose centennial is celebrated this year.

About Steven Schick, conductor and percussionist

Percussionist, conductor, and author Steven Schick was born in Iowa and raised in a farming family. Hailed by Alex Ross in the New Yorker as, “one of our supreme living virtuosos, not just of percussion but of any instrument,” he has championed contemporary percussion music by commissioning or premiering more than one hundred-fifty new works. The most important of these have become core repertory for solo percussion. Schick was inducted into the Percussive Arts Society Hall of Fame in 2014.

Steven Schick is artistic director of the La Jolla Symphony and Chorus and the San Francisco Contemporary Music Players. As a conductor, he has appeared with the BBC Scottish Symphony Orchestra, the Saint Paul Chamber Orchestra, the Milwaukee Symphony, Ensemble Modern, the International Contemporary Ensemble, and the Asko/Schönberg Ensemble.

Schick’s publications include a book, “The Percussionist’s Art: Same Bed, Different Dreams,” and many articles. He has released numerous recordings including the 2010 “Percussion Works of Iannis Xenakis,” and its companion, “The Complete Early Percussion Works of Karlheinz Stockhausen” in 2014 (both on Mode). He received the “Diapason d’Or” as conductor (Xenakis Ensemble Music with ICE) and the Deutscheschallplattenkritikpreis, as percussionist (Stockhausen), each for the best new music release of 2015.

Steven Schick is Distinguished Professor of Music and holds the Reed Family Presidential Chair at the University of California, San Diego. He was music director of the 2015 Ojai Festival, and starting in 2017, will be co-artistic director, with Claire Chase, of the Summer Music Program at the Banff Centre.

About Lei Liang, composer 

Chinese-born American composer Lei Liang is the winner of the Rome Prize, the recipient of a Guggenheim Fellowship, a Koussevitzky Foundation Commission, a Creative Capital Award, and the Goddard Lieberson Fellowship from the American Academy of Arts and Letters. His concerto for saxophone and orchestra, Xiaoxiang, was named a finalist for the Pulitzer Prize in Music in 2015. His orchestral work, A Thousand Mountains, A Million Streams, won the prestigious 2021 Grawemeyer Award for Music Composition.

Lei Liang was commissioned by the New York Philharmonic and Alan Gilbert for the inaugural concert of the CONTACT! new music series. His ten portrait discs are released on Naxos, New World, Mode, BMOP/sound, Encounter, Albany and Bridge Records. As a scholar and conservationist of cultural traditions, he has edited and co-edited five books and editions, and published more than forty articles.

From 2013-2016, Lei Liang served as Composer-in-Residence at the Qualcomm Institute/Calit2 where his multimedia works preserve and reimagine cultural heritage through combining scientific research and advanced technology. He returned to the Institute as its first Research Artist-in-Residence in 2018.

Lei Liang’s recent works address issues of sex trafficking across the US-Mexican border (Cuatro Corridos), America’s complex relationship with gun and violence (Inheritance), and environmental awareness through the sonification of coral reefs.

Lei Liang is Chancellor’s Distinguished Professor of Music at the University of California, San Diego where he served as chair of the composition area, acting chair of the Music Department, as well as chair of campus-wide committee on committees. His catalogue of more than a hundred works is published exclusively by Schott Music Corporation (New York).


Watch Virtual Ojai Talks with Wu Man

Artistic and Executive Director Ara Guzelimian was joined by Wu Man to talk about her career as the world’s premier pipa virtuoso and a leading ambassador of Chinese music. She has carved out a distinguished career as a soloist, educator, and composer giving her instrument—which has a history of over 2,000 years in China—a new role in both traditional and contemporary music.

About Wu Man, pipa player and 2023 Festival artist 

Recognized as the world’s premier pipa virtuoso and leading ambassador of Chinese music, Wu Man has carved out a career as a soloist, educator, and composer giving her lute-like instrument—which has a history of over 2,000 years in China—a new role in both traditional and contemporary music. Through numerous concert tours she has premiered hundreds of new works for the pipa, while spearheading multimedia projects to both preserve and create awareness of China’s ancient musical traditions. Her adventurous spirit and virtuosity have led to collaborations across artistic disciplines, allowing her to reach wider audiences as she works to cross cultural and musical borders. Her efforts were recognized when she was named Musical America’s 2013 “Instrumentalist of the Year,” marking the first time this prestigious award has been bestowed on a player of a non-Western instrument, and in 2021 when she received an honorary Doctorate of Music from the New England Conservatory of Music.

Having been brought up in the Pudong School of pipa playing, one of the most prestigious classical styles of Imperial China, Ms. Wu is now recognized as an outstanding exponent of the traditional repertoire as well as a leading interpreter of contemporary pipa music by today’s most prominent composers such as Tan Dun, Philip Glass, the late Lou Harrison, Terry Riley, Bright Sheng, Chen Yi, and many others. She was the recipient of The Bunting Fellowship at Harvard University in 1998, and was the first Chinese traditional musician to receive The United States Artist Fellowship in 2008. She is also the first artist from China to perform at the White House. Wu Man is a Visiting Professor at her alma mater the Central Conservatory of Music in Beijing and a Distinguished Professor at the Zhejiang and the Xi’an Conservatories. She has also served as Artistic Director of the Xi’an Silk Road Music Festival at the Xi’an Conservatory. Read Wu Man full bio here


Watch Virtual Ojai Talks with Francesco Turrisi

About Francesco Turrisi, multi-instrumentalist, composer, and 2023 Festival artist

Grammy award winning multi-instrumentalist Francesco Turrisi has been defined a “musical alchemist” and a “musical polyglot” by the press. He left his native Italy in 1997 to study jazz piano and early music at the Royal Conservatory of The Hague, where he obtained a Bachelor and a Master’s degree. Since 2004 he has been working successfully as a freelance musician.

He has released five critically acclaimed albums as a leader and two as co-leader (“Tarab” a cross boundary innovative ensemble that blends Irish and Mediterranean traditional music, and “Zahr” a project that looks at connections between southern Italian traditional music and Arabic music).His latest piano solo album “Northern Migrations” was described as “delicate, wistful and wholly engrossing” by the Irish Times. Francesco is also a member of the celebrated early music ensemble L’Arpeggiata. With l’Arpeggiata he has performed at the most important classical music festivals in Europe and around the world (Turkey, Russia, China, Australia, New Zealand, Brasil, Colombia) and has recorded for Warner, Virgin, Naive and Alpha.

Since 2018 he collaborates with American grammy award winning singer and multi-instrumentalist Rhiannon Giddens, on a duo project that seamlessly combines music from the Mediterranean with music from the African diaspora in the Americas. In 2019 Giddens and Turrisi released their critically acclaimed duo album “there is no Other”. The album single “I’m on my way” was nominated for a 2020 Grammy Award. Their 2021 second duo album “They’re calling me home” was nominated for two Grammy awards and won as best folk album at the 2022 Grammy awards. Francesco currently performs on piano, accordion, harpsichord, organ, various lutes, cello banjo, frame and goblet drums.

He is equally at home playing with jazz veterans Dave Liebman and Gianluigi Trovesi as he is with Irish traditional sean-nós singer Roisin El Safty and with tarantella specialist Lucilla Galeazzi. Turrisi has toured with Bobby McFerrin, interpreted the music of Steve Reich with Bang on a Can All Stars, accompanied flamenco star Pepe El Habichuela and Greek singer Savina Yannatou.


Watch Virtual Ojai Talks with Rhiannon Giddens

About Rhiannon Giddens

The acclaimed musician Rhiannon Giddens uses her art to excavate the past and reveal bold truths about our present. A MacArthur “Genius Grant” recipient, Giddens co-founded the Grammy Award-winning Carolina Chocolate Drops. She most recently won a Grammy Award for Best Folk Album for They’re Calling Me Home, and was also nominated for Best American Roots Song for “Avalon” from They’re Calling Me Home, which she made with multi-instrumentalist Francesco Turrisi. Giddens is now a two-time winner and eight-time Grammy nominee for her work as a soloist and collaborator.

They’re Calling Me Home was released by Nonesuch last April and has been widely celebrated by the NY Times, NPR Music, NPR, Rolling Stone, People, Associated Press and far beyond, with No Depression deeming it “a near perfect album…her finest work to date.” Recorded over six days in the early phase of the pandemic in a small studio outside of Dublin, Ireland – where both Giddens and Turrisi live – They’re Calling Me Home manages to effortlessly blend the music of their native and adoptive countries: America, Italy, and Ireland. The album speaks of the longing for the comfort of home as well as the metaphorical “call home” of death.

Giddens’s lifelong mission is to lift people whose contributions to American musical history have previously been erased, and to work toward a more accurate understanding of the country’s musical origins. Pitchfork has said of her work, “few artists are so fearless and so ravenous in their exploration,” and Smithsonian Magazine calls her “an electrifying artist who brings alive the memories of forgotten predecessors, white and black.”

Among her many diverse career highlights, Giddens has performed for the Obamas at the White House and received an inaugural Legacy of Americana Award from Nashville’s National Museum of African American History in partnership with the Americana Music Association. Her critical acclaim includes in-depth profiles by CBS Sunday Morning, the New York Times, the New Yorker, and NPR’s Fresh Air, among many others.

Giddens was featured in Ken Burns’s Country Music series, which aired on PBS, where she spoke about the African American origins of country music. She is also a member of the band Our Native Daughters with three other black female banjo players, Leyla McCalla, Allison Russell, and Amythyst Kiah, and co-produced their debut album Songs of Our Native Daughters (2019), which tells stories of historic black womanhood and survival.

Giddens is in the midst of a tremendous 2022. She announced the publication of her first book, Build a House (October 2022),  Lucy Negro Redux, the ballet Giddens wrote the music for, had its premiere at the Nashville Ballet (premiered in 2019 and toured in 2022), and the libretto and music for Giddens’ original opera, Omar, in collaboration with Michael Abels, based on the autobiography of the enslaved man Omar ibn Said, premiered at the Spoleto USA Festival in May. Giddens is also curating a four-concert Perspectives series as part of Carnegie Hall’s 2022–2023 season. Named Artistic Director of Silkroad Ensemble in 2020, Giddens is developing a number of new programs for that ensemble, including one inspired by the history of the American transcontinental railroad and the cultures and music of its builders.

She made her Ojai debut for the celebratory 75th Ojai Music Festival with Music Director John Adams in September 2021.

As an actor, Giddens had a featured role on the television series Nashville.

Rhiannon Giddens photo by Ebru Yildiz

New Sounds: Ojai On The Air

We are delighted to announce a renewed partnership with WQXR Radio and its remarkable New Sounds program, which just celebrated its 40th anniversary with John Schaefer, one of the most adventurous guides to creative and innovative music anywhere.

This week-long series of programs will connect audiences with the many facets of the Festival’s 2022 collaboration with the discipline colliding collective AMOC*, Ojai’s 2022 Music Director.  Imagined as a vehicle to connect audiences and artists who engage deeply with the world’s most adventurous, new music, WQXR/New Sounds Presents: Ojai On The Air looks toward ongoing programming leading up to and during the 2023 Festival with Music Director Rhiannon Giddens.

CLICK HERE TO LEARN MORE
Check out the episodes below along with featured clips:

EPISODE 1>>
Davóne Tines and New Sounds host John Schaefer discuss Julius Eastman’s work, Tines’ connection to Eastman’s lineage, and how the program Tines and AMOC* prepared honors Eastman as a complete human, exploring the breadth and depth of his life and influence.

EPISODE 2>>
Listen to members of AMOC* performing Little Jimmy by violinist and composer Andrew McIntosh (of new music band Wild Up), and songs of drummer/composer Tyshawn Sorey and American composer Margaret Bonds, performed by bass-baritone Davóne Tines.

EPISODE 3>>
AMOC* member and pianist Conor Hanick plays and discusses The Book of Sounds by the late German pianist, composer, and broadcaster, Hans Otte.

EPISODE 4>>
Listen to a program of J.S. Bach which upends expectations, as arranged by AMOC* member, flutist and composer Emi Ferguson and the period instrument band Ruckus. Plus, from the 2022 Festival Finale, a performance of Julius Eastman’s work of resistance as an act of joy, Stay On It.

Wu Man, pipa

Kayhan Kalhor, kamancheh

Francesco Turrisi, multi-instrumentalist

Michael Abels, composer

Attacca Quartet

Rhiannon Giddens, 2023 Music Director

Rhiannon Giddens, 2023 Music Director

The acclaimed musician Rhiannon Giddens uses her art to excavate the past and reveal bold truths about our present. A MacArthur “Genius Grant” recipient, Giddens co-founded the Grammy Award-winning Carolina Chocolate Drops. She most recently won a Grammy Award for Best Folk Album for They’re Calling Me Home, and was also nominated for Best American Roots Song for “Avalon” from They’re Calling Me Home, which she made with multi-instrumentalist Francesco Turrisi. Giddens is now a two-time winner and eight-time Grammy nominee for her work as a soloist and collaborator.

They’re Calling Me Home was released by Nonesuch last April and has been widely celebrated by the NY Times, NPR Music, NPR, Rolling Stone, People, Associated Press and far beyond, with No Depression deeming it “a near perfect album…her finest work to date.” Recorded over six days in the early phase of the pandemic in a small studio outside of Dublin, Ireland – where both Giddens and Turrisi live – They’re Calling Me Home manages to effortlessly blend the music of their native and adoptive countries: America, Italy, and Ireland. The album speaks of the longing for the comfort of home as well as the metaphorical “call home” of death.

Giddens’s lifelong mission is to lift people whose contributions to American musical history have previously been erased, and to work toward a more accurate understanding of the country’s musical origins. Pitchfork has said of her work, “few artists are so fearless and so ravenous in their exploration,” and Smithsonian Magazine calls her “an electrifying artist who brings alive the memories of forgotten predecessors, white and black.”

Among her many diverse career highlights, Giddens has performed for the Obamas at the White House and received an inaugural Legacy of Americana Award from Nashville’s National Museum of African American History in partnership with the Americana Music Association. Her critical acclaim includes in-depth profiles by CBS Sunday Morning, the New York Times, the New Yorker, and NPR’s Fresh Air, among many others.

Giddens was featured in Ken Burns’s Country Music series, which aired on PBS, where she spoke about the African American origins of country music. She is also a member of the band Our Native Daughters with three other black female banjo players, Leyla McCalla, Allison Russell, and Amythyst Kiah, and co-produced their debut album Songs of Our Native Daughters (2019), which tells stories of historic black womanhood and survival.

Giddens is in the midst of a tremendous 2022. She announced the publication of her first book, Build a House (October 2022),  Lucy Negro Redux, the ballet Giddens wrote the music for, had its premiere at the Nashville Ballet (premiered in 2019 and toured in 2022), and the libretto and music for Giddens’ original opera, Omar, in collaboration with Michael Abels, based on the autobiography of the enslaved man Omar Ibn Said, premiered at the Spoleto USA Festival in May. Giddens is also curating a four-concert Perspectives series as part of Carnegie Hall’s 2022–2023 season. Named Artistic Director of Silkroad Ensemble in 2020, Giddens is developing a number of new programs for that ensemble, including one inspired by the history of the American transcontinental railroad and the cultures and music of its builders.

As an actor, Giddens had a featured role on the television series Nashville.

photo by Ebru Yildiz

BRAVO 2022 Wrap-Up

BRAVO summer music camp


The Ojai Music Festival BRAVO program, directed by BRAVO coordinator Laura Walter, provides music education opportunities to students and residents of the Ojai Valley for more than three decades. 2022 marked a safe return to many workshops and activities after close to two years of no in-person programs. As summer wraps up and we head into a new school year, join us in taking a look back at the BRAVO program’s accomplishments.

Highlights

Third graders’ returned to visiting retirement homes.
It was a time of authenticity, as the children experienced the joy, wisdom and humor that was possible while playing and singing with our elders. The staff said they hadn’t seen that many smiles in many months. The next week in class the students and teachers talked about how important that time was for them. The children learned that seniors are really nice, and fun!

Ojai O’Daiko performed Taiko Drumming music at this year’s Imagine concert.
840 children and 70 adults attended the performance at the Libbey Bowl thanks to an on-going partnership with the Ojai Valley School and funding from the Barbara Barnard Smith Worlds Music Foundation. Students were amazed that they could feel the music vibrate in their bodies!

The Instrument Petting Zoo was added to the Memorial Day weekend Art in the Park.
The program reached 700 more community members by giving them opportunities to try instruments and meet our BRAVO committee members.

New this past year – bringing musicians into 4th and 5th grade classes and having a few continuing sessions with Ms. Laura to expand upon all that we learned during our previous years together.
Teachers said they had never seen the children so attentive. Plans are in motion to expand the program for next year. Stay tuned!

Children/groups/classes served

Education Through Music schools:
BRAVO was in residence at Summit, San Antonio, Topa Topa, Meiner’s Oaks, Miramonte, Summit/Rock-Tree-Sky
28 classes; 660 children

Pilot Program: 4th/5th grades at Topa Topa Elementary:
7 sessions, 55 children per session
385 direct experiences
4 components: harp, violin, cello, Education Through Music

Artists in Residence:
Shelley Burgon, harp
Kathleen Robertson, violin
Cameron Schubert, cello
Julie Tumamait, Chumash storyteller/musician
Laura Walter, flute
Joann Yabrof, ETM

Music Van:
Thanks to the efforts of our Music Van volunteers, coordinated by Lynne Doherty, Music Van visited 7 schools, 5th graders (455 children)

Bravo Music Camp, June: 5 days, 30 children aged 6-13
Bravo Music Camp, August: 5 days, 30 children aged 5-13

Community Events

Ojai Day Oct. 16, 10am-4pm, 400 people served
Art in the Park, May 25-26, 10am-5pm, 700 people served

Music for Holiday Home Marketplace:
Kathryn Carlson, cello
Babette and Bob, acoustic duo
Debby Finley and Friends
Madrigali, vocal
Ruby Skye, acoustic duo
Fire on the Mountain, bluegrass trio
Ray Sullivan, guitar

Ojai Valley Museum First Fridays:
Dec. Laura Walter, flute; June-Laura Walter and Kylie Cloutier, flutes; August-Ray Sullivan, guitar

Storytelling Festival, Oct. 31, Ruby Skye

Imagine Concert:
Ojai O’Daiko, Taiko Drumming
March 25, Libbey Park, 840 children, 70 adults

Senior Living

Upbeat
Sends volunteers into assisted living facilities (traditionally the Continuing Care Center) and helps the residents play hand percussion.
The Artesian (October, June- cello)

The Bridge
All 3rd graders in the district go into assisted living facilities and play and sing with residents.
The Bridge at The Gables of Ojai—75 students, 40 seniors
The Bridge at The Artesian—75 students, 30 seniors

2022 Festival Photos

Photos by Timothy Teague

 

Photos by Joshus S. Rose

 

Festival Patron Photos by Timothy Teague

2022 Festival Critical Acclaim

Thank you

Thank you

Thank you for joining us at our 76th Festival, June 9-12, 2022. It was an exhilarating time! The energy and boundless creativity of AMOC* was vividly present across the Ojai Valley, giving all of us an extraordinary artistic adventure. Read review excerpts below.

Relive concerts anytime by watching our archived live streaming concerts

 View our photo gallery of some of our favorite Festival moments.

Download PDF of reviews here

“The Ojai Music Festival has always been more than the sum of its considerable parts, thanks to its compact duration (little more than a long weekend), eclectic classical programming, embrace of other disciplines (including theater, dance and spoken word), and sustained ability to attract luminaries to its still delightfully rustic outdoor setting—Igor Stravinsky, Aaron Copland and Pierre Boulez remain the most famous of its annually appointed music directors. Yet this year, something else pervaded, too: a feeling that the center of the classical-music universe, at least from June 9 through 12, was right here.”  – Wall Street Journal

“Davóne Tines, in a program note describing amoc’s approach to Eastman’s unswervingly radical music, wrote, “What is possible if all members of a performing ensemble are present for every step of the creation of a performance?” Ojai made the possibilities clear.” – The New Yorker

“There is nothing in music quite like Ojai, now three-quarters of a century old, with that packed morning-to-night-schedule, its variety of spaces and the stalwart curiosity of its audience. Led by Ara Guzelimian with a steady hand, the festival is Southern California relaxed — T-shirts and shorts, maybe a hoodie at night — but the repertory tends rigorous and recondite.” – New York Times

“This Utopian collective of 17 extraordinary artists happily reinventing opera was the communal music director last weekend for the 75th anniversary of this ever-quixotic festival.” – Los Angeles Times

“Eastman’s beloved half-hour Gay Guerilla was a standout moment during the program — and the festival. The dizzily ecstatic work came off as a musical statement at once unruly and internally logical, raucous and yet reflective, as was Eastman’s complex musical wont. Among other distinguishing marks at Ojai 2022, Eastman now joins the ranks of the festival’s ever-expanding songbook of 20th- and 21st-century greats whose music left a mark in this dreamy outpost of a town.” – San Francisco Classical Voice 

“Open Rehearsal, directed by the choreographer and dancer Bobbi Jene Smith, felt more nuanced. An outgrowth of Smith’s recent work “Broken Theater,” it is a wry, sometimes uproarious and poignant metatheatrical riff on the process of creation.” – New York Times

“For all its worldly trappings, as an annual gathering point for internationally-respected musicians, composers, conductors, plus visitors and press from near and far, the unique power of the Ojai Music Festival (ojaifestival.org) is partly rooted in its “village” concept. As the cliché goes, it “takes one” to pull all the festival pieces together and it is one, a golden west coast destination spot.” – Santa Barbara Independent 

“With AMOC’s boundary-pushing tenure at an end, Ojai has once more proved the most elastic of music festivals. And it seems clear that Mr. Guzelimian intends to continue stretching things.” – Wall Street Journal

“Compositional styles ran a wide gamut at the festival, from the ethereal simplicity of Cassandra Miller’s “About Bach” to the riotous, pop-flavored eclecticism of Doug Balliett’s mini-opera Rome Is Falling.” – The New Yorker

“Everything for AMOC is sacred in that it needs to perform at the highest level, but nothing is so sacred that it can’t be rethought musically, socially, racially, sexually, theatrically, physically.” – Los Angeles Times

“Many in the arts these days talk a big game about interdisciplinary collaboration, but few walk the walk like AMOC– New York Times